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It is now at the Cleveland Museum of Art.",{"_118":441,"_442":443},"The Petit Pont, by Charles Meryon, 1850",{"_296":438,"_298":439,"_300":440},"https://img.ochreeditions.com/m/599.jpg?dl=1","/art/the-petit-pont-cma-130336","/galleries/style/etching-revival/the-petit-pont-cma-130336",{"_292":293,"_294":295},{"_226":430,"_125":431,"_286":432},{"_277":427,"_279":428,"_281":429,"_282":411},43.636941176470586,50.4,19.636941176470586,{"_288":226,"_123":436,"_154":437,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":433,"_154":434,"_140":435},"era/19-france","19th-century France",237,"artist/contemporaries-of-charles-meryon","Charles Meryon's contemporaries","https://img.ochreeditions.com/a/599/480.jpg","https://img.ochreeditions.com/a/599/960.jpg","https://img.ochreeditions.com/a/599/1920.jpg","Charles Meryon used etching—a technique that involves drawing on a printing plate with a needle’s point—to create minutely detailed images of Paris that imaginatively present recognizable sites.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":461,"_314":462},{"_312":459,"_314":460},{"_312":457,"_314":458},{"_312":455,"_314":456},{"_312":453,"_314":454},"#7e7263",0.1576,"#433d38",0.1799,"#5d544b",0.1842,"#a2937e",0.2201,"#bcaf9d",0.2582,"Charles Meryon","charles-meryon","French, 1821–1868","French",1821,1868,"our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":394,"_223":395,"_326":396,"_328":397,"_330":398,"_332":399,"_334":400,"_335":401,"_336":402,"_140":53},"1862","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[499,500,501,502,503],{"_222":376,"_223":377,"_42":378,"_305":306},"1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_296":496,"_298":497,"_300":498},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_292":293,"_294":295},{"_226":493,"_125":494,"_286":495},{"_277":490,"_279":491,"_281":474,"_282":492},76.7,60.7319,36.7319,{"_288":226,"_123":371,"_154":372,"_140":53},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg",{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":567,"_223":568,"_326":569,"_328":397,"_330":570,"_332":571,"_334":572,"_335":573,"_336":574,"_140":232},"1879–80","Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,20,1.5017801513128617,[552,553,554,555,556],{"_222":548,"_223":549,"_42":550,"_305":551},"Courtesy of the Art Institute of Chicago","1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_296":545,"_298":546,"_300":547},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_292":293,"_294":295},{"_226":540,"_125":541,"_286":542},{"_277":537,"_279":538,"_281":520,"_282":539},53,43.31041635797896,19.31041635797896,{"_288":226,"_123":543,"_154":544,"_140":232},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":368,"_154":369,"_140":370},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":565,"_314":566},{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},{"_312":557,"_314":558},"#a58970",0.1246,"#77604c",0.1365,"#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","head-of-an-old-man-si-saam-1977-66-38","Head of an Old Man",{"_42":627,"_223":628,"_326":629,"_328":-5,"_330":333,"_332":630,"_334":-5,"_335":-5,"_336":-5,"_140":101},"ca. 1918","etching on paper","plate: 6 x 3 15/16 in. (15.2 x 10.0 cm.); sheet...",15.2,0.6636666666666666,[612,613,614,615,616],{"_222":376,"_223":377,"_42":378,"_305":306},"1977.66.38","Kerr Eby made this in about 1918, aged 29. It is now at the Smithsonian American Art Museum in Washington, DC.","Head of an Old Man, by Kerr Eby, ca. 1918",{"_296":609,"_298":610,"_300":611},"https://img.ochreeditions.com/m/1952.jpg?dl=1","/art/head-of-an-old-man-si-saam-1977-66-38","/galleries/style/etching-revival/head-of-an-old-man-si-saam-1977-66-38",{"_292":293,"_294":295},{"_226":599,"_125":600,"_286":601},{"_277":595,"_279":596,"_281":597,"_282":598},40.59166666666667,49,16.591666666666665,25,{"_288":226,"_123":607,"_154":608,"_140":89},{"_288":125,"_123":605,"_154":606,"_140":75},{"_288":286,"_123":602,"_154":603,"_140":604},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1952/480.jpg","https://img.ochreeditions.com/a/1952/960.jpg","https://img.ochreeditions.com/a/1952/1920.jpg",{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},{"_312":619,"_314":620},{"_312":617,"_314":618},"#251f19",0.0313,"#5e5241",0.0331,"#a19177",0.0491,"#e6d5b6",0.4022,"#efe4cd",0.4843,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1946,"schwabelweiss-nga-184588","Schwabelweiss",{"_42":677,"_223":678,"_326":679,"_328":397,"_330":680,"_332":681,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1879","etching