[{"_1":2,"_3":4},"root",{"_5":1156},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The American Gilded Age, in the galleries · Ochre Editions","description","Painting and design in the United States from the Civil War to 1910. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/american-gilded-age","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/american-gilded-age.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The American Gilded Age, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/checker-players-si-saam-1967-136-4",15,"https://www.ochreeditions.com/art/italian-girl-si-chndm-1955-38-12-a",14,"https://www.ochreeditions.com/art/pink-roses-nga-134158",13,"https://www.ochreeditions.com/art/giant-magnolias-on-a-blue-velvet-cloth-nga-93464",12,"https://www.ochreeditions.com/art/diving-cormorant-cma-103625",11,"https://www.ochreeditions.com/art/alvan-clark-cma-107283",10,"https://www.ochreeditions.com/art/study-of-drapery-si-chndm-1914-38-149",9,"https://www.ochreeditions.com/art/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607",8,"https://www.ochreeditions.com/art/the-old-road-to-the-sea-cma-117715",7,"https://www.ochreeditions.com/art/landscape-cma-110952",6,"https://www.ochreeditions.com/art/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23",5,"https://www.ochreeditions.com/art/corte-del-paradiso-aic-158382",4,"https://www.ochreeditions.com/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",3,"https://www.ochreeditions.com/art/the-bridge-at-grez-recto-nga-180938",2,"https://www.ochreeditions.com/art/sand-dunes-harlech-north-wales-si-saam-1983-83-268",1,"https://www.ochreeditions.com/art/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~american-gilded-age.af90c6b1ca.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~american-gilded-age.af90c6b1ca.jpg","alt","The American Gilded Age, a room in the galleries: three of its 67 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The American Gilded Age: 67 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~american-gilded-age.jpg","key","style/american-gilded-age","style","The American Gilded Age","intro","Painting and design in the United States from the Civil War to 1910.","wing","Style galleries","floor","layout","enfilade","hang",9518,"/galleries/style/american-gilded-age","total",67,"page","works",[205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6OTUxOCwiaSI6bnVsbCwiZyI6Ild5b3R0cTJQIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/american-gilded-age?hang=9518&cursor=eyJvIjoxNiwiaCI6OTUxOCwiaSI6bnVsbCwiZyI6Ild5b3R0cTJQIn0&via=continue","label","The American Gilded Age, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/1686/480.jpg","https://img.ochreeditions.com/a/1709/480.jpg","https://img.ochreeditions.com/a/1525/480.jpg","https://img.ochreeditions.com/a/1710/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":99},{"_154":166,"_123":167,"_44":168,"_140":169},"19th-century United States","era/19-united-states","/galleries/era/19-united-states?hang=9518&via=continue",198,"More by Thomas Anshutz","artist/thomas-anshutz","/galleries/artist/thomas-anshutz?hang=9518&via=continue",{"_42":199,"_179":200},{"_42":194,"_179":195},{"_42":188,"_179":189},{"_42":183,"_179":184},{"_42":178,"_179":180},"Third room, north wall","work_ids",[181,182],1752,1927,"Second room, north wall",[185,186,187],506,1627,1658,"Second room, south wall",[190,191,192,193],534,257,1717,514,"First room, south wall",[196,197,198],340,1966,523,"First room, north wall",[201,202,203,204],1753,1969,1685,291,{"_221":201,"_222":1103,"_20":1104,"_225":1105,"_227":-5,"_228":1056,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":347,"_237":348,"_239":1106,"_241":1107,"_243":1108,"_245":1109,"_247":1110,"_249":1111,"_251":1112,"_253":356,"_255":1113,"_257":258,"_259":1114,"_154":1115,"_262":-5,"_111":1116,"_264":1117,"_266":1118,"_268":1119,"_270":1120,"_272":1121,"_144":1122,"_275":1123},{"_221":202,"_222":1053,"_20":1054,"_225":1055,"_227":-5,"_228":1056,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":1057,"_241":1058,"_243":1059,"_245":77,"_247":1060,"_249":1061,"_251":1062,"_253":254,"_255":1063,"_257":258,"_259":1064,"_154":-5,"_262":-5,"_111":1065,"_264":1066,"_266":1067,"_268":1068,"_270":1069,"_272":1070,"_144":1071,"_275":1072},{"_221":203,"_222":999,"_20":1000,"_225":1001,"_227":-5,"_228":1002,"_230":849,"_232":233,"_234":-5,"_125":235,"_28":347,"_237":348,"_239":412,"_241":1003,"_243":1004,"_245":1005,"_247":1006,"_249":1007,"_251":1008,"_253":418,"_255":1009,"_257":258,"_259":1010,"_154":-5,"_262":-5,"_111":1011,"_264":1012,"_266":1013,"_268":1014,"_270":1015,"_272":1016,"_144":1017,"_275":1018},{"_221":204,"_222