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It is now at the Cleveland Museum of Art.",{"_118":447,"_448":449},"Business Men's Class, by George Bellows, 1916",{"_300":444,"_302":445,"_304":446},"https://img.ochreeditions.com/m/532.jpg?dl=1","/art/business-men-s-class-cma-115925","/galleries/style/etching-revival/business-men-s-class-cma-115925",{"_296":297,"_298":299},{"_230":434,"_125":435,"_290":436},{"_281":431,"_283":432,"_285":414,"_287":433},94,72.71176470588236,48.71176470588236,{"_292":230,"_123":442,"_154":443,"_140":93},{"_292":125,"_123":440,"_154":441,"_140":75},{"_292":290,"_123":437,"_154":438,"_140":439},"era/20-united-states","20th-century United States",124,"style/print-20","More prints of the 20th century","artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/532/480.jpg","https://img.ochreeditions.com/a/532/960.jpg","https://img.ochreeditions.com/a/532/1920.jpg","This scene takes place at the West Side YMCA, where George Bellows lived when he arrived in New York City from Columbus, Ohio, in 1904. Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_316":467,"_318":468},{"_316":465,"_318":466},{"_316":463,"_318":464},{"_316":461,"_318":462},{"_316":459,"_318":460},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925","American",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","bastille-day-cma-131761","Bastille Day",{"_42":529,"_227":530,"_330":531,"_332":472,"_334":532,"_336":533,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1892","color monotype","Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)",13.1,17.4,0.7644117647058823,[514,515,516,517,518],{"_226":450,"_227":451,"_42":452,"_309":453},"1954.337","Maurice Prendergast made this in 1892, aged 34. It is now at the Cleveland Museum of Art.",{"_118":513,"_448":449},"Bastille Day, by Maurice Prendergast, 1892",{"_300":510,"_302":511,"_304":512},"https://img.ochreeditions.com/m/604.jpg?dl=1","/art/bastille-day-cma-131761","/galleries/style/etching-revival/bastille-day-cma-131761",{"_296":297,"_298":299},{"_230":502,"_125":503,"_290":504},{"_281":498,"_283":499,"_285":500,"_287":501},43.11029411764706,49,19.110294117647058,25,{"_292":230,"_123":508,"_154":509,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":505,"_154":506,"_140":507},"era/19-united-states","19th-century United States",198,"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/604/480.jpg","https://img.ochreeditions.com/a/604/960.jpg","https://img.ochreeditions.com/a/604/1920.jpg","Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday.",{"_316":527,"_318":528},{"_316":525,"_318":526},{"_316":523,"_318":524},{"_316":521,"_318":522},{"_316":519,"_318":520},"#f5e3cd",0.0778,"#a69e86",0.1253,"#41514f",0.2417,"#7a7a66",0.2679,"#5a5a4a",0.2873,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,1924,"the-stranger-si-saam-1983-4","The Stranger",{"_42":589,"_227":590,"_330":591,"_332":-5,"_334":592,"_336":593,"_338":-5,"_340":-5,"_342":-5,"_140":103},"Graphic Arts-Print","lithograph on paper","image: 13 1/2 x 9 5/8 in. (34.4 x 24.6 cm)",24.6,34.4,0.6903333333333334,[574,575,576,577,578],{"_226":570,"_227":571,"_42":572,"_309":573},"Courtesy of the Smithsonian American Art Museum","1983.4","Albert Sterner made this in 1916, aged 53. It is now at the Smithsonian American Art Museum in Washington, DC.","The Stranger, by Albert Sterner, 1916",{"_300":567,"_302":568,"_304":569},"https://img.ochreeditions.com/m/1967.jpg?dl=1","/art/the-stranger-si-saam-1983-4","/galleries/style/etching-revival/the-stranger-si-saam-1983-4",{"_296":297,"_298":299},{"_230":559,"_125":560,"_290":561},{"_281":556,"_283":557,"_285":558,"_287":541},47.74746666666667,58.4,23.747466666666668,{"_292":230,"_123":565,"_154":566,"_140":89},{"_292":125,"_123":440,"_154":441,"_140":75},{"_292":290,"_123":562,"_154":563,"_140":564},"era/20","The 