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It is now at the Cleveland Museum of Art.",{"_118":448,"_382":383},"The Creation, by Kálmán Kubinyi, before 1927",{"_299":445,"_301":446,"_303":447},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_295":296,"_297":298},{"_230":437,"_125":438,"_290":439},{"_280":434,"_282":435,"_284":436,"_286":419},43.26877040261154,52.5,19.268770402611533,{"_292":230,"_123":443,"_154":444,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":75},{"_292":290,"_123":440,"_154":441,"_140":442},"era/20-united-states","20th-century United States",124,"artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.",{"_315":462,"_317":463},{"_315":460,"_317":461},{"_315":458,"_317":459},{"_315":456,"_317":457},{"_315":454,"_317":455},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973","American",1906,1973,"the-stranger-si-saam-1983-4","The Stranger",{"_42":517,"_227":518,"_329":519,"_331":-5,"_332":520,"_334":196,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1916","lithograph on paper","image: 13 1/2 x 9 5/8 in. (34.4 x 24.6 cm)",24.6,34.4,0.6903333333333334,[502,503,504,505,506],{"_226":305,"_227":306,"_42":307,"_308":309},"1983.4","Albert Sterner made this in 1916, aged 53. It is now at the Smithsonian American Art Museum in Washington, DC.","The Stranger, by Albert Sterner, 1916",{"_299":499,"_301":500,"_303":501},"https://img.ochreeditions.com/m/1967.jpg?dl=1","/art/the-stranger-si-saam-1983-4","/galleries/style/etching-revival/the-stranger-si-saam-1983-4",{"_295":296,"_297":298},{"_230":494,"_125":495,"_290":496},{"_280":491,"_282":492,"_284":493,"_286":477},47.74746666666667,58.4,23.747466666666668,{"_292":230,"_123":497,"_154":498,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":75},{"_292":290,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-albert-sterner","Albert Sterner's contemporaries","https://img.ochreeditions.com/a/1967/480.jpg","https://img.ochreeditions.com/a/1967/960.jpg","https://img.ochreeditions.com/a/1967/1920.jpg",{"_315":515,"_317":516},{"_315":513,"_317":514},{"_315":511,"_317":512},{"_315":509,"_317":510},{"_315":507,"_317":508},"#959387",0.1115,"#595954",0.1328,"#e9e1cc",0.1467,"#303134",0.2621,"#1b1b20",0.3469,"Albert Sterner","albert-sterner","born London, England 1863-died New York City 1946",1863,"the-old-violin-aic-135454","The Old Violin",{"_42":576,"_227":577,"_329":578,"_331":579,"_332":580,"_334":581,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1887","Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[561,562,563,564,565],{"_226":557,"_227":558,"_42":559,"_308":560},"Courtesy of the Art Institute of Chicago","1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_299":554,"_301":555,"_303":556},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_295":296,"_297":298},{"_230":546,"_125":547,"_290":548},{"_280":543,"_282":544,"_284":545,"_286":528},87.83501457072404,112,63.83501457072405,{"_292":230,"_123":552,"_154":553,"_140":89},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":549,"_154":550,"_140":551},"era/19-united-states","19th-century United States",198,"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":574,"_317":575},{"_315":572,"_317":573},{"_315":570,"_317":571},{"_315":568,"_317":569},{"_315":566,"_317":567},"#847b60",0.0672,"#775928",0.0824,"#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"mevisto-from-le-cafe-concert-aic-125988","Mévisto, from Le Café-Concert",{"_42":629,"_227":630,"_329":631,"_331":406,"_332":632,"_334":633,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1893","Lithograph in dark green on cream wove paper","Image: 35 × 20.3 cm (13 13/16 × 8 in.); Sheet: 44.3 × 31.7 cm (17 1/2 × 12 1/2 in.)",35,0.7197901591895803,[614,615,616,617,618],{"_226":557,"_227":558,"_42":559,"_308":560},"1938.1148","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph in dark green on cream wove