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It is now at the Art Institute of Chicago.","Whistler portrays himself at about twenty-five in a broad-brimmed hat, scratching the image directly into the copper with a drypoint needle.","A work made of drypoint with light plate tone on thin ivory japanese paper.",{"_301":438,"_303":439,"_305":440},"https://img.ochreeditions.com/m/360.jpg?dl=1","/art/whistler-with-a-hat-aic-213620","/galleries/style/etching-revival/whistler-with-a-hat-aic-213620",{"_297":298,"_299":300},{"_230":430,"_125":431,"_291":432},{"_282":426,"_284":427,"_286":428,"_288":429},42.852739726027394,49,18.852739726027398,25,{"_293":230,"_123":436,"_154":437,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":433,"_154":434,"_140":435},"era/19-united-states","19th-century United States",198,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/360/480.jpg","https://img.ochreeditions.com/a/360/960.jpg","https://img.ochreeditions.com/a/360/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_320":458,"_322":459},{"_320":456,"_322":457},{"_320":454,"_322":455},{"_320":452,"_322":453},{"_320":450,"_322":451},"#675f57",0.0218,"#91857a",0.0303,"#baab9e",0.0495,"#e6d4c3",0.2142,"#f4e2d1",0.6842,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-creation-cma-109009","The Creation",{"_42":524,"_227":525,"_334":526,"_336":463,"_338":527,"_340":528,"_342":-5,"_343":-5,"_344":-5,"_140":103},"before 1927",20,"woodcut","Image: 28.5 x 19.1 cm (11 1/4 x 7 1/2 in.)",19.1,28.5,0.6760972071091766,[509,510,511,512,513],{"_226":310,"_227":311,"_42":312,"_313":314},"1927.180","Kálmán Kubinyi made this (before 1927), aged about 11. It is now at the Cleveland Museum of Art.",{"_118":508,"_308":309},"The Creation, by Kálmán Kubinyi, before 1927",{"_301":505,"_303":506,"_305":507},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_297":298,"_299":300},{"_230":495,"_125":496,"_291":497},{"_282":492,"_284":493,"_286":494,"_288":477},43.26877040261154,52.5,19.268770402611533,{"_293":230,"_123":503,"_154":504,"_140":89},{"_293":125,"_123":501,"_154":502,"_140":75},{"_293":291,"_123":498,"_154":499,"_140":500},"era/20-united-states","20th-century United States",124,"style/print-20","More prints of the 20th century","artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.",{"_320":522,"_322":523},{"_320":520,"_322":521},{"_320":518,"_322":519},{"_320":516,"_322":517},{"_320":514,"_322":515},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973",1906,1973,"cornwall-si-saam-1977-66-68","Cornwall",{"_42":583,"_227":584,"_334":585,"_336":-5,"_338":586,"_340":587,"_342":-5,"_343":-5,"_344":-5,"_140":101},"1927","Graphic Arts-Print","etching on paper","plate: 5 3/8 x 9 1/4 in. (13.6 x 23.5 cm.); sheet...",23.5,13.6,1.6120365394948952,[568,569,570,571,572],{"_226":565,"_227":566,"_42":567,"_313":381},"Courtesy of the Smithsonian American Art Museum","1977.66.68","Kerr Eby made this in 1927, aged 38. It is now at the Smithsonian American Art Museum in Washington, DC.","Cornwall, by Kerr Eby, 1927",{"_301":562,"_303":563,"_305":564},"https://img.ochreeditions.com/m/1953.jpg?dl=1","/art/cornwall-si-saam-1977-66-68","/galleries/style/etching-revival/cornwall-si-saam-1977-66-68",{"_297":298,"_299":300},{"_230":554,"_125":555,"_291":556},{"_282":427,"_284":552,"_286":429,"_288":553},39.50833333333333,15.508333333333333,{"_293":230,"_123":560,"_154":561,"_140":89},{"_293":125,"_123":501,"_154":502,"_140":75},{"_293":291,"_123":557,"_154":558,"_140":559},"era/20","The 