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Often regarded as a follower of Claude Lorrain (1600-1682), with whom he briefly shared a home, most scholars now believe that the influence was mutual.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":445,"_310":446},{"_308":443,"_310":444},{"_308":441,"_310":442},{"_308":439,"_310":440},{"_308":437,"_310":438},"#ac9d77",0.0663,"#868674",0.0894,"#8198a7",0.1475,"#4a4634",0.1731,"#2e2d26",0.5237,"Herman van Swanevelt","herman-van-swanevelt","Dutch, c. 1600–1655",1600,1655,"Van Swanevelt, from Woerden in Holland, spent the late 1620s and 1630s in Rome, where he worked in the circle of Claude Lorrain and became one of the Dutch painters who carried the golden light of the Roman Campagna into northern landscape.","salome-with-the-head-of-saint-john-the-baptist-cma-148366","Salome with the Head of Saint John the Baptist",{"_42":502,"_220":503,"_322":504,"_324":325,"_326":450,"_328":505,"_330":-5,"_331":-5,"_332":-5,"_140":103},"mid-1600s","oil on wood","Framed: 92 x 76.5 x 4 cm (36 1/4 x 30 1/8 x 1 9/16 in.); Unframed: 71 x 54.6 cm (27 15/16 x 21 1/2 in.)",54.6,71,0.7708823529411765,[487,488,489,490,491],{"_219":428,"_220":429,"_42":430,"_301":431},"1975.79","Jacob Duck painted this in the mid-1600s, aged about 40. It is now at the Cleveland Museum of Art.",{"_118":486,"_426":427},"Salome with the Head of Saint John the Baptist, by Jacob Duck, mid-1600s",{"_292":483,"_294":484,"_296":485},"https://img.ochreeditions.com/m/694.jpg?dl=1","/art/salome-with-the-head-of-saint-john-the-baptist-cma-148366","/galleries/style/dutch-golden-age/salome-with-the-head-of-saint-john-the-baptist-cma-148366",{"_288":420,"_290":421},{"_223":478,"_125":479,"_283":480},{"_273":475,"_275":476,"_277":477,"_279":460},69.73264705882353,86,54.73264705882353,{"_285":223,"_123":481,"_154":482,"_140":89},{"_285":125,"_123":415,"_154":416,"_140":417},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacob-duck","Jacob Duck's contemporaries","https://img.ochreeditions.com/a/694/480.jpg","https://img.ochreeditions.com/a/694/960.jpg","https://img.ochreeditions.com/a/694/1920.jpg","The colorful, exotic garments worn by the woman at the right demonstrate Jacob Duck’s skill in painting luxurious surfaces: she is Salome, daughter of Herodias. According to the New Testament, Herodias bore a grudge against John the Baptist, who condemned her marriage to Herod, ruler of Galilee and Perea.",{"_308":500,"_310":501},{"_308":498,"_310":499},{"_308":496,"_310":497},{"_308":494,"_310":495},{"_308":492,"_310":493},"#a23918",0.0325,"#6c3c21",0.1406,"#9e8966",0.1575,"#382a16",0.1878,"#594d31",0.4816,"Jacob Duck","jacob-duck","Dutch, c. 1600–1667",1667,"a-cottage-in-the-woods-cma-122345","A Cottage in the Woods",{"_42":554,"_220":555,"_322":556,"_324":325,"_326":557,"_328":558,"_330":-5,"_331":-5,"_332":559,"_140":97},"c. 1662","Framed: 122.5 x 149 x 12 cm (48 1/4 x 58 11/16 x 4 3/4 in.); Unframed: 84 x 111.4 cm (33 1/16 x 43 7/8 in.)",111.4,84,1.3198757763975155,[539,540,541,542,543],{"_219":428,"_220":429,"_42":430,"_301":431},"1942.641","Meindert Hobbema painted this in about 1662, aged about 19. It is now at the Cleveland Museum of Art.",{"_118":538,"_426":427},"A Cottage in the Woods, by Meindert Hobbema, c. 