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Acanthus rinceau with two winged putti. Intended to be engraved","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_316":461,"_318":462},{"_316":459,"_318":460},{"_316":457,"_318":458},{"_316":455,"_318":456},{"_316":453,"_318":454},"#7c5d49",0.1495,"#e6ddc2",0.1555,"#987a60",0.1822,"#b59b80",0.239,"#cdbca2",0.2738,"Francesco Bedeschini, Italian","francesco-bedeschini-italian","portrait-of-a-man-in-a-military-uniform-nga-52296","Portrait of a Man in a Military Uniform","Unrecorded French maker","18th century","france","black, blue, and red chalk heightened with white on laid paper","overall (oval): 19.3 x 15.9 cm (7 5/8 x 6 1/4 in.)",15.9,19.3,0.8271484375,[507,508,509,510,511],{"_226":503,"_227":504,"_42":505,"_309":506},"Courtesy National Gallery of Art, Washington","1970.17.152","An unrecorded French artist drew this in 18th century. It is now at the National Gallery of Art in Washington, DC.","The image displays an oval portrait of a man's upper torso. He is turned slightly to the right, looking directly at the viewer with a composed expression. The man has pale skin, defined facial features, softly arched eyebrows, a subtle mustache, and styled hair in an 18th-century fashion. He wears a blue coat with white lapels, silver buttons, and a silver-fringed epaulet on the shoulder, along with a cravat and waistcoat. The background is a smooth, neutral gray.",{"_300":500,"_302":501,"_304":502},"https://img.ochreeditions.com/m/1554.jpg?dl=1","/art/portrait-of-a-man-in-a-military-uniform-nga-52296","/galleries/style/baroque/portrait-of-a-man-in-a-military-uniform-nga-52296",{"_296":297,"_298":299},{"_230":492,"_125":493,"_290":494},{"_281":488,"_283":489,"_285":490,"_286":491},44.6787109375,49,20.6787109375,25,{"_292":230,"_123":498,"_154":499,"_140":87},{"_292":125,"_123":433,"_154":434,"_140":435},{"_292":290,"_123":495,"_154":496,"_140":497},"era/17-france","17th-century France",30,"artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/1554/480.jpg","https://img.ochreeditions.com/a/1554/960.jpg","https://img.ochreeditions.com/a/1554/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_316":520,"_318":521},{"_316":518,"_318":519},{"_316":516,"_318":517},{"_316":514,"_318":515},{"_316":512,"_318":513},"#586567",0.0787,"#baaa95",0.1094,"#877b6c",0.2016,"#6f675d",0.2629,"#eae4cf",0.3474,"the-crucifixion-of-saint-andrew-cma-148758","The Crucifixion of Saint Andrew",{"_42":584,"_227":585,"_330":586,"_332":333,"_334":587,"_336":335,"_338":588,"_339":589,"_340":-5,"_140":101},"1606–7","painting","Painting","oil on canvas","Framed: 233.5 x 184 x 12 cm (91 15/16 x 72 7/16 x 4 3/4 in.); Unframed: 202.5 x 152.7 cm (79 3/4 x 60 1/8 in.)",152.7,202.5,0.7538235294117647,[569,570,571,572,573],{"_226":565,"_227":566,"_42":567,"_309":568},"Courtesy of the Cleveland Museum of Art","1976.2","Caravaggio painted this in 1606–7, aged about 35. It is now at the Cleveland Museum of Art.",{"_118":563,"_442":564},"The Crucifixion of Saint Andrew, by Caravaggio, 1606–7",{"_300":560,"_302":561,"_304":562},"https://img.ochreeditions.com/m/701.jpg?dl=1","/art/the-crucifixion-of-saint-andrew-cma-148758","/galleries/style/baroque/the-crucifixion-of-saint-andrew-cma-148758",{"_296":558,"_298":559},{"_230":550,"_125":551,"_290":552},{"_281":547,"_283":548,"_285":549,"_286":531},167.64926470588236,217.5,152.64926470588236,{"_292":230,"_123":556,"_154":557,"_140":89},{"_292":125,"_123":553,"_154":554,"_140":555},{"_292":290,"_123":166,"_154":165,"_140":168},"style/painting-17","More paintings of the 17th century",168,"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","natural","ivory","https://img.ochreeditions.com/a/701/480.jpg","https://img.ochreeditions.com/a/701/960.jpg","https://img.ochreeditions.com/a/701/1920.jpg","Saint Andrew’s efforts to introduce Christianity to Greece in the first century CE were met with hostility from local authorities. He was sentenced to die on the cross because he refused to acknowledge pagan gods. For two days, Andrew preached from his martyr’s station to an increasingly sympathetic crowd.