":956,"_20":957,"_225":958,"_227":-5,"_228":959,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":678,"_237":679,"_239":960,"_241":961,"_243":83,"_245":962,"_247":963,"_249":964,"_251":965,"_253":687,"_255":966,"_257":258,"_259":967,"_154":-5,"_262":-5,"_111":968,"_264":969,"_266":970,"_268":971,"_270":972,"_272":973,"_144":974,"_275":975},{"_221":196,"_222":902,"_20":903,"_225":904,"_227":-5,"_228":905,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":678,"_237":679,"_239":906,"_241":907,"_243":77,"_245":908,"_247":909,"_249":910,"_251":911,"_253":687,"_255":912,"_257":258,"_259":913,"_154":-5,"_262":914,"_111":915,"_264":916,"_266":917,"_268":918,"_270":919,"_272":920,"_144":921,"_275":922},{"_221":197,"_222":845,"_20":846,"_225":847,"_227":-5,"_228":848,"_230":849,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":850,"_243":851,"_245":797,"_247":852,"_249":853,"_251":854,"_253":254,"_255":855,"_257":258,"_259":856,"_154":-5,"_262":-5,"_111":857,"_264":858,"_266":859,"_268":860,"_270":861,"_272":862,"_144":863,"_275":864},{"_221":198,"_222":791,"_20":792,"_225":793,"_227":-5,"_228":794,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":795,"_243":796,"_245":797,"_247":798,"_249":799,"_251":800,"_253":528,"_255":801,"_257":258,"_259":802,"_154":-5,"_262":-5,"_111":803,"_264":804,"_266":805,"_268":806,"_270":807,"_272":808,"_144":809,"_275":810},{"_221":190,"_222":736,"_20":737,"_225":738,"_227":-5,"_228":739,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":740,"_243":741,"_245":742,"_247":743,"_249":744,"_251":745,"_253":528,"_255":746,"_257":258,"_259":747,"_154":748,"_262":-5,"_111":749,"_264":750,"_266":751,"_268":752,"_270":753,"_272":754,"_144":755,"_275":756},{"_221":191,"_222":674,"_20":675,"_225":676,"_227":-5,"_228":677,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":678,"_237":679,"_239":680,"_241":681,"_243":682,"_245":683,"_247":684,"_249":685,"_251":686,"_253":687,"_255":688,"_257":258,"_259":689,"_154":-5,"_262":-5,"_111":690,"_264":691,"_266":692,"_268":693,"_270":694,"_272":695,"_144":696,"_275":697},{"_221":192,"_222":620,"_20":621,"_225":622,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":347,"_237":348,"_239":623,"_241":624,"_243":625,"_245":626,"_247":627,"_249":628,"_251":629,"_253":356,"_255":630,"_257":258,"_259":631,"_154":632,"_262":-5,"_111":633,"_264":634,"_266":635,"_268":636,"_270":637,"_272":638,"_144":639,"_275":640},{"_221":193,"_222":574,"_20":575,"_225":-5,"_227":576,"_228":577,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":578,"_243":579,"_245":580,"_247":581,"_249":582,"_251":583,"_253":528,"_255":584,"_257":258,"_259":585,"_154":-5,"_262":-5,"_111":586,"_264":587,"_266":588,"_268":589,"_270":590,"_272":591,"_144":592,"_275":593},{"_221":185,"_222":517,"_20":518,"_225":519,"_227":-5,"_228":520,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":521,"_241":522,"_243":523,"_245":524,"_247":525,"_249":526,"_251":527,"_253":528,"_255":529,"_257":258,"_259":530,"_154":-5,"_262":-5,"_111":531,"_264":532,"_266":533,"_268":534,"_270":535,"_272":536,"_144":537,"_275":538},{"_221":186,"_222":464,"_20":465,"_225":466,"_227":-5,"_228":467,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":468,"_243":469,"_245":470,"_247":471,"_249":472,"_251":473,"_253":418,"_255":474,"_257":258,"_259":475,"_154":-5,"_262":476,"_111":477,"_264":478,"_266":479,"_268":480,"_270":481,"_272":482,"_144":483,"_275":484},{"_221":187,"_222":408,"_20":409,"_225":410,"_227":-5,"_228":411,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":347,"_237":348,"_239":412,"_241":413,"_243":351,"_245":414,"_247":415,"_249":416,"_251":417,"_253":418,"_255":419,"_257":258,"_259":420,"_154":-5,"_262":-5,"_111":421,"_264":422,"_266":423,"_268":424,"_270":425,"_272":426,"_144":427,"_275":428},{"_221":181,"_222":343,"_20":344,"_225":345,"_227":-5,"_228":346,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":347,"_237":348,"_239":349,"_241":350,"_243":351,"_245":352,"_247":353,"_249":354,"_251":355,"_253":356,"_255":357,"_257":258,"_259":358,"_154":359,"_262":-5,"_111":360,"_264":361,"_266":362,"_268":363,"_270":364,"_272":365,"_144":366,"_275":367},{"_221":182,"_222":223,"_20":224,"_225":226,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_154":261,"_262":-5,"_111":263,"_264":265,"_266":267,"_268":269,"_270":271,"_272":273,"_144":274,"_275":276},"id","slug","checker-players-si-saam-1967-136-4","Checker Players","artist",{"_42":327,"_222":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_140":99},"unrecorded","date","ca. 1895","century",19,"place","united-states","movement","american-gilded-age","painting","classification","Painting","medium","oil on canvas","dimensions","16 1/8 x 20 1/8 in. (40.8 x 51.0 cm.)","width_cm",51,"height_cm",40.8,"aspect",1.257100149476831,"palette",[310,311,312,313,314],"museum",{"_221":305,"_222":306,"_42":307,"_308":309},"credit","Courtesy of the Smithsonian American Art Museum","accession","1967.136.4","licence","CC0","story","Thomas Anshutz painted this in about 1895, aged 44. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":302,"_303":304},"note","Checker Players, by Thomas Anshutz, ca. 1895","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1927.jpg?dl=1","page_url","/art/checker-players-si-saam-1967-136-4","walk_url","/galleries/style/american-gilded-age/checker-players-si-saam-1967-136-4","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":244,"_282":283},"w",66,"h",55.569560047562426,"image_w","image_h",40.569560047562426,{"_288":225,"_123":171,"_154":170,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1927/480.jpg","960","https://img.ochreeditions.com/a/1927/960.jpg","1920","https://img.ochreeditions.com/a/1927/1920.jpg","Two boys sit engrossed in a game of checkers, each focusing intently on his next move. The dark, featureless interior draws our attention to the players' rigid poses.","source","Text from the Smithsonian American Art Museum.","si","smithsonian","Smithsonian Institution","city","Washington, DC",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#d89553","weight",0.0463,"#bf9c85",0.0551,"#8a5a41",0.0665,"#4f302b",0.1137,"#301d23",0.7184,"Thomas Anshutz","thomas-anshutz","bio","American, 1851–1912","nationality","American","birth_year",1851,"death_year",1912,"birth_place","Newport, Kentucky","death_place","Fort Washington, Pennsylvania","about_excerpt","Anshutz studied at the Pennsylvania Academy of the Fine Arts under Thomas Eakins, assisting his photographic and anatomical studies, and succeeded him as a teacher there after Eakins was forced out in 1886.","italian-girl-si-chndm-1955-38-12-a","Italian girl",{"_42":402,"_222":403,"_329":404,"_331":332,"_333":405,"_335":406,"_337":386,"_339":407,"_341":-5,"_140":101},"ca. 1885","drawing","Drawing","Pastel crayon on tan paper","32.3 x 25.4 cm (12 11/16 x 10 in.)",25.4,32.3,0.9348353552859618,[387,388,389,390,391],{"_221":305,"_222":306,"_42":307,"_308":386},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1955-38-12-a","Elihu Vedder drew this in about 1885, aged 49. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":384,"_303":385},"ITALIAN GIRL",{"_296":381,"_298":382,"_300":383},"https://img.ochreeditions.com/m/1752.jpg?dl=1","/art/italian-girl-si-chndm-1955-38-12-a","/galleries/style/american-gilded-age/italian-girl-si-chndm-1955-38-12-a",{"_292":379,"_294":380},{"_225":371,"_125":372,"_286":373},{"_277":368,"_279":369,"_281":370,"_282":352},54.19518197573656,56.3,30.195181975736563,{"_288":225,"_123":377,"_154":378,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-elihu-vedder","Elihu Vedder's contemporaries","white","snow","https://img.ochreeditions.com/a/1752/480.jpg","https://img.ochreeditions.com/a/1752/960.jpg","https://img.ochreeditions.com/a/1752/1920.jpg","Head of a young female figure, turned toward the right.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_315":400,"_317":401},{"_315":398,"_317":399},{"_315":396,"_317":397},{"_315":394,"_317":395},{"_315":392,"_317":393},"#e2d0ba",0.0315,"#b19981",0.0805,"#f8ebd8",0.0818,"#cab39e",0.1039,"#c8ac90",0.7023,"Elihu Vedder","elihu-vedder","American, 1836–1923",1836,1923,"Rome","pink-roses-nga-134158","Pink Roses",{"_42":458,"_222":459,"_329":460,"_331":332,"_333":461,"_335":406,"_337":462,"_339":463,"_341":-5,"_140":101},"1875","watercolor on wove paper","sheet: 35.56 × 25.4 cm (14 × 10 in.)",35.6,0.71826171875,[443,444,445,446,447],{"_221":440,"_222":441,"_42":442,"_308":309},"Courtesy National Gallery of Art, Washington","2004.165.2","Fidelia Bridges painted this in 1875, aged 41. It is now at the National Gallery of Art in Washington, DC.","This detailed painting shows two pink roses and a pink bud on a long, thin green stem with green leaves and small green thorns. The tall stem rises near the right edge of the painting, with some thin branches reaching out to either side. The largest rose is positioned near the top left corner of the painting, with the small bud right below it. The other large flower is right around the center of the painting. The background is a flat beige color.",{"_296":437,"_298":438,"_300":439},"https://img.ochreeditions.com/m/1658.jpg?dl=1","/art/pink-roses-nga-134158","/galleries/style/american-gilded-age/pink-roses-nga-134158",{"_292":379,"_294":380},{"_225":432,"_125":433,"_286":434},{"_277":429,"_279":430,"_281":431,"_282":414},49.5701171875,59.6,25.5701171875,{"_288":225,"_123":435,"_154":436,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fidelia-bridges","Fidelia