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It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":443,"_303":444},"We Both Must Fade (Mrs. Fithian), by Lilly Martin Spencer, 1869",{"_296":440,"_298":441,"_300":442},"https://img.ochreeditions.com/m/1938.jpg?dl=1","/art/we-both-must-fade-mrs-fithian-si-saam-1970-101","/galleries/style/american-gilded-age/we-both-must-fade-mrs-fithian-si-saam-1970-101",{"_292":293,"_294":295},{"_225":435,"_125":436,"_286":437},{"_277":432,"_279":433,"_281":434,"_282":416},151.0776,197.9,136.0776,{"_288":225,"_123":438,"_154":439,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-lilly-martin-spencer","Lilly Martin Spencer's contemporaries","https://img.ochreeditions.com/a/1938/480.jpg","https://img.ochreeditions.com/a/1938/960.jpg","https://img.ochreeditions.com/a/1938/1920.jpg","Mrs. Fithian stands before a mirror, admiring the tokens that others have given in praise of her beauty. She wears lace and pearls, and a blue gown that has just been taken from its box. But like the rose in her hand with its falling petals, her beauty will fade, and with it, all the pleasures the world can provide.","Text from the Smithsonian American Art Museum.","Washington, DC",{"_315":459,"_317":460},{"_315":457,"_317":458},{"_315":455,"_317":456},{"_315":453,"_317":454},{"_315":451,"_317":452},"#b4a487",0.0854,"#1c2f4f",0.1024,"#5c7b90",0.1157,"#542916",0.2586,"#261210",0.4379,"Lilly Martin Spencer","lilly-martin-spencer","1822–1902",1822,1902,"the-witch-s-daughter-si-saam-1929-6-18","The Witch's Daughter",{"_42":513,"_222":514,"_329":515,"_331":516,"_333":517,"_335":518,"_337":-5,"_339":-5,"_340":-5,"_140":103},"1881","watercolor","sight 20 1/2 x 12 1/2 in. (52.1 x 31.8 cm)",31.8,52.1,0.593,[498,499,500,501,502],{"_221":385,"_222":386,"_42":387,"_308":445},"1929.6.18","Frederick Stuart Church painted this in 1881, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Witch's Daughter, by Frederick Stuart Church, 1881",{"_296":495,"_298":496,"_300":497},"https://img.ochreeditions.com/m/1876.jpg?dl=1","/art/the-witch-s-daughter-si-saam-1929-6-18","/galleries/style/american-gilded-age/the-witch-s-daughter-si-saam-1929-6-18",{"_292":293,"_294":295},{"_225":490,"_125":491,"_286":492},{"_277":487,"_279":488,"_281":489,"_282":473},45.8953,67.1,30.8953,{"_288":225,"_123":493,"_154":494,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-frederick-stuart-church","Frederick Stuart Church's contemporaries","https://img.ochreeditions.com/a/1876/480.jpg","https://img.ochreeditions.com/a/1876/960.jpg","https://img.ochreeditions.com/a/1876/1920.jpg",{"_315":511,"_317":512},{"_315":509,"_317":510},{"_315":507,"_317":508},{"_315":505,"_317":506},{"_315":503,"_317":504},"#674631",0.0189,"#886c60",0.0954,"#b9b196",0.2549,"#a89782",0.2993,"#9c8471",0.3315,"Frederick Stuart Church","frederick-stuart-church","Grand Rapids, MI 1842-New York City 1924","Grand Rapids",1842,1924,"cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\"",{"_42":572,"_222":573,"_329":574,"_331":332,"_333":575,"_335":576,"_337":-5,"_339":-5,"_340":577,"_140":95},"ca. 1904",20,"22 1/8 x 45 3/8 in. (56.2 x 115.1 cm)",115.1,56.2,2.0380434782608696,[557,558,559,560,561],{"_221":385,"_222":386,"_42":387,"_308":445},"1983.114.23","Kenyon Cox painted this in about 1904, aged 48. It is now at the Smithsonian American Art Museum in Washington, DC.","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\", by Kenyon Cox, ca. 