paper.",{"_299":611,"_301":612,"_303":613},"https://img.ochreeditions.com/m/303.jpg?dl=1","/art/mevisto-from-le-cafe-concert-aic-125988","/galleries/style/etching-revival/mevisto-from-le-cafe-concert-aic-125988",{"_295":296,"_297":298},{"_230":606,"_125":607,"_290":608},{"_280":602,"_282":603,"_284":604,"_286":605},46.44667261383536,55.18502292266445,22.446672613835357,31.18502292266445,{"_292":230,"_123":609,"_154":610,"_140":89},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/303/480.jpg","https://img.ochreeditions.com/a/303/960.jpg","https://img.ochreeditions.com/a/303/1920.jpg",{"_315":627,"_317":628},{"_315":625,"_317":626},{"_315":623,"_317":624},{"_315":621,"_317":622},{"_315":619,"_317":620},"#727b7b",0.0401,"#adada3",0.0513,"#8a8f8b",0.0802,"#cac5b7",0.0839,"#e1d5c4",0.7445,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":681,"_227":682,"_329":683,"_331":467,"_332":684,"_334":685,"_335":686,"_336":687,"_337":688,"_140":53},"1870","wood engraving on paper","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,0.6723333333333333,[666,667,668,669,670],{"_226":305,"_227":306,"_42":307,"_308":309},"1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_299":663,"_301":664,"_303":665},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_295":296,"_297":298},{"_230":658,"_125":659,"_290":660},{"_280":655,"_282":656,"_284":657,"_286":588},47.531666666666666,59,23.531666666666666,{"_292":230,"_123":661,"_154":662,"_140":53},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":549,"_154":550,"_140":551},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg",{"_315":679,"_317":680},{"_315":677,"_317":678},{"_315":675,"_317":676},{"_315":673,"_317":674},{"_315":671,"_317":672},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","Head of a Raven in Profile, from The Raven (Le Corbeau)",{"_42":403,"_227":404,"_329":405,"_331":406,"_332":407,"_334":408,"_335":409,"_336":409,"_337":410,"_140":53},"1875","Transfer lithograph in black on tan simili-parchment paper","Image: 16.3 × 15.9 cm (6 7/16 × 6 5/16 in.); Sheet folded: 55 × 41.2 cm (21 11/16 × 16 1/4 in.)",0.7573613330289888,[717,718,719,720,721],{"_226":557,"_227":558,"_42":559,"_308":560},"1945.52.1","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","A raven’s head in profile, set down in a few bold brushstrokes, belongs to the edition of Edgar Allan Poe’s The Raven that Stéphane Mallarmé translated and Manet illustrated in 1875.","A work made of transfer lithograph in black on tan simili-parchment paper.",{"_299":714,"_301":715,"_303":716},"https://img.ochreeditions.com/m/279.jpg?dl=1","/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","/galleries/style/etching-revival/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",{"_295":296,"_297":298},{"_230":711,"_125":712,"_290":713},{"_280":709,"_282":281,"_284":710,"_286":285},42.93403332572472,18.93403332572472,{"_292":230,"_123":376,"_154":377,"_140":53},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/279/480.jpg","https://img.ochreeditions.com/a/279/960.jpg","https://img.ochreeditions.com/a/279/1920.jpg",{"_315":729,"_317":730},{"_315":727,"_317":728},{"_315":726,"_317":569},{"_315":724,"_317":725},{"_315":722,"_317":723},"#8a8171",0.013,"#403d37",0.0374,"#e8ddc9","#d0bda2",0.2246,"#e2d2b8",0.6426,"portrait-of-mrs-c-si-saam-1973-130-104","Portrait of Mrs. C--",{"_42":779,"_227":780,"_329":781,"_331":-5,"_332":782,"_334":783,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1894","image: 6 1/2 x 4 7/8 in. (16.6 x 12.5 cm)",12.5,16.6,0.7476666666666667,[764,765,766,767,768],{"_226":305,"_227":306,"_42":307,"_308":309},"1973.130.104","Henry Wolf made this in 1894, aged 42. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of Mrs. C--, by Henry Wolf, 1894",{"_299":761,"_301":762,"_303":763},"https://img.ochreeditions.com/m/1946.jpg?dl=1","/art/portrait-of-mrs-c-si-saam-1973-130-104","/galleries/style/etching-revival/portrait-of-mrs-c-si-saam-1973-130-104",{"_295":296,"_297":298},{"_230":753,"_125":754,"_290":755},{"_280":751,"_282":281,"_284":752,"_286":285},42.69166666666666,18.691666666666666,{"_292":230,"_123":759,"_154":760,"_140":89},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":756,"_154":757,"_140":758},"era/19","The 19th century",731,"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1946/480.jpg","https://img.ochreeditions.com/a/1946/960.jpg","https://img.ochreeditions.com/a/1946/1920.jpg",{"_315":777,"_317":778},{"_315":775,"_317":776},{"_315":773,"_317":774},{"_315":771,"_317":772},{"_315":769,"_317":770},"#c3c1b3",0.0698,"#858274",0.0711,"#433e35",0.2144,"#fbfaeb",0.2191,"#302b24",0.4256,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916",1852,1916,"view-of-the-peaks-of-otter-nga-212712","View of the Peaks of Otter",{"_42":838,"_227":839,"_329":840,"_331":841,"_332":842,"_334":333,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1858","germany","color lithograph on wove paper","image: 28.26 × 44.61 cm (11 1/8 × 17 9/16 in.) sheet: 45.09 × 63.34 cm (17 3/4 × 24 15/16 in.)",44.6,28.3,1.3680694722778892,[823,824,825,826,827],{"_226":820,"_227":821,"_42":822,"_308":309},"Courtesy National Gallery of Art, Washington","2015.19.3615.6","Woldemar Rau made this in 1858, aged 31. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with a valley leading towards two mountain peaks known as the Peaks of Otter. The horizon is low, with the mountains dominating the scene. The brushwork is smooth and delicate, and the color palette consists of muted earth tones, greens, and soft blues. In the foreground, there are cattle grazing in a field with a wooden fence, and a couple of houses among trees to the left. Further back, there are open fields with horses and agricultural activities, leading to a dense tree line at the base of the mountains.",{"_299":817,"_301":818,"_303":819},"https://img.ochreeditions.com/m/1695.jpg?dl=1","/art/view-of-the-peaks-of-otter-nga-212712","/galleries/style/etching-revival/view-of-the-peaks-of-otter-nga-212712",{"_295":296,"_297":298},{"_230":810,"_125":811,"_290":812},{"_280":807,"_282":808,"_284":791,"_286":809},68.6,56.60068359375,32.60068359375,{"_292":230,"_123":815,"_154":816,"_140":89},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":813,"_154":814,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-woldemar-rau","Woldemar Rau's contemporaries","https://img.ochreeditions.com/a/1695/480.jpg","https://img.ochreeditions.com/a/1695/960.jpg","https://img.ochreeditions.com/a/1695/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_315":836,"_317":837},{"_315":834,"_317":835},{"_315":832,"_317":833},{"_315":830,"_317":831},{"_315":828,"_317":829},"#5d574d",0.0422,"#d4b78a",0.0645,"#8d816f",0.0701,"#b0a088",0.0761,"#ebe0d2",0.7471,"Woldemar Rau","woldemar-rau","German, 1827–1889","German",1827,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":888,"_227":889,"_329":890,"_331":467,"_332":891,"_334":892,"_335":-5,"_336":-5,"_337":-5,"_140":103},"etching","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[873,874,875,876,877],{"_226":820,"_227":821,"_42":822,"_308":309},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_299":870,"_301":871,"_303":872},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_295":296,"_297":298},{"_230":865,"_125":866,"_290":867},{"_280":861,"_282":862,"_284":863,"_286":864},84,67.36633663366337,60,43.366336633663366,{"_292":230,"_123":868,"_154":869,"_140":89},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":549,"_154":550,"_140":551},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_315":886,"_317":887},{"_315":884,"_317":885},{"_315":882,"_317":883},{"_315":880,"_317":881},{"_315":878,"_317":879},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,"washerwomen-descending-a-quai-staircase-cma-441006","Washerwomen Descending a Quai Staircase",{"_42":942,"_227":943,"_329":944,"_331":406,"_332":520,"_334":783,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1888","transfer lithograph","Image: 57.1 x 41.8 cm (22 1/2 x 16 7/16 in.); Sheet: 64.7 x 49 cm (25 1/2 x 19 5/16 in.)",41.8,57.1,0.7585294117647059,[927,928,929,930,931],{"_226":384,"_227":385,"_42":386,"_308":387},"2021.141","Alexandre