Bridges's contemporaries","https://img.ochreeditions.com/a/1658/480.jpg","https://img.ochreeditions.com/a/1658/960.jpg","https://img.ochreeditions.com/a/1658/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_315":456,"_317":457},{"_315":454,"_317":455},{"_315":452,"_317":453},{"_315":450,"_317":451},{"_315":448,"_317":449},"#a26a79",0.0267,"#69664e",0.0372,"#837b60",0.0819,"#9a8569",0.2948,"#a28d70",0.5594,"Fidelia Bridges","fidelia-bridges","American, 1834–1923",1834,"Salem, Massachusetts","Canaan, Connecticut","giant-magnolias-on-a-blue-velvet-cloth-nga-93464","Giant Magnolias on a Blue Velvet Cloth",{"_42":511,"_222":512,"_329":513,"_331":332,"_333":514,"_335":515,"_337":-5,"_339":-5,"_341":516,"_140":97},"c. 1890","overall: 38.4 x 61.5 cm (15 1/8 x 24 3/16 in.) framed: 65.4 x 87.6 x 7.9 cm (25 3/4 x 34 1/2 x 3 1/8 in.)",61.5,38.4,1.6234641300039636,[496,497,498,499,500],{"_221":440,"_222":441,"_42":442,"_308":309},"1996.14.1","Martin Johnson Heade painted this in about 1890, aged 71. It is now at the National Gallery of Art in Washington, DC.","Three magnolia blossoms, from a tight bud to a fully open flower with an oval stamen at its heart, lie with their glossy leaves across a sapphire velvet cloth, brightly lit from the left against a dark background.","Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting. Brightly lit from our left, the blossoms and leaves nearly fill the composition, and the cut ends lie on the fabric to our right. The blue fabric cascades from the upper left and across the table or ledge. The three flowers are in various stages of bloom. The tightest bud is to our left, overlapped by a stem and the tender, unfurling leaves of a branch. The blossom next to it, at the center, is starting to open. The petals of the third blossom, to our right, splay open around the flower’s oval-shaped stamen. Light glints off the waxy leaves surrounding the flowers. The tawny-brown underside of one leaf is visible where it turns over, near the cut ends of the branches. Light shimmering on the fabric darkens from bright blue to our right, to deep royal blue in the shadows to the upper left, suggesting the fabric is velvet. The background is streaked with tan and pine green behind the fabric, and becomes nearly black in the shadows of the upper right corner and along the bottom edge. The artist signed the lower right corner, \"MJ. Heade.\"",{"_296":493,"_298":494,"_300":495},"https://img.ochreeditions.com/m/1627.jpg?dl=1","/art/giant-magnolias-on-a-blue-velvet-cloth-nga-93464","/galleries/style/american-gilded-age/giant-magnolias-on-a-blue-velvet-cloth-nga-93464",{"_292":293,"_294":295},{"_225":488,"_125":489,"_286":490},{"_277":485,"_279":486,"_281":469,"_282":487},76.5,52.8819580078125,37.8819580078125,{"_288":225,"_123":491,"_154":492,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/martin-johnson-heade","More by Martin Johnson Heade","https://img.ochreeditions.com/a/1627/480.jpg","https://img.ochreeditions.com/a/1627/960.jpg","https://img.ochreeditions.com/a/1627/1920.jpg",{"_315":509,"_317":510},{"_315":507,"_317":508},{"_315":505,"_317":506},{"_315":503,"_317":504},{"_315":501,"_317":502},"#255152",0.0913,"#493e20",0.1094,"#c5ba99",0.1322,"#5a6734",0.1627,"#171d1d",0.5044,"Martin Johnson Heade","martin-johnson-heade","1819–1904",1819,1904,"Heade travelled restlessly and worked in many genres, but is best known for three subjects: the salt marshes of New England and New Jersey, with haystacks under changing skies; hummingbirds and orchids, which he studied on journeys to Brazil and Central America; and, in later…","diving-cormorant-cma-103625","Diving Cormorant",{"_42":569,"_222":570,"_329":571,"_331":332,"_333":572,"_335":573,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1900","oil on board","Unframed: 23 x 33.2 cm (9 1/16 x 13 1/16 in.)",33.2,23,1.5131286159323543,[554,555,556,557,558],{"_221":550,"_222":551,"_42":552,"_308":553},"Courtesy of the Cleveland Museum of Art","1921.571","Otto H. Bacher painted this in 1900, aged 44. It is now at the Cleveland Museum of Art.","Diving Cormorant, by Otto H. Bacher, 1900",{"_296":547,"_298":548,"_300":549},"https://img.ochreeditions.com/m/506.jpg?dl=1","/art/diving-cormorant-cma-103625","/galleries/style/american-gilded-age/diving-cormorant-cma-103625",{"_292":293,"_294":295},{"_225":542,"_125":543,"_286":544},{"_277":539,"_279":540,"_281":523,"_282":541},48.2,36.94129411764706,21.94129411764706,{"_288":225,"_123":545,"_154":546,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-otto-h-bacher","Otto