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In 1875 the poet Stéphane Mallarmé published his French translation, Le Corbeau, in a large-format edition with Manet’s images.","A work made of transfer lithograph in black on gray china paper.",{"_300":433,"_302":434,"_304":435},"https://img.ochreeditions.com/m/280.jpg?dl=1","/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","/galleries/style/etching-revival/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",{"_296":297,"_298":299},{"_229":428,"_125":429,"_290":430},{"_280":425,"_282":426,"_284":409,"_286":427},62,51.193133047210296,27.1931330472103,{"_292":229,"_123":431,"_154":432,"_140":53},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":165,"_154":164,"_140":167},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/280/480.jpg","https://img.ochreeditions.com/a/280/960.jpg","https://img.ochreeditions.com/a/280/1920.jpg",{"_316":449,"_318":450},{"_316":447,"_318":448},{"_316":445,"_318":446},{"_316":443,"_318":444},{"_316":441,"_318":442},"#5c5b57",0.0694,"#878680",0.0726,"#b9b8b1",0.0826,"#383835",0.1056,"#eae9e1",0.6698,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","cape-ann-willows-nga-149212","Cape Ann Willows",{"_42":505,"_226":506,"_330":507,"_332":400,"_334":508,"_336":509,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1887","drypoint in black","plate: 21.8 × 27.5 cm (8 9/16 × 10 13/16 in.) sheet: 28.4 × 37.4 cm (11 3/16 × 14 3/4 in.)",27.5,21.8,1.228922892289229,[490,491,492,493,494],{"_225":378,"_226":379,"_42":380,"_309":381},"2008.115.3956","Charles A. Platt made this in 1887, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.",{"_300":487,"_302":488,"_304":489},"https://img.ochreeditions.com/m/1679.jpg?dl=1","/art/cape-ann-willows-nga-149212","/galleries/style/etching-revival/cape-ann-willows-nga-149212",{"_296":297,"_298":299},{"_229":482,"_125":483,"_290":484},{"_280":479,"_282":480,"_284":464,"_286":481},51.5,46.3773193359375,22.3773193359375,{"_292":229,"_123":485,"_154":486,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-charles-a-platt","Charles A. Platt's contemporaries","https://img.ochreeditions.com/a/1679/480.jpg","https://img.ochreeditions.com/a/1679/960.jpg","https://img.ochreeditions.com/a/1679/1920.jpg",{"_316":503,"_318":504},{"_316":501,"_318":502},{"_316":499,"_318":500},{"_316":497,"_318":498},{"_316":495,"_318":496},"#3a2f2c",0.0415,"#705f53",0.0421,"#9a8672",0.0883,"#bea68b",0.2437,"#cfbba1",0.5844,"Charles A. Platt","charles-a-platt","American, 1861–1933",1861,1933,"the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":562,"_226":563,"_330":564,"_332":400,"_334":565,"_336":566,"_338":567,"_339":568,"_340":569,"_140":53},"1870","Graphic Arts-Print","wood engraving on paper","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,0.6723333333333333,[547,548,549,550,551],{"_225":544,"_226":545,"_42":546,"_309":381},"Courtesy of the Smithsonian American Art Museum","1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_300":541,"_302":542,"_304":543},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_296":297,"_298":299},{"_229":536,"_125":537,"_290":538},{"_280":533,"_282":534,"_284":535,"_286":250},47.531666666666666,59,23.531666666666666,{"_292":229,"_123":539,"_154":540,"_140":53},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":370,"_154":371,"_140":372},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg","si","smithsonian","Smithsonian Institution",{"_316":560,"_318":561},{"_316":558,"_318":559},{"_316":556,"_318":557},{"_316":554,"_318":555},{"_316":552,"_318":553},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","lowlands-nga-5973","Lowlands",{"_42":620,"_226":621,"_330":622,"_332":400,"_334":623,"_336":624,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1918","wood engraving",1.2816065723413965,[605,606,607,608,609],{"_225":378,"_226":379,"_42":380,"_309":381},"1943.3.2798","Timothy Cole made this in 1918, aged 66. It is now at the