Lunois made this in 1888, aged 25. It is now at the Cleveland Museum of Art.",{"_118":926,"_382":383},"Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888",{"_299":923,"_301":924,"_303":925},"https://img.ochreeditions.com/m/794.jpg?dl=1","/art/washerwomen-descending-a-quai-staircase-cma-441006","/galleries/style/etching-revival/washerwomen-descending-a-quai-staircase-cma-441006",{"_295":296,"_297":298},{"_230":918,"_125":919,"_290":920},{"_280":915,"_282":916,"_284":917,"_286":900},67.31202941176471,81.1,43.312029411764705,{"_292":230,"_123":921,"_154":922,"_140":89},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-alexandre-lunois","Alexandre Lunois's contemporaries","https://img.ochreeditions.com/a/794/480.jpg","https://img.ochreeditions.com/a/794/960.jpg","https://img.ochreeditions.com/a/794/1920.jpg","Alexandre Lunois worked extensively in lithography, a relatively recent invention during his time that was rarely used by artists, making both reproductive and original works.",{"_315":940,"_317":941},{"_315":938,"_317":939},{"_315":936,"_317":937},{"_315":934,"_317":935},{"_315":932,"_317":933},"#3e3a37",0.1151,"#7f7a75",0.1429,"#c0b9af",0.2105,"#5e5a56",0.2274,"#ebe2d3",0.3041,"Alexandre Lunois","alexandre-lunois","French, 1863–1916","our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":681,"_227":682,"_329":683,"_331":467,"_332":684,"_334":685,"_335":686,"_336":687,"_337":688,"_140":53},"1862","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[975,976,977,978,979],{"_226":305,"_227":306,"_42":307,"_308":309},"1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_299":972,"_301":973,"_303":974},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_295":296,"_297":298},{"_230":969,"_125":970,"_290":971},{"_280":966,"_282":967,"_284":950,"_286":968},76.7,60.7319,36.7319,{"_292":230,"_123":661,"_154":662,"_140":53},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":549,"_154":550,"_140":551},"https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg",{"_315":988,"_317":989},{"_315":986,"_317":987},{"_315":984,"_317":985},{"_315":982,"_317":983},{"_315":980,"_317":981},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"the-cathedral-cma-163010","The Cathedral",{"_42":1039,"_227":1040,"_329":1041,"_331":1042,"_332":1043,"_334":1044,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1886","flanders","Sheet: 31 x 22.4 cm (12 3/16 x 8 13/16 in.); Platemark: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.)",22.4,31,0.7720588235294118,[1024,1025,1026,1027,1028],{"_226":384,"_227":385,"_42":386,"_308":387},"2003.46","James Ensor made this in 1886, aged 26. It is now at the Cleveland Museum of Art.",{"_118":1023,"_382":383},"The Cathedral, by James Ensor, 1886",{"_299":1020,"_301":1021,"_303":1022},"https://img.ochreeditions.com/m/764.jpg?dl=1","/art/the-cathedral-cma-163010","/galleries/style/etching-revival/the-cathedral-cma-163010",{"_295":296,"_297":298},{"_230":1015,"_125":1016,"_290":1017},{"_280":1012,"_282":1013,"_284":1014,"_286":997},47.93382352941177,55,23.933823529411764,{"_292":230,"_123":1018,"_154":1019,"_140":89},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":756,"_154":757,"_140":758},"artist/contemporaries-of-james-ensor","James Ensor's contemporaries","https://img.ochreeditions.com/a/764/480.jpg","https://img.ochreeditions.com/a/764/960.jpg","https://img.ochreeditions.com/a/764/1920.jpg","James Ensor used tiny, repetitive marks possible with etching to develop a new, expressive style that contrasted with that of most of his contemporaries. The Gothic architecture, worn facade, and overwhelming scale of the cathedral seen here in exacting detail show that it has withstood the test of time.",{"_315":1037,"_317":1038},{"_315":1035,"_317":1036},{"_315":1033,"_317":1034},{"_315":1031,"_317":1032},{"_315":1029,"_317":1030},"#7b6c5f",0.0997,"#c2b2a3",0.1688,"#948476",0.1803,"#aa998b",0.2353,"#dfd0c1",0.3159,"James Ensor","james-ensor","Belgian, 