20th century",189,"artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1953/480.jpg","https://img.ochreeditions.com/a/1953/960.jpg","https://img.ochreeditions.com/a/1953/1920.jpg","si","smithsonian","Smithsonian Institution",{"_320":581,"_322":582},{"_320":579,"_322":580},{"_320":577,"_322":578},{"_320":575,"_322":576},{"_320":573,"_322":574},"#716351",0.0172,"#a4957f",0.0477,"#cbbca5",0.1355,"#e2d6bf",0.309,"#f2e9d4",0.4906,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1889,1946,"at-the-cafe-cma-324444","At the Café",{"_42":637,"_227":638,"_334":639,"_336":337,"_338":640,"_340":641,"_342":642,"_343":642,"_344":643,"_140":53},"1874","gillotage","Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)",33.4,26.3,1.3016845329249618,[622,623,624,625,626],{"_226":310,"_227":311,"_42":312,"_313":314},"2019.57","Édouard Manet made this in 1874, aged 42. It is now at the Cleveland Museum of Art.",{"_118":621,"_308":309},"At the Café, by Édouard Manet, 1874",{"_301":618,"_303":619,"_305":620},"https://img.ochreeditions.com/m/788.jpg?dl=1","/art/at-the-cafe-cma-324444","/galleries/style/etching-revival/at-the-cafe-cma-324444",{"_297":298,"_299":300},{"_230":613,"_125":614,"_291":615},{"_282":610,"_284":611,"_286":594,"_288":612},57.4,49.659058823529406,25.65905882352941,{"_293":230,"_123":616,"_154":617,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/788/480.jpg","https://img.ochreeditions.com/a/788/960.jpg","https://img.ochreeditions.com/a/788/1920.jpg","This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career.",{"_320":635,"_322":636},{"_320":633,"_322":634},{"_320":631,"_322":632},{"_320":629,"_322":630},{"_320":627,"_322":628},"#807772",0.1658,"#5c5551",0.1687,"#393531",0.1735,"#a39892",0.1811,"#c4bbb5",0.3109,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":460,"_227":461,"_334":462,"_336":463,"_338":464,"_340":465,"_342":466,"_343":467,"_344":468,"_140":236},"1879–80","Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,1.5017801513128617,[674,675,676,677,678],{"_226":441,"_227":442,"_42":443,"_313":444},"1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_301":671,"_303":672,"_305":673},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_297":298,"_299":300},{"_230":668,"_125":669,"_291":670},{"_282":665,"_284":666,"_286":650,"_288":667},53,43.31041635797896,19.31041635797896,{"_293":230,"_123":436,"_154":437,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":433,"_154":434,"_140":435},"https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg",{"_320":687,"_322":688},{"_320":685,"_322":686},{"_320":683,"_322":684},{"_320":681,"_322":682},{"_320":679,"_322":680},"#a58970",0.1246,"#77604c",0.1365,"#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,"the-old-orchard-si-saam-1935-13-211","The Old Orchard",{"_42":733,"_227":734,"_334":735,"_336":-5,"_338":736,"_340":737,"_342":-5,"_343":-5,"_344":-5,"_140":103},"1915","4 1/2 x 7 in. (11.4 x 17.8 cm)",17.8,11.4,1.4133817427385893,[719,720,721,722,723],{"_226":565,"_227":566,"_42":567,"_313":381},"1935.13.211","Arthur A. Marschner made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","The Old Orchard, by Arthur A. Marschner, 