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It is now at the Cleveland Museum of Art.",{"_118":379,"_380":381},"Evening, Melancholy I, by Edvard Munch, 1896",{"_301":376,"_303":377,"_305":378},"https://img.ochreeditions.com/m/636.jpg?dl=1","/art/evening-melancholy-i-cma-136154","/galleries/style/etching-revival/evening-melancholy-i-cma-136154",{"_297":298,"_299":300},{"_230":369,"_125":370,"_291":371},{"_281":366,"_283":367,"_285":349,"_287":368},69,63.01764705882353,39.01764705882353,{"_293":230,"_123":374,"_154":375,"_140":99},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":372,"_154":373,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/636/480.jpg","https://img.ochreeditions.com/a/636/960.jpg","https://img.ochreeditions.com/a/636/1920.jpg","Evening, Melancholy I depicts the jilted, tormented art critic Jappe Nilssen, Munch's friend, on the shore of Åsgårdstrand, a fishing village south of Oslo.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_317":399,"_319":400},{"_317":397,"_319":398},{"_317":395,"_319":396},{"_317":393,"_319":394},{"_317":391,"_319":392},"#ede3d0",0.0552,"#b8a78e",0.1378,"#7a6f5f",0.1616,"#5d4f4a",0.2478,"#3b3944",0.3976,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1863,1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","washerwomen-descending-a-quai-staircase-cma-441006","Washerwomen Descending a Quai Staircase",{"_42":461,"_227":462,"_331":463,"_333":464,"_335":405,"_337":465,"_339":-5,"_340":-5,"_341":-5,"_140":103},"1888","france","transfer lithograph","Image: 57.1 x 41.8 cm (22 1/2 x 16 7/16 in.); Sheet: 64.7 x 49 cm (25 1/2 x 19 5/16 in.)",41.8,57.1,0.7585294117647059,[446,447,448,449,450],{"_226":382,"_227":383,"_42":384,"_310":385},"2021.141","Alexandre Lunois made this in 1888, aged 25. It is now at the Cleveland Museum of Art.",{"_118":445,"_380":381},"Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888",{"_301":442,"_303":443,"_305":444},"https://img.ochreeditions.com/m/794.jpg?dl=1","/art/washerwomen-descending-a-quai-staircase-cma-441006","/galleries/style/etching-revival/washerwomen-descending-a-quai-staircase-cma-441006",{"_297":298,"_299":300},{"_230":434,"_125":435,"_291":436},{"_281":431,"_283":432,"_285":433,"_287":416},67.31202941176471,81.1,43.312029411764705,{"_293":230,"_123":440,"_154":441,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"era/19-france","19th-century France",237,"artist/contemporaries-of-alexandre-lunois","Alexandre Lunois's contemporaries","https://img.ochreeditions.com/a/794/480.jpg","https://img.ochreeditions.com/a/794/960.jpg","https://img.ochreeditions.com/a/794/1920.jpg","Alexandre Lunois worked extensively in lithography, a relatively recent invention during his time that was rarely used by artists, making both reproductive and original works.",{"_317":459,"_319":460},{"_317":457,"_319":458},{"_317":455,"_319":456},{"_317":453,"_319":454},{"_317":451,"_319":452},"#3e3a37",0.1151,"#7f7a75",0.1429,"#c0b9af",0.2105,"#5e5a56",0.2274,"#ebe2d3",0.3041,"Alexandre Lunois","alexandre-lunois","French, 1863–1916","French",1916,"the-petit-pont-cma-130336","The Petit Pont",{"_42":515,"_227":516,"_331":517,"_333":464,"_335":518,"_337":519,"_339":-5,"_340":-5,"_341":-5,"_140":101},"1850","etching with engraving","Sheet: 26.4 x 19.6 cm (10 3/8 x 7 11/16 in.); Image: 24.6 x 18.8 cm (9 11/16 x 7 3/8 in.)",19.6,26.4,0.7438235294117647,[500,501,502,503,504],{"_226":382,"_227":383,"_42":384,"_310":385},"1953.10","Charles Meryon made this in 1850, aged 29. It is now at the Cleveland Museum of Art.",{"_118":499,"_380":381},"The Petit Pont, by Charles Meryon, 