20th century",189,"artist/contemporaries-of-albert-sterner","Albert Sterner's contemporaries","https://img.ochreeditions.com/a/1967/480.jpg","https://img.ochreeditions.com/a/1967/960.jpg","https://img.ochreeditions.com/a/1967/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_316":587,"_318":588},{"_316":585,"_318":586},{"_316":583,"_318":584},{"_316":581,"_318":582},{"_316":579,"_318":580},"#959387",0.1115,"#595954",0.1328,"#e9e1cc",0.1467,"#303134",0.2621,"#1b1b20",0.3469,"Albert Sterner","albert-sterner","born London, England 1863-died New York City 1946",1863,1946,"ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061","Ostpreussisches Ehepaar (Couple from East Prussia)",{"_42":646,"_227":647,"_330":648,"_332":649,"_334":532,"_336":474,"_338":-5,"_340":-5,"_342":-5,"_140":103},"germany","drypoint in black on wove paper","plate: 18 x 11.7 cm (7 1/16 x 4 5/8 in.) sheet: 31.8 x 23.8 cm (12 1/2 x 9 3/8 in.)",11.7,18,0.678466796875,[631,632,633,634,635],{"_226":628,"_227":629,"_42":630,"_309":573},"Courtesy National Gallery of Art, Washington","1991.210.72","Lovis Corinth made this in 1916, aged 58. It is now at the National Gallery of Art in Washington, DC.","The image depicts two individuals from the waist up. The person on the left has a round face and is slightly behind the person on the right who has a slightly elongated face. Both individuals appear to be seated and have short, neatly combed hair. They have neutral facial expressions and their features are indistinct. The person on the left wears a suit with a bow tie, while the person on the right is dressed in clothing with detailed patterns and holds a flower-like object in their left hand. The background shows simple line sketches that suggest an interior setting.",{"_300":625,"_302":626,"_304":627},"https://img.ochreeditions.com/m/1622.jpg?dl=1","/art/ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061","/galleries/style/etching-revival/ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061",{"_296":297,"_298":299},{"_230":618,"_125":619,"_290":620},{"_281":616,"_283":499,"_285":617,"_287":501},40.961669921875,16.961669921875,{"_292":230,"_123":623,"_154":624,"_140":89},{"_292":125,"_123":440,"_154":441,"_140":75},{"_292":290,"_123":621,"_154":622,"_140":93},"era/20-germany","20th-century Germany","artist/contemporaries-of-lovis-corinth","Lovis Corinth's contemporaries","https://img.ochreeditions.com/a/1622/480.jpg","https://img.ochreeditions.com/a/1622/960.jpg","https://img.ochreeditions.com/a/1622/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_316":644,"_318":645},{"_316":642,"_318":643},{"_316":640,"_318":641},{"_316":638,"_318":639},{"_316":636,"_318":637},"#60574f",0.061,"#8d7f6e",0.1021,"#b9a68c",0.1726,"#ddc6a6",0.3154,"#f5e0c3",0.3489,"Lovis Corinth","lovis-corinth","German, 1858–1925","German","the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":697,"_227":698,"_330":699,"_332":472,"_334":700,"_336":701,"_338":702,"_340":703,"_342":704,"_140":53},"1870","wood engraving on