H. Bacher's contemporaries","https://img.ochreeditions.com/a/506/480.jpg","https://img.ochreeditions.com/a/506/960.jpg","https://img.ochreeditions.com/a/506/1920.jpg","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_315":567,"_317":568},{"_315":565,"_317":566},{"_315":563,"_317":564},{"_315":561,"_317":562},{"_315":559,"_317":560},"#96958a",0.0766,"#757670",0.0982,"#3f4242",0.1391,"#5e615b",0.2932,"#4f5451",0.3929,"Otto H. Bacher","otto-h-bacher","American, 1856–1909",1856,1909,"alvan-clark-cma-107283","Alvan Clark","Unrecorded American maker","1870s","Unframed: 69.6 x 56 cm (27 3/8 x 22 1/16 in.)",56,69.6,0.8182352941176471,[605,606,607,608,609],{"_221":550,"_222":551,"_42":552,"_308":553},"1925.126","An unrecorded United States artist painted this in the 1870s. It is now at the Cleveland Museum of Art.","Alvan Clark, 1870s",{"_296":602,"_298":603,"_300":604},"https://img.ochreeditions.com/m/514.jpg?dl=1","/art/alvan-clark-cma-107283","/galleries/style/american-gilded-age/alvan-clark-cma-107283",{"_292":293,"_294":295},{"_225":597,"_125":598,"_286":599},{"_277":594,"_279":595,"_281":596,"_282":580},71.94917647058823,84.6,56.94917647058823,{"_288":225,"_123":600,"_154":601,"_140":87},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/unrecorded-united-states","More by unrecorded makers of the United States","https://img.ochreeditions.com/a/514/480.jpg","https://img.ochreeditions.com/a/514/960.jpg","https://img.ochreeditions.com/a/514/1920.jpg",{"_315":618,"_317":619},{"_315":616,"_317":617},{"_315":614,"_317":615},{"_315":612,"_317":613},{"_315":610,"_317":611},"#a87c5b",0.0183,"#623f2e",0.0436,"#37281f",0.1337,"#1e1513",0.3999,"#473626",0.4045,"study-of-drapery-si-chndm-1914-38-149","Study of Drapery",{"_42":669,"_222":670,"_329":671,"_331":332,"_333":672,"_335":573,"_337":-5,"_339":-5,"_341":673,"_140":99},"Black crayon on cream laid paper","24.3 × 18.7 cm (9 9/16 × 7 3/8 in.)",18.7,24.3,0.7880906971816063,[654,655,656,657,658],{"_221":305,"_222":306,"_42":307,"_308":386},"1914-38-149","Francis Augustus Lathrop drew this in about 1895, aged 46. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":653,"_303":385},"STUDY OF DRAPERY",{"_296":650,"_298":651,"_300":652},"https://img.ochreeditions.com/m/1717.jpg?dl=1","/art/study-of-drapery-si-chndm-1914-38-149","/galleries/style/american-gilded-age/study-of-drapery-si-chndm-1914-38-149",{"_292":379,"_294":380},{"_225":645,"_125":646,"_286":647},{"_277":641,"_279":642,"_281":643,"_282":644},43.70226742954016,49,19.702267429540157,25,{"_288":225,"_123":648,"_154":649,"_140":99},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/francis-augustus-lathrop","More by Francis Augustus Lathrop","https://img.ochreeditions.com/a/1717/480.jpg","https://img.ochreeditions.com/a/1717/960.jpg","https://img.ochreeditions.com/a/1717/1920.jpg","Drapery on a figure, probably an angel.",{"_315":667,"_317":668},{"_315":665,"_317":666},{"_315":663,"_317":664},{"_315":661,"_317":662},{"_315":659,"_317":660},"#b8b5b0",0.0338,"#a7a298",0.0534,"#b0b1b6",0.0609,"#c3bbad",0.0869,"#d6cab9",0.765,"Francis Augustus Lathrop","francis-augustus-lathrop","American, 1849–1909",1849,"Lathrop trained in London, where he worked with the Pre-Raphaelite circle around Ford Madox Brown and William Morris.","as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","\"As They Threw their Animals Back upon their Haunches,\" illustration for An Arabian Day and Night, in Harper's New Monthly Magazine",{"_42":732,"_222":733,"_329":734,"_331":332,"_333":735,"_335":573,"_337":-5,"_339":-5,"_341":-5,"_140":103},"n.d.","watercolour","Drawing and Watercolor","Brush and black gray wash heightened with white gouache over graphite, on cream laminate board","34.9 × 44.7 cm (13 3/4 × 17 5/8 in.)",44,34,0.6854395604395604,[717,718,719,720,721],{"_221":713,"_222":714,"_42":715,"_308":716},"Courtesy of the Art Institute of Chicago","1982.1583","Frederic Remington painted this (n.d.), aged 33. It is now at the Art Institute of Chicago.","A work made of brush and black gray wash heightened with white gouache over graphite, on cream laminate board.",{"_296":710,"_298":711,"_300":712},"https://img.ochreeditions.com/m/257.jpg?dl=1","/art/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607","/galleries/style/american-gilded-age/as-they-threw-their-animals-back-upon-their-haunches-illustr-aic-99607",{"_292":379,"_294":380},{"_225":702,"_125":703,"_286":704},{"_277":698,"_279":699,"_281":700,"_282":701},56.02214206478983,70.71767419472344,32.02214206478983,46.71767419472344,{"_288":225,"_123":708,"_154":709,"_140":89},{"_288":125,"_123":705,"_154":706,"_140":707},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century",40,"artist/contemporaries-of-frederic-remington","Frederic