1850",{"_301":496,"_303":497,"_305":498},"https://img.ochreeditions.com/m/599.jpg?dl=1","/art/the-petit-pont-cma-130336","/galleries/style/etching-revival/the-petit-pont-cma-130336",{"_297":298,"_299":300},{"_230":491,"_125":492,"_291":493},{"_281":488,"_283":489,"_285":490,"_287":473},43.636941176470586,50.4,19.636941176470586,{"_293":230,"_123":494,"_154":495,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"artist/contemporaries-of-charles-meryon","Charles Meryon's contemporaries","https://img.ochreeditions.com/a/599/480.jpg","https://img.ochreeditions.com/a/599/960.jpg","https://img.ochreeditions.com/a/599/1920.jpg","Charles Meryon used etching—a technique that involves drawing on a printing plate with a needle’s point—to create minutely detailed images of Paris that imaginatively present recognizable sites.",{"_317":513,"_319":514},{"_317":511,"_319":512},{"_317":509,"_319":510},{"_317":507,"_319":508},{"_317":505,"_319":506},"#7e7263",0.1576,"#433d38",0.1799,"#5d544b",0.1842,"#a2937e",0.2201,"#bcaf9d",0.2582,"Charles Meryon","charles-meryon","French, 1821–1868",1821,1868,"the-old-violin-aic-135454","The Old Violin",{"_42":572,"_227":573,"_331":574,"_333":575,"_335":576,"_337":577,"_339":-5,"_340":-5,"_341":-5,"_140":101},"1887","Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[557,558,559,560,561],{"_226":553,"_227":554,"_42":555,"_310":556},"Courtesy of the Art Institute of Chicago","1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_301":550,"_303":551,"_305":552},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_297":298,"_299":300},{"_230":545,"_125":546,"_291":547},{"_281":542,"_283":543,"_285":544,"_287":527},87.83501457072404,112,63.83501457072405,{"_293":230,"_123":548,"_154":549,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_317":570,"_319":571},{"_317":568,"_319":569},{"_317":566,"_319":567},{"_317":564,"_319":565},{"_317":562,"_319":563},"#847b60",0.0672,"#775928",0.0824,"#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"modern-masks-aic-49384","Modern Masks",{"_42":629,"_227":630,"_331":631,"_333":632,"_335":633,"_337":634,"_339":-5,"_340":-5,"_341":-5,"_140":103},"1889","flanders","Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper","Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)",17,29,0.618788452437293,[614,615,616,617,618],{"_226":553,"_227":554,"_42":555,"_310":556},"1927.5282","Félicien Rops made this in 1889, aged 56. It is now at the Art Institute of Chicago.","A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.",{"_301":611,"_303":612,"_305":613},"https://img.ochreeditions.com/m/158.jpg?dl=1","/art/modern-masks-aic-49384","/galleries/style/etching-revival/modern-masks-aic-49384",{"_297":298,"_299":300},{"_230":603,"_125":604,"_291":605},{"_281":600,"_283":601,"_285":602,"_287":586},41.9448651206815,53,17.944865120681495,{"_293":230,"_123":609,"_154":610,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":606,"_154":607,"_140":608},"era/19","The 19th century",731,"artist/contemporaries-of-felicien-rops","Félicien Rops's contemporaries","https://img.ochreeditions.com/a/158/480.jpg","https://img.ochreeditions.com/a/158/960.jpg","https://img.ochreeditions.com/a/158/1920.jpg",{"_317":627,"_319":628},{"_317":625,"_319":626},{"_317":623,"_319":624},{"_317":621,"_319":622},{"_317":619,"_319":620},"#aa9c88",0.1215,"#eae2d1",0.1723,"#40362d",0.223,"#81715e",0.2414,"#625445",0.2418,"Félicien Rops","felicien-rops","Belgian, 1833–1898","Belgian",1833,1898,"at-the-cafe-cma-324444","At the Café",{"_42":684,"_227":685,"_331":686,"_333":464,"_335":687,"_337":688,"_339":689,"_340":689,"_341":690,"_140":53},"1874","gillotage","Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)",33.4,26.3,1.3016845329249618,[669,670,671,672,673],{"_226":382,"_227":383,"_42":384,"_310":385},"2019.57","Édouard