in black on wove paper","image: 7.78 × 20.8 cm (3 1/16 × 8 3/16 in.) plate: 8.73 × 21.59 cm (3 7/16 × 8 1/2 in.) sheet: 18.26 × 30.32 cm (7 3/16 × 11 15/16 in.)",20.8,7.8,2.4554941682013505,[662,663,664,665,666],{"_222":302,"_223":303,"_42":304,"_305":306},"2015.19.2473","Otto Henry Bacher made this in 1879, aged 23. It is now at the National Gallery of Art in Washington, DC.","The image shows a village scene viewed from a low vantage point near a water's edge. A row of small, closely packed buildings and a church with an onion-shaped dome are prominently featured. There are gentle slopes leading towards the structures. The image uses fine, detailed line work to depict texture and depth in the buildings and natural landscape. The lines are delicate and varied, creating a sense of detail and softness. The color palette is monochromatic, with dark ink on a pale background, resulting in a classic and timeless feel.",{"_296":659,"_298":660,"_300":661},"https://img.ochreeditions.com/m/1689.jpg?dl=1","/art/schwabelweiss-nga-184588","/galleries/style/etching-revival/schwabelweiss-nga-184588",{"_292":293,"_294":295},{"_226":654,"_125":655,"_286":656},{"_277":596,"_279":652,"_281":598,"_282":653},34.18125,10.18125,{"_288":226,"_123":657,"_154":658,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-otto-henry-bacher","Otto Henry Bacher's contemporaries","https://img.ochreeditions.com/a/1689/480.jpg","https://img.ochreeditions.com/a/1689/960.jpg","https://img.ochreeditions.com/a/1689/1920.jpg",{"_312":675,"_314":676},{"_312":673,"_314":674},{"_312":671,"_314":672},{"_312":669,"_314":670},{"_312":667,"_314":668},"#67594b",0.0619,"#82715c",0.0673,"#bca682",0.0691,"#9d896d",0.0811,"#dbc39b",0.7206,"Otto Henry Bacher","otto-henry-bacher","American, 1856–1909",1856,1909,"the-frugal-meal-cma-111385","The Frugal Meal",{"_42":732,"_223":733,"_326":734,"_328":735,"_330":736,"_332":737,"_334":-5,"_335":-5,"_336":-5,"_140":103},"September 1904, printed 1913","spain","etching","Image: 45.5 x 37 cm (17 15/16 x 14 9/16 in.); Plate: 46.3 x 37.6 cm (18 1/4 x 14 13/16 in.); Sheet: 63 x 49.8 cm (24 13/16 x 19 5/8 in.)",37,45.5,0.8311764705882353,[717,718,719,720,721],{"_222":444,"_223":445,"_42":446,"_305":447},"1929.888","Pablo Picasso made this (September 1904, printed 1913), aged about 23. It is now at the Cleveland Museum of Art.",{"_118":716,"_442":443},"The Frugal Meal, by Pablo Picasso, September 1904, printed 1913",{"_296":713,"_298":714,"_300":715},"https://img.ochreeditions.com/m/525.jpg?dl=1","/art/the-frugal-meal-cma-111385","/galleries/style/etching-revival/the-frugal-meal-cma-111385",{"_292":293,"_294":295},{"_226":708,"_125":709,"_286":710},{"_277":705,"_279":706,"_281":707,"_282":690},61.81852941176471,69.5,37.81852941176471,{"_288":226,"_123":711,"_154":712,"_140":89},{"_288":125,"_123":605,"_154":606,"_140":75},{"_288":286,"_123":602,"_154":603,"_140":604},"artist/contemporaries-of-pablo-picasso","Pablo Picasso's contemporaries","https://img.ochreeditions.com/a/525/480.jpg","https://img.ochreeditions.com/a/525/960.jpg","https://img.ochreeditions.com/a/525/1920.jpg","In this early print, Pablo Picasso depicted a couple—possibly two performers—sitting before a meager meal. Although the woman gazes forward directly, her male companion's unfocused stare suggests his blindness.",{"_312":730,"_314":731},{"_312":728,"_314":729},{"_312":726,"_314":727},{"_312":724,"_314":725},{"_312":722,"_314":723},"#524a3f",0.0999,"#f3d8b5",0.1607,"#766959",0.1704,"#988871",0.2305,"#c2ab8e",0.3385,"Pablo Picasso","pablo-picasso","Spanish, 