1662",{"_292":535,"_294":536,"_296":537},"https://img.ochreeditions.com/m/553.jpg?dl=1","/art/a-cottage-in-the-woods-cma-122345","/galleries/style/dutch-golden-age/a-cottage-in-the-woods-cma-122345",{"_288":420,"_290":421},{"_223":530,"_125":531,"_283":532},{"_273":527,"_275":528,"_277":511,"_279":529},126.4,99.40188235294119,84.40188235294119,{"_285":223,"_123":533,"_154":534,"_140":97},{"_285":125,"_123":415,"_154":416,"_140":417},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/meindert-hobbema","More by Meindert Hobbema","https://img.ochreeditions.com/a/553/480.jpg","https://img.ochreeditions.com/a/553/960.jpg","https://img.ochreeditions.com/a/553/1920.jpg","Inspired by the native Dutch landscape, Meindert Hobbema specialized in scenes of dense forest growth punctured by winding paths and views toward sunlit clearings that beckon with fertile fields and rustic cottages.",{"_308":552,"_310":553},{"_308":550,"_310":551},{"_308":548,"_310":549},{"_308":546,"_310":547},{"_308":544,"_310":545},"#7b6d52",0.1217,"#929896",0.1322,"#b5b5ad",0.1709,"#4c3e2a",0.221,"#31271c",0.3542,"Meindert Hobbema","meindert-hobbema","Dutch, 1638–1709",1638,1709,"Hobbema studied with Jacob van Ruisdael in Amsterdam in the late 1650s and became the most accomplished of his followers, painting sunlit woodland, watermills, cottages and country roads.","the-wedding-of-cupid-and-psyche-aic-268822","The Wedding of Cupid and Psyche",{"_42":615,"_220":616,"_322":617,"_324":325,"_326":618,"_328":619,"_330":620,"_331":621,"_332":622,"_140":91},"1587","print","Print","Engraving on three joined sheets of ivory laid paper","Sheet: 42.8 × 85.1 cm (16 7/8 × 33 9/16 in.)",85,42,1.9390643880545486,[600,601,602,603,604],{"_219":298,"_220":299,"_42":300,"_301":302},"2023.1261","Hendrick Goltzius made this in 1587, aged 29. It is now at the Art Institute of Chicago.","The gods of Olympus crowd a banquet among the clouds to celebrate the marriage of Cupid and Psyche, the mortal who won immortality through love.","A work made of engraving on three joined sheets of ivory laid paper.",{"_292":597,"_294":598,"_296":599},"https://img.ochreeditions.com/m/426.jpg?dl=1","/art/the-wedding-of-cupid-and-psyche-aic-268822","/galleries/style/dutch-golden-age/the-wedding-of-cupid-and-psyche-aic-268822",{"_288":289,"_290":291},{"_223":587,"_125":588,"_283":589},{"_273":584,"_275":585,"_277":568,"_279":586},109,67.8355737558978,43.8355737558978,{"_285":223,"_123":595,"_154":596,"_140":91},{"_285":125,"_123":593,"_154":594,"_140":354},{"_285":283,"_123":590,"_154":591,"_140":592},"era/16-netherlands","16th-century Netherlands",35,"style/print-16","More prints of the 16th century","artist/hendrick-goltzius","More by Hendrick Goltzius","https://img.ochreeditions.com/a/426/480.jpg","https://img.ochreeditions.com/a/426/960.jpg","https://img.ochreeditions.com/a/426/1920.jpg",{"_308":613,"_310":614},{"_308":611,"_310":612},{"_308":609,"_310":610},{"_308":607,"_310":608},{"_308":605,"_310":606},"#645e57",0.1364,"#dccdc1",0.1439,"#baada0",0.2216,"#837a71",0.2263,"#9e9389",0.2718,"Hendrick Goltzius","hendrick-goltzius","Dutch, 1558–1617",1558,1617,"Mühlbracht","Haarlem","Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand.","hercules-slaying-the-hydra-aic-268749","Hercules Slaying the Hydra",{"_42":669,"_220":670,"_322":671,"_324":325,"_326":672,"_328":673,"_330":-5,"_331":-5,"_332":674,"_140":97},"c. 