1904",{"_296":554,"_298":555,"_300":556},"https://img.ochreeditions.com/m/1966.jpg?dl=1","/art/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","/galleries/style/american-gilded-age/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23",{"_292":293,"_294":295},{"_225":543,"_125":544,"_286":545},{"_277":540,"_279":541,"_281":525,"_282":542},130.1,71.47573333333332,56.47573333333333,{"_288":225,"_123":552,"_154":553,"_140":95},{"_288":125,"_123":549,"_154":550,"_140":551},{"_288":286,"_123":546,"_154":547,"_140":548},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1966/480.jpg","https://img.ochreeditions.com/a/1966/960.jpg","https://img.ochreeditions.com/a/1966/1920.jpg",{"_315":570,"_317":571},{"_315":568,"_317":569},{"_315":566,"_317":567},{"_315":564,"_317":565},{"_315":562,"_317":563},"#7e4b22",0.0353,"#986c40",0.0998,"#a9855e",0.1709,"#b39977",0.3367,"#bda686",0.3573,"Kenyon Cox","kenyon-cox","American, 1856–1919",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","otter-cliffs-si-chndm-1948-47-249","Otter Cliffs",{"_42":628,"_222":629,"_329":630,"_331":332,"_333":631,"_335":632,"_337":-5,"_339":-5,"_340":633,"_140":99},"1879–80","Graphite and white heightening on gray paper","15.1 × 22.5 cm (5 15/16 × 8 7/8 in.)",22.5,15.1,1.473545842918173,[613,614,615,616,617],{"_221":385,"_222":386,"_42":387,"_308":388},"1948-47-249","Arnold William Brunner drew this in 1879–80, aged 22. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":612,"_303":384},"OTTER CLIFFS",{"_296":609,"_298":610,"_300":611},"https://img.ochreeditions.com/m/1749.jpg?dl=1","/art/otter-cliffs-si-chndm-1948-47-249","/galleries/style/american-gilded-age/otter-cliffs-si-chndm-1948-47-249",{"_292":378,"_294":379},{"_225":604,"_125":605,"_286":606},{"_277":600,"_279":601,"_281":602,"_282":603},49,40.96587867975022,25,16.965878679750222,{"_288":225,"_123":607,"_154":608,"_140":99},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/arnold-william-brunner","More by Arnold William Brunner","https://img.ochreeditions.com/a/1749/480.jpg","https://img.ochreeditions.com/a/1749/960.jpg","https://img.ochreeditions.com/a/1749/1920.jpg","Enclosed scene of mountains, top. Bottom, larger scene looking out to sea, lower right two figures sitting.",{"_315":626,"_317":627},{"_315":624,"_317":625},{"_315":622,"_317":623},{"_315":620,"_317":621},{"_315":618,"_317":619},"#a9abae",0.0425,"#98958e",0.1163,"#aba292",0.141,"#a6a299",0.2307,"#b0aca2",0.4695,"Arnold William Brunner","arnold-william-brunner","American, 1857–1925",1857,1925,"Arnold W. Brunner was a New York architect who trained at the Massachusetts Institute of Technology and sketched widely in Europe as a young man.","three-girls-and-river-si-saam-1980-34-3","Three Girls and River",{"_42":683,"_222":684,"_329":685,"_331":686,"_333":687,"_335":688,"_337":-5,"_339":-5,"_340":689,"_140":97},"1907","oil on fiberboard","23 x 27 in. (58.5 x 68.5 cm)",68.5,58.5,1.1801730920535012,[668,669,670,671,672],{"_221":385,"_222":386,"_42":387,"_308":445},"1980.34.3","Louis M. Eilshemius painted this in 1907, aged 43. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":667,"_303":444},"Three Girls and River, by Louis M. Eilshemius, 1907",{"_296":664,"_298":665,"_300":666},"https://img.ochreeditions.com/m/1958.jpg?dl=1","/art/three-girls-and-river-si-saam-1980-34-3","/galleries/style/american-gilded-age/three-girls-and-river-si-saam-1980-34-3",{"_292":293,"_294":295},{"_225":659,"_125":660,"_286":661},{"_277":656,"_279":657,"_281":640,"_282":658},83.5,73.04233333333333,58.04233333333333,{"_288":225,"_123":662,"_154":663,"_140":97},{"_288":125,"_123":549,"_154":550,"_140":551},{"_288":286,"_123":546,"_154":547,"_140":548},"artist/louis-m-eilshemius","More by Louis M. Eilshemius","https://img.ochreeditions.com/a/1958/480.jpg","https://img.ochreeditions.com/a/1958/960.jpg","https://img.ochreeditions.com/a/1958/1920.jpg","Louis M. Eilshemius is best known for his romanticized and often erotically charged landscapes that contain nude women or nymphs. In Three Girls and River, three nude women relax in a bucolic setting with lush trees and a