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_316":582,"_318":583},{"_316":580,"_318":581},{"_316":578,"_318":579},{"_316":576,"_318":577},{"_316":574,"_318":575},"#7f7768",0.0498,"#9d7048",0.0807,"#623d24",0.125,"#342215",0.2559,"#1b120b",0.4886,"Caravaggio","caravaggio","Italian, 1571–1610",1571,"Milan or Caravaggio","Porto Ercole","the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416","The Colossal Statue of the Apennines, from Views of Villa di Pratolino",{"_42":328,"_227":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":-5,"_339":-5,"_340":341,"_140":97},"c. 1653","Etching in black on ivory laid paper","Image: 24.4 × 38.4 cm (9 5/8 × 15 1/8 in.); Plate: 25.5 × 38.7 cm (10 1/16 × 15 1/4 in.); Sheet: 32.9 × 45 cm (13 × 17 3/4 in.)",38,1.364490161001789,[620,621,622,623,624],{"_226":306,"_227":307,"_42":308,"_309":310},"1990.501.6","Stefano della Bella made this in about 1653, aged about 42. It is now at the Art Institute of Chicago.","The Colosso dell’Appennino, a giant crouching figure personifying the Apennine mountains, created by the sculptor Giambologna around 1580 for the Medici villa at Pratolino near Florence, rises beside its pool in this etching by Stefano della Bella.","A work made of etching in black on ivory laid paper.",{"_300":617,"_302":618,"_304":619},"https://img.ochreeditions.com/m/300.jpg?dl=1","/art/the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416","/galleries/style/baroque/the-colossal-statue-of-the-apennines-from-views-of-villa-di-aic-121416",{"_296":297,"_298":299},{"_230":614,"_125":615,"_290":616},{"_281":611,"_283":612,"_285":596,"_286":613},62,51.84922976073418,27.849229760734183,{"_292":230,"_123":170,"_154":169,"_140":97},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/300/480.jpg","https://img.ochreeditions.com/a/300/960.jpg","https://img.ochreeditions.com/a/300/1920.jpg",{"_316":633,"_318":634},{"_316":631,"_318":632},{"_316":629,"_318":630},{"_316":627,"_318":628},{"_316":625,"_318":626},"#a79e8c",0.1237,"#726957",0.1277,"#cbc3b3",0.1576,"#8c8370",0.1825,"#e7e2d7",0.4085,"the-resurrection-aic-19336","The Resurrection",{"_42":683,"_227":684,"_330":685,"_332":686,"_334":-5,"_336":-5,"_338":-5,"_339":-5,"_340":-5,"_140":103},"c. 1619-20","Oil on canvas","339.1 × 199.5 cm (133 1/2 × 78 1/2 in.); Framed: 389.9 × 246.4 × 10.2 cm (153 1/2 × 97 × 4 in.)",199,339,0.5671824557497496,[668,669,670,671,672],{"_226":306,"_227":307,"_42":308,"_309":310},"1934.390","Cecco del Caravaggio painted this in about 1619-20. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_300":665,"_302":666,"_304":667},"https://img.ochreeditions.com/m/72.jpg?dl=1","/art/the-resurrection-aic-19336","/galleries/style/baroque/the-resurrection-aic-19336",{"_296":558,"_298":559},{"_230":660,"_125":661,"_290":662},{"_281":656,"_283":657,"_285":658,"_286":659},151.1237893799399,255,136.1237893799399,240,{"_292":230,"_123":663,"_154":664,"_140":89},{"_292":125,"_123":553,"_154":554,"_140":555},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-cecco-del-caravaggio","Cecco del Caravaggio's contemporaries","https://img.ochreeditions.com/a/72/480.jpg","https://img.ochreeditions.com/a/72/960.jpg","https://img.ochreeditions.com/a/72/1920.jpg",{"_316":681,"_318":682},{"_316":679,"_318":680},{"_316":677,"_318":678},{"_316":675,"_318":676},{"_316":673,"_318":674},"#c4b5a4",0.0868,"#6d4a33",0.1111,"#8b7766",0.1141,"#432e26",0.2869,"#211a1a",0.4011,"Cecco