Remington's contemporaries","https://img.ochreeditions.com/a/257/480.jpg","https://img.ochreeditions.com/a/257/960.jpg","https://img.ochreeditions.com/a/257/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":730,"_317":731},{"_315":728,"_317":729},{"_315":726,"_317":727},{"_315":724,"_317":725},{"_315":722,"_317":723},"#36322b",0.0433,"#6c665a",0.1019,"#a09787",0.131,"#c8bdac",0.3253,"#dcd5c5",0.3985,"Frederic Remington","frederic-remington","American, 1861–1909",1861,"the-old-road-to-the-sea-cma-117715","The Old Road to the Sea",{"_42":785,"_222":786,"_329":787,"_331":332,"_333":672,"_335":788,"_337":789,"_339":386,"_341":790,"_140":93},"c. 1893","Framed: 134.3 x 159.7 x 10.8 cm (52 7/8 x 62 7/8 x 4 1/4 in.); Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Former: 118.5 x 144 x 5.5 cm (46 5/8 x 56 11/16 x 2 3/16 in.)",127,101.5,1.2513801987486197,[770,771,772,773,774],{"_221":550,"_222":551,"_42":552,"_308":553},"1938.333","William Merritt Chase painted this in about 1893, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":768,"_303":769},"The Old Road to the Sea, by William Merritt Chase, c. 1893",{"_296":765,"_298":766,"_300":767},"https://img.ochreeditions.com/m/534.jpg?dl=1","/art/the-old-road-to-the-sea-cma-117715","/galleries/style/american-gilded-age/the-old-road-to-the-sea-cma-117715",{"_292":293,"_294":295},{"_225":760,"_125":761,"_286":762},{"_277":757,"_279":758,"_281":741,"_282":759},142,116.4879411764706,101.4879411764706,{"_288":225,"_123":763,"_154":764,"_140":93},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/william-merritt-chase","More by William Merritt Chase","https://img.ochreeditions.com/a/534/480.jpg","https://img.ochreeditions.com/a/534/960.jpg","https://img.ochreeditions.com/a/534/1920.jpg","One of the most influential of the American Impressionists, William Merritt Chase established his own summer school at Shinnecock, on the eastern tip of Long Island, New York. Attracted to the low-lying dunes and beaches, Chase and his students were among the first American artists to pursue open-air painting.","Text from the Cleveland Museum of Art.",{"_315":783,"_317":784},{"_315":781,"_317":782},{"_315":779,"_317":780},{"_315":777,"_317":778},{"_315":775,"_317":776},"#80a8b3",0.1373,"#85875e",0.1572,"#c9cabf",0.1682,"#adc0be",0.2053,"#aa9f78",0.332,"William Merritt Chase","william-merritt-chase","American, 1849–1916",1916,"Williamsburg, Indiana","Chase studied at the Royal Academy in Munich, then returned to New York in 1878 to teach at the Art Students League, setting up a lavish Tenth Street studio that became a showcase.","landscape-cma-110952","Landscape",{"_42":837,"_222":838,"_329":839,"_331":332,"_333":840,"_335":841,"_337":842,"_339":843,"_341":844,"_140":95},"1888","Framed: 79.5 x 92 x 6 cm (31 5/16 x 36 1/4 x 2 3/8 in.); Unframed: 56.2 x 70 cm (22 1/8 x 27 9/16 in.)",70,56.2,1.2151536812008576,[822,823,824,825,826],{"_221":550,"_222":551,"_42":552,"_308":553},"1929.464","George Inness painted this in 1888, aged 63. It is now at the Cleveland Museum of Art.","Landscape, by George Inness, 1888",{"_296":819,"_298":820,"_300":821},"https://img.ochreeditions.com/m/523.jpg?dl=1","/art/landscape-cma-110952","/galleries/style/american-gilded-age/landscape-cma-110952",{"_292":293,"_294":295},{"_225":814,"_125":815,"_286":816},{"_277":811,"_279":812,"_281":796,"_282":813},85,72.60588235294118,57.60588235294118,{"_288":225,"_123":817,"_154":818,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/george-inness","More by George Inness","https://img.ochreeditions.com/a/523/480.jpg","https://img.ochreeditions.com/a/523/960.jpg","https://img.ochreeditions.com/a/523/1920.jpg",{"_315":835,"_317":836},{"_315":833,"_317":834},{"_315":831,"_317":832},{"_315":829,"_317":830},{"_315":827,"_317":828},"#b19364",0.079,"#797057",0.1583,"#694d2a",0.2099,"#494731",0.2703,"#2b2919",0.2825,"George Inness","george-inness","American, 1825–1894",1825,1894,"Newburgh, New York","Bridge of Allan, Scotland","Inness was largely self-taught and began in the manner of the Hudson River School, but journeys to Italy and France, where he admired the Barbizon painters, led him towards broader, more atmospheric landscapes.","cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\"",{"_42":897,"_222":898,"_329":899,"_331":332,"_333":572,"_335":900,"_337":-5,"_339":-5,"_341":901,"_140":95},"ca. 1904",20,"22 1/8 x 45 3/8 in. (56.2 x 115.1 cm)",115.1,2.0380434782608696,[882,883,884,885,886],{"_221":305,"_222":306,"_42":307,"_308":309},"1983.114.23","Kenyon Cox painted this in about 1904, aged 48. It is now at the Smithsonian American Art