babbling river.",{"_315":681,"_317":682},{"_315":679,"_317":680},{"_315":677,"_317":678},{"_315":675,"_317":676},{"_315":673,"_317":674},"#a69b73",0.1273,"#665b40",0.1487,"#d1bc82",0.1548,"#343838",0.2824,"#5d6767",0.2868,"Louis M. Eilshemius","louis-m-eilshemius","New Jersey, 1864–1941","New Jersey",1864,1941,"Eilshemius studied in New York and at the Académie Julian in Paris and travelled widely, as far as Samoa, painting romantic landscapes and nudes that found few admirers.","the-race-track-death-on-a-pale-horse-cma-110180","The Race Track (Death on a Pale Horse)",{"_42":738,"_222":739,"_329":740,"_331":332,"_333":741,"_335":742,"_337":-5,"_339":-5,"_340":-5,"_140":103},"c. 1896–1908","Framed: 84.5 x 102 x 6.5 cm (33 1/4 x 40 3/16 x 2 9/16 in.); Unframed: 70.5 x 90 cm (27 3/4 x 35 7/16 in.)",90,70.5,1.266294227188082,[723,724,725,726,727],{"_221":305,"_222":306,"_42":307,"_308":309},"1928.8","Albert Pinkham Ryder painted this in about 1896–1908, aged about 49. It is now at the Cleveland Museum of Art.",{"_118":722,"_303":304},"The Race Track (Death on a Pale Horse), by Albert Pinkham Ryder, c. 1896–1908",{"_296":719,"_298":720,"_300":721},"https://img.ochreeditions.com/m/522.jpg?dl=1","/art/the-race-track-death-on-a-pale-horse-cma-110180","/galleries/style/american-gilded-age/the-race-track-death-on-a-pale-horse-cma-110180",{"_292":293,"_294":295},{"_225":714,"_125":715,"_286":716},{"_277":711,"_279":712,"_281":695,"_282":713},105,86.07352941176471,71.07352941176471,{"_288":225,"_123":717,"_154":718,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-albert-pinkham-ryder","Albert Pinkham Ryder's contemporaries","https://img.ochreeditions.com/a/522/480.jpg","https://img.ochreeditions.com/a/522/960.jpg","https://img.ochreeditions.com/a/522/1920.jpg","Ryder’s subject was inspired by a horse race that took place in New York during 1888. One of the artist’s friends wagered $500 on the race and then died by suicide after the horse lost.",{"_315":736,"_317":737},{"_315":734,"_317":735},{"_315":732,"_317":733},{"_315":730,"_317":731},{"_315":728,"_317":729},"#3c3318",0.1109,"#584c26",0.1263,"#716437",0.1291,"#2c2414",0.2466,"#1f170e",0.3871,"Albert Pinkham Ryder","albert-pinkham-ryder","American, 1847–1917",1847,1917,"girl-in-black-pouting-tom-si-hmsg-66-5532","Girl in Black (Pouting Tom)",{"_42":791,"_222":792,"_329":793,"_331":332,"_333":794,"_335":795,"_337":796,"_339":797,"_340":798,"_140":231},"(1896-1901)","Oil on canvas","20 1/4 x 12 3/8 in. (51.4 x 31.4 cm)",31.4,51.4,0.6110694183864915,[776,777,778,779,780],{"_221":385,"_222":386,"_42":387,"_308":445},"Courtesy of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution","66.5532","James McNeill Whistler painted this ((1896-1901)), aged about 62. It is now at the Hirshhorn Museum and Sculpture Garden in Washington, DC.","James Abbott McNeill Whistler",{"_296":773,"_298":774,"_300":775},"https://img.ochreeditions.com/m/1828.jpg?dl=1","/art/girl-in-black-pouting-tom-si-hmsg-66-5532","/galleries/style/american-gilded-age/girl-in-black-pouting-tom-si-hmsg-66-5532",{"_292":293,"_294":295},{"_225":768,"_125":769,"_286":770},{"_277":765,"_279":766,"_281":767,"_282":750},46.40896810506567,66.4,31.408968105065664,{"_288":225,"_123":771,"_154":772,"_140":231},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1828/480.jpg","https://img.ochreeditions.com/a/1828/960.jpg","https://img.ochreeditions.com/a/1828/1920.jpg",{"_315":789,"_317":790},{"_315":787,"_317":788},{"_315":785,"_317":786},{"_315":783,"_317":784},{"_315":781,"_317":782},"#4f3417",0.0176,"#754f24",0.0288,"#2d2215",0.0709,"#191915",0.1671,"#0d1415",0.7156,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","Vignette: Man Crouching on a Scaffolding",{"_42":848,"_222":849,"_329":850,"_331":332,"_333":186,"_335":851,"_337":-5,"_339":-5,"_340":-5,"_140":103},"1899","Brush