1860–1949","Belgian",1860,1949,"nocturne-palaces-met-359320","Nocturne: Palaces",{"_42":1099,"_227":1100,"_329":1101,"_331":467,"_332":1102,"_334":1103,"_335":1104,"_336":1105,"_337":1106,"_140":342},"1879–80","Prints","Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.","Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm) Plate: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm)",19.8,29.2,0.6874830301384741,[1084,1085,1086,1087,1088],{"_226":1080,"_227":1081,"_42":1082,"_308":1083},"Courtesy of The Metropolitan Museum of Art","40.63.8","James McNeill Whistler made this in 1879–80, aged about 45. It is now at The Met in New York.","Dark palaces rise above a narrow Venetian canal at night, their doorways and windows emerging from veils of brown ink. Whistler, who spent fourteen months in Venice in 1879–80, avoided the famous sights and sought out back canals, doorways and courtyards.","Nocturne: Palaces, by James McNeill Whistler, 1879–80",{"_299":1077,"_301":1078,"_303":1079},"https://img.ochreeditions.com/m/1046.jpg?dl=1","/art/nocturne-palaces-met-359320","/galleries/style/etching-revival/nocturne-palaces-met-359320",{"_295":296,"_297":298},{"_230":1072,"_125":1073,"_290":1074},{"_280":1069,"_282":1070,"_284":1071,"_286":1053},44.074504480043444,53.2,20.074504480043444,{"_292":230,"_123":1075,"_154":1076,"_140":342},{"_292":125,"_123":373,"_154":374,"_140":375},{"_292":290,"_123":549,"_154":550,"_140":551},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1046/480.jpg","https://img.ochreeditions.com/a/1046/960.jpg","https://img.ochreeditions.com/a/1046/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":1097,"_317":1098},{"_315":1095,"_317":1096},{"_315":1093,"_317":1094},{"_315":1091,"_317":1092},{"_315":1089,"_317":1090},"#e6d7c4",0.0894,"#6b5843",0.1817,"#a98b68",0.2031,"#c7a87f",0.222,"#866d53",0.3038,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","business-men-s-class-cma-115925","Business Men's Class",{"_42":1155,"_227":1156,"_329":1157,"_331":467,"_332":1158,"_334":1159,"_335":-5,"_336":-5,"_337":1160,"_140":93},"lithograph","Sheet: 54.1 x 70 cm (21 5/16 x 27 9/16 in.)",70,54.1,1.4370245139475908,[1140,1141,1142,1143,1144],{"_226":384,"_227":385,"_42":386,"_308":387},"1936.630","George Bellows made this in 1916, aged 34. It is now at the Cleveland Museum of Art.",{"_118":1139,"_382":383},"Business Men's Class, by George Bellows, 1916",{"_299":1136,"_301":1137,"_303":1138},"https://img.ochreeditions.com/m/532.jpg?dl=1","/art/business-men-s-class-cma-115925","/galleries/style/etching-revival/business-men-s-class-cma-115925",{"_295":296,"_297":298},{"_230":1131,"_125":1132,"_290":1133},{"_280":1128,"_282":1129,"_284":1112,"_286":1130},94,72.71176470588236,48.71176470588236,{"_292":230,"_123":1134,"_154":1135,"_140":93},{"_292":125,"_123":293,"_154":294,"_140":75},{"_292":290,"_123":440,"_154":441,"_140":442},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/532/480.jpg","https://img.ochreeditions.com/a/532/960.jpg","https://img.ochreeditions.com/a/532/1920.jpg","This scene takes place at the West Side YMCA, where George Bellows lived when he arrived in New York City from Columbus, Ohio, in 1904. Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.",{"_315":1153,"_317":1154},{"_315":1151,"_317":1152},{"_315":1149,"_317":1150},{"_315":1147,"_317":1148},{"_315":1145,"_317":1146},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.",{"_1162":-5,"_1163":1164,"_1165":1166,"_1167":8,"_1168":1169,"_1170":8},"user","csrf","65e1bffd50bff1a8fdbf047765f02bef46897cb5","cartCount",0,"dropLive","legal",[1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182],"uploadsEnabled",{"_227":1205,"_20":1206},{"_227":1203,"_20":1204},{"_227":1201,"_20":1202},{"_227":1199,"_20":1200},{"_227":1197,"_20":1198},{"_227":1195,"_20":1196},{"_227":1193,"_20":1194},{"_227":1191,"_20":1192},{"_227":1189,"_20":1190},{"_227":1187,"_20":1188},{"_227":1185,"_20":1186},{"_227":1183,"_20":1184},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]