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It is now at the National Gallery of Art in Washington, DC.","Columbus and his companions, in plumed helmets and bright red, blue and gold, row towards a palm-fringed shore, one man standing in the prow with a white banner, while their ships wait offshore and the island’s inhabitants watch from the hillside and trees.","The painting features a scene showing men in a boat landing on a shore. The horizon is low, with larger sailing ships seen in the distance on the right, floating on the dark green water. The central boat has around eight men in it, all with tan skin and dark hair, dressed in bright garments in shades of red, blue, and gold. Many of them wear plumed helmets and have jewelry or badges adorning them. The boat is heading towards land on the left, and one man stands at the front of the boat, holding a white flag. The land on the left is green, with tall palm trees and a rocky gray mountain. People with dark skin can be seen in on the land in the distance, some climbing the mountain and others standing beneath trees. The sky is a gradient from pinkish-orange near the horizon to light blue at the top of the painting, with a few faint gray clouds.",{"_294":467,"_296":468,"_298":469},"https://img.ochreeditions.com/m/1598.jpg?dl=1","/art/the-landing-of-columbus-nga-59906","/galleries/style/antebellum-america/the-landing-of-columbus-nga-59906",{"_290":291,"_292":293},{"_224":462,"_125":463,"_284":464},{"_275":243,"_277":460,"_279":357,"_281":461},59.6630859375,44.6630859375,{"_286":224,"_123":465,"_154":466,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/edward-hicks","More by Edward Hicks","https://img.ochreeditions.com/a/1598/480.jpg","https://img.ochreeditions.com/a/1598/960.jpg","https://img.ochreeditions.com/a/1598/1920.jpg",{"_310":483,"_312":484},{"_310":481,"_312":482},{"_310":479,"_312":480},{"_310":477,"_312":478},{"_310":475,"_312":476},"#bcc3a1",0.128,"#795f21",0.1569,"#7fa188",0.1639,"#cdb47d",0.2078,"#3b2f18",0.3434,"Edward Hicks","edward-hicks","American, 1780–1849",1780,1849,"Langhorne, Pennsylvania","Newtown, Pennsylvania","Hicks was a Quaker minister in Bucks County, Pennsylvania, who earned his living as a coach and sign painter.","asian-tea-pots-nga-134159","Asian Tea Pots",{"_42":547,"_221":548,"_324":549,"_326":327,"_328":550,"_330":551,"_332":-5,"_333":-5,"_334":-5,"_140":103},"n.d.","drawing","Drawing","watercolor on paper mounted to paperboard","sheet: 25.72 × 23.5 cm (10 1/8 × 9 1/4 in.) mount: 38.1 × 81.28 cm (15 × 32 in.)",23.5,25.7,0.9208651399491095,[532,533,534,535,536],{"_220":300,"_221":301,"_42":302,"_303":304},"2004.165.5","Henry Farrer painted this (n.d.), aged about 16. It is now at the National Gallery of Art in Washington, DC.","There are two teapots in the image. The larger teapot has a decorative pattern of red leaves and blue curve on an olive-green background, with a white handle. The smaller teapot has a dark brown glossy finish. The color palette consists of earthy tones like browns, olive green, red, and blue. The larger teapot is positioned slightly to the right, behind the smaller one, which is in the foreground on a reflective green surface. The background has a light beige appearance.",{"_294":529,"_296":530,"_298":531},"https://img.ochreeditions.com/m/1659.jpg?dl=1","/art/asian-tea-pots-nga-134159","/galleries/style/antebellum-america/asian-tea-pots-nga-134159",{"_290":527,"_292":528},{"_224":519,"_125":520,"_284":521},{"_275":516,"_277":517,"_279":518,"_281":502},47.66623409669211,49.7,23.66623409669211,{"_286":224,"_123":525,"_154":526,"_140":89},{"_286":125,"_123":522,"_154":523,"_140":524},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-henry-farrer","Henry Farrer's