and black washes, with graphite, on white watercolor paper","39.3 × 30.6 cm (15 1/2 × 12 1/16 in.)",30.6,39.3,0.754759011745646,[833,834,835,836,837],{"_221":385,"_222":386,"_42":387,"_308":388},"1957-58-13","Walter Appleton Clark painted this in 1899, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":832,"_303":384},"VIGNETTE: MAN CROUCHING ON A SCAFFOLDING",{"_296":829,"_298":830,"_300":831},"https://img.ochreeditions.com/m/1753.jpg?dl=1","/art/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","/galleries/style/american-gilded-age/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13",{"_292":378,"_294":379},{"_225":824,"_125":825,"_286":826},{"_277":821,"_279":822,"_281":823,"_282":806},53.66202916160388,63.3,29.662029161603883,{"_288":225,"_123":827,"_154":828,"_140":89},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-walter-appleton-clark","Walter Appleton Clark's contemporaries","https://img.ochreeditions.com/a/1753/480.jpg","https://img.ochreeditions.com/a/1753/960.jpg","https://img.ochreeditions.com/a/1753/1920.jpg","Vignette showing a workman on his knees croushing on a scaffolding, a trowel and wooden bucket beside him.",{"_315":846,"_317":847},{"_315":844,"_317":845},{"_315":842,"_317":843},{"_315":840,"_317":841},{"_315":838,"_317":839},"#a49c8f",0.0488,"#777166",0.0638,"#47433d",0.0804,"#c7bfb0",0.0807,"#f0ebdd",0.7263,"Walter Appleton Clark","walter-appleton-clark","American, 1876–1906",1906,"fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41","Fishermen Beaching a Dory, Cullercoats, England",{"_42":900,"_222":901,"_329":902,"_331":332,"_333":903,"_335":904,"_337":905,"_339":906,"_340":907,"_140":53},"Charcoal, black and white chalk on cream wove paper","17.6 x 30 cm (6 15/16 x 11 13/16 in.)",30,17.6,1.6583278472679395,[885,886,887,888,889],{"_221":385,"_222":386,"_42":387,"_308":388},"1912-12-41","Winslow Homer drew this in 1881, aged 45. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":884,"_303":384},"FISHERMEN BEACHING A DORY, CULLERCOATS, ENGLAND",{"_296":881,"_298":882,"_300":883},"https://img.ochreeditions.com/m/1715.jpg?dl=1","/art/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41","/galleries/style/american-gilded-age/fishermen-beaching-a-dory-cullercoats-england-si-chndm-1912-12-41",{"_292":378,"_294":379},{"_225":876,"_125":877,"_286":878},{"_277":873,"_279":874,"_281":857,"_282":875},54,42.09051210797936,18.090512107979357,{"_288":225,"_123":879,"_154":880,"_140":53},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1715/480.jpg","https://img.ochreeditions.com/a/1715/960.jpg","https://img.ochreeditions.com/a/1715/1920.jpg","Horizontal view of five fishermen shown beaching a boat on a four- wheeled truck, in the foreground, with sailboats on the sea indicated in the background.",{"_315":898,"_317":899},{"_315":896,"_317":897},{"_315":894,"_317":895},{"_315":892,"_317":893},{"_315":890,"_317":891},"#efe9d9",0.0913,"#735f4e",0.1032,"#9a836b",0.1493,"#bca387",0.2019,"#d7c0a4",0.4543,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","low-tide-riverside-yacht-club-met-19523","Low Tide, Riverside Yacht Club",{"_42":958,"_222":959,"_329":960,"_331":332,"_333":961,"_335":962,"_337":-5,"_339":-5,"_340":-5,"_140":103},"1894","18 x 24 in. (45.7 x 61 cm)",61,45.7,1.326026443980515,[943,944,945,946,947],{"_221":940,"_222":941,"_42":942,"_308":388},"Courtesy of The Metropolitan Museum of Art","2007.281.3","Theodore Robinson painted this in 1894, aged 42. It is now at The Met in New York.","Low Tide, Riverside Yacht Club, by Theodore Robinson, 