National Gallery of Art in Washington, DC.","This print displays a landscape with a wide view of flat land stretching towards the horizon. The ground is covered in small black dots, with some bare patches in the bottom center. A few silhouetted trees and a hint of smoke coming up from behind some rocks are visible in the distance. The gray sky dominates the scene with soft, swirling clouds.",{"_300":602,"_302":603,"_304":604},"https://img.ochreeditions.com/m/1341.jpg?dl=1","/art/lowlands-nga-5973","/galleries/style/etching-revival/lowlands-nga-5973",{"_296":297,"_298":299},{"_229":592,"_125":593,"_290":594},{"_280":588,"_282":589,"_284":590,"_286":591},84,70.81623931623932,60,46.81623931623932,{"_292":229,"_123":600,"_154":601,"_140":89},{"_292":125,"_123":598,"_154":599,"_140":75},{"_292":290,"_123":595,"_154":596,"_140":597},"era/20-united-states","20th-century United States",124,"style/print-20","More prints of the 20th century","artist/contemporaries-of-timothy-cole","Timothy Cole's contemporaries","https://img.ochreeditions.com/a/1341/480.jpg","https://img.ochreeditions.com/a/1341/960.jpg","https://img.ochreeditions.com/a/1341/1920.jpg",{"_316":618,"_318":619},{"_316":616,"_318":617},{"_316":614,"_318":615},{"_316":612,"_318":613},{"_316":610,"_318":611},"#736e69",0.1203,"#5b5653",0.1619,"#d4d0c5",0.1719,"#959089",0.2581,"#b3aca3",0.2878,"Timothy Cole","timothy-cole","American, 1852–1931",1852,1931,"washerwomen-descending-a-quai-staircase-cma-441006","Washerwomen Descending a Quai Staircase",{"_42":680,"_226":681,"_330":682,"_332":333,"_334":683,"_336":684,"_338":-5,"_339":-5,"_340":-5,"_140":103},"transfer lithograph","Image: 57.1 x 41.8 cm (22 1/2 x 16 7/16 in.); Sheet: 64.7 x 49 cm (25 1/2 x 19 5/16 in.)",41.8,57.1,0.7585294117647059,[665,666,667,668,669],{"_225":661,"_226":662,"_42":663,"_309":664},"Courtesy of the Cleveland Museum of Art","2021.141","Alexandre Lunois made this in 1888, aged 25. It is now at the Cleveland Museum of Art.",{"_118":658,"_659":660},"Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888",{"_300":655,"_302":656,"_304":657},"https://img.ochreeditions.com/m/794.jpg?dl=1","/art/washerwomen-descending-a-quai-staircase-cma-441006","/galleries/style/etching-revival/washerwomen-descending-a-quai-staircase-cma-441006",{"_296":297,"_298":299},{"_229":650,"_125":651,"_290":652},{"_280":647,"_282":648,"_284":649,"_286":631},67.31202941176471,81.1,43.312029411764705,{"_292":229,"_123":653,"_154":654,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-alexandre-lunois","Alexandre Lunois's contemporaries","https://img.ochreeditions.com/a/794/480.jpg","https://img.ochreeditions.com/a/794/960.jpg","https://img.ochreeditions.com/a/794/1920.jpg","Alexandre Lunois worked extensively in lithography, a relatively recent invention during his time that was rarely used by artists, making both reproductive and original works.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_316":678,"_318":679},{"_316":676,"_318":677},{"_316":674,"_318":675},{"_316":672,"_318":673},{"_316":670,"_318":671},"#3e3a37",0.1151,"#7f7a75",0.1429,"#c0b9af",0.2105,"#5e5a56",0.2274,"#ebe2d3",0.3041,"Alexandre Lunois","alexandre-lunois","French, 1863–1916",1863,1916,"the-cliffs-of-the-trinity-nga-183095","The Cliffs of the Trinity",{"_42":732,"_226":733,"_330":734,"_332":400,"_334":735,"_336":736,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1913","lithograph in black on Van Gelder Zonen laid paper","image: 42.55 × 55.25 cm (16 3/4 × 21 3/4 in.) sheet: 46.36 × 58.1 cm (18 1/4 × 22 7/8 in.)",55.3,42.6,1.2622278321236984,[717,718,719,720,721],{"_225":378,"_226":379,"_42":380,"_309":381},"2015.19.1343","Joseph Pennell made this in 1913, aged 56. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.",{"_300":714,"_302":715,"_304":716},"https://img.ochreeditions.com/m/1688.jpg?dl=1","/art/the-cliffs-of-the-trinity-nga-183095","/galleries/style/etching-revival/the-cliffs-of-the-trinity-nga-183095",{"_296":297,"_298":299},{"_229":709,"_125":710,"_290":711},{"_280":706,"_282":707,"_284":691,"_286":708},79.3,67.81142499999999,43.81142499999999,{"_292":229,"_123":712,"_154":713,"_140":89},{"_292":125,"_123":598,"_154":599,"_140":75},{"_292":290,"_123":595,"_154":596,"_140":597},"artist/contemporaries-of-joseph-pennell","Joseph Pennell's contemporaries","https://img.ochreeditions.com/a/1688/480.jpg","https://img.ochreeditions.com/a/1688/960.jpg","https://img.ochreeditions.com/a/1688/1920.jpg",{"_316":730,"_318":731},{"_316":728,"_318":729},{"_316":726,"_318":727},{"_316":724,"_318":725},{"_316":722,"_318":723},"#897d6b",0.1409,"#bfae90",0.1909,"#645c50",0.2065,"#e2cbaa",0.2138,"#4c473f",0.2479,"Joseph Pennell","joseph-pennell","American, 1857–1926",1857,1926,"evening-melancholy-i-cma-136154","Evening, Melancholy I",{"_42":789,"_226":790,"_330":791,"_332":792,"_334":683,"_336":793,"_338":-5,"_339":-5,"_340":794,"_140":99},"1896","scandinavia","Hand-colored woodcut","Image: 37.7 x 45 cm (14 13/16 x 17 11/16 in.)",45,37.7,1.153324287652646,[774,775,776,777,778],{"_225":661,"_226":662,"_42":663,"_309":664},"1959.82","Edvard Munch made this in 1896, aged 33. It is now at the Cleveland Museum of Art.",{"_118":773,"_659":660},"Evening, Melancholy I, by Edvard Munch, 1896",{"_300":770,"_302":771,"_304":772},"https://img.ochreeditions.com/m/636.jpg?dl=1","/art/evening-melancholy-i-cma-136154","/galleries/style/etching-revival/evening-melancholy-i-cma-136154",{"_296":297,"_298":299},{"_229":763,"_125":764,"_290":765},{"_280":760,"_282":761,"_284":744,"_286":762},69,63.01764705882353,39.01764705882353,{"_292":229,"_123":768,"_154":769,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":766,"_154":767,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/636/480.jpg","https://img.ochreeditions.com/a/636/960.jpg","https://img.ochreeditions.com/a/636/1920.jpg","Evening, Melancholy I depicts the jilted, tormented art critic Jappe Nilssen, Munch's friend, on the shore of Åsgårdstrand, a fishing village south of Oslo.",{"_316":787,"_318":788},{"_316":785,"_318":786},{"_316":783,"_318":784},{"_316":781,"_318":782},{"_316":779,"_318":780},"#ede3d0",0.0552,"#b8a78e",0.1378,"#7a6f5f",0.1616,"#5d4f4a",0.2478,"#3b3944",0.3976,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","nocturne-palaces-met-359320","Nocturne: Palaces",{"_42":849,"_226":850,"_330":851,"_332":400,"_334":852,"_336":853,"_338":854,"_339":855,"_340":856,"_140":235},"1879–80","Prints","Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.","Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm) Plate: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm)",19.8,29.2,0.6874830301384741,[834,835,836,837,838],{"_225":830,"_226":831,"_42":832,"_309":833},"Courtesy of The Metropolitan Museum of Art","40.63.8","James McNeill Whistler made this in 1879–80, aged about 45. It is now at The Met in New York.","Dark palaces rise above a narrow Venetian canal at night, their doorways and windows emerging from veils of brown ink. Whistler, who spent fourteen months in Venice in 1879–80, avoided the famous sights and sought out back canals, doorways and courtyards.","Nocturne: Palaces, by James McNeill Whistler, 1879–80",{"_300":827,"_302":828,"_304":829},"https://img.ochreeditions.com/m/1046.jpg?dl=1","/art/nocturne-palaces-met-359320","/galleries/style/etching-revival/nocturne-palaces-met-359320",{"_296":297,"_298":299},{"_229":822,"_125":823,"_290":824},{"_280":819,"_282":820,"_284":821,"_286":803},44.074504480043444,53.2,20.074504480043444,{"_292":229,"_123":825,"_154":826,"_140":235},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":370,"_154":371,"_140":372},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1046/480.jpg","https://img.ochreeditions.com/a/1046/960.jpg","https://img.ochreeditions.com/a/1046/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":847,"_318":848},{"_316":845,"_318":846},{"_316":843,"_318":844},{"_316":841,"_318":842},{"_316":839,"_318":840},"#e6d7c4",0.0894,"#6b5843",0.1817,"#a98b68",0.2031,"#c7a87f",0.222,"#866d53",0.3038,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","head-of-an-old-man-si-saam-1977-66-38","Head