1915",{"_301":716,"_303":717,"_305":718},"https://img.ochreeditions.com/m/1890.jpg?dl=1","/art/the-old-orchard-si-saam-1935-13-211","/galleries/style/etching-revival/the-old-orchard-si-saam-1935-13-211",{"_297":298,"_299":300},{"_230":711,"_125":712,"_291":713},{"_282":427,"_284":709,"_286":429,"_288":710},41.68807339449541,17.68807339449541,{"_293":230,"_123":714,"_154":715,"_140":89},{"_293":125,"_123":501,"_154":502,"_140":75},{"_293":291,"_123":557,"_154":558,"_140":559},"artist/contemporaries-of-arthur-a-marschner","Arthur A. Marschner's contemporaries","https://img.ochreeditions.com/a/1890/480.jpg","https://img.ochreeditions.com/a/1890/960.jpg","https://img.ochreeditions.com/a/1890/1920.jpg",{"_320":731,"_322":732},{"_320":729,"_322":730},{"_320":727,"_322":728},{"_320":726,"_322":682},{"_320":724,"_322":725},"#4d402c",0.0497,"#796952","#d3c3ae",0.183,"#9c8b72",0.2479,"#b8a790",0.3829,"Arthur A. Marschner","arthur-a-marschner","born Detroit, MI 1884-died Detroit, MI 1950",1884,1950,"nocturne-palaces-met-359320","Nocturne: Palaces",{"_42":460,"_227":461,"_334":462,"_336":463,"_338":464,"_340":465,"_342":466,"_343":467,"_344":468,"_140":236},"Prints","Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.","Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm) Plate: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm)",19.8,29.2,0.6874830301384741,[774,775,776,777,778],{"_226":770,"_227":771,"_42":772,"_313":773},"Courtesy of The Metropolitan Museum of Art","40.63.8","James McNeill Whistler made this in 1879–80, aged about 45. It is now at The Met in New York.","Dark palaces rise above a narrow Venetian canal at night, their doorways and windows emerging from veils of brown ink. Whistler, who spent fourteen months in Venice in 1879–80, avoided the famous sights and sought out back canals, doorways and courtyards.","Nocturne: Palaces, by James McNeill Whistler, 1879–80",{"_301":767,"_303":768,"_305":769},"https://img.ochreeditions.com/m/1046.jpg?dl=1","/art/nocturne-palaces-met-359320","/galleries/style/etching-revival/nocturne-palaces-met-359320",{"_297":298,"_299":300},{"_230":764,"_125":765,"_291":766},{"_282":761,"_284":762,"_286":763,"_288":745},44.074504480043444,53.2,20.074504480043444,{"_293":230,"_123":436,"_154":437,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":433,"_154":434,"_140":435},"https://img.ochreeditions.com/a/1046/480.jpg","https://img.ochreeditions.com/a/1046/960.jpg","https://img.ochreeditions.com/a/1046/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_320":787,"_322":788},{"_320":785,"_322":786},{"_320":783,"_322":784},{"_320":781,"_322":782},{"_320":779,"_322":780},"#e6d7c4",0.0894,"#6b5843",0.1817,"#a98b68",0.2031,"#c7a87f",0.222,"#866d53",0.3038,"the-old-violin-aic-135454","The Old Violin",{"_42":836,"_227":837,"_334":838,"_336":839,"_338":840,"_340":841,"_342":-5,"_343":-5,"_344":-5,"_140":101},"1887","Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[821,822,823,824,825],{"_226":441,"_227":442,"_42":443,"_313":444},"1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_301":818,"_303":819,"_305":820},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_297":298,"_299":300},{"_230":813,"_125":814,"_291":815},{"_282":810,"_284":811,"_286":812,"_288":796},87.83501457072404,112,63.83501457072405,{"_293":230,"_123":816,"_154":817,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg",{"_320":834,"_322":835},{"_320":832,"_322":833},{"_320":830,"_322":831},{"_320":828,"_322":829},{"_320":826,"_322":827},"#847b60",0.0672,"#775928",0.0824,"#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","Under the Lamp (\"Once upon a midnight dreary...