Manet made this in 1874, aged 42. It is now at the Cleveland Museum of Art.",{"_118":668,"_380":381},"At the Café, by Édouard Manet, 1874",{"_301":665,"_303":666,"_305":667},"https://img.ochreeditions.com/m/788.jpg?dl=1","/art/at-the-cafe-cma-324444","/galleries/style/etching-revival/at-the-cafe-cma-324444",{"_297":298,"_299":300},{"_230":660,"_125":661,"_291":662},{"_281":657,"_283":658,"_285":641,"_287":659},57.4,49.659058823529406,25.65905882352941,{"_293":230,"_123":663,"_154":664,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/788/480.jpg","https://img.ochreeditions.com/a/788/960.jpg","https://img.ochreeditions.com/a/788/1920.jpg","This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career.",{"_317":682,"_319":683},{"_317":680,"_319":681},{"_317":678,"_319":679},{"_317":676,"_319":677},{"_317":674,"_319":675},"#807772",0.1658,"#5c5551",0.1687,"#393531",0.1735,"#a39892",0.1811,"#c4bbb5",0.3109,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","l-ancien-louvre-d-apres-une-peinture-de-zeeman-1651-the-old-nga-50886","L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, l651)",{"_42":515,"_227":516,"_331":517,"_333":464,"_335":518,"_337":519,"_339":-5,"_340":-5,"_341":-5,"_140":101},"1866","etching with graphite additions on laid Hudelist paper","plate: 19.6 × 27.2 cm (7 11/16 × 10 11/16 in.) sheet (irreg.): 25.7 × 33.5 cm (10 1/8 × 13 3/16 in.)",27.2,1.3598937583001327,[720,721,722,723,724],{"_226":307,"_227":308,"_42":309,"_310":311},"1968.15.1","Charles Meryon drew this in 1866, aged 45. It is now at the National Gallery of Art in Washington, DC.","The image features a riverside scene with a large building in the center and smaller structures in the background. The sky is filled with clouds, and there are boats on the water. The artwork is done in an etching style, with detailed lines showing architectural elements, boats, and water ripples. The color scheme is monochromatic in shades of brown and black.",{"_301":717,"_303":718,"_305":719},"https://img.ochreeditions.com/m/1540.jpg?dl=1","/art/l-ancien-louvre-d-apres-une-peinture-de-zeeman-1651-the-old-nga-50886","/galleries/style/etching-revival/l-ancien-louvre-d-apres-une-peinture-de-zeeman-1651-the-old-nga-50886",{"_297":298,"_299":300},{"_230":714,"_125":715,"_291":716},{"_281":711,"_283":712,"_285":697,"_287":713},51.2,44.001562500000006,20.001562500000002,{"_293":230,"_123":494,"_154":495,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"https://img.ochreeditions.com/a/1540/480.jpg","https://img.ochreeditions.com/a/1540/960.jpg","https://img.ochreeditions.com/a/1540/1920.jpg",{"_317":733,"_319":734},{"_317":731,"_319":732},{"_317":729,"_319":730},{"_317":727,"_319":728},{"_317":725,"_319":726},"#a89479",0.0918,"#594d43",0.0967,"#7c6c5a",0.1386,"#efdcbc",0.3132,"#d4bd9b",0.3597,"head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","Head of a Raven in Profile, from The Raven (Le Corbeau)",{"_42":684,"_227":685,"_331":686,"_333":464,"_335":687,"_337":688,"_339":689,"_340":689,"_341":690,"_140":53},"1875","Transfer lithograph in black on tan simili-parchment paper","Image: 16.3 × 15.9 cm (6 7/16 × 6 5/16 in.); Sheet folded: 55 × 41.2 cm (21 11/16 × 16 1/4 in.)",0.7573613330289888,[763,764,765,766,767],{"_226":553,"_227":554,"_42":555,"_310":556},"1945.52.1","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","A raven’s head in profile, set down in a few bold brushstrokes, belongs to the edition of Edgar Allan Poe’s The Raven that Stéphane Mallarmé translated and Manet illustrated in 1875.","A work made of transfer lithograph in black on tan simili-parchment