del Caravaggio","cecco-del-caravaggio","Francesco Boneri; Italian, 1588/90–after 1620","Francesco Boneri; Italian","saint-jerome-and-a-pope-with-two-putti-saint-jerome-and-pope-aic-259147","Saint Jerome and a Pope with Two Putti (Saint Jerome and Pope Damasus)",{"_42":731,"_227":732,"_330":733,"_332":333,"_334":734,"_336":735,"_338":-5,"_339":-5,"_340":-5,"_140":101},"c. 1611","Etching in black on cream laid paper","210 x 147 mm (plate), 211 x 148 mm (sheet)",0.663664323374341,[716,717,718,719,720],{"_226":306,"_227":307,"_42":308,"_309":310},"2020.269","Jacopo Palma il Giovane made this in about 1611, aged about 58. It is now at the Art Institute of Chicago.","A work made of etching in black on cream laid paper.",{"_300":713,"_302":714,"_304":715},"https://img.ochreeditions.com/m/399.jpg?dl=1","/art/saint-jerome-and-a-pope-with-two-putti-saint-jerome-and-pope-aic-259147","/galleries/style/baroque/saint-jerome-and-a-pope-with-two-putti-saint-jerome-and-pope-aic-259147",{"_296":297,"_298":299},{"_230":708,"_125":709,"_290":710},{"_281":706,"_283":423,"_285":707,"_286":425},63.81985940246046,39.81985940246046,{"_292":230,"_123":711,"_154":712,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","https://img.ochreeditions.com/a/399/480.jpg","https://img.ochreeditions.com/a/399/960.jpg","https://img.ochreeditions.com/a/399/1920.jpg",{"_316":729,"_318":730},{"_316":727,"_318":728},{"_316":725,"_318":726},{"_316":723,"_318":724},{"_316":721,"_318":722},"#695e54",0.0629,"#c2b0a2",0.0919,"#8c7d71",0.1079,"#a79789",0.1199,"#f2e0d3",0.6174,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)",{"_42":782,"_227":783,"_330":784,"_332":333,"_334":785,"_336":786,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1690/1710","Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper","36.3 × 22.3 cm (14 5/16 × 8 13/16 in.)",22,36,0.5987786259541985,[767,768,769,770,771],{"_226":306,"_227":307,"_42":308,"_309":310},"2019.884","Pietro Antonio di Pietri painted this in 1690/1710, aged about 27. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper.",{"_300":764,"_302":765,"_304":766},"https://img.ochreeditions.com/m/378.jpg?dl=1","/art/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311","/galleries/style/baroque/the-virgin-and-saint-joseph-with-saint-anthony-of-padua-seat-aic-248311",{"_296":297,"_298":299},{"_230":759,"_125":760,"_290":761},{"_281":757,"_283":425,"_285":758,"_286":743},45.556030534351144,21.556030534351144,{"_292":230,"_123":762,"_154":763,"_140":89},{"_292":125,"_123":371,"_154":372,"_140":236},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-pietro-antonio-di-pietri","Pietro Antonio di Pietri's contemporaries","https://img.ochreeditions.com/a/378/480.jpg","https://img.ochreeditions.com/a/378/960.jpg","https://img.ochreeditions.com/a/378/1920.jpg",{"_316":780,"_318":781},{"_316":778,"_318":779},{"_316":776,"_318":777},{"_316":774,"_318":775},{"_316":772,"_318":773},"#584c42",0.0921,"#9b8c7f",0.2027,"#9b7e64",0.2079,"#7a6a5c",0.2159,"#beaa95",0.2814,"Pietro Antonio di Pietri","pietro-antonio-di-pietri","Italian, 1663–1716",1663,1716,"putto-holding-staff-aic-83729","Putto Holding Staff",{"_42":834,"_227":835,"_330":836,"_332":333,"_334":837,"_336":838,"_338":839,"_339":839,"_340":840,"_140":93},"n.d.","Black chalk with pen and brown ink on cream laid paper","27.8 × 18.8 cm (11 × 7 7/16 in.)",18,27,0.7040203327171903,[819,820,821,822,823],{"_226":306,"_227":307,"_42":308,"_309":310},"1922.1737","Guido Reni painted this (n.d.). It is now at the Art Institute of Chicago.","A work made of black chalk with pen and brown ink on cream laid