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(40.8 x 51.0 cm.)",51,40.8,1.257100149476831,[490,491,492,493,494],{"_220":300,"_221":301,"_42":302,"_303":304},"1967.136.4","Thomas Anshutz painted this in about 1895, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":487,"_488":489},"Checker Players, by Thomas Anshutz, ca. 1895",{"_294":484,"_296":485,"_298":486},"https://img.ochreeditions.com/m/1927.jpg?dl=1","/art/checker-players-si-saam-1967-136-4","/galleries/style/american-gilded-age/checker-players-si-saam-1967-136-4",{"_290":291,"_292":293},{"_224":479,"_125":480,"_284":481},{"_275":476,"_277":477,"_279":460,"_281":478},66,55.569560047562426,40.569560047562426,{"_286":224,"_123":482,"_154":483,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-anshutz","More by Thomas Anshutz","https://img.ochreeditions.com/a/1927/480.jpg","https://img.ochreeditions.com/a/1927/960.jpg","https://img.ochreeditions.com/a/1927/1920.jpg","Two boys sit engrossed in a game of checkers, each focusing intently on his next move. The dark, featureless interior draws our attention to the players' rigid poses.","source","Text from the Smithsonian American Art Museum.",{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},{"_310":495,"_312":496},"#d89553",0.0463,"#bf9c85",0.0551,"#8a5a41",0.0665,"#4f302b",0.1137,"#301d23",0.7184,"Thomas Anshutz","thomas-anshutz","American, 1851–1912",1851,1912,"Newport, Kentucky","Fort Washington, Pennsylvania","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","hound-and-hunter-nga-33970","Hound and Hunter",{"_42":560,"_221":561,"_324":562,"_326":385,"_328":563,"_330":564,"_332":565,"_333":566,"_334":567,"_140":53},"1892","overall: 71.8 x 122.3 cm (28 1/4 x 48 1/8 in.) framed: 102.2 x 151.8 x 10.2 cm (40 1/4 x 59 3/4 x 4 in.)",122.3,71.8,1.7188417960553923,[545,546,547,548,549],{"_220":429,"_221":430,"_42":431,"_303":304},"1947.11.1","Winslow Homer painted this in 1892, aged 56. It is now at the National Gallery of Art in Washington, DC.","A young hunter lies across the stern of a rowboat, gripping the antler of a deer submerged in the water with one hand and holding a rope with the other, while he turns to shout at his hound swimming towards them. Behind, the trees of the Adirondack forest blaze red and gold.","A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand. On the opposite riverbank, gold, rust, and scarlet-red trees span the width of this horizontal painting. The boy’s arms straddle the stern of the boat so one holds the antler with his right hand, closer to us, while the other clutches a rope with a loop at the end. He turns his face, mouth agape and cheeks flushed, over his right shoulder to look to our left, at a dog swimming toward the boat. The dog has white and caramel-brown markings, with dark brown ears. The boy wears earth-brown clothing and the front of his wide-brimmed hat is pushed up to reveal dark eyes and sable-brown bangs and brows. The stag and dog are between us and the boat, and are surrounded by thick brushstrokes of parchment white to create ripples in the forest-green water. Only the open muzzle, part of the eye, and the tips of the stag’s antlers are above the water’s surface. To our right, a bare, fallen tree lies along the far riverbank parallel to the boat. The boat and water fill the lower half of the scene and the autumn trees fill the upper half. The artist has signed and dated the painting in the lower right, “Winslow Homer 