paper.",{"_301":760,"_303":761,"_305":762},"https://img.ochreeditions.com/m/279.jpg?dl=1","/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","/galleries/style/etching-revival/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",{"_297":298,"_299":300},{"_230":757,"_125":758,"_291":759},{"_281":755,"_283":282,"_285":756,"_287":286},42.93403332572472,18.93403332572472,{"_293":230,"_123":663,"_154":664,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"https://img.ochreeditions.com/a/279/480.jpg","https://img.ochreeditions.com/a/279/960.jpg","https://img.ochreeditions.com/a/279/1920.jpg",{"_317":775,"_319":776},{"_317":773,"_319":774},{"_317":772,"_319":565},{"_317":770,"_319":771},{"_317":768,"_319":769},"#8a8171",0.013,"#403d37",0.0374,"#e8ddc9","#d0bda2",0.2246,"#e2d2b8",0.6426,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":822,"_227":823,"_331":824,"_333":334,"_335":825,"_337":826,"_339":-5,"_340":-5,"_341":-5,"_140":103},"etching","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[807,808,809,810,811],{"_226":307,"_227":308,"_42":309,"_310":311},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_301":804,"_303":805,"_305":806},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_297":298,"_299":300},{"_230":799,"_125":800,"_291":801},{"_281":795,"_283":796,"_285":797,"_287":798},84,67.36633663366337,60,43.366336633663366,{"_293":230,"_123":802,"_154":803,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_317":820,"_319":821},{"_317":818,"_319":819},{"_317":816,"_319":817},{"_317":814,"_319":815},{"_317":812,"_319":813},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,"our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":880,"_227":881,"_331":882,"_333":334,"_335":883,"_337":884,"_339":885,"_340":886,"_341":887,"_140":53},"1862","Graphic Arts-Print","wood engraving on paper","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[865,866,867,868,869],{"_226":862,"_227":863,"_42":864,"_310":311},"Courtesy of the Smithsonian American Art Museum","1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_301":859,"_303":860,"_305":861},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_297":298,"_299":300},{"_230":854,"_125":855,"_291":856},{"_281":851,"_283":852,"_285":834,"_287":853},76.7,60.7319,36.7319,{"_293":230,"_123":857,"_154":858,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg","si","smithsonian","Smithsonian Institution",{"_317":878,"_319":879},{"_317":876,"_319":877},{"_317":874,"_319":875},{"_317":872,"_319":873},{"_317":870,"_319":871},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","cape-ann-willows-nga-149212","Cape Ann Willows",{"_42":934,"_227":935,"_331":936,"_333":334,"_335":937,"_337":938,"_339":-5,"_340":-5,"_341":-5,"_140":103},"drypoint in black","plate: 21.8 × 27.5 cm (8 9/16 × 10 13/16 in.) sheet: 28.4 × 37.4 cm (11 3/16 × 14 3/4 in.)",27.5,21.8,1.228922892289229,[919,920,921,922,923],{"_226":307,"_227":308,"_42":309,"_310":311},"2008.115.3956","Charles A. Platt made this in 1887, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.",{"_301":916,"_303":917,"_305":918},"https://img.ochreeditions.com/m/1679.jpg?dl=1","/art/cape-ann-willows-nga-149212","/galleries/style/etching-revival/cape-ann-willows-nga-149212",{"_297":298,"_299":300},{"_230":911,"_125":912,"_291":913},{"_281":908,"_283":909,"_285":893,"_287":910},51.5,46.3773193359375,22.3773193359375,{"_293":230,"_123":914,"_154":915,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-a-platt","Charles A. Platt's contemporaries","https://img.ochreeditions.com/a/1679/480.jpg","https://img.ochreeditions.com/a/1679/960.jpg","https://img.ochreeditions.com/a/1679/1920.jpg",{"_317":932,"_319":933},{"_317":930,"_319":931},{"_317":928,"_319":929},{"_317":926,"_319":927},{"_317":924,"_319":925},"#3a2f2c",0.0415,"#705f53",0.0421,"#9a8672",0.0883,"#bea68b",0.2437,"#cfbba1",0.5844,"Charles