\"), from The Raven (Le Corbeau)",{"_42":637,"_227":638,"_334":639,"_336":337,"_338":640,"_340":641,"_342":642,"_343":642,"_344":643,"_140":53},"1875","Transfer lithograph in black on gray China paper","Image: 27.3 × 38 cm (10 3/4 × 15 in.); Sheet: 39.5 × 55.6 cm (15 9/16 × 21 15/16 in.)",38,27,1.3974116161616161,[873,874,875,876,877],{"_226":441,"_227":442,"_42":443,"_313":444},"1945.52.3","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","“Once upon a midnight dreary”: the narrator of Edgar Allan Poe’s The Raven sits under the lamp among his books in the first of Manet’s illustrations to the poem. In 1875 the poet Stéphane Mallarmé published his French translation, Le Corbeau, in a large-format edition with Manet’s images.","A work made of transfer lithograph in black on gray china paper.",{"_301":870,"_303":871,"_305":872},"https://img.ochreeditions.com/m/280.jpg?dl=1","/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","/galleries/style/etching-revival/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",{"_297":298,"_299":300},{"_230":867,"_125":868,"_291":869},{"_282":864,"_284":865,"_286":848,"_288":866},62,51.193133047210296,27.1931330472103,{"_293":230,"_123":616,"_154":617,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/280/480.jpg","https://img.ochreeditions.com/a/280/960.jpg","https://img.ochreeditions.com/a/280/1920.jpg",{"_320":886,"_322":887},{"_320":884,"_322":885},{"_320":882,"_322":883},{"_320":880,"_322":881},{"_320":878,"_322":879},"#5c5b57",0.0694,"#878680",0.0726,"#b9b8b1",0.0826,"#383835",0.1056,"#eae9e1",0.6698,"long-lagoon-nga-11033","Long Lagoon",{"_42":460,"_227":461,"_334":462,"_336":463,"_338":464,"_340":465,"_342":466,"_343":467,"_344":468,"_140":236},"1880","etching and drypoint on Asian laid paper","plate: 15.24 x 22.54 cm (6 x 8 7/8 in.) sheet (includes tab with signature): 15.88 x 22.54 cm (6 1/4 x 8 7/8 in.)",22.5,15.2,1.4592091200570003,[918,919,920,921,922],{"_226":378,"_227":379,"_42":380,"_313":381},"1943.3.8536","James McNeill Whistler made this in 1880, aged 46. It is now at the National Gallery of Art in Washington, DC.","A long, low line of buildings and the masts of distant ships stretch across the horizon, mirrored in a broad expanse of still water that fills most of the sheet.","The image shows a landscape with a waterscape. The horizon separates the water and the sky. In the distance, there are buildings, structures, and ships with tall masts. Close to us, there are reflections of the ships and structures in the water with fine brushstrokes. The style is impressionistic with thin lines conveying details. The color palette is monochromatic with sepia tones.",{"_301":915,"_303":916,"_305":917},"https://img.ochreeditions.com/m/1357.jpg?dl=1","/art/long-lagoon-nga-11033","/galleries/style/etching-revival/long-lagoon-nga-11033",{"_297":298,"_299":300},{"_230":912,"_125":913,"_291":914},{"_282":427,"_284":910,"_286":429,"_288":911},41.132568359375,17.132568359375,{"_293":230,"_123":436,"_154":437,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":433,"_154":434,"_140":435},"https://img.ochreeditions.com/a/1357/480.jpg","https://img.ochreeditions.com/a/1357/960.jpg","https://img.ochreeditions.com/a/1357/1920.jpg",{"_320":931,"_322":932},{"_320":929,"_322":930},{"_320":927,"_322":928},{"_320":925,"_322":926},{"_320":923,"_322":924},"#fcefdc",0.0213,"#dfbb8f",0.1048,"#e8c69a",0.2095,"#eed0a6",0.2852,"#f2d6af",0.3792,"business-men-s-class-cma-115925","Business Men's