1602","Engraving on ivory laid paper","Plate: 51 × 36.3 cm (20 1/8 × 14 5/16 in.); sheet: 51.7 × 37 cm (20 3/8 × 14 5/8 in.)",36,51,0.7165301204819277,[654,655,656,657,658],{"_219":298,"_220":299,"_42":300,"_301":302},"2023.1179","Jan Harmensz. Muller made this in about 1602, aged about 26. It is now at the Art Institute of Chicago.","A work made of engraving on ivory laid paper.",{"_292":651,"_294":652,"_296":653},"https://img.ochreeditions.com/m/425.jpg?dl=1","/art/hercules-slaying-the-hydra-aic-268749","/galleries/style/dutch-golden-age/hercules-slaying-the-hydra-aic-268749",{"_288":289,"_290":291},{"_223":646,"_125":647,"_283":648},{"_273":644,"_275":393,"_277":645,"_279":630},60.54303614457831,36.54303614457831,{"_285":223,"_123":649,"_154":650,"_140":97},{"_285":125,"_123":593,"_154":594,"_140":354},{"_285":283,"_123":590,"_154":591,"_140":592},"artist/jan-harmensz-muller","More by Jan Harmensz. Muller","https://img.ochreeditions.com/a/425/480.jpg","https://img.ochreeditions.com/a/425/960.jpg","https://img.ochreeditions.com/a/425/1920.jpg",{"_308":667,"_310":668},{"_308":665,"_310":666},{"_308":663,"_310":664},{"_308":661,"_310":662},{"_308":659,"_310":660},"#5b554f",0.108,"#b2a69c",0.1097,"#837a72",0.1277,"#efdfd2",0.1335,"#e2d2c5",0.5211,"Jan Harmensz. Muller","jan-harmensz-muller","Dutch, 1571–1628",1571,1628,"Muller came from an Amsterdam family of engravers and publishers and became one of the most accomplished Dutch Mannerist engravers.","rush-gatherers-cma-143813","Rush Gatherers",{"_42":720,"_220":721,"_322":722,"_324":325,"_326":723,"_328":724,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1657","Unframed: 101.6 x 137.2 cm (40 x 54 in.)",137.2,101.6,1.3583699560527367,[706,707,708,709,710],{"_219":428,"_220":429,"_42":430,"_301":431},"1968.239","Nicolaes Berchem painted this in 1657, aged 37. It is now at the Cleveland Museum of Art.","Rush Gatherers, by Nicolaes Berchem, 1657",{"_292":703,"_294":704,"_296":705},"https://img.ochreeditions.com/m/670.jpg?dl=1","/art/rush-gatherers-cma-143813","/galleries/style/dutch-golden-age/rush-gatherers-cma-143813",{"_288":420,"_290":421},{"_223":698,"_125":699,"_283":700},{"_273":695,"_275":696,"_277":680,"_279":697},152.2,116.00341176470587,101.00341176470587,{"_285":223,"_123":701,"_154":702,"_140":89},{"_285":125,"_123":415,"_154":416,"_140":417},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-nicolaes-berchem","Nicolaes Berchem's contemporaries","https://img.ochreeditions.com/a/670/480.jpg","https://img.ochreeditions.com/a/670/960.jpg","https://img.ochreeditions.com/a/670/1920.jpg",{"_308":719,"_310":319},{"_308":717,"_310":718},{"_308":715,"_310":716},{"_308":713,"_310":714},{"_308":711,"_310":712},"#6e6549",0.0529,"#b7a77f",0.1037,"#bab597",0.1735,"#433725",0.1988,"#2d261a","Nicolaes Berchem","nicolaes-berchem","Dutch, 1620–1683",1620,1683,"the-wedding-at-cana-aic-268823","The Wedding at Cana",{"_42":615,"_220":616,"_322":617,"_324":325,"_326":618,"_328":619,"_330":620,"_331":621,"_332":622,"_140":91},"c. 1590-1610","Engraving on two joined sheets of ivory laid paper","Sheet: 62.4 × 69.9 cm (24 5/8 × 27 9/16 in.)",69,62,1.1049650518197156,[755,756,757,758,759],{"_219":298,"_220":299,"_42":300,"_301":302},"2023.1262","Hendrick Goltzius made this in