paper.",{"_300":816,"_302":817,"_304":818},"https://img.ochreeditions.com/m/225.jpg?dl=1","/art/putto-holding-staff-aic-83729","/galleries/style/baroque/putto-holding-staff-aic-83729",{"_296":297,"_298":299},{"_230":811,"_125":812,"_290":813},{"_281":808,"_283":809,"_285":810,"_286":794},43.008548983364136,51,19.00854898336414,{"_292":230,"_123":814,"_154":815,"_140":93},{"_292":125,"_123":371,"_154":372,"_140":236},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/guido-reni","More by Guido Reni","https://img.ochreeditions.com/a/225/480.jpg","https://img.ochreeditions.com/a/225/960.jpg","https://img.ochreeditions.com/a/225/1920.jpg",{"_316":832,"_318":833},{"_316":830,"_318":831},{"_316":828,"_318":829},{"_316":826,"_318":827},{"_316":824,"_318":825},"#838687",0.0174,"#aba9a3",0.0823,"#c0b7a6",0.1399,"#d0c4b1",0.3413,"#d8cfbb",0.4191,"Guido Reni","guido-reni","Italian, 1575–1642",1575,1642,"Bologna","Reni trained in Bologna, first with Denys Calvaert and then at the Carracci academy, and spent the early 1600s in Rome, where his fresco Aurora won wide fame.","the-creation-of-adam-aic-105073","The Creation of Adam",{"_42":393,"_227":394,"_330":395,"_332":333,"_334":396,"_336":337,"_338":397,"_339":398,"_340":399,"_140":97},"c. 1645/50","Monotype in black ink on ivory laid paper","30.3 × 20.3 cm (11 15/16 × 8 in.)",20,0.6740412979351033,[870,871,872,873,874],{"_226":306,"_227":307,"_42":308,"_309":310},"1985.1113","Giovanni Benedetto Castiglione made this in about 1645/50, aged about 28. It is now at the Art Institute of Chicago.","God the Father, surrounded by radiating light, reaches down from the clouds to touch Adam and bring him to life.","Drawing of god, radiating light, reaching down from clouds, touching male figure.",{"_300":867,"_302":868,"_304":869},"https://img.ochreeditions.com/m/265.jpg?dl=1","/art/the-creation-of-adam-aic-105073","/galleries/style/baroque/the-creation-of-adam-aic-105073",{"_296":297,"_298":299},{"_230":864,"_125":865,"_290":866},{"_281":862,"_283":350,"_285":863,"_286":497},44.2212389380531,20.221238938053098,{"_292":230,"_123":373,"_154":374,"_140":97},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/265/480.jpg","https://img.ochreeditions.com/a/265/960.jpg","https://img.ochreeditions.com/a/265/1920.jpg",{"_316":883,"_318":884},{"_316":881,"_318":882},{"_316":879,"_318":880},{"_316":877,"_318":878},{"_316":875,"_318":876},"#897d71",0.1294,"#726558",0.1504,"#5d5348",0.1537,"#4b433c",0.2188,"#3c3632",0.3477,"one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307","One of a set of trophies of weapons of war as a decoration of a horizontal panel",{"_42":463,"_227":464,"_330":-5,"_332":-5,"_334":-5,"_336":-5,"_338":-5,"_339":-5,"_340":-5,"_140":99},"H: 19.6cm W: 27.5cm",1.6568627450980393,[911,912,913,914,915],{"_226":444,"_227":445,"_42":446,"_309":447},"1938-88-2307",{"_118":910,"_442":443},"ONE OF A SET OF TROPHIES OF WEAPONS OF WAR AS A DECORATION OF A HORIZONTAL PANEL",{"_300":907,"_302":908,"_304":909},"https://img.ochreeditions.com/m/1734.jpg?dl=1","/art/one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307","/galleries/style/baroque/one-of-a-set-of-trophies-of-weapons-of-war-as-a-decoration-o-si-chndm-1938-88-2307",{"_296":297,"_298":299},{"_230":904,"_125":905,"_290":906},{"_281":423,"_283":902,"_285":425,"_286":903},60.213017751479285,36.213017751479285,{"_292":230,"_123":436,"_154":437,"_140":99},{"_292":125,"_123":433,"_154":434,"_140":435},{"_292":290,"_123":430,"_154":431,"_140":432},"https://img.ochreeditions.com/a/1734/480.jpg","https://img.ochreeditions.com/a/1734/960.jpg","https://img.ochreeditions.com/a/1734/1920.jpg","The drawing has two borderlines, the background bearing horizontal lines. Intended to be