Class",{"_42":982,"_227":983,"_334":984,"_336":463,"_338":401,"_340":985,"_342":-5,"_343":-5,"_344":986,"_140":93},"1916","lithograph","Sheet: 54.1 x 70 cm (21 5/16 x 27 9/16 in.)",70,54.1,1.4370245139475908,[967,968,969,970,971],{"_226":310,"_227":311,"_42":312,"_313":314},"1936.630","George Bellows made this in 1916, aged 34. It is now at the Cleveland Museum of Art.",{"_118":966,"_308":309},"Business Men's Class, by George Bellows, 1916",{"_301":963,"_303":964,"_305":965},"https://img.ochreeditions.com/m/532.jpg?dl=1","/art/business-men-s-class-cma-115925","/galleries/style/etching-revival/business-men-s-class-cma-115925",{"_297":298,"_299":300},{"_230":958,"_125":959,"_291":960},{"_282":955,"_284":956,"_286":939,"_288":957},94,72.71176470588236,48.71176470588236,{"_293":230,"_123":961,"_154":962,"_140":93},{"_293":125,"_123":501,"_154":502,"_140":75},{"_293":291,"_123":498,"_154":499,"_140":500},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/532/480.jpg","https://img.ochreeditions.com/a/532/960.jpg","https://img.ochreeditions.com/a/532/1920.jpg","This scene takes place at the West Side YMCA, where George Bellows lived when he arrived in New York City from Columbus, Ohio, in 1904. Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.",{"_320":980,"_322":981},{"_320":978,"_322":979},{"_320":976,"_322":977},{"_320":974,"_322":975},{"_320":972,"_322":973},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925",1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","shrewsbury-river-nga-148431","Shrewsbury River",{"_42":1029,"_227":1030,"_334":1031,"_336":463,"_338":1032,"_340":1033,"_342":-5,"_343":-5,"_344":-5,"_140":103},"image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[1014,1015,1016,1017,1018],{"_226":378,"_227":379,"_42":380,"_313":381},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_301":1011,"_303":1012,"_305":1013},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_297":298,"_299":300},{"_230":1006,"_125":1007,"_291":1008},{"_282":364,"_284":1004,"_286":366,"_288":1005},67.36633663366337,43.366336633663366,{"_293":230,"_123":1009,"_154":1010,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_320":1027,"_322":1028},{"_320":1025,"_322":1026},{"_320":1023,"_322":1024},{"_320":1021,"_322":1022},{"_320":1019,"_322":1020},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,"une-lecture-interessante-et-rafraichissante-nga-170184","Une lecture intéressante et rafraichissante",{"_42":1077,"_227":1078,"_334":1079,"_336":337,"_338":1080,"_340":1081,"_342":1082,"_343":1083,"_344":1084,"_140":95},"1854",1.1524056467876693,[1062,1063,1064,1065,1066],{"_226":378,"_227":379,"_42":380,"_313":381},"2015.143.1157","Honoré Daumier made this in 1854, aged 46. It is now at the National Gallery of Art in Washington, DC.","A balding man in spectacles sits by the water with his feet submerged, absorbed in his reading, while his companion beside him, feet likewise in the water, sits upright with her hands in her lap. His top hat waits on the ground. The caption calls it “an interesting and refreshing read”.","The image shows two individuals seated outdoors near a body of water with their feet submerged. Both individuals are seen from head to toe. The person on the left is seated with a slightly hunched posture, reading a document or a book. They have a balding head, wear glasses, a dark suit with the coat draped over their knees, and a top hat placed on the ground. The individual on the right is sitting upright with a scarf over their