about 1590-1610, aged about 32. It is now at the Art Institute of Chicago.","A work made of engraving on two joined sheets of ivory laid paper.",{"_292":752,"_294":753,"_296":754},"https://img.ochreeditions.com/m/427.jpg?dl=1","/art/the-wedding-at-cana-aic-268823","/galleries/style/dutch-golden-age/the-wedding-at-cana-aic-268823",{"_288":289,"_290":291},{"_223":749,"_125":750,"_283":751},{"_273":746,"_275":747,"_277":731,"_279":748},93,86.445413894645,62.445413894645,{"_285":223,"_123":595,"_154":596,"_140":91},{"_285":125,"_123":593,"_154":594,"_140":354},{"_285":283,"_123":590,"_154":591,"_140":592},"https://img.ochreeditions.com/a/427/480.jpg","https://img.ochreeditions.com/a/427/960.jpg","https://img.ochreeditions.com/a/427/1920.jpg",{"_308":768,"_310":769},{"_308":766,"_310":767},{"_308":764,"_310":765},{"_308":762,"_310":763},{"_308":760,"_310":761},"#ebdbcc",0.1382,"#615c55",0.1708,"#c3b6a9",0.1773,"#a1978c",0.2546,"#817970",0.2591,"the-music-lesson-aic-512","The Music Lesson",{"_42":817,"_220":818,"_322":819,"_324":325,"_326":619,"_328":820,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1670","Oil on canvas","63.6 × 50.4 cm (25 × 19 7/8 in.); Framed: 84.8 × 70.8 × 6.4 cm (33 3/8 × 27 7/8 × 2 1/2 in.)",50,63,0.7915977084659452,[802,803,804,805,806],{"_219":298,"_220":299,"_42":300,"_301":302},"1891.1","Gerard ter Borch the Younger painted this in about 1670, aged about 48. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_292":799,"_294":800,"_296":801},"https://img.ochreeditions.com/m/2.jpg?dl=1","/art/the-music-lesson-aic-512","/galleries/style/dutch-golden-age/the-music-lesson-aic-512",{"_288":420,"_290":421},{"_223":794,"_125":795,"_283":796},{"_273":791,"_275":792,"_277":793,"_279":777},64.87065563335454,78,49.87065563335455,{"_285":223,"_123":797,"_154":798,"_140":89},{"_285":125,"_123":415,"_154":416,"_140":417},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-gerard-ter-borch-the-younger","Gerard ter Borch the Younger's contemporaries","https://img.ochreeditions.com/a/2/480.jpg","https://img.ochreeditions.com/a/2/960.jpg","https://img.ochreeditions.com/a/2/1920.jpg",{"_308":815,"_310":816},{"_308":813,"_310":814},{"_308":811,"_310":812},{"_308":809,"_310":810},{"_308":807,"_310":808},"#877b68",0.0812,"#615747",0.0861,"#513c26",0.1471,"#3a2e21",0.2669,"#2b251d",0.4187,"Gerard ter Borch the Younger","gerard-ter-borch-the-younger","Dutch, 1617–1681",1681,"standing-officer-holding-a-boar-s-spear-cma-157331","Standing Officer Holding a Boar's Spear",{"_42":615,"_220":616,"_322":617,"_324":325,"_326":618,"_328":619,"_330":620,"_331":621,"_332":622,"_140":91},"1586","drawing","Drawing","Pen and brown ink, brush and brown wash, red chalk with traces of white opaque watercolor over black chalk, on paper; traces of transfer","Sheet: 20.6 x 15.6 cm (8 1/8 x 6 1/8 in.)",15.6,20.6,0.7529411764705882,[856,857,858,859,860],{"_219":428,"_220":429,"_42":430,"_301":431},"1994.195","Hendrick Goltzius painted this in 1586, aged 28. It is now at the Cleveland Museum of Art.",{"_118":855,"_426":427},"Standing Officer Holding a Boar's Spear, by Hendrick Goltzius, 