contemporaries","white","snow","https://img.ochreeditions.com/a/1659/480.jpg","https://img.ochreeditions.com/a/1659/960.jpg","https://img.ochreeditions.com/a/1659/1920.jpg",{"_310":545,"_312":546},{"_310":543,"_312":544},{"_310":541,"_312":542},{"_310":539,"_312":540},{"_310":537,"_312":538},"#997749",0.0694,"#433527",0.0959,"#ab9a80",0.1329,"#6c6852",0.2609,"#d1c2a6",0.4409,"Henry Farrer","henry-farrer","American, born England, 1844–1903",1844,1903,"mary-and-francis-wilcox-nga-45956","Mary and Francis Wilcox",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1845","overall: 122 x 101.6 cm (48 1/16 x 40 in.)",101.6,122,0.837890625,[581,582,583,584,585],{"_220":300,"_221":301,"_42":302,"_303":304},"1959.11.2","Joseph Whiting Stock painted this in 1845, aged 30. It is now at the National Gallery of Art in Washington, DC.","The image features two young children standing side by side. The child on the left extends one arm sideways and has the other arm lowered, while the child on the right has both arms relaxed by their sides, one holding a string. Both children have round faces with light complexions; the child on the left has dark brown hair styled in waves down to the shoulders, while the child on the right has light brown hair. The child on the left is dressed in a blue dress with a loosely gathered waist and short sleeves, white stockings, white shoes, and a red beaded necklace. The child on the right wears a green dress with similar design features, white stockings, and black shoes. Near their feet are a toy doll in a red cradle and a small toy house. In the background, there is a plain dark wall, a deep red drapery, a carpet with elaborate patterns, and a small wooden table with a box on top.",{"_294":578,"_296":579,"_298":580},"https://img.ochreeditions.com/m/1511.jpg?dl=1","/art/mary-and-francis-wilcox-nga-45956","/galleries/style/antebellum-america/mary-and-francis-wilcox-nga-45956",{"_290":291,"_292":293},{"_224":575,"_125":576,"_284":577},{"_275":572,"_277":573,"_279":574,"_281":558},117.22265625,137,102.22265625,{"_286":224,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1511/480.jpg","https://img.ochreeditions.com/a/1511/960.jpg","https://img.ochreeditions.com/a/1511/1920.jpg",{"_310":594,"_312":595},{"_310":592,"_312":593},{"_310":590,"_312":591},{"_310":588,"_312":589},{"_310":586,"_312":587},"#8d5333",0.1312,"#d4c0a7",0.1409,"#687126",0.1563,"#4e5553",0.2795,"#3b221e",0.2921,"the-power-of-music-cma-155783","The Power of Music",{"_42":651,"_221":652,"_324":653,"_326":327,"_328":654,"_330":388,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1847","Framed: 67 x 78 x 7.5 cm (26 3/8 x 30 11/16 x 2 15/16 in.); Unframed: 43.4 x 53.5 cm (17 1/16 x 21 1/16 in.)",53.5,43.4,1.238615664845173,[636,637,638,639,640],{"_220":632,"_221":633,"_42":634,"_303":635},"Courtesy of the Cleveland Museum of Art","1991.110","William Sidney Mount painted this in 1847, aged 40. It is now at the Cleveland Museum of Art.",{"_118":629,"_630":631},"The Power of Music, by William Sidney Mount, 1847",{"_294":626,"_296":627,"_298":628},"https://img.ochreeditions.com/m/749.jpg?dl=1","/art/the-power-of-music-cma-155783","/galleries/style/antebellum-america/the-power-of-music-cma-155783",{"_290":291,"_292":293},{"_224":621,"_125":622,"_284":623},{"_275":618,"_277":619,"_279":601,"_281":620},68.5,58.19338235294118,43.19338235294118,{"_286":224,"_123":624,"_154":625,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-sidney-mount","William Sidney Mount's contemporaries","https://img.ochreeditions.com/a/749/480.jpg","https://img.ochreeditions.com/a/749/960.jpg","https://img.ochreeditions.com/a/749/1920.jpg","Set in rural Long Island before the Civil War, Mount's complex painting presents an African American laborer listening intently to a fiddle tune enjoyed by white men.