1892.”",{"_294":542,"_296":543,"_298":544},"https://img.ochreeditions.com/m/1491.jpg?dl=1","/art/hound-and-hunter-nga-33970","/galleries/style/american-gilded-age/hound-and-hunter-nga-33970",{"_290":291,"_292":293},{"_224":537,"_125":538,"_284":539},{"_275":534,"_277":535,"_279":518,"_281":536},137.3,86.1525634765625,71.1525634765625,{"_286":224,"_123":540,"_154":541,"_140":53},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1491/480.jpg","https://img.ochreeditions.com/a/1491/960.jpg","https://img.ochreeditions.com/a/1491/1920.jpg",{"_310":558,"_312":559},{"_310":556,"_312":557},{"_310":554,"_312":555},{"_310":552,"_312":553},{"_310":550,"_312":551},"#c7b58a",0.0236,"#756d53",0.0921,"#4b402b",0.1098,"#342113",0.2821,"#251e11",0.4924,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","italian-girl-si-chndm-1955-38-12-a","Italian girl",{"_42":619,"_221":620,"_324":621,"_326":385,"_328":563,"_330":451,"_332":603,"_333":622,"_334":-5,"_140":101},"ca. 1885","Pastel crayon on tan paper","32.3 x 25.4 cm (12 11/16 x 10 in.)",32.3,0.9348353552859618,[604,605,606,607,608],{"_220":300,"_221":301,"_42":302,"_303":603},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1955-38-12-a","Elihu Vedder drew this in about 1885, aged 49. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":601,"_488":602},"ITALIAN GIRL",{"_294":598,"_296":599,"_298":600},"https://img.ochreeditions.com/m/1752.jpg?dl=1","/art/italian-girl-si-chndm-1955-38-12-a","/galleries/style/american-gilded-age/italian-girl-si-chndm-1955-38-12-a",{"_290":424,"_292":425},{"_224":593,"_125":594,"_284":595},{"_275":590,"_277":591,"_279":592,"_281":574},54.19518197573656,56.3,30.195181975736563,{"_286":224,"_123":596,"_154":597,"_140":89},{"_286":125,"_123":419,"_154":420,"_140":421},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","https://img.ochreeditions.com/a/1752/480.jpg","https://img.ochreeditions.com/a/1752/960.jpg","https://img.ochreeditions.com/a/1752/1920.jpg","Head of a young female figure, turned toward the right.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},{"_310":611,"_312":612},{"_310":609,"_312":610},"#e2d0ba",0.0315,"#b19981",0.0805,"#f8ebd8",0.0818,"#cab39e",0.1039,"#c8ac90",0.7023,"Elihu Vedder","elihu-vedder","American, 1836–1923","Rome","the-old-road-to-the-sea-cma-117715","The Old Road to the Sea",{"_42":677,"_221":678,"_324":679,"_326":385,"_328":680,"_330":681,"_332":682,"_333":603,"_334":683,"_140":93},"c. 1893","Framed: 134.3 x 159.7 x 10.8 cm (52 7/8 x 62 7/8 x 4 1/4 in.); Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Former: 118.5 x 144 x 5.5 cm (46 5/8 x 56 11/16 x 2 3/16 in.)",127,101.5,1.2513801987486197,[662,663,664,665,666],{"_220":658,"_221":659,"_42":660,"_303":661},"Courtesy of the Cleveland Museum of Art","1938.333","William Merritt Chase painted this in about 1893, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":656,"_488":657},"The Old Road to the Sea, by William Merritt Chase, c. 1893",{"_294":653,"_296":654,"_298":655},"https://img.ochreeditions.com/m/534.jpg?dl=1","/art/the-old-road-to-the-sea-cma-117715","/galleries/style/american-gilded-age/the-old-road-to-the-sea-cma-117715",{"_290":291,"_292":293},{"_224":648,"_125":649,"_284":650},{"_275":645,"_277":646,"_279":628,"_281":647},142,116.4879411764706,101.4879411764706,{"_286":224,"_123":651,"_154":652,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/534/480.jpg","https://img.ochreeditions.com/a/534/960.jpg","https://img.ochreeditions.com/a/534/1920.jpg","One of the most influential of the American Impressionists, William Merritt Chase established his own summer school at Shinnecock, on the eastern tip of Long Island, New York. Attracted to the low-lying dunes and beaches, Chase and his students were among the first American artists to pursue open-air painting.