paper","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,0.6723333333333333,[682,683,684,685,686],{"_226":570,"_227":571,"_42":572,"_309":573},"1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_300":679,"_302":680,"_304":681},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_296":297,"_298":299},{"_230":674,"_125":675,"_290":676},{"_281":671,"_283":672,"_285":673,"_287":352},47.531666666666666,59,23.531666666666666,{"_292":230,"_123":677,"_154":678,"_140":53},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":505,"_154":506,"_140":507},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg",{"_316":695,"_318":696},{"_316":693,"_318":694},{"_316":691,"_318":692},{"_316":689,"_318":690},{"_316":687,"_318":688},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","sculptress-cma-153129","Sculptress",{"_42":754,"_227":755,"_330":756,"_332":404,"_334":757,"_336":758,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1897","lithograph with watercolor added by hand","Sheet: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); Image: 53.1 x 37 cm (20 7/8 x 14 9/16 in.)",49.5,64.5,0.7047058823529412,[739,740,741,742,743],{"_226":450,"_227":451,"_42":452,"_309":453},"1986.136","Eugène Grasset painted this in 1897, aged 56. It is now at the Cleveland Museum of Art.",{"_118":738,"_448":449},"Sculptress, by Eugène Grasset, 1897",{"_300":735,"_302":736,"_304":737},"https://img.ochreeditions.com/m/737.jpg?dl=1","/art/sculptress-cma-153129","/galleries/style/etching-revival/sculptress-cma-153129",{"_296":297,"_298":299},{"_230":730,"_125":731,"_290":732},{"_281":727,"_283":728,"_285":729,"_287":712},69.4535294117647,88.5,45.453529411764706,{"_292":230,"_123":733,"_154":734,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":374,"_154":375,"_140":376},"artist/contemporaries-of-eugene-grasset","Eugène Grasset's contemporaries","https://img.ochreeditions.com/a/737/480.jpg","https://img.ochreeditions.com/a/737/960.jpg","https://img.ochreeditions.com/a/737/1920.jpg","Grasset, greatly influenced by the art of Japan, Persia, and Egypt, created designs for stained glass windows, furniture, tapestries, and fabrics. This female allegory of Sculpture was meant for an 1898 exhibition poster. Only the black areas and lines were printed.",{"_316":752,"_318":753},{"_316":750,"_318":751},{"_316":748,"_318":749},{"_316":746,"_318":747},{"_316":744,"_318":745},"#e5b078",0.0913,"#c17752",0.1854,"#8c7c6c",0.1969,"#bfac97",0.2601,"#534a43",0.2663,"Eugène Grasset","eugene-grasset","French, 1841–1917",1841,1917,"lady-with-the-lute-si-saam-1973-130-255","Lady with the Lute",{"_42":804,"_227":805,"_330":806,"_332":-5,"_334":335,"_336":807,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1909","image: 8 x 6 7/8 in. (20.2 x 17.6 cm)",17.6,20.2,0.8392982456140351,[789,790,791,792,793],{"_226":570,"_227":571,"_42":572,"_309":573},"1973.130.255","Henry Wolf made this in 1909, aged 57. It is now at the Smithsonian American Art Museum in Washington, DC.","Lady with the Lute, by Henry Wolf, 1909",{"_300":786,"_302":787,"_304":788},"https://img.ochreeditions.com/m/1947.jpg?dl=1","/art/lady-with-the-lute-si-saam-1973-130-255","/galleries/style/etching-revival/lady-with-the-lute-si-saam-1973-130-255",{"_296":297,"_298":299},{"_230":781,"_125":782,"_290":783},{"_281":779,"_283":499,"_285":780,"_287":501},44.98245614035088,20.982456140350877,{"_292":230,"_123":784,"_154":785,"_140":89},{"_292":125,"_123":440,"_154":441,"_140":75},{"_292":290,"_123":562,"_154":563,"_140":564},"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1947/480.jpg","https://img.ochreeditions.com/a/1947/960.jpg","https://img.ochreeditions.com/a/1947/1920.jpg",{"_316":802,"_318":803},{"_316":800,"_318":801},{"_316":798,"_318":799},{"_316":796,"_318":797},{"_316":794,"_318":795},"#594938",0.0966,"#8c7e6b",0.1591,"#fbf1dd",0.2373,"#baae9c",0.2506,"#2d1f15",0.2564,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916",1916,"at-the-cafe-cma-324444","At the