A. Platt","charles-a-platt","American, 1861–1933",1861,1933,"tingletangle-aic-17236","Tingletangle",{"_42":401,"_227":402,"_331":403,"_333":404,"_335":405,"_337":406,"_339":-5,"_340":-5,"_341":407,"_140":99},"1895","Lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper","Image: 41.5 × 63.9 cm (16 3/8 × 25 3/16 in.); Sheet: 48.7 × 69.8 cm (19 3/16 × 27 1/2 in.)",63,41,1.4171472510572856,[969,970,971,972,973],{"_226":553,"_227":554,"_42":555,"_310":556},"1963.285","Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago.","A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.",{"_301":966,"_303":967,"_305":968},"https://img.ochreeditions.com/m/67.jpg?dl=1","/art/tingletangle-aic-17236","/galleries/style/etching-revival/tingletangle-aic-17236",{"_297":298,"_299":300},{"_230":963,"_125":964,"_291":965},{"_281":960,"_283":961,"_285":945,"_287":962},87,68.45550732501357,44.45550732501357,{"_293":230,"_123":374,"_154":375,"_140":99},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":372,"_154":373,"_140":95},"https://img.ochreeditions.com/a/67/480.jpg","https://img.ochreeditions.com/a/67/960.jpg","https://img.ochreeditions.com/a/67/1920.jpg",{"_317":982,"_319":983},{"_317":980,"_319":981},{"_317":978,"_319":979},{"_317":976,"_319":977},{"_317":974,"_319":975},"#c0564c",0.0288,"#59514e",0.1587,"#928478",0.1618,"#e3d6cb",0.2972,"#bcb19f",0.3535,"landscape-nga-40059","Landscape",{"_42":1028,"_227":1029,"_331":1030,"_333":1031,"_335":1032,"_337":1033,"_339":-5,"_340":-5,"_341":-5,"_140":103},"germany",1.2591454042422379,[1013,1014,1015,1016,1017],{"_226":307,"_227":308,"_42":309,"_310":311},"1951.10.262","Theo von Brockhusen made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.",{"_301":1010,"_303":1011,"_305":1012},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_297":298,"_299":300},{"_230":1003,"_125":1004,"_291":1005},{"_281":795,"_283":1001,"_285":797,"_287":1002},71.6513671875,47.6513671875,{"_293":230,"_123":1008,"_154":1009,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":1006,"_154":1007,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg",{"_317":1026,"_319":1027},{"_317":1024,"_319":1025},{"_317":1022,"_319":1023},{"_317":1020,"_319":1021},{"_317":1018,"_319":1019},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919","German",1882,1919,"une-lecture-interessante-et-rafraichissante-nga-170184","Une lecture intéressante et rafraichissante",{"_42":1078,"_227":1079,"_331":1080,"_333":464,"_335":1081,"_337":1082,"_339":1083,"_340":1084,"_341":1085,"_140":95},"1854","lithograph",1.1524056467876693,[1063,1064,1065,1066,1067],{"_226":307,"_227":308,"_42":309,"_310":311},"2015.143.1157","Honoré Daumier made this in 1854, aged 46. It is now at the National Gallery of Art in Washington, DC.","A balding man in spectacles sits by the water with his feet submerged, absorbed in his reading, while his companion beside him, feet likewise in the water, sits upright with her hands in her lap. His top hat waits on the ground. The caption calls it “an interesting and refreshing read”.","The image shows two individuals seated outdoors near a body of water with their feet submerged. Both individuals are seen from head to toe. The person on the left is seated with a slightly hunched posture, reading a document or a book. They have a balding head, wear glasses, a dark suit with the coat draped over their knees, and a top hat placed on the ground. The individual on the right is sitting upright with a scarf over their hair. They wear a long dress with a shawl, and