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},{"_310":667,"_312":668},"#80a8b3",0.1373,"#85875e",0.1572,"#c9cabf",0.1682,"#adc0be",0.2053,"#aa9f78",0.332,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1849,1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","we-both-must-fade-mrs-fithian-si-saam-1970-101","We Both Must Fade (Mrs. Fithian)",{"_42":732,"_221":733,"_324":734,"_326":385,"_328":735,"_330":736,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1869","72 x 53 3/4 in. (182.9 x 136.5 cm.)",136.5,182.9,0.744,[717,718,719,720,721],{"_220":300,"_221":301,"_42":302,"_303":304},"1970.101","Lilly Martin Spencer painted this in 1869, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":716,"_488":489},"We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869",{"_294":713,"_296":714,"_298":715},"https://img.ochreeditions.com/m/1938.jpg?dl=1","/art/we-both-must-fade-mrs-fithian-si-saam-1970-101","/galleries/style/american-gilded-age/we-both-must-fade-mrs-fithian-si-saam-1970-101",{"_290":291,"_292":293},{"_224":708,"_125":709,"_284":710},{"_275":705,"_277":706,"_279":707,"_281":690},151.0776,197.9,136.0776,{"_286":224,"_123":711,"_154":712,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/1938/480.jpg","https://img.ochreeditions.com/a/1938/960.jpg","https://img.ochreeditions.com/a/1938/1920.jpg","Mrs. Fithian stands before a mirror, admiring the tokens that others have given in praise of her beauty. She wears lace and pearls, and a blue gown that has just been taken from its box. But like the rose in her hand with its falling petals, her beauty will fade, and with it, all the pleasures the world can provide.",{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},{"_310":722,"_312":723},"#b4a487",0.0854,"#1c2f4f",0.1024,"#5c7b90",0.1157,"#542916",0.2586,"#261210",0.4379,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"girl-in-black-pouting-tom-si-hmsg-66-5532","Girl in Black (Pouting Tom)",{"_42":785,"_221":786,"_324":787,"_326":385,"_328":450,"_330":788,"_332":789,"_333":790,"_334":791,"_140":230},"(1896-1901)","Oil on canvas","20 1/4 x 12 3/8 in. (51.4 x 31.4 cm)",31.4,51.4,0.6110694183864915,[770,771,772,773,774],{"_220":300,"_221":301,"_42":302,"_303":304},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.5532","James McNeill Whistler painted this ((1896-1901)), aged about 62. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","James Abbott McNeill Whistler",{"_294":767,"_296":768,"_298":769},"https://img.ochreeditions.com/m/1828.jpg?dl=1","/art/girl-in-black-pouting-tom-si-hmsg-66-5532","/galleries/style/american-gilded-age/girl-in-black-pouting-tom-si-hmsg-66-5532",{"_290":291,"_292":293},{"_224":762,"_125":763,"_284":764},{"_275":759,"_277":760,"_279":761,"_281":744},46.40896810506567,66.4,31.408968105065664,{"_286":224,"_123":765,"_154":766,"_140":230},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1828/480.jpg","https://img.ochreeditions.com/a/1828/960.jpg","https://img.ochreeditions.com/a/1828/1920.jpg",{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},"#4f3417",0.0176,"#754f24",0.0288,"#2d2215",0.0709,"#191915",0.1671,"#0d1415",0.7156,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155","In Cloister of Cathedreal, Le Puy",{"_42":841,"_221":842,"_324":843,"_326":385,"_328":844,"_330":845,"_332":-5,"_333":-5,"_334":846,"_140":99},"1883","Graphite on brown paper","14.4 × 23 cm (5 11/16 × 9 1/16 in.)",23,14.4,1.5815236125473975,[826,827,828,829,830],{"_220":300,"_221":301,"_42":302,"_303":603},"1948-47-155","Arnold William Brunner drew this in 1883, aged 26. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":825,"_488":602},"IN CLOISTER OF CATHEDREAL, LE PUY",{"_294":822,"_296":823,"_298":824},"https://img.ochreeditions.com/m/1748.jpg?dl=1","/art/in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155","/galleries/style/american-gilded-age/in-cloister-of-cathedreal-le-puy-si-chndm-1948-47-155",{"_290":424,"_292":425},{"_224":817,"_125":818,"_284":819},{"_275":814,"_277":815,"_279":357,"_281":816},49,39.80754141238012,15.807541412380122,{"_286":224,"_123":820,"_154":821,"_140":99},{"_286":125,"_123":419,"_154":420,"_140":421},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1748/480.jpg","https://img.ochreeditions.com/a/1748/960.jpg","https://img.ochreeditions.com/a/1748/1920.jpg","Coupled columns, left; capital; right; grillework, center.",{"_310":839,"_312":840},{"_310":837,"_312":838},{"_310":835,"_312":836},{"_310":833,"_312":834},{"_310":831,"_312":832},"#a4866a",0.023,"#ada9a8",0.082,"#ad9a83",0.0824,"#b9a186",0.2434,"#c1aa8e",0.5692,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,1925,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496","Portrait of Mrs. Helen Mac Knight (Portrait of a Mother)",{"_42":859,"_221":898,"_324":899,"_326":385,"_328":900,"_330":681,"_332":901,"_333":901,"_334":902,"_140":87},"(c. 1903)",20,"20 1/8 x 16 in. (51 x 40.6 cm)",40.6,0.8323699421965318,[883,884,885,886,887],{"_220":300,"_221":301,"_42":302,"_303":304},"66.1496","Thomas Eakins painted this ((c. 1903)), aged 59. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","Thomas Eakins",{"_294":880,"_296":881,"_298":882},"https://img.ochreeditions.com/m/1821.jpg?dl=1","/art/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496","/galleries/style/american-gilded-age/portrait-of-mrs-helen-mac-knight-portrait-of-a-mother-si-hmsg-66-1496",{"_290":291,"_292":293},{"_224":869,"_125":870,"_284":871},{"_275":867,"_277":476,"_279":868,"_281":460},57.45086705202312,42.45086705202312,{"_286":224,"_123":878,"_154":879,"_140":87},{"_286":125,"_123":875,"_154":876,"_140":877},{"_286":284,"_123":872,"_154":873,"_140":874},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/thomas-eakins","More by Thomas Eakins","https://img.ochreeditions.com/a/1821/480.jpg","https://img.ochreeditions.com/a/1821/960.jpg","https://img.ochreeditions.com/a/1821/1920.jpg",{"_310":896,"_312":897},{"_310":894,"_312":895},{"_310":892,"_312":893},{"_310":890,"_312":891},{"_310":888,"_312":889},"#bd9860",0.0743,"#24170e",0.2081,"#433220",0.2084,"#644e33",0.2529,"#87683e",0.2563,"thomas-eakins","American, 1844–1916",1844,"Philadelphia, Pennsylvania","Eakins studied in Paris under Jean-Léon Gérôme and was impressed in Spain by Velázquez and Ribera, then returned to Philadelphia, where he spent his life.","diving-cormorant-cma-103625","Diving Cormorant",{"_42":949,"_221":950,"_324":951,"_326":385,"_328":952,"_330":953,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1900","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,1.5131286159323543,[934,935,936,937,938],{"_220":658,"_221":659,"_42":660,"_303":661},"1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_294":931,"_296":932,"_298":933},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/american-gilded-age/diving-cormorant-cma-103625",{"_290":291,"_292":293},{"_224":926,"_125":927,"_284":928},{"_275":923,"_277":924,"_279":909,"_281":925},48.2,36.94129411764706,21.94129411764706,{"_286":224,"_123":929,"_154":930,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg",{"_310":947,"_312":948},{"_310":945,"_312":946},{"_310":943,"_312":944},{"_310":941,"_312":942},{"_310":939,"_312":940},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1856,1909,"green-and-blue-the-dancer-aic-111164","Green and Blue: The