Museum in Washington, DC.","Cartoon for mural of Minnesota State Capital, \"Institute of Justice\", by Kenyon Cox, ca. 1904",{"_296":879,"_298":880,"_300":881},"https://img.ochreeditions.com/m/1966.jpg?dl=1","/art/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23","/galleries/style/american-gilded-age/cartoon-for-mural-of-minnesota-state-capital-institute-of-ju-si-saam-1983-114-23",{"_292":293,"_294":295},{"_225":868,"_125":869,"_286":870},{"_277":865,"_279":866,"_281":851,"_282":867},130.1,71.47573333333332,56.47573333333333,{"_288":225,"_123":877,"_154":878,"_140":95},{"_288":125,"_123":874,"_154":875,"_140":876},{"_288":286,"_123":871,"_154":872,"_140":873},"era/20-united-states","20th-century United States",124,"style/painting-20","More paintings of the 20th century",75,"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1966/480.jpg","https://img.ochreeditions.com/a/1966/960.jpg","https://img.ochreeditions.com/a/1966/1920.jpg",{"_315":895,"_317":896},{"_315":893,"_317":894},{"_315":891,"_317":892},{"_315":889,"_317":890},{"_315":887,"_317":888},"#7e4b22",0.0353,"#986c40",0.0998,"#a9855e",0.1709,"#b39977",0.3367,"#bda686",0.3573,"Kenyon Cox","kenyon-cox","American, 1856–1919",1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","corte-del-paradiso-aic-158382","Corte del Paradiso",{"_42":949,"_222":950,"_329":951,"_331":332,"_333":461,"_335":952,"_337":953,"_339":954,"_341":955,"_140":231},"1880","Pastel and black chalk on brown wove paper with fibrous inclusions","30.1 × 14.9 cm (11 7/8 × 5 7/8 in.)",30,0.4954666076957099,[934,935,936,937,938],{"_221":713,"_222":714,"_42":715,"_308":716},"2002.679","James McNeill Whistler painted this in 1880, aged 46. It is now at the Art Institute of Chicago.","A narrow Venetian courtyard, the Corte del Paradiso, is evoked with a few lines of black chalk and touches of coloured pastel on brown paper, the bare sheet standing for walls and shadow.","A work made of pastel and black chalk on brown wove paper with fibrous inclusions.",{"_296":931,"_298":932,"_300":933},"https://img.ochreeditions.com/m/340.jpg?dl=1","/art/corte-del-paradiso-aic-158382","/galleries/style/american-gilded-age/corte-del-paradiso-aic-158382",{"_292":379,"_294":380},{"_225":926,"_125":927,"_286":928},{"_277":923,"_279":924,"_281":925,"_282":908},38.863998230871296,54,14.863998230871296,{"_288":225,"_123":929,"_154":930,"_140":231},{"_288":125,"_123":705,"_154":706,"_140":707},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/340/480.jpg","https://img.ochreeditions.com/a/340/960.jpg","https://img.ochreeditions.com/a/340/1920.jpg",{"_315":947,"_317":948},{"_315":945,"_317":946},{"_315":943,"_317":944},{"_315":941,"_317":942},{"_315":939,"_317":940},"#766539",0.0298,"#605043",0.1128,"#8a7968",0.1333,"#725d4b",0.2852,"#796756",0.4389,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","Study for \"The Blue Girl: Portrait of Miss Elinor Leyland\"",{"_42":949,"_222":950,"_329":951,"_331":332,"_333":461,"_335":952,"_337":953,"_339":954,"_341":955,"_140":231},"c. 1879","Pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper","17.9 × 11.2 cm (7 1/16 × 4 7/16 in.)",17,0.7061027837259101,[984,985,986,987,988],{"_221":713,"_222":714,"_42":715,"_308":716},"1921.124","James McNeill Whistler painted this in about 1879, aged 45. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, with brush and brown ink, on cream pseudo-laid paper tipped onto cream wove paper.",{"_296":981,"_298":982,"_300":983},"https://img.ochreeditions.com/m/291.jpg?dl=1","/art/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165","/galleries/style/american-gilded-age/study-for-the-blue-girl-portrait-of-miss-elinor-leyland-aic-112165",{"_292":379,"_294":380},{"_225":978,"_125":979,"_286":980},{"_277":976,"_279":642,"_281":977,"_282":644},41.65256959314775,17.652569593147753,{"_288":225,"_123":929,"_154":930,"_140":231},{"_288":125,"_123":705,"_154":706,"_140":707},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/291/480.jpg","https://img.ochreeditions.com/a/291/960.jpg","https://img.ochreeditions.com/a/291/1920.jpg",{"_315":997,"_317":998},{"_315":995,"_317":996},{"_315":993,"_317":994},{"_315":991,"_317":992},{"_315":989,"_317":990},"#6e4f40",0.0108,"#a68a75",0.0132,"#d3baa3",0.0444,"#a5a09a",0.0743,"#e8d2bb",0.8573,"the-bridge-at-grez-recto-nga-180938","The Bridge at Grez [recto]",{"_42":1048,"_222":1049,"_329":1050,"_331":332,"_333":1051,"_335":1052,"_337":-5,"_339":-5,"_341":-5,"_140":101},"1904","sheet: 17.62 × 25.24 cm (6 15/16 × 9 15/16 in.)",25.2,17.6,1.4341736694677871,[1033,1034,1035,1036,1037],{"_221":440,"_222":441,"_42":442,"_308":309},"2015.19.505.a","Childe Hassam painted this in 1904, aged 45. It