their hands rest on their lap. The background features a bare tree and a rough, sketched environment. The sky and landscape are depicted in shades of light and dark.",{"_301":1060,"_303":1061,"_305":1062},"https://img.ochreeditions.com/m/1683.jpg?dl=1","/art/une-lecture-interessante-et-rafraichissante-nga-170184","/galleries/style/etching-revival/une-lecture-interessante-et-rafraichissante-nga-170184",{"_297":298,"_299":300},{"_230":1055,"_125":1056,"_291":1057},{"_281":795,"_283":1053,"_285":797,"_287":1054},76.065,52.065,{"_293":230,"_123":1058,"_154":1059,"_140":95},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"artist/honore-daumier","More by Honoré Daumier","https://img.ochreeditions.com/a/1683/480.jpg","https://img.ochreeditions.com/a/1683/960.jpg","https://img.ochreeditions.com/a/1683/1920.jpg",{"_317":1076,"_319":1077},{"_317":1074,"_319":1075},{"_317":1072,"_319":1073},{"_317":1070,"_319":1071},{"_317":1068,"_319":1069},"#535049",0.0776,"#787266",0.1625,"#9b907f",0.181,"#c1b198",0.2099,"#dfc9ad",0.369,"Honoré Daumier","honore-daumier","French, 1808–1879",1808,1879,"Marseilles","Valmondois","Daumier grew up in Paris after his family left Marseilles, and learned lithography as a young man.","the-frugal-meal-cma-111385","The Frugal Meal",{"_42":1141,"_227":1142,"_331":1143,"_333":1144,"_335":1145,"_337":1146,"_339":-5,"_340":-5,"_341":-5,"_140":103},"September 1904, printed 1913",20,"spain","Image: 45.5 x 37 cm (17 15/16 x 14 9/16 in.); Plate: 46.3 x 37.6 cm (18 1/4 x 14 13/16 in.); Sheet: 63 x 49.8 cm (24 13/16 x 19 5/8 in.)",37,45.5,0.8311764705882353,[1126,1127,1128,1129,1130],{"_226":382,"_227":383,"_42":384,"_310":385},"1929.888","Pablo Picasso made this (September 1904, printed 1913), aged about 23. It is now at the Cleveland Museum of Art.",{"_118":1125,"_380":381},"The Frugal Meal, by Pablo Picasso, September 1904, printed 1913",{"_301":1122,"_303":1123,"_305":1124},"https://img.ochreeditions.com/m/525.jpg?dl=1","/art/the-frugal-meal-cma-111385","/galleries/style/etching-revival/the-frugal-meal-cma-111385",{"_297":298,"_299":300},{"_230":1112,"_125":1113,"_291":1114},{"_281":1109,"_283":1110,"_285":1111,"_287":1094},61.81852941176471,69.5,37.81852941176471,{"_293":230,"_123":1120,"_154":1121,"_140":89},{"_293":125,"_123":1118,"_154":1119,"_140":75},{"_293":291,"_123":1115,"_154":1116,"_140":1117},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-pablo-picasso","Pablo Picasso's contemporaries","https://img.ochreeditions.com/a/525/480.jpg","https://img.ochreeditions.com/a/525/960.jpg","https://img.ochreeditions.com/a/525/1920.jpg","In this early print, Pablo Picasso depicted a couple—possibly two performers—sitting before a meager meal. Although the woman gazes forward directly, her male companion's unfocused stare suggests his blindness.",{"_317":1139,"_319":1140},{"_317":1137,"_319":1138},{"_317":1135,"_319":1136},{"_317":1133,"_319":1134},{"_317":1131,"_319":1132},"#524a3f",0.0999,"#f3d8b5",0.1607,"#766959",0.1704,"#988871",0.2305,"#c2ab8e",0.3385,"Pablo Picasso","pablo-picasso","Spanish, 1881–1973","Spanish",1881,1973,{"_1148":-5,"_1149":1150,"_1151":1152,"_1153":8,"_1154":1155,"_1156":8},"user","csrf","0c1d0bb80e6bf2d3c73a7179e3eaa53503118b27","cartCount",0,"dropLive","legal",[1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168],"uploadsEnabled",{"_227":1191,"_20":1192},{"_227":1189,"_20":1190},{"_227":1187,"_20":1188},{"_227":1185,"_20":1186},{"_227":1183,"_20":1184},{"_227":1181,"_20":1182},{"_227":1179,"_20":1180},{"_227":1177,"_20":1178},{"_227":1175,"_20":1176},{"_227":1173,"_20":1174},{"_227":1171,"_20":1172},{"_227":1169,"_20":1170},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]