1894",{"_296":937,"_298":938,"_300":939},"https://img.ochreeditions.com/m/869.jpg?dl=1","/art/low-tide-riverside-yacht-club-met-19523","/galleries/style/american-gilded-age/low-tide-riverside-yacht-club-met-19523",{"_292":293,"_294":295},{"_225":932,"_125":933,"_286":934},{"_277":929,"_279":930,"_281":913,"_282":931},76,61.002099186565204,46.002099186565204,{"_288":225,"_123":935,"_154":936,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-theodore-robinson","Theodore Robinson's contemporaries","https://img.ochreeditions.com/a/869/480.jpg","https://img.ochreeditions.com/a/869/960.jpg","https://img.ochreeditions.com/a/869/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_315":956,"_317":957},{"_315":954,"_317":955},{"_315":952,"_317":953},{"_315":950,"_317":951},{"_315":948,"_317":949},"#382d21",0.016,"#91a6b4",0.125,"#887c60",0.1807,"#b0b0b1",0.2367,"#948c87",0.4416,"Theodore Robinson","theodore-robinson","1852–1896",1852,1896,"rainy-day-boston-nga-180939","Rainy Day, Boston",{"_42":1014,"_222":1015,"_329":1016,"_331":332,"_333":1017,"_335":1018,"_337":-5,"_339":-5,"_340":-5,"_140":101},"1886","pen and black ink, charcoal, and gouache on wove paper","image: 21.59 × 27.31 cm (8 1/2 × 10 3/4 in.) sheet: 26.35 × 31.43 cm (10 3/8 × 12 3/8 in.)",27.3,21.6,1.2239902080783354,[999,1000,1001,1002,1003],{"_221":996,"_222":997,"_42":998,"_308":445},"Courtesy National Gallery of Art, Washington","2015.19.852","Childe Hassam painted this in 1886, aged 27. It is now at the National Gallery of Art in Washington, DC.","The image shows a street scene from an elevated viewpoint. A horse-drawn carriage is seen moving on a wet road, reflecting light. Pedestrians with umbrellas populate the avenue. The road is visibly marked with rainwater. The skyline displays detailed architectural features like church spires and towers. The painting is done in fine, linear brushstrokes highlighting movement and atmosphere. The grayscale palette emphasizes the rainy urban setting. Wisps of steam or smoke are visible. The intricate line work and shading depict a textured, busy street under an overcast sky.",{"_296":993,"_298":994,"_300":995},"https://img.ochreeditions.com/m/1686.jpg?dl=1","/art/rainy-day-boston-nga-180939","/galleries/style/american-gilded-age/rainy-day-boston-nga-180939",{"_292":378,"_294":379},{"_225":988,"_125":989,"_286":990},{"_277":985,"_279":986,"_281":969,"_282":987},51.3,46.304100000000005,22.304100000000002,{"_288":225,"_123":991,"_154":992,"_140":89},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-childe-hassam","Childe Hassam's contemporaries","https://img.ochreeditions.com/a/1686/480.jpg","https://img.ochreeditions.com/a/1686/960.jpg","https://img.ochreeditions.com/a/1686/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_315":1012,"_317":1013},{"_315":1010,"_317":1011},{"_315":1008,"_317":1009},{"_315":1006,"_317":1007},{"_315":1004,"_317":1005},"#696760",0.0243,"#a0998c",0.07,"#c0b6a6",0.1758,"#d9ccbb",0.3275,"#e7d8c5",0.4024,"Childe Hassam","childe-hassam","American, 1859–1935",1859,1935,"boy-with-anchor-cma-131337","Boy with Anchor",{"_42":900,"_222":901,"_329":902,"_331":332,"_333":903,"_335":904,"_337":905,"_339":906,"_340":907,"_140":53},"Watercolor and graphite on paper","Sheet: 19.4 x 34.9 cm (7 5/8 x 13 3/4 in.)",34.9,19.4,1.7607457276022787,[1050,1051,1052,1053,1054],{"_221":305,"_222":306,"_42":307,"_308":309},"1954.128","Winslow Homer painted this in 1873, aged 37. It is now at the Cleveland Museum of Art.",{"_118":1049,"_303":304},"Boy with Anchor, by Winslow Homer, 1873",{"_296":1046,"_298":1047,"_300":1048},"https://img.ochreeditions.com/m/603.jpg?dl=1","/art/boy-with-anchor-cma-131337","/galleries/style/american-gilded-age/boy-with-anchor-cma-131337",{"_292":378,"_294":379},{"_225":1043,"_125":1044,"_286":1045},{"_277":1040,"_279":1041,"_281":1024,"_282":1042},58.9,43.82114705882353,19.821147058823527,{"_288":225,"_123":879,"_154":880,"_140":53},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/603/480.jpg","https://img.ochreeditions.com/a/603/960.jpg","https://img.ochreeditions.com/a/603/1920.jpg","In