engraved",{"_316":924,"_318":925},{"_316":922,"_318":923},{"_316":920,"_318":921},{"_316":918,"_318":919},{"_316":916,"_318":917},"#715745",0.101,"#b59e83",0.1422,"#947960",0.1514,"#e7dfc3",0.2965,"#d5c5a9",0.3089,"sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302","Sketch for \"The Four Prophets of Israel\" (for Il Gesù, Rome)",{"_42":973,"_227":974,"_330":975,"_332":333,"_334":976,"_336":977,"_338":-5,"_339":-5,"_340":-5,"_140":103},"c. 1675–1677","Framed: 81.3 x 68 x 9 cm (32 x 26 3/4 x 3 9/16 in.); Unframed: 67.3 x 55 cm (26 1/2 x 21 5/8 in.)",67.3,0.8161764705882353,[958,959,960,961,962],{"_226":565,"_227":566,"_42":567,"_309":568},"1969.131","Giovanni Battista Gaulli painted this in about 1675–1677, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":957,"_442":564},"Sketch for \"The Four Prophets of Israel\" (for Il Gesù, Rome), by Giovanni Battista Gaulli, c. 1675–1677",{"_300":954,"_302":955,"_304":956},"https://img.ochreeditions.com/m/672.jpg?dl=1","/art/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302","/galleries/style/baroque/sketch-for-the-four-prophets-of-israel-for-il-gesu-rome-cma-144302",{"_296":558,"_298":559},{"_230":949,"_125":950,"_290":951},{"_281":946,"_283":947,"_285":948,"_286":931},69.92867647058823,82.3,54.92867647058823,{"_292":230,"_123":952,"_154":953,"_140":89},{"_292":125,"_123":553,"_154":554,"_140":555},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-giovanni-battista-gaulli","Giovanni Battista Gaulli's contemporaries","https://img.ochreeditions.com/a/672/480.jpg","https://img.ochreeditions.com/a/672/960.jpg","https://img.ochreeditions.com/a/672/1920.jpg","This small painting represents the four prophets of Israel: Isaiah, Jeremiah, Ezekiel, and Daniel. It is one of seven oil sketches made in preparation for the decoration of the four pendentives in the Jesuit Church of the Gesù in Rome.",{"_316":971,"_318":972},{"_316":969,"_318":970},{"_316":967,"_318":968},{"_316":965,"_318":966},{"_316":963,"_318":964},"#241e19",0.0682,"#764332",0.0685,"#8b6a54",0.07,"#433027",0.143,"#58382a",0.6503,"Giovanni Battista Gaulli","giovanni-battista-gaulli","Italian, 1639–1709",1639,1709,"portrait-of-a-girl-aic-28876","Portrait of a Girl",{"_42":1023,"_227":1024,"_330":1025,"_332":333,"_334":1026,"_336":1027,"_338":-5,"_339":-5,"_340":1028,"_140":99},"c. 1700","56.3 × 43.2 cm (22 3/16 × 17 in.); Framed: 82 × 69.6 × 5.1 cm (32 1/4 × 27 3/8 × 2 in.)",43,56,0.7491119005328597,[1008,1009,1010,1011,1012],{"_226":306,"_227":307,"_42":308,"_309":310},"1968.97","Francesco Solimena painted this in about 1700, aged about 38. It is now at the Art Institute of Chicago.",{"_300":1005,"_302":1006,"_304":1007},"https://img.ochreeditions.com/m/119.jpg?dl=1","/art/portrait-of-a-girl-aic-28876","/galleries/style/baroque/portrait-of-a-girl-aic-28876",{"_296":558,"_298":559},{"_230":1000,"_125":1001,"_290":1002},{"_281":997,"_283":998,"_285":999,"_286":984},56.95026642984014,71,41.95026642984014,{"_292":230,"_123":1003,"_154":1004,"_140":99},{"_292":125,"_123":553,"_154":554,"_140":555},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/francesco-solimena","More by Francesco Solimena","https://img.ochreeditions.com/a/119/480.jpg","https://img.ochreeditions.com/a/119/960.jpg","https://img.ochreeditions.com/a/119/1920.jpg",{"_316":1021,"_318":1022},{"_316":1019,"_318":1020},{"_316":1017,"_318":1018},{"_316":1015,"_318":1016},{"_316":1013,"_318":1014},"#9f7f60",0.0908,"#806550",0.0934,"#634d3c",0.1266,"#473223",0.2448,"#33231e",0.4444,"Francesco Solimena","francesco-solimena","Italian, 1657–1747",1657,1747,"Solimena was the dominant painter in Naples for half a century, continuing the grand decorative manner of Luca Giordano while giving it firmer drawing and stronger contrasts of light and shade.","antique-carved-marble-candelabra-base-aic-248307","Antique Carved Marble