Café",{"_42":857,"_227":858,"_330":859,"_332":404,"_334":860,"_336":861,"_338":862,"_340":862,"_342":863,"_140":53},"1874","gillotage","Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)",33.4,26.3,1.3016845329249618,[842,843,844,845,846],{"_226":450,"_227":451,"_42":452,"_309":453},"2019.57","Édouard Manet made this in 1874, aged 42. It is now at the Cleveland Museum of Art.",{"_118":841,"_448":449},"At the Café, by Édouard Manet, 1874",{"_300":838,"_302":839,"_304":840},"https://img.ochreeditions.com/m/788.jpg?dl=1","/art/at-the-cafe-cma-324444","/galleries/style/etching-revival/at-the-cafe-cma-324444",{"_296":297,"_298":299},{"_230":833,"_125":834,"_290":835},{"_281":830,"_283":831,"_285":814,"_287":832},57.4,49.659058823529406,25.65905882352941,{"_292":230,"_123":836,"_154":837,"_140":53},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":374,"_154":375,"_140":376},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/788/480.jpg","https://img.ochreeditions.com/a/788/960.jpg","https://img.ochreeditions.com/a/788/1920.jpg","This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career.",{"_316":855,"_318":856},{"_316":853,"_318":854},{"_316":851,"_318":852},{"_316":849,"_318":850},{"_316":847,"_318":848},"#807772",0.1658,"#5c5551",0.1687,"#393531",0.1735,"#a39892",0.1811,"#c4bbb5",0.3109,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-cliffs-of-the-trinity-nga-183095","The Cliffs of the Trinity",{"_42":911,"_227":912,"_330":913,"_332":472,"_334":914,"_336":915,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1913","lithograph in black on Van Gelder Zonen laid paper","image: 42.55 × 55.25 cm (16 3/4 × 21 3/4 in.) sheet: 46.36 × 58.1 cm (18 1/4 × 22 7/8 in.)",55.3,42.6,1.2622278321236984,[896,897,898,899,900],{"_226":628,"_227":629,"_42":630,"_309":573},"2015.19.1343","Joseph Pennell made this in 1913, aged 56. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.",{"_300":893,"_302":894,"_304":895},"https://img.ochreeditions.com/m/1688.jpg?dl=1","/art/the-cliffs-of-the-trinity-nga-183095","/galleries/style/etching-revival/the-cliffs-of-the-trinity-nga-183095",{"_296":297,"_298":299},{"_230":888,"_125":889,"_290":890},{"_281":885,"_283":886,"_285":870,"_287":887},79.3,67.81142499999999,43.81142499999999,{"_292":230,"_123":891,"_154":892,"_140":89},{"_292":125,"_123":440,"_154":441,"_140":75},{"_292":290,"_123":437,"_154":438,"_140":439},"artist/contemporaries-of-joseph-pennell","Joseph Pennell's contemporaries","https://img.ochreeditions.com/a/1688/480.jpg","https://img.ochreeditions.com/a/1688/960.jpg","https://img.ochreeditions.com/a/1688/1920.jpg",{"_316":909,"_318":910},{"_316":907,"_318":908},{"_316":905,"_318":906},{"_316":903,"_318":904},{"_316":901,"_318":902},"#897d6b",0.1409,"#bfae90",0.1909,"#645c50",0.2065,"#e2cbaa",0.2138,"#4c473f",0.2479,"Joseph Pennell","joseph-pennell","American, 1857–1926",1857,1926,"washerwomen-descending-a-quai-staircase-cma-441006","Washerwomen Descending a Quai Staircase",{"_42":965,"_227":966,"_330":967,"_332":404,"_334":592,"_336":807,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1888","transfer lithograph","Image: 57.1 x 41.8 cm (22 1/2 x 16 7/16 in.); Sheet: 64.7 x 49 cm (25 1/2 x 19 5/16 in.)",41.8,57.1,0.7585294117647059,[950,951,952,953,954],{"_226":450,"_227":451,"_42":452,"_309":453},"2021.141","Alexandre Lunois made this in 1888, aged 25. It is now at the Cleveland Museum of