1586",{"_292":852,"_294":853,"_296":854},"https://img.ochreeditions.com/m/751.jpg?dl=1","/art/standing-officer-holding-a-boar-s-spear-cma-157331","/galleries/style/dutch-golden-age/standing-officer-holding-a-boar-s-spear-cma-157331",{"_288":289,"_290":291},{"_223":847,"_125":848,"_283":849},{"_273":845,"_275":274,"_277":846,"_279":278},42.82352941176471,18.823529411764707,{"_285":223,"_123":595,"_154":596,"_140":91},{"_285":125,"_123":850,"_154":851,"_140":592},{"_285":283,"_123":590,"_154":591,"_140":592},"style/drawing-16","More drawings of the 16th century","https://img.ochreeditions.com/a/751/480.jpg","https://img.ochreeditions.com/a/751/960.jpg","https://img.ochreeditions.com/a/751/1920.jpg","This sheet is the only known preparatory drawing for an important group of engravings depicting military figures designed by Hendrick Goltzius between 1582 and 1600.",{"_308":868,"_310":869},{"_308":866,"_310":867},{"_308":864,"_310":865},{"_308":863,"_310":545},{"_308":861,"_310":862},"#988566",0.0693,"#b3a081","#dcd5c4",0.1494,"#c2b49b",0.1673,"#d1c6b1",0.4923,"megasoma-elephas-or-megaceras-jason-and-six-other-insects-aic-258366","Megasoma Elephas or Megaceras Jason and Six Other Insects",{"_42":320,"_220":321,"_322":323,"_324":325,"_326":327,"_328":329,"_330":-5,"_331":-5,"_332":-5,"_140":101},"16.5 × 21.6 cm (6 1/2 × 8 9/16 in.)",1.1865215446548383,[893,894,895,896,897],{"_219":298,"_220":299,"_42":300,"_301":302},"2020.263",{"_292":890,"_294":891,"_296":892},"https://img.ochreeditions.com/m/396.jpg?dl=1","/art/megasoma-elephas-or-megaceras-jason-and-six-other-insects-aic-258366","/galleries/style/dutch-golden-age/megasoma-elephas-or-megaceras-jason-and-six-other-insects-aic-258366",{"_288":289,"_290":291},{"_223":887,"_125":888,"_283":889},{"_273":274,"_275":885,"_277":278,"_279":886},45.06999246041719,21.06999246041719,{"_285":223,"_123":170,"_154":169,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":229},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/396/480.jpg","https://img.ochreeditions.com/a/396/960.jpg","https://img.ochreeditions.com/a/396/1920.jpg",{"_308":906,"_310":907},{"_308":904,"_310":905},{"_308":902,"_310":903},{"_308":900,"_310":901},{"_308":898,"_310":899},"#a99d8f",0.1013,"#3d3a39",0.1354,"#1a1513",0.1496,"#6e6c6a",0.1704,"#ebd8c6",0.4433,"portrait-of-a-woman-cma-148959","Portrait of a Woman",{"_42":956,"_220":957,"_322":958,"_324":325,"_326":959,"_328":960,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1646","Framed: 101 x 90 x 5.5 cm (39 3/4 x 35 7/16 x 2 3/16 in.); Unframed: 71.5 x 59.5 cm (28 1/8 x 23 7/16 in.)",59.5,71.5,0.8347058823529412,[941,942,943,944,945],{"_219":428,"_220":429,"_42":430,"_301":431},"1977.117","Govaert Flinck painted this in 1646, aged 31. It is now at the Cleveland Museum of Art.",{"_118":940,"_426":427},"Portrait of a Woman, by Govaert Flinck, 1646",{"_292":937,"_294":938,"_296":939},"https://img.ochreeditions.com/m/704.jpg?dl=1","/art/portrait-of-a-woman-cma-148959","/galleries/style/dutch-golden-age/portrait-of-a-woman-cma-148959",{"_288":420,"_290":421},{"_223":932,"_125":933,"_283":934},{"_273":929,"_275":930,"_277":931,"_279":914},74.6814705882353,86.5,59.68147058823529,{"_285":223,"_123":935,"_154":936,"_140":89},{"_285":125,"_123":415,"_154":416,"_140":417},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-govaert-flinck","Govaert Flinck's contemporaries","https://img.ochreeditions.com/a/704/480.jpg","https://img.ochreeditions.com/a/704/960.jpg","https://img.ochreeditions.com/a/704/1920.jpg","Because