is now at the National Gallery of Art in Washington, DC.","The Bridge at Grez [recto], by Childe Hassam, 1904",{"_296":1030,"_298":1031,"_300":1032},"https://img.ochreeditions.com/m/1685.jpg?dl=1","/art/the-bridge-at-grez-recto-nga-180938","/galleries/style/american-gilded-age/the-bridge-at-grez-recto-nga-180938",{"_292":379,"_294":380},{"_225":1022,"_125":1023,"_286":1024},{"_277":1019,"_279":1020,"_281":1004,"_282":1021},49.2,41.57109375,17.57109375,{"_288":225,"_123":1028,"_154":1029,"_140":89},{"_288":125,"_123":1025,"_154":1026,"_140":1027},{"_288":286,"_123":871,"_154":872,"_140":873},"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-childe-hassam","Childe Hassam's contemporaries","https://img.ochreeditions.com/a/1685/480.jpg","https://img.ochreeditions.com/a/1685/960.jpg","https://img.ochreeditions.com/a/1685/1920.jpg",{"_315":1046,"_317":1047},{"_315":1044,"_317":1045},{"_315":1042,"_317":1043},{"_315":1040,"_317":1041},{"_315":1038,"_317":1039},"#a89e81",0.0842,"#bebaaf",0.1538,"#6c7d73",0.2212,"#395b59",0.2457,"#9ba7a1",0.2951,"Childe Hassam","childe-hassam","American, 1859–1935",1859,1935,"sand-dunes-harlech-north-wales-si-saam-1983-83-268","Sand Dunes, Harlech, North Wales",{"_42":1098,"_222":1099,"_329":1100,"_331":332,"_333":1051,"_335":1101,"_337":-5,"_339":-5,"_341":1102,"_140":99},"1899","watercolor on paper","sheet: 5 1/2 x 8 7/8 in. (14.0 x 22.5 cm)",22.5,1.6130917592051432,[1083,1084,1085,1086,1087],{"_221":305,"_222":306,"_42":307,"_308":309},"1983.83.268","George Elbert Burr painted this in 1899, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Sand Dunes, Harlech, North Wales, by George Elbert Burr, 1899",{"_296":1080,"_298":1081,"_300":1082},"https://img.ochreeditions.com/m/1969.jpg?dl=1","/art/sand-dunes-harlech-north-wales-si-saam-1983-83-268","/galleries/style/american-gilded-age/sand-dunes-harlech-north-wales-si-saam-1983-83-268",{"_292":293,"_294":295},{"_225":1075,"_125":1076,"_286":1077},{"_277":707,"_279":1073,"_281":644,"_282":1074},30.4981884057971,15.498188405797102,{"_288":225,"_123":1078,"_154":1079,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/george-elbert-burr","More by George Elbert Burr","https://img.ochreeditions.com/a/1969/480.jpg","https://img.ochreeditions.com/a/1969/960.jpg","https://img.ochreeditions.com/a/1969/1920.jpg",{"_315":1096,"_317":1097},{"_315":1094,"_317":1095},{"_315":1092,"_317":1093},{"_315":1090,"_317":1091},{"_315":1088,"_317":1089},"#9793a1",0.0898,"#9f866a",0.1016,"#c0beb6",0.1203,"#a6b0b5",0.2246,"#d4b79d",0.4637,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1939,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","Vignette: Man Crouching on a Scaffolding",{"_42":1151,"_222":1152,"_329":1153,"_331":332,"_333":1154,"_335":1155,"_337":-5,"_339":-5,"_341":-5,"_140":103},"Brush and black washes, with graphite, on white watercolor paper","39.3 × 30.6 cm (15 1/2 × 12 1/16 in.)",30.6,39.3,0.754759011745646,[1136,1137,1138,1139,1140],{"_221":305,"_222":306,"_42":307,"_308":386},"1957-58-13","Walter Appleton Clark painted this in 1899, aged 23. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1135,"_303":385},"VIGNETTE: MAN CROUCHING ON A SCAFFOLDING",{"_296":1132,"_298":1133,"_300":1134},"https://img.ochreeditions.com/m/1753.jpg?dl=1","/art/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13","/galleries/style/american-gilded-age/vignette-man-crouching-on-a-scaffolding-si-chndm-1957-58-13",{"_292":379,"_294":380},{"_225":1127,"_125":1128,"_286":1129},{"_277":1124,"_279":1125,"_281":1126,"_282":1109},53.66202916160388,63.3,29.662029161603883,{"_288":225,"_123":1130,"_154":1131,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-walter-appleton-clark","Walter Appleton Clark's contemporaries","https://img.ochreeditions.com/a/1753/480.jpg","https://img.ochreeditions.com/a/1753/960.jpg","https://img.ochreeditions.com/a/1753/1920.jpg","Vignette showing a workman on his knees croushing on a scaffolding, a trowel and wooden bucket beside him.",{"_315":1149,"_317":1150},{"_315":1147,"_317":1148},{"_315":1145,"_317":1146},{"_315":1143,"_317":1144},{"_315":1141,"_317":1142},"#a49c8f",0.0488,"#777166",0.0638,"#47433d",0.0804,"#c7bfb0",0.0807,"#f0ebdd",0.7263,"Walter Appleton Clark","walter-appleton-clark","American, 1876–1906",1876,1906,{"_1157":-5,"_1158":1159,"_1160":1161,"_1162":8,"_1163":1164,"_1165":8},"user","csrf","037258de478e5cebef0e3be4550a2fa7b789d88d","cartCount",0,"dropLive","legal",[1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177],"uploadsEnabled",{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},{"_222":1180,"_20":1181},{"_222":1178,"_20":1179},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]