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":649,"_312":650},{"_310":647,"_312":648},{"_310":645,"_312":646},{"_310":643,"_312":644},{"_310":641,"_312":642},"#867e64",0.053,"#b8935f",0.1857,"#5f462c",0.2108,"#392d20",0.2184,"#8f683e",0.3321,"William Sidney Mount","william-sidney-mount","American, 1807–1868",1807,"white-mare-cma-135323","White Mare",{"_42":704,"_221":705,"_324":706,"_326":327,"_328":707,"_330":708,"_332":709,"_333":710,"_334":711,"_140":53},"c. 1868","oil on panel","Framed: 32.5 x 45 x 4.5 cm (12 13/16 x 17 11/16 x 1 3/4 in.); Unframed: 20 x 32.6 cm (7 7/8 x 12 13/16 in.)",32.6,20,1.6488845780795345,[689,690,691,692,693],{"_220":632,"_221":633,"_42":634,"_303":635},"1958.33","Winslow Homer painted this in about 1868, aged about 27. It is now at the Cleveland Museum of Art.",{"_118":688,"_630":631},"White Mare, by Winslow Homer, c. 1868",{"_294":685,"_296":686,"_298":687},"https://img.ochreeditions.com/m/624.jpg?dl=1","/art/white-mare-cma-135323","/galleries/style/antebellum-america/white-mare-cma-135323",{"_290":291,"_292":293},{"_224":680,"_125":681,"_284":682},{"_275":677,"_277":678,"_279":661,"_281":679},47.6,34.770941176470586,19.77094117647059,{"_286":224,"_123":683,"_154":684,"_140":53},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/624/480.jpg","https://img.ochreeditions.com/a/624/960.jpg","https://img.ochreeditions.com/a/624/1920.jpg","In August 1868 Winslow Homer, then working as a free-lance illustrator, visited the White Mountains of New Hampshire. As early as the 1820s, American artists used the White Mountains as a setting for landscape paintings.",{"_310":702,"_312":703},{"_310":700,"_312":701},{"_310":698,"_312":699},{"_310":696,"_312":697},{"_310":694,"_312":695},"#bdb29a",0.0765,"#53463c",0.1302,"#746c5c",0.2296,"#928975",0.2444,"#301d1b",0.3193,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","end-of-the-march-recto-nga-98212","End of the March [recto]",{"_42":704,"_221":705,"_324":706,"_326":327,"_328":707,"_330":708,"_332":709,"_333":710,"_334":711,"_140":53},"1862","graphite on bristol board","sheet: 9.1 x 12.4 cm (3 9/16 x 4 7/8 in.)",12.4,9.1,1.3657885961987328,[743,744,745,746,747],{"_220":300,"_221":301,"_42":302,"_303":304},"1996.121.4.a","Winslow Homer drew this in 1862, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image displays curved and angular lines creating an abstract composition hinting at humanoid shapes and possible vegetation or trees. The lines suggest motion and activity, with shapes resembling drums and sticks scattered around. The overall impression is of a gathering or event, with figures depicted standing or moving, along with lines indicating movement or sound waves from musical instruments.",{"_294":740,"_296":741,"_298":742},"https://img.ochreeditions.com/m/1635.jpg?dl=1","/art/end-of-the-march-recto-nga-98212","/galleries/style/antebellum-america/end-of-the-march-recto-nga-98212",{"_290":527,"_292":528},{"_224":737,"_125":738,"_284":739},{"_275":733,"_277":734,"_279":735,"_281":736},49,42.304443359375,25,18.304443359375,{"_286":224,"_123":683,"_154":684,"_140":53},{"_286":125,"_123":522,"_154":523,"_140":524},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1635/480.jpg","https://img.ochreeditions.com/a/1635/960.jpg","https://img.ochreeditions.com/a/1635/1920.jpg",{"_310":756,"_312":757},{"_310":754,"_312":755},{"_310":752,"_312":753},{"_310":750,"_312":751},{"_310":748,"_312":749},"#beaa8f",0.0316,"#dbc9ad",0.0416,"#bd9f7d",0.0947,"#b18d6a",0.2696,"#b99671",0.5625,"eagle-lake-mt-desert-si-chndm-1942-50-101","Eagle Lake, Mt. Desert",{"_42":810,"_221":811,"_324":812,"_326":327,"_328":813,"_330":814,"_332":-5,"_333":-5,"_334":815,"_140":99},"August 23, 1856","Graphite and chalk on brown-grey paper","28.1 × 47.3 cm (11 1/16 × 18 5/8 in.)",47.3,28.1,1.6506829410055217,[795,796,797,798,799],{"_220":366,"_221":367,"_42":368,"_303":794},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1942-50-101","Daniel Huntington drew this (August 23, 1856), aged 40. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":792,"_630":793},"EAGLE LAKE, MT. DESERT",{"_294":789,"_296":790,"_298":791},"https://img.ochreeditions.com/m/1744.jpg?dl=1","/art/eagle-lake-mt-desert-si-chndm-1942-50-101","/galleries/style/antebellum-america/eagle-lake-mt-desert-si-chndm-1942-50-101",{"_290":527,"_292":528},{"_224":784,"_125":785,"_284":786},{"_275":781,"_277":782,"_279":764,"_281":783},71.3,52.654806338028166,28.654806338028166,{"_286":224,"_123":787,"_154":788,"_140":99},{"_286":125,"_123":522,"_154":523,"_140":524},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/daniel-huntington","More by Daniel Huntington","https://img.ochreeditions.com/a/1744/480.jpg","https://img.ochreeditions.com/a/1744/960.jpg","https://img.ochreeditions.com/a/1744/1920.jpg","The shores of lake at right and at rear, beneath a mountain range. Three rowboats on the water.","Text from Cooper Hewitt, Smithsonian Design Museum.","New York",{"_310":808,"_312":809},{"_310":806,"_312":807},{"_310":804,"_312":805},{"_310":802,"_312":803},{"_310":800,"_312":801},"#928b7d",0.0288,"#b9b7b7",0.0845,"#a69684",0.1703,"#ac9e8c",0.3333,"#b1a592",0.3831,"Daniel Huntington","daniel-huntington","American, 1816–1906",1816,1906,"Huntington studied with Samuel F. B. Morse and Henry Inman in New York and made several journeys to Italy, which shaped his early allegorical and religious pictures, such as Mercy’s Dream.","landscape-with-haywain-cma-148215","Landscape with Haywain",{"_42":863,"_221":864,"_324":865,"_326":327,"_328":866,"_330":708,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1861","Framed: 65.5 x 103 x 12.5 cm (25 13/16 x 40 9/16 x 4 15/16 in.); Unframed: 40.2 x 78 cm (15 13/16 x 30 11/16 in.)",78,40.2,1.9406392694063928,[849,850,851,852,853],{"_220":632,"_221":633,"_42":634,"_303":635},"1975.20","Worthington Whittredge painted this in 1861, aged 41. It is now at the Cleveland Museum of Art.",{"_118":848,"_630":631},"Landscape with Haywain, by Worthington Whittredge, 1861",{"_294":845,"_296":846,"_298":847},"https://img.ochreeditions.com/m/684.jpg?dl=1","/art/landscape-with-haywain-cma-148215","/galleries/style/antebellum-america/landscape-with-haywain-cma-148215",{"_290":291,"_292":293},{"_224":840,"_125":841,"_284":842},{"_275":837,"_277":838,"_279":821,"_281":839},93,55.19294117647059,40.19294117647059,{"_286":224,"_123":843,"_154":844,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-worthington-whittredge","Worthington Whittredge's contemporaries","https://img.ochreeditions.com/a/684/480.jpg","https://img.ochreeditions.com/a/684/960.jpg","https://img.ochreeditions.com/a/684/1920.jpg","Painted during the first year of the Civil War, this idyllic view of a farm near Dobb's Ferry, New York, proclaimed to Northern viewers the success of an agricultural system in which farmers worked their own land. The American flag hanging beside the homestead subtly alludes to the war.",{"_310":861,"_312":862},{"_310":859,"_312":860},{"_310":857,"_312":858},{"_310":855,"_312":856},{"_310":854,"_312":426},"#565047","#c8bead",0.1567,"#76532f",0.1643,"#41351d",0.2287,"#8a857f",0.3376,"Worthington Whittredge","worthington-whittredge","American, 1820–1910",1820,"landscape-cma-98043","Landscape",{"_42":913,"_221":914,"_324":915,"_326":327,"_328":916,"_330":439,"_332":-5,"_333":-5,"_334":-5,"_140":103},"before 1918","Unframed: 34.3 x 59.5 cm (13 1/2 x 23 7/16 in.)",59.5,34.3,1.8640350877192982,[898,899,900,901,902],{"_220":632,"_221":633,"_42":634,"_303":635},"1917.67","Jasper F. Cropsey painted this (before 1918), aged about 22. It is now at the Cleveland Museum of Art.","Landscape, by Jasper F. Cropsey, before 1918",{"_294":895,"_296":896,"_298":897},"https://img.ochreeditions.com/m/492.jpg?dl=1","/art/landscape-cma-98043","/galleries/style/antebellum-america/landscape-cma-98043",{"_290":291,"_292":293},{"_224":890,"_125":891,"_284":892},{"_275":887,"_277":888,"_279":872,"_281":889},74.5,46.92,31.92,{"_286":224,"_123":893,"_154":894,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jasper-f-cropsey","Jasper F. Cropsey's