of an inscription on the back, this painting was long considered a portrait of Anna Maria van Schurman, a prominent Dutch scholar and artist. These words, however, were added much later and incorrectly state that Anna Maria was 42 years old, when in reality she would have been 39.",{"_308":954,"_310":955},{"_308":952,"_310":953},{"_308":950,"_310":951},{"_308":948,"_310":949},{"_308":946,"_310":947},"#825c3c",0.0405,"#6a6550",0.0448,"#9f9c85",0.105,"#2a261a",0.3435,"#181813",0.4662,"Govaert Flinck","govaert-flinck","Dutch, 1615–1660",1615,1660,"a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","A View of Bracciano with the Church of S. Maria Assunta",{"_42":1011,"_220":1012,"_322":1013,"_324":325,"_326":1014,"_328":1015,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1619–33","Brown and gray inks and washes applied with point of brush and brush, with traces of graphite underdrawing on cream antique laid paper","Image and Sheet: 8.7 x 15 cm (3 7/16 x 5 7/8 in.); Mounted: 23.6 x 30.8 cm (9 5/16 x 12 1/8 in.)",8.7,1.7215189873417722,[996,997,998,999,1000],{"_219":428,"_220":429,"_42":430,"_301":431},"2020.127","Bartholomeus Breenberg drew this in about 1619–33, aged about 15. It is now at the Cleveland Museum of Art.",{"_118":995,"_426":427},"A View of Bracciano with the Church of S. Maria Assunta, by Bartholomeus Breenberg, c. 1619–33",{"_292":992,"_294":993,"_296":994},"https://img.ochreeditions.com/m/453.jpg?dl=1","/art/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647","/galleries/style/dutch-golden-age/a-view-of-bracciano-with-the-church-of-s-maria-assunta-cma-80647",{"_288":289,"_290":291},{"_223":984,"_125":985,"_283":986},{"_273":274,"_275":982,"_277":278,"_279":983},38.52205882352941,14.522058823529411,{"_285":223,"_123":990,"_154":991,"_140":89},{"_285":125,"_123":987,"_154":988,"_140":989},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/contemporaries-of-bartholomeus-breenberg","Bartholomeus Breenberg's contemporaries","https://img.ochreeditions.com/a/453/480.jpg","https://img.ochreeditions.com/a/453/960.jpg","https://img.ochreeditions.com/a/453/1920.jpg","In the early 1600s, artists from Northern Europe began to take long trips to Italy as part of their artistic training. Bartholomeus Breenberg traveled to Italy around 1620 and probably stayed for at least 12 years.",{"_308":1009,"_310":1010},{"_308":1007,"_310":1008},{"_308":1005,"_310":1006},{"_308":1003,"_310":1004},{"_308":1001,"_310":1002},"#917156",0.0891,"#ad8f70",0.1258,"#c2a98d",0.1313,"#d1c0aa",0.2682,"#dacebf",0.3856,"Bartholomeus Breenberg","bartholomeus-breenberg","Dutch, 1599–1657",1599,1657,"apollo-aic-83761","Apollo",{"_42":669,"_220":670,"_322":671,"_324":325,"_326":672,"_328":673,"_330":-5,"_331":-5,"_332":674,"_140":97},"c. 1600-1620","Pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper","Primary support: 36.5 × 23.4 cm (14 3/8 × 9 1/4 in.); Secondary support: 38.2 × 24.2 cm (15 1/16 × 9 9/16 in.)",0.6333524519644393,[1046,1047,1048,1049,1050],{"_219":298,"_220":299,"_42":300,"_301":302},"1922.1754","Jan Harmensz. Muller painted this in about 1600-1620, aged about 24. It is now at the Art Institute of Chicago.","A work made of pen and brown ink, heightened with lead white (partly discolored), over black chalk, on blue laid paper, laid