hair. They wear a long dress with a shawl, and their hands rest on their lap. The background features a bare tree and a rough, sketched environment. The sky and landscape are depicted in shades of light and dark.",{"_301":1059,"_303":1060,"_305":1061},"https://img.ochreeditions.com/m/1683.jpg?dl=1","/art/une-lecture-interessante-et-rafraichissante-nga-170184","/galleries/style/etching-revival/une-lecture-interessante-et-rafraichissante-nga-170184",{"_297":298,"_299":300},{"_230":1054,"_125":1055,"_291":1056},{"_282":364,"_284":1052,"_286":366,"_288":1053},76.065,52.065,{"_293":230,"_123":1057,"_154":1058,"_140":95},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/honore-daumier","More by Honoré Daumier","https://img.ochreeditions.com/a/1683/480.jpg","https://img.ochreeditions.com/a/1683/960.jpg","https://img.ochreeditions.com/a/1683/1920.jpg",{"_320":1075,"_322":1076},{"_320":1073,"_322":1074},{"_320":1071,"_322":1072},{"_320":1069,"_322":1070},{"_320":1067,"_322":1068},"#535049",0.0776,"#787266",0.1625,"#9b907f",0.181,"#c1b198",0.2099,"#dfc9ad",0.369,"Honoré Daumier","honore-daumier","French, 1808–1879",1808,1879,"Marseilles","Valmondois","Daumier grew up in Paris after his family left Marseilles, and learned lithography as a young man.","nocturne-nocturne-the-thames-at-battersea-met-337702","Nocturne (Nocturne: The Thames at Battersea)",{"_42":460,"_227":461,"_334":462,"_336":463,"_338":464,"_340":465,"_342":466,"_343":467,"_344":468,"_140":236},"1878","Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)","Image: 6 3/4 × 10 3/16 in. (17.1 × 25.9 cm) Sheet: 13 1/2 × 19 5/16 in. (34.3 × 49 cm)",34.3,1.4978354978354977,[1115,1116,1117,1118,1119],{"_226":770,"_227":771,"_42":772,"_313":773},"17.3.159","James McNeill Whistler made this in 1878, aged 44. It is now at The Met in New York.","The Thames at Battersea dissolves into soft, misty greys, boats and the far bank suggested by a few darker tones.","Nocturne (Nocturne: The Thames at Battersea), by James McNeill Whistler, 1878",{"_301":1112,"_303":1113,"_305":1114},"https://img.ochreeditions.com/m/1029.jpg?dl=1","/art/nocturne-nocturne-the-thames-at-battersea-met-337702","/galleries/style/etching-revival/nocturne-nocturne-the-thames-at-battersea-met-337702",{"_297":298,"_299":300},{"_230":1109,"_125":1110,"_291":1111},{"_282":1106,"_284":1107,"_286":427,"_288":1108},73,56.713872832369944,32.713872832369944,{"_293":230,"_123":436,"_154":437,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":433,"_154":434,"_140":435},"https://img.ochreeditions.com/a/1029/480.jpg","https://img.ochreeditions.com/a/1029/960.jpg","https://img.ochreeditions.com/a/1029/1920.jpg",{"_320":1128,"_322":1129},{"_320":1126,"_322":1127},{"_320":1124,"_322":1125},{"_320":1122,"_322":1123},{"_320":1120,"_322":1121},"#dedcd4",0.068,"#6e6d64",0.1708,"#848478",0.2453,"#9a9c8e",0.2562,"#adb0a1",0.2597,{"_1131":-5,"_1132":1133,"_1134":1135,"_1136":8,"_1137":1138,"_1139":8},"user","csrf","ba04ef2b5ee46a92dbea6272b22e92595b3e9951","cartCount",0,"dropLive","legal",[1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150,1151],"uploadsEnabled",{"_227":1174,"_20":1175},{"_227":1172,"_20":1173},{"_227":1170,"_20":1171},{"_227":1168,"_20":1169},{"_227":1166,"_20":1167},{"_227":1164,"_20":1165},{"_227":1162,"_20":1163},{"_227":1160,"_20":1161},{"_227":1158,"_20":1159},{"_227":1156,"_20":1157},{"_227":1154,"_20":1155},{"_227":1152,"_20":1153},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]