Dancer",{"_42":785,"_221":786,"_324":787,"_326":385,"_328":450,"_330":788,"_332":789,"_333":790,"_334":791,"_140":230},"watercolour","Drawing and Watercolor","Watercolor and opaque watercolor over traces of black chalk on brown wove paper laid down on card","27.5 × 18.3 cm (10 7/8 × 7 1/4 in.)",18,27,0.6738479098302183,[992,993,994,995,996],{"_220":988,"_221":989,"_42":990,"_303":991},"Courtesy of the Art Institute of Chicago","1988.219","James McNeill Whistler painted this in about 1893, aged about 54. It is now at the Art Institute of Chicago.","A young dancer in a long, sheer dress is set down in pale washes of watercolour and opaque colour on brown paper, her form emerging from the warm tone of the sheet.","Pale watercolor drawing of young dancer in long sheer dress.",{"_294":985,"_296":986,"_298":987},"https://img.ochreeditions.com/m/277.jpg?dl=1","/art/green-and-blue-the-dancer-aic-111164","/galleries/style/american-gilded-age/green-and-blue-the-dancer-aic-111164",{"_290":424,"_292":425},{"_224":980,"_125":981,"_284":982},{"_275":978,"_277":460,"_279":979,"_281":962},42.19389356541589,18.19389356541589,{"_286":224,"_123":765,"_154":766,"_140":230},{"_286":125,"_123":983,"_154":984,"_140":355},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century","https://img.ochreeditions.com/a/277/480.jpg","https://img.ochreeditions.com/a/277/960.jpg","https://img.ochreeditions.com/a/277/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":1005,"_312":1006},{"_310":1003,"_312":1004},{"_310":1001,"_312":1002},{"_310":999,"_312":1000},{"_310":997,"_312":998},"#8f867d",0.0887,"#757d71",0.1744,"#817b68",0.2424,"#756a5a",0.2449,"#8a725c",0.2496,"peaceful-valley-nga-50295","Peaceful Valley",{"_42":1053,"_221":1054,"_324":1055,"_326":385,"_328":563,"_330":1056,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1872","overall: 17.7 x 31.1 cm (6 15/16 x 12 1/4 in.) framed: 36.8 x 49.5 x 4.8 cm (14 1/2 x 19 1/2 x 1 7/8 in.)",31.1,17.7,1.7333897587812104,[1038,1039,1040,1041,1042],{"_220":429,"_221":430,"_42":431,"_303":304},"1965.10.1","Alexander Helwig Wyant painted this in about 1872, aged 36. It is now at the National Gallery of Art in Washington, DC.","The painting depicts a rural landscape at sunset or sunrise. The horizon is slightly above the center, showing distant pale-pink and purple mountains against the sky. Closest to us is an area with dark green bushes and vegetation, leading to a lighter green field surrounded by green-and-brown trees. The palette is warm and earthy, with greens and browns in the bottom transitioning to purples and pinks in the distance. The sky is a pale-yellow color that fades into light blue towards the top left corner, and faint yellow and gray clouds drift across it.",{"_294":1035,"_296":1036,"_298":1037},"https://img.ochreeditions.com/m/1535.jpg?dl=1","/art/peaceful-valley-nga-50295","/galleries/style/american-gilded-age/peaceful-valley-nga-50295",{"_290":291,"_292":293},{"_224":1030,"_125":1031,"_284":1032},{"_275":1027,"_277":1028,"_279":1012,"_281":1029},46.1,32.9417236328125,17.9417236328125,{"_286":224,"_123":1033,"_154":1034,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-alexander-helwig-wyant","Alexander Helwig Wyant's contemporaries","https://img.ochreeditions.com/a/1535/480.jpg","https://img.ochreeditions.com/a/1535/960.jpg","https://img.ochreeditions.com/a/1535/1920.jpg",{"_310":1051,"_312":1052},{"_310":1049,"_312":1050},{"_310":1047,"_312":1048},{"_310":1045,"_312":1046},{"_310":1043,"_312":1044},"#4c3923",0.1376,"#815b28",0.1693,"#322a1e",0.1879,"#cba885",0.2339,"#e8bc81",0.2713,"Alexander Helwig Wyant","alexander-helwig-wyant","American, 1836–1892",1892,"the-gulf-stream-met-11122","The