down on ivory laid paper.",{"_292":1043,"_294":1044,"_296":1045},"https://img.ochreeditions.com/m/226.jpg?dl=1","/art/apollo-aic-83761","/galleries/style/dutch-golden-age/apollo-aic-83761",{"_288":289,"_290":291},{"_223":1038,"_125":1039,"_283":1040},{"_273":1035,"_275":1036,"_277":1037,"_279":629},46.80068827071982,60,22.800688270719817,{"_285":223,"_123":649,"_154":650,"_140":97},{"_285":125,"_123":1041,"_154":1042,"_140":89},{"_285":283,"_123":590,"_154":591,"_140":592},"style/watercolour-16","More watercolours of the 16th century","https://img.ochreeditions.com/a/226/480.jpg","https://img.ochreeditions.com/a/226/960.jpg","https://img.ochreeditions.com/a/226/1920.jpg",{"_308":1059,"_310":1060},{"_308":1057,"_310":1058},{"_308":1055,"_310":1056},{"_308":1053,"_310":1054},{"_308":1051,"_310":1052},"#e3d0bb",0.0957,"#7e654b",0.1124,"#8f795e",0.1742,"#9b8a72",0.2752,"#a5967f",0.3425,"interior-of-a-church-cma-145450","Interior of a Church",{"_42":1107,"_220":1108,"_322":1109,"_324":325,"_326":619,"_328":1110,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1680","Framed: 89.5 x 80.5 x 6.5 cm (35 1/4 x 31 11/16 x 2 9/16 in.); Unframed: 62 x 54 cm (24 7/16 x 21 1/4 in.)",0.8641176470588235,[1092,1093,1094,1095,1096],{"_219":428,"_220":429,"_42":430,"_301":431},"1971.1","Emanuel de Witte painted this in about 1680, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":1091,"_426":427},"Interior of a Church, by Emanuel de Witte, c. 1680",{"_292":1088,"_294":1089,"_296":1090},"https://img.ochreeditions.com/m/677.jpg?dl=1","/art/interior-of-a-church-cma-145450","/galleries/style/dutch-golden-age/interior-of-a-church-cma-145450",{"_288":420,"_290":421},{"_223":1083,"_125":1084,"_283":1085},{"_273":1080,"_275":1081,"_277":1082,"_279":732},68.57529411764706,77,53.57529411764706,{"_285":223,"_123":1086,"_154":1087,"_140":89},{"_285":125,"_123":415,"_154":416,"_140":417},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-emanuel-de-witte","Emanuel de Witte's contemporaries","https://img.ochreeditions.com/a/677/480.jpg","https://img.ochreeditions.com/a/677/960.jpg","https://img.ochreeditions.com/a/677/1920.jpg","Although this spacious church interior is largely imaginary, Emanuel de Witte’s precise description of architectural forms convinces us that he depicted an actual place. To create a sense of familiarity, he included some specific architectural features from the Oude Kerk (Old Church) in Amsterdam.",{"_308":1105,"_310":1106},{"_308":1103,"_310":1104},{"_308":1101,"_310":1102},{"_308":1099,"_310":1100},{"_308":1097,"_310":1098},"#aea695",0.0449,"#887b68",0.0625,"#6c6052",0.2531,"#393028",0.2852,"#51463b",0.3543,"Emanuel de Witte","emanuel-de-witte","Dutch, c. 1617–1692",1692,{"_1112":-5,"_1113":1114,"_1115":1116,"_1117":8,"_1118":1119,"_1120":8},"user","csrf","b9bc2b69203ca024b6f02e3c5af8f4b058782f2f","cartCount",0,"dropLive","legal",[1121,1122,1123,1124,1125,1126,1127,1128,1129,1130,1131,1132],"uploadsEnabled",{"_220":1155,"_20":1156},{"_220":1153,"_20":1154},{"_220":1151,"_20":1152},{"_220":1149,"_20":1150},{"_220":1147,"_20":1148},{"_220":1145,"_20":1146},{"_220":1143,"_20":1144},{"_220":1141,"_20":1142},{"_220":1139,"_20":1140},{"_220":1137,"_20":1138},{"_220":1135,"_20":1136},{"_220":1133,"_20":1134},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]