Candelabra Base",{"_42":1073,"_227":1074,"_330":1075,"_332":333,"_334":335,"_336":1076,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1642/44 or 1647/51","Pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper","Primary support: 23.4 × 17.1 cm (9 1/4 × 6 3/4 in.); Secondary support: 26 × 19 cm (10 1/4 × 7 1/2 in.)",0.7270531400966184,[1058,1059,1060,1061,1062],{"_226":306,"_227":307,"_42":308,"_309":310},"2019.881","Andrea di Lione painted this in 1642/44 or 1647/51, aged about 32. It is now at the Art Institute of Chicago.","A work made of pen and brown ink and brush and brown wash, over graphite, on cream laid paper laid down on off-white laid paper.",{"_300":1055,"_302":1056,"_304":1057},"https://img.ochreeditions.com/m/374.jpg?dl=1","/art/antique-carved-marble-candelabra-base-aic-248307","/galleries/style/baroque/antique-carved-marble-candelabra-base-aic-248307",{"_296":297,"_298":299},{"_230":1050,"_125":1051,"_290":1052},{"_281":1048,"_283":489,"_285":1049,"_286":491},42.17632850241546,18.17632850241546,{"_292":230,"_123":1053,"_154":1054,"_140":89},{"_292":125,"_123":371,"_154":372,"_140":236},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-andrea-di-lione","Andrea di Lione's contemporaries","https://img.ochreeditions.com/a/374/480.jpg","https://img.ochreeditions.com/a/374/960.jpg","https://img.ochreeditions.com/a/374/1920.jpg",{"_316":1071,"_318":1072},{"_316":1069,"_318":1070},{"_316":1067,"_318":1068},{"_316":1065,"_318":1066},{"_316":1063,"_318":1064},"#aeaca7",0.0861,"#9e8065",0.1007,"#e9dfd1",0.1772,"#c4a688",0.245,"#e2c9ae",0.391,"Andrea di Lione","andrea-di-lione","Italian, 1610–1685",1685,"holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","Holy Family with Saint Elizabeth and Saint John the Baptist",{"_42":1121,"_227":1122,"_330":1123,"_332":333,"_334":1124,"_336":1125,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1650/60","Plate: 29.8 × 22 cm (11 3/4 × 8 11/16 in.); sheet: 30.9 × 23 cm (12 3/16 × 9 1/16 in.)",29,0.7470017728647409,[1106,1107,1108,1109,1110],{"_226":306,"_227":307,"_42":308,"_309":310},"2024.156","Elisabetta Sirani made this in 1650/60, aged about 12. It is now at the Art Institute of Chicago.",{"_300":1103,"_302":1104,"_304":1105},"https://img.ochreeditions.com/m/449.jpg?dl=1","/art/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409","/galleries/style/baroque/holy-family-with-saint-elizabeth-and-saint-john-the-baptist-aic-273409",{"_296":297,"_298":299},{"_230":1098,"_125":1099,"_290":1100},{"_281":1095,"_283":1096,"_285":1097,"_286":1082},45.66305141307748,53,21.663051413077486,{"_292":230,"_123":1101,"_154":1102,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-elisabetta-sirani","Elisabetta Sirani's contemporaries","https://img.ochreeditions.com/a/449/480.jpg","https://img.ochreeditions.com/a/449/960.jpg","https://img.ochreeditions.com/a/449/1920.jpg",{"_316":1119,"_318":1120},{"_316":1117,"_318":1118},{"_316":1115,"_318":1116},{"_316":1113,"_318":1114},{"_316":1111,"_318":1112},"#f7e3d1",0.0723,"#786c60",0.1146,"#9b8b7d",0.1647,"#baa898",0.2933,"#d6c0ae",0.3551,"Elisabetta Sirani","elisabetta-sirani","Italian, 1638–1665",1638,1665,{"_1127":-5,"_1128":1129,"_1130":1131,"_1132":8,"_1133":1134,"_1135":8},"user","csrf","e7f112719073d17a5ccb4317b0956266e9a5f1be","cartCount",0,"dropLive","legal",[1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147],"uploadsEnabled",{"_227":1170,"_20":1171},{"_227":1168,"_20":1169},{"_227":1166,"_20":1167},{"_227":1164,"_20":1165},{"_227":1162,"_20":1163},{"_227":1160,"_20":1161},{"_227":1158,"_20":1159},{"_227":1156,"_20":1157},{"_227":1154,"_20":1155},{"_227":1152,"_20":1153},{"_227":1150,"_20":1151},{"_227":1148,"_20":1149},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]