contemporaries","https://img.ochreeditions.com/a/492/480.jpg","https://img.ochreeditions.com/a/492/960.jpg","https://img.ochreeditions.com/a/492/1920.jpg",{"_310":911,"_312":912},{"_310":909,"_312":910},{"_310":907,"_312":908},{"_310":905,"_312":906},{"_310":903,"_312":904},"#9e9c90",0.097,"#635038",0.1494,"#423627",0.1503,"#27251f",0.1953,"#bdb9ab",0.408,"Jasper F. Cropsey","jasper-f-cropsey","American, 1823–1900",1823,"symphony-in-white-no-1-the-white-girl-nga-12198","Symphony in White, No. 1: The White Girl",{"_42":964,"_221":965,"_324":966,"_326":327,"_328":967,"_330":551,"_332":968,"_333":969,"_334":970,"_140":230},"1861-1863, 1872","overall: 213 x 107.9 cm (83 7/8 x 42 1/2 in.) framed: 244.2 x 136.5 x 8.3 cm (96 1/8 x 53 3/4 x 3 1/4 in.)",107.9,213,0.502685546875,[949,950,951,952,953],{"_220":300,"_221":301,"_42":302,"_303":304},"1943.6.2","James McNeill Whistler painted this in 1861-1863, 1872, aged about 27. It is now at the National Gallery of Art in Washington, DC.","A young woman in a long white dress stands against a white curtain, a lily drooping from her hand and flowers scattered on the animal-skin rug at her feet, whose snarling head stares out at us. The model was Joanna Hiffernan, Whistler’s companion.","A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders. She looks to our left with green eyes, and her pink, full lips are closed. Her dress has puffed shoulders above a white-on-white striped pattern on the long sleeves. She stands on an animal pelt; it is not clear whether it is a wolf or a bear. The pelt spans the width of the painting and overlaps a blue patterned carpet. The animal’s mouth gapes to show sharp teeth. Its glassy eyes are wide open, and it seems to look at us. The edges of the animal skin are red. The woman holds a white lily by her side in her left hand, while yellow and purple flowers lie scattered on the pelt.",{"_294":946,"_296":947,"_298":948},"https://img.ochreeditions.com/m/1367.jpg?dl=1","/art/symphony-in-white-no-1-the-white-girl-nga-12198","/galleries/style/antebellum-america/symphony-in-white-no-1-the-white-girl-nga-12198",{"_290":291,"_292":293},{"_224":941,"_125":942,"_284":943},{"_275":938,"_277":939,"_279":940,"_281":923},122.072021484375,228,107.072021484375,{"_286":224,"_123":944,"_154":945,"_140":230},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1367/480.jpg","https://img.ochreeditions.com/a/1367/960.jpg","https://img.ochreeditions.com/a/1367/1920.jpg",{"_310":962,"_312":963},{"_310":960,"_312":961},{"_310":958,"_312":959},{"_310":956,"_312":957},{"_310":954,"_312":955},"#624630",0.0527,"#575752",0.0649,"#907f64",0.2036,"#b0a48a",0.3237,"#c9bea7",0.3551,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","trees-along-stream-in-fall-si-saam-1970-287","Trees along Stream in Fall",{"_42":1016,"_221":1017,"_324":1018,"_326":327,"_328":1019,"_330":1020,"_332":-5,"_333":-5,"_334":-5,"_140":101},"12 5/8 x 20 in. (32.0 x 50.9 cm.)",50.9,32,1.5932023366967605,[1001,1002,1003,1004,1005],{"_220":366,"_221":367,"_42":368,"_303":304},"1970.287","William Trost Richards painted this in 1861, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","Trees along Stream in Fall, by William Trost Richards, 1861",{"_294":998,"_296":999,"_298":1000},"https://img.ochreeditions.com/m/1940.jpg?dl=1","/art/trees-along-stream-in-fall-si-saam-1970-287","/galleries/style/antebellum-america/trees-along-stream-in-fall-si-saam-1970-287",{"_290":291,"_292":293},{"_224":993,"_125":994,"_284":995},{"_275":990,"_277":991,"_279":975,"_281":992},65.9,46.948233333333334,31.948233333333334,{"_286":224,"_123":996,"_154":997,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-trost-richards","William Trost Richards's contemporaries","https://img.ochreeditions.com/a/1940/480.jpg","https://img.ochreeditions.com/a/1940/960.jpg","https://img.ochreeditions.com/a/1940/1920.jpg",{"_310":1014,"_312":1015},{"_310":1012,"_312":1013},{"_310":1010,"_312":1011},{"_310":1008,"_312":1009},{"_310":1006,"_312":1007},"#816851",0.0699,"#8a692d",0.0922,"#2b1708",0.2164,"#51350c",0.2535,"#b3a8a7",0.368,"William