Gulf Stream",{"_42":560,"_221":561,"_324":562,"_326":385,"_328":563,"_330":564,"_332":565,"_333":566,"_334":567,"_140":53},"1899; reworked by 1906","28 1/8 x 49 1/8 in. (71.4 x 124.8 cm) Framed: 42 5/16 x 62 11/16 x 5 7/8 in. (107.5 x 159.3 x 15 cm)",124.8,71.4,1.6207455429497568,[1091,1092,1093,1094,1095],{"_220":1088,"_221":1089,"_42":1090,"_303":603},"Courtesy of The Metropolitan Museum of Art","06.1234","Winslow Homer painted this in 1899; reworked by 1906, aged about 63. It is now at The Met in New York.","A lone Black sailor lies on the deck of a dismasted, rudderless boat in the open sea, surrounded by circling sharks, while a waterspout churns on the horizon and a distant ship sails by, apparently unaware of him.","The Gulf Stream, by Winslow Homer, 1899; reworked by 1906",{"_294":1085,"_296":1086,"_298":1087},"https://img.ochreeditions.com/m/832.jpg?dl=1","/art/the-gulf-stream-met-11122","/galleries/style/american-gilded-age/the-gulf-stream-met-11122",{"_290":291,"_292":293},{"_224":1082,"_125":1083,"_284":1084},{"_275":1079,"_277":1080,"_279":1062,"_281":1081},139.8,92.0016,77.0016,{"_286":224,"_123":540,"_154":541,"_140":53},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/832/480.jpg","https://img.ochreeditions.com/a/832/960.jpg","https://img.ochreeditions.com/a/832/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_310":1104,"_312":1105},{"_310":1102,"_312":1103},{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},"#5c422e",0.0529,"#3a524c",0.2151,"#233231",0.2167,"#90866d",0.2179,"#151819",0.2974,"three-girls-and-river-si-saam-1980-34-3","Three Girls and River",{"_42":1155,"_221":1156,"_324":1157,"_326":1158,"_328":1159,"_330":1160,"_332":-5,"_333":-5,"_334":1161,"_140":97},"1907","oil on fiberboard","23 x 27 in. (58.5 x 68.5 cm)",68.5,58.5,1.1801730920535012,[1140,1141,1142,1143,1144],{"_220":300,"_221":301,"_42":302,"_303":304},"1980.34.3","Louis M. Eilshemius painted this in 1907, aged 43. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":1139,"_488":489},"Three Girls and River, by Louis M. Eilshemius, 1907",{"_294":1136,"_296":1137,"_298":1138},"https://img.ochreeditions.com/m/1958.jpg?dl=1","/art/three-girls-and-river-si-saam-1980-34-3","/galleries/style/american-gilded-age/three-girls-and-river-si-saam-1980-34-3",{"_290":291,"_292":293},{"_224":1131,"_125":1132,"_284":1133},{"_275":1128,"_277":1129,"_279":1112,"_281":1130},83.5,73.04233333333333,58.04233333333333,{"_286":224,"_123":1134,"_154":1135,"_140":97},{"_286":125,"_123":875,"_154":876,"_140":877},{"_286":284,"_123":872,"_154":873,"_140":874},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1958/480.jpg","https://img.ochreeditions.com/a/1958/960.jpg","https://img.ochreeditions.com/a/1958/1920.jpg","Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. In Three Girls and River, three nude women relax in a bucolic setting with lush trees and a babbling river.",{"_310":1153,"_312":1154},{"_310":1151,"_312":1152},{"_310":1149,"_312":1150},{"_310":1147,"_312":1148},{"_310":1145,"_312":1146},"#a69b73",0.1273,"#665b40",0.1487,"#d1bc82",0.1548,"#343838",0.2824,"#5d6767",0.2868,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.",{"_1163":-5,"_1164":1165,"_1166":1167,"_1168":8,"_1169":1170,"_1171":8},"user","csrf","10fef4d8bf2632381ab3edc6045b92780522fb8e","cartCount",0,"dropLive","legal",[1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183],"uploadsEnabled",{"_221":1206,"_20":1207},{"_221":1204,"_20":1205},{"_221":1202,"_20":1203},{"_221":1200,"_20":1201},{"_221":1198,"_20":1199},{"_221":1196,"_20":1197},{"_221":1194,"_20":1195},{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]