of an Old Man",{"_42":907,"_226":908,"_330":909,"_332":-5,"_334":910,"_336":911,"_338":-5,"_339":-5,"_340":-5,"_140":101},"ca. 1918","etching on paper","plate: 6 x 3 15/16 in. (15.2 x 10.0 cm.); sheet...",15.2,0.6636666666666666,[892,893,894,895,896],{"_225":544,"_226":545,"_42":546,"_309":381},"1977.66.38","Kerr Eby made this in about 1918, aged 29. It is now at the Smithsonian American Art Museum in Washington, DC.","Head of an Old Man, by Kerr Eby, ca. 1918",{"_300":889,"_302":890,"_304":891},"https://img.ochreeditions.com/m/1952.jpg?dl=1","/art/head-of-an-old-man-si-saam-1977-66-38","/galleries/style/etching-revival/head-of-an-old-man-si-saam-1977-66-38",{"_296":297,"_298":299},{"_229":881,"_125":882,"_290":883},{"_280":877,"_282":878,"_284":879,"_286":880},40.59166666666667,49,16.591666666666665,25,{"_292":229,"_123":887,"_154":888,"_140":89},{"_292":125,"_123":598,"_154":599,"_140":75},{"_292":290,"_123":884,"_154":885,"_140":886},"era/20","The 20th century",189,"artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1952/480.jpg","https://img.ochreeditions.com/a/1952/960.jpg","https://img.ochreeditions.com/a/1952/1920.jpg",{"_316":905,"_318":906},{"_316":903,"_318":904},{"_316":901,"_318":902},{"_316":899,"_318":900},{"_316":897,"_318":898},"#251f19",0.0313,"#5e5241",0.0331,"#a19177",0.0491,"#e6d5b6",0.4022,"#efe4cd",0.4843,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1889,1946,"bastille-day-cma-131761","Bastille Day",{"_42":960,"_226":961,"_330":962,"_332":400,"_334":963,"_336":964,"_338":-5,"_339":-5,"_340":-5,"_140":101},"1892","color monotype","Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)",13.1,17.4,0.7644117647058823,[945,946,947,948,949],{"_225":661,"_226":662,"_42":663,"_309":664},"1954.337","Maurice Prendergast made this in 1892, aged 34. It is now at the Cleveland Museum of Art.",{"_118":944,"_659":660},"Bastille Day, by Maurice Prendergast, 1892",{"_300":941,"_302":942,"_304":943},"https://img.ochreeditions.com/m/604.jpg?dl=1","/art/bastille-day-cma-131761","/galleries/style/etching-revival/bastille-day-cma-131761",{"_296":297,"_298":299},{"_229":936,"_125":937,"_290":938},{"_280":934,"_282":878,"_284":935,"_286":880},43.11029411764706,19.110294117647058,{"_292":229,"_123":939,"_154":940,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/604/480.jpg","https://img.ochreeditions.com/a/604/960.jpg","https://img.ochreeditions.com/a/604/1920.jpg","Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday.",{"_316":958,"_318":959},{"_316":956,"_318":957},{"_316":954,"_318":955},{"_316":952,"_318":953},{"_316":950,"_318":951},"#f5e3cd",0.0778,"#a69e86",0.1253,"#41514f",0.2417,"#7a7a66",0.2679,"#5a5a4a",0.2873,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,1924,"la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":849,"_226":850,"_330":851,"_332":400,"_334":852,"_336":853,"_338":854,"_339":855,"_340":856,"_140":235},"1894","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[993,994,995,996,997],{"_225":306,"_226":307,"_42":308,"_309":310},"1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_300":990,"_302":991,"_304":992},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_296":297,"_298":299},{"_229":987,"_125":988,"_290":989},{"_280":985,"_282":878,"_284":986,"_286":880},40.22557726465364,16.22557726465364,{"_292":229,"_123":825,"_154":826,"_140":235},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg",{"_316":1006,"_318":1007},{"_316":1004,"_318":1005},{"_316":1002,"_318":1003},{"_316":1000,"_318":1001},{"_316":998,"_318":999},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":849,"_226":850,"_330":851,"_332":400,"_334":852,"_336":853,"_338":854,"_339":855,"_340":856,"_140":235},"Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