Trost Richards","william-trost-richards","American, 1833–1905",1833,1905,"colonel-william-leete-stone-cma-136610","Colonel William Leete Stone",{"_42":1067,"_221":1068,"_324":1069,"_326":327,"_328":1070,"_330":1071,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1839","Unframed: 91.4 x 73.6 cm (36 x 29 in.)",73.6,91.4,0.8026470588235294,[1052,1053,1054,1055,1056],{"_220":632,"_221":633,"_42":634,"_303":635},"1961.171","William Page painted this in 1839, aged 28. It is now at the Cleveland Museum of Art.","Colonel William Leete Stone, by William Page, 1839",{"_294":1049,"_296":1050,"_298":1051},"https://img.ochreeditions.com/m/639.jpg?dl=1","/art/colonel-william-leete-stone-cma-136610","/galleries/style/antebellum-america/colonel-william-leete-stone-cma-136610",{"_290":291,"_292":293},{"_224":1044,"_125":1045,"_284":1046},{"_275":1041,"_277":1042,"_279":1043,"_281":1027},88.3619411764706,106.4,73.3619411764706,{"_286":224,"_123":1047,"_154":1048,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-page","William Page's contemporaries","https://img.ochreeditions.com/a/639/480.jpg","https://img.ochreeditions.com/a/639/960.jpg","https://img.ochreeditions.com/a/639/1920.jpg",{"_310":1065,"_312":1066},{"_310":1063,"_312":1064},{"_310":1061,"_312":1062},{"_310":1059,"_312":1060},{"_310":1057,"_312":1058},"#e2d4c6",0.0279,"#615449",0.0319,"#b68e7b",0.0478,"#100f0c",0.3799,"#241b14",0.5125,"William Page","william-page","American, 1811–1885",1811,1885,"soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208","Soldiers felling sapling, and weaving saplings into baskets [verso]",{"_42":704,"_221":705,"_324":706,"_326":327,"_328":707,"_330":708,"_332":709,"_333":710,"_334":711,"_140":53},"graphite on straw paper","sheet: 21.9 × 37.7 cm (8 5/8 × 14 13/16 in.)",37.7,21.9,1.7385398981324278,[1101,1102,1103,1104,1105],{"_220":300,"_221":301,"_42":302,"_303":304},"1996.121.7.b","Quick pencil sketches catch soldiers at work, felling saplings and weaving them into gabions, the basket-like frames filled with earth that protected artillery positions during sieges.","This is a drawing of various sketches related to woodcutting or carpentry. The drawing features several pencil sketches on tan paper. On the left side, there are depictions of a barrel or basket, and beneath it, several outline sketches of figures engaged in activities involving woodwork. The right side of the drawing shows a figure bent over a large beam or branch. The sketches are simple, with minimal detail, capturing the basic form and movement of the figures and objects involved in woodwork-related activities.",{"_294":1098,"_296":1099,"_298":1100},"https://img.ochreeditions.com/m/1634.jpg?dl=1","/art/soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208","/galleries/style/antebellum-america/soldiers-felling-sapling-and-weaving-saplings-into-baskets-v-nga-98208",{"_290":527,"_292":528},{"_224":1095,"_125":1096,"_284":1097},{"_275":1092,"_277":1093,"_279":1077,"_281":1094},61.7,45.68486328125,21.684863281250003,{"_286":224,"_123":683,"_154":684,"_140":53},{"_286":125,"_123":522,"_154":523,"_140":524},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1634/480.jpg","https://img.ochreeditions.com/a/1634/960.jpg","https://img.ochreeditions.com/a/1634/1920.jpg",{"_310":1114,"_312":1115},{"_310":1112,"_312":1113},{"_310":1110,"_312":1111},{"_310":1108,"_312":1109},{"_310":1106,"_312":1107},"#bda484",0.0599,"#9a7b58",0.1003,"#b69269",0.2474,"#a6845f",0.273,"#ae8a63",0.3194,{"_1117":-5,"_1118":1119,"_1120":1121,"_1122":8,"_1123":1124,"_1125":8},"user","csrf","dd69a468ffbd4c1b8a5989289fbf845db2ec7989","cartCount",0,"dropLive","legal",[1126,1127,1128,1129,1130,1131,1132,1133,1134,1135,1136,1137],"uploadsEnabled",{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},{"_221":1140,"_20":1141},{"_221":1138,"_20":1139},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]