Art.",{"_118":949,"_448":449},"Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888",{"_300":946,"_302":947,"_304":948},"https://img.ochreeditions.com/m/794.jpg?dl=1","/art/washerwomen-descending-a-quai-staircase-cma-441006","/galleries/style/etching-revival/washerwomen-descending-a-quai-staircase-cma-441006",{"_296":297,"_298":299},{"_230":941,"_125":942,"_290":943},{"_281":938,"_283":939,"_285":940,"_287":923},67.31202941176471,81.1,43.312029411764705,{"_292":230,"_123":944,"_154":945,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":374,"_154":375,"_140":376},"artist/contemporaries-of-alexandre-lunois","Alexandre Lunois's contemporaries","https://img.ochreeditions.com/a/794/480.jpg","https://img.ochreeditions.com/a/794/960.jpg","https://img.ochreeditions.com/a/794/1920.jpg","Alexandre Lunois worked extensively in lithography, a relatively recent invention during his time that was rarely used by artists, making both reproductive and original works.",{"_316":963,"_318":964},{"_316":961,"_318":962},{"_316":959,"_318":960},{"_316":957,"_318":958},{"_316":955,"_318":956},"#3e3a37",0.1151,"#7f7a75",0.1429,"#c0b9af",0.2105,"#5e5a56",0.2274,"#ebe2d3",0.3041,"Alexandre Lunois","alexandre-lunois","French, 1863–1916","the-cathedral-cma-163010","The Cathedral",{"_42":1018,"_227":1019,"_330":1020,"_332":1021,"_334":1022,"_336":1023,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1886","flanders","etching","Sheet: 31 x 22.4 cm (12 3/16 x 8 13/16 in.); Platemark: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.)",22.4,31,0.7720588235294118,[1003,1004,1005,1006,1007],{"_226":450,"_227":451,"_42":452,"_309":453},"2003.46","James Ensor made this in 1886, aged 26. It is now at the Cleveland Museum of Art.",{"_118":1002,"_448":449},"The Cathedral, by James Ensor, 1886",{"_300":999,"_302":1000,"_304":1001},"https://img.ochreeditions.com/m/764.jpg?dl=1","/art/the-cathedral-cma-163010","/galleries/style/etching-revival/the-cathedral-cma-163010",{"_296":297,"_298":299},{"_230":994,"_125":995,"_290":996},{"_281":991,"_283":992,"_285":993,"_287":976},47.93382352941177,55,23.933823529411764,{"_292":230,"_123":997,"_154":998,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-james-ensor","James Ensor's contemporaries","https://img.ochreeditions.com/a/764/480.jpg","https://img.ochreeditions.com/a/764/960.jpg","https://img.ochreeditions.com/a/764/1920.jpg","James Ensor used tiny, repetitive marks possible with etching to develop a new, expressive style that contrasted with that of most of his contemporaries. The Gothic architecture, worn facade, and overwhelming scale of the cathedral seen here in exacting detail show that it has withstood the test of time.",{"_316":1016,"_318":1017},{"_316":1014,"_318":1015},{"_316":1012,"_318":1013},{"_316":1010,"_318":1011},{"_316":1008,"_318":1009},"#7b6c5f",0.0997,"#c2b2a3",0.1688,"#948476",0.1803,"#aa998b",0.2353,"#dfd0c1",0.3159,"James Ensor","james-ensor","Belgian, 1860–1949","Belgian",1860,1949,"view-of-the-peaks-of-otter-nga-212712","View of the Peaks of Otter",{"_42":1073,"_227":1074,"_330":1075,"_332":649,"_334":1076,"_336":1077,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1858","color lithograph on wove paper","image: 28.26 × 44.61 cm (11 1/8 × 17 9/16 in.) sheet: 45.09 × 63.34 cm (17 3/4 × 24 15/16 in.)",44.6,28.3,1.3680694722778892,[1058,1059,1060,1061,1062],{"_226":628,"_227":629,"_42":630,"_309":573},"2015.19.3615.6","Woldemar Rau made this in 1858, aged 31. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with a valley leading towards two mountain peaks known as the Peaks of Otter. The horizon is low, with the mountains dominating the scene. The brushwork is smooth and delicate, and the color palette consists of muted earth tones, greens, and soft blues. In the foreground, there are cattle grazing in a field with a wooden fence, and a couple of houses among trees to the left. Further back, there are open fields with horses and agricultural activities, leading to a dense tree line at the base of the mountains.",{"_300":1055,"_302":1056,"_304":1057},"https://img.ochreeditions.com/m/1695.jpg?dl=1","/art/view-of-the-peaks-of-otter-nga-212712","/galleries/style/etching-revival/view-of-the-peaks-of-otter-nga-212712",{"_296":297,"_298":299},{"_230":1048,"_125":1049,"_290":1050},{"_281":1045,"_283":1046,"_285":1030,"_287":1047},68.6,56.60068359375,32.60068359375,{"_292":230,"_123":1053,"_154":1054,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":1051,"_154":1052,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-woldemar-rau","Woldemar Rau's contemporaries","https://img.ochreeditions.com/a/1695/480.jpg","https://img.ochreeditions.com/a/1695/960.jpg","https://img.ochreeditions.com/a/1695/1920.jpg",{"_316":1071,"_318":1072},{"_316":1069,"_318":1070},{"_316":1067,"_318":1068},{"_316":1065,"_318":1066},{"_316":1063,"_318":1064},"#5d574d",0.0422,"#d4b78a",0.0645,"#8d816f",0.0701,"#b0a088",0.0761,"#ebe0d2",0.7471,"Woldemar Rau","woldemar-rau","German, 1827–1889",1827,1889,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":1123,"_227":1124,"_330":1125,"_332":472,"_334":1126,"_336":1127,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1887","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[1108,1109,1110,1111,1112],{"_226":628,"_227":629,"_42":630,"_309":573},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_300":1105,"_302":1106,"_304":1107},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_296":297,"_298":299},{"_230":1100,"_125":1101,"_290":1102},{"_281":1096,"_283":1097,"_285":1098,"_287":1099},84,67.36633663366337,60,43.366336633663366,{"_292":230,"_123":1103,"_154":1104,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":505,"_154":506,"_140":507},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_316":1121,"_318":1122},{"_316":1119,"_318":1120},{"_316":1117,"_318":1118},{"_316":1115,"_318":1116},{"_316":1113,"_318":1114},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,"nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":1175,"_227":1176,"_330":1177,"_332":472,"_334":1178,"_336":1179,"_338":1180,"_340":1181,"_342":1182,"_140":236},"1879–80","Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,1.5017801513128617,[1160,1161,1162,1163,1164],{"_226":382,"_227":383,"_42":384,"_309":385},"1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_300":1157,"_302":1158,"_304":1159},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_296":297,"_298":299},{"_230":1152,"_125":1153,"_290":1154},{"_281":1149,"_283":1150,"_285":1134,"_287":1151},53,43.31041635797896,19.31041635797896,{"_292":230,"_123":1155,"_154":1156,"_140":236},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":505,"_154":506,"_140":507},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg",{"_316":1173,"_318":1174},{"_316":1171,"_318":1172},{"_316":1169,"_318":1170},{"_316":1167,"_318":1168},{"_316":1165,"_318":1166},"#a58970",0.1246,"#77604c",0.1365,"#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.",{"_1184":-5,"_1185":1186,"_1187":1188,"_1189":8,"_1190":1191,"_1192":8},"user","csrf","1aab8e309706a7b3120f9b88b477713acbf5b518","cartCount",0,"dropLive","legal",[1193,1194,1195,1196,1197,1198,1199,1200,1201,1202,1203,1204],"uploadsEnabled",{"_227":1227,"_20":1228},{"_227":1225,"_20":1226},{"_227":1223,"_20":1224},{"_227":1221,"_20":1222},{"_227":1219,"_20":1220},{"_227":1217,"_20":1218},{"_227":1215,"_20":1216},{"_227":1213,"_20":1214},{"_227":1211,"_20":1212},{"_227":1209,"_20":1210},{"_227":1207,"_20":1208},{"_227":1205,"_20":1206},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]