,1.5017801513128617,[1037,1038,1039,1040,1041],{"_225":306,"_226":307,"_42":308,"_309":310},"1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_300":1034,"_302":1035,"_304":1036},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_296":297,"_298":299},{"_229":1031,"_125":1032,"_290":1033},{"_280":1028,"_282":1029,"_284":1013,"_286":1030},53,43.31041635797896,19.31041635797896,{"_292":229,"_123":825,"_154":826,"_140":235},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg",{"_316":1050,"_318":1051},{"_316":1048,"_318":1049},{"_316":1046,"_318":1047},{"_316":1044,"_318":1045},{"_316":1042,"_318":1043},"#a58970",0.1246,"#77604c",0.1365,"#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,"business-men-s-class-cma-115925","Business Men's Class",{"_42":1101,"_226":1102,"_330":1103,"_332":400,"_334":1104,"_336":1105,"_338":-5,"_339":-5,"_340":1106,"_140":93},"1916","lithograph","Sheet: 54.1 x 70 cm (21 5/16 x 27 9/16 in.)",70,54.1,1.4370245139475908,[1086,1087,1088,1089,1090],{"_225":661,"_226":662,"_42":663,"_309":664},"1936.630","George Bellows made this in 1916, aged 34. It is now at the Cleveland Museum of Art.",{"_118":1085,"_659":660},"Business Men's Class, by George Bellows, 1916",{"_300":1082,"_302":1083,"_304":1084},"https://img.ochreeditions.com/m/532.jpg?dl=1","/art/business-men-s-class-cma-115925","/galleries/style/etching-revival/business-men-s-class-cma-115925",{"_296":297,"_298":299},{"_229":1077,"_125":1078,"_290":1079},{"_280":1074,"_282":1075,"_284":1058,"_286":1076},94,72.71176470588236,48.71176470588236,{"_292":229,"_123":1080,"_154":1081,"_140":93},{"_292":125,"_123":598,"_154":599,"_140":75},{"_292":290,"_123":595,"_154":596,"_140":597},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/532/480.jpg","https://img.ochreeditions.com/a/532/960.jpg","https://img.ochreeditions.com/a/532/1920.jpg","This scene takes place at the West Side YMCA, where George Bellows lived when he arrived in New York City from Columbus, Ohio, in 1904. Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.",{"_316":1099,"_318":1100},{"_316":1097,"_318":1098},{"_316":1095,"_318":1096},{"_316":1093,"_318":1094},{"_316":1091,"_318":1092},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","the-creation-cma-109009","The Creation",{"_42":1156,"_226":1157,"_330":1158,"_332":400,"_334":1159,"_336":1160,"_338":-5,"_339":-5,"_340":-5,"_140":103},"before 1927","woodcut","Image: 28.5 x 19.1 cm (11 1/4 x 7 1/2 in.)",19.1,28.5,0.6760972071091766,[1141,1142,1143,1144,1145],{"_225":661,"_226":662,"_42":663,"_309":664},"1927.180","Kálmán Kubinyi made this (before 1927), aged about 11. It is now at the Cleveland Museum of Art.",{"_118":1140,"_659":660},"The Creation, by Kálmán Kubinyi, before 1927",{"_300":1137,"_302":1138,"_304":1139},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_296":297,"_298":299},{"_229":1132,"_125":1133,"_290":1134},{"_280":1129,"_282":1130,"_284":1131,"_286":1114},43.26877040261154,52.5,19.268770402611533,{"_292":229,"_123":1135,"_154":1136,"_140":89},{"_292":125,"_123":598,"_154":599,"_140":75},{"_292":290,"_123":595,"_154":596,"_140":597},"artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.",{"_316":1154,"_318":1155},{"_316":1152,"_318":1153},{"_316":1150,"_318":1151},{"_316":1148,"_318":1149},{"_316":1146,"_318":1147},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973",1906,1973,{"_1162":-5,"_1163":1164,"_1165":1166,"_1167":8,"_1168":1169,"_1170":8},"user","csrf","0830654d9e4b2f865ad520ae95348a8303277573","cartCount",0,"dropLive","legal",[1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182],"uploadsEnabled",{"_226":1205,"_20":1206},{"_226":1203,"_20":1204},{"_226":1201,"_20":1202},{"_226":1199,"_20":1200},{"_226":1197,"_20":1198},{"_226":1195,"_20":1196},{"_226":1193,"_20":1194},{"_226":1191,"_20":1192},{"_226":1189,"_20":1190},{"_226":1187,"_20":1188},{"_226":1185,"_20":1186},{"_226":1183,"_20":1184},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]