this work from a series of watercolors produced in Gloucester, MA, in the summer of 1873 Winslow Homer evokes the fraught nature of the local fishing industry by focusing not on the perilous work of adults, but rather the children they leave behind.",{"_315":1063,"_317":1064},{"_315":1061,"_317":1062},{"_315":1059,"_317":1060},{"_315":1057,"_317":1058},{"_315":1055,"_317":1056},"#c5c4c8",0.0959,"#6a5a58",0.1532,"#988980",0.1732,"#c9b59c",0.2873,"#8e99b3",0.2904,"study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":791,"_222":792,"_329":793,"_331":332,"_333":794,"_335":795,"_337":796,"_339":797,"_340":798,"_140":231},"c. 1879","watercolour","Drawing and Watercolor","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",17,0.7061027837259101,[1103,1104,1105,1106,1107],{"_221":1099,"_222":1100,"_42":1101,"_308":1102},"Courtesy of the Art Institute of Chicago","1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_296":1096,"_298":1097,"_300":1098},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/american-gilded-age/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_292":378,"_294":379},{"_225":1090,"_125":1091,"_286":1092},{"_277":1088,"_279":600,"_281":1089,"_282":602},41.65256959314775,17.652569593147753,{"_288":225,"_123":771,"_154":772,"_140":231},{"_288":125,"_123":1093,"_154":1094,"_140":1095},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century",40,"https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":1116,"_317":1117},{"_315":1114,"_317":1115},{"_315":1112,"_317":1113},{"_315":1110,"_317":1111},{"_315":1108,"_317":1109},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"king-lear-act-i-scene-i-met-10049","\"King Lear,\" Act I, Scene I",{"_42":1165,"_222":1166,"_329":1167,"_331":332,"_333":961,"_335":1168,"_337":338,"_339":797,"_340":-5,"_140":103},"1898","54 1/4 x 127 1/4 in. (137.8 x 323.2 cm)",323.2,137.8,2.3225616921269094,[1150,1151,1152,1153,1154],{"_221":940,"_222":941,"_42":942,"_308":388},"13.140","Edwin Austin Abbey painted this in 1898, aged 46. It is now at The Met in New York.","\"King Lear,\" Act I, Scene I, by Edwin Austin Abbey, 1898",{"_296":1147,"_298":1148,"_300":1149},"https://img.ochreeditions.com/m/801.jpg?dl=1","/art/king-lear-act-i-scene-i-met-10049","/galleries/style/american-gilded-age/king-lear-act-i-scene-i-met-10049",{"_292":293,"_294":295},{"_225":1142,"_125":1143,"_286":1144},{"_277":1138,"_279":1139,"_281":1140,"_282":1141},255,118.33417657475336,240,103.33417657475336,{"_288":225,"_123":1145,"_154":1146,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-edwin-austin-abbey","Edwin Austin Abbey's contemporaries","https://img.ochreeditions.com/a/801/480.jpg","https://img.ochreeditions.com/a/801/960.jpg","https://img.ochreeditions.com/a/801/1920.jpg",{"_315":1163,"_317":1164},{"_315":1161,"_317":1162},{"_315":1159,"_317":1160},{"_315":1157,"_317":1158},{"_315":1155,"_317":1156},"#5e2b2b",0.0742,"#79735d",0.0921,"#43302b",0.202,"#4e4739",0.2204,"#2b2b29",0.4113,"Edwin Austin Abbey","edwin-austin-abbey","American, 1852–1911",1911,{"_1170":-5,"_1171":1172,"_1173":1174,"_1175":8,"_1176":1177,"_1178":8},"user","csrf","468d8a0c3caa0ec1f5ef209bff6c503924e85d42","cartCount",0,"dropLive","legal",[1179,1180,1181,1182,1183,1184,1185,1186,1187,1188,1189,1190],"uploadsEnabled",{"_222":1213,"_20":1214},{"_222":1211,"_20":1212},{"_222":1209,"_20":1210},{"_222":1207,"_20":1208},{"_222":1205,"_20":1206},{"_222":1203,"_20":1204},{"_222":1201,"_20":1202},{"_222":1199,"_20":1200},{"_222":1197,"_20":1198},{"_222":1195,"_20":1196},{"_222":1193,"_20":1194},{"_222":1191,"_20":1192},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]