1881–1973","Spanish",1881,1973,"ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061","Ostpreussisches Ehepaar (Couple from East Prussia)",{"_42":786,"_223":787,"_326":788,"_328":329,"_330":789,"_332":790,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1916","drypoint in black on wove paper","plate: 18 x 11.7 cm (7 1/16 x 4 5/8 in.) sheet: 31.8 x 23.8 cm (12 1/2 x 9 3/8 in.)",11.7,18,0.678466796875,[771,772,773,774,775],{"_222":302,"_223":303,"_42":304,"_305":306},"1991.210.72","Lovis Corinth made this in 1916, aged 58. It is now at the National Gallery of Art in Washington, DC.","The image depicts two individuals from the waist up. The person on the left has a round face and is slightly behind the person on the right who has a slightly elongated face. Both individuals appear to be seated and have short, neatly combed hair. They have neutral facial expressions and their features are indistinct. The person on the left wears a suit with a bow tie, while the person on the right is dressed in clothing with detailed patterns and holds a flower-like object in their left hand. The background shows simple line sketches that suggest an interior setting.",{"_296":768,"_298":769,"_300":770},"https://img.ochreeditions.com/m/1622.jpg?dl=1","/art/ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061","/galleries/style/etching-revival/ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061",{"_292":293,"_294":295},{"_226":761,"_125":762,"_286":763},{"_277":759,"_279":596,"_281":760,"_282":598},40.961669921875,16.961669921875,{"_288":226,"_123":766,"_154":767,"_140":89},{"_288":125,"_123":605,"_154":606,"_140":75},{"_288":286,"_123":764,"_154":765,"_140":93},"era/20-germany","20th-century Germany","artist/contemporaries-of-lovis-corinth","Lovis Corinth's contemporaries","https://img.ochreeditions.com/a/1622/480.jpg","https://img.ochreeditions.com/a/1622/960.jpg","https://img.ochreeditions.com/a/1622/1920.jpg",{"_312":784,"_314":785},{"_312":782,"_314":783},{"_312":780,"_314":781},{"_312":778,"_314":779},{"_312":776,"_314":777},"#60574f",0.061,"#8d7f6e",0.1021,"#b9a68c",0.1726,"#ddc6a6",0.3154,"#f5e0c3",0.3489,"Lovis Corinth","lovis-corinth","German, 1858–1925",1858,1925,"under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","Under the Lamp (\"Once upon a midnight dreary...\"), from The Raven (Le Corbeau)",{"_42":839,"_223":840,"_326":841,"_328":466,"_330":842,"_332":843,"_334":844,"_335":844,"_336":845,"_140":53},"1875","Transfer lithograph in black on gray China paper","Image: 27.3 × 38 cm (10 3/4 × 15 in.); Sheet: 39.5 × 55.6 cm (15 9/16 × 21 15/16 in.)",38,27,1.3974116161616161,[824,825,826,827,828],{"_222":548,"_223":549,"_42":550,"_305":551},"1945.52.3","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","“Once upon a midnight dreary”: the narrator of Edgar Allan Poe’s The Raven sits under the lamp among his books in the first of Manet’s illustrations to the poem. In 1875 the poet Stéphane Mallarmé published his French translation, Le Corbeau, in a large-format edition with Manet’s images.","A work made of transfer lithograph in black on gray china paper.",{"_296":821,"_298":822,"_300":823},"https://img.ochreeditions.com/m/280.jpg?dl=1","/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","/galleries/style/etching-revival/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",{"_292":293,"_294":295},{"_226":816,"_125":817,"_286":818},{"_277":813,"_279":814,"_281":797,"_282":815},62,51.193133047210296,27.1931330472103,{"_288":226,"_123":819,"_154":820,"_140":53},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":433,"_154":434,"_140":435},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/280/480.jpg","https://img.ochreeditions.com/a/280/960.jpg","https://img.ochreeditions.com/a/280/1920.jpg",{"_312":837,"_314":838},{"_312":835,"_314":836},{"_312":833,"_314":834},{"_312":831,"_314":832},{"_312":829,"_314":830},"#5c5b57",0.0694,"#878680",0.0726,"#b9b8b1",0.0826,"#383835",0.1056,"#eae9e1",0.6698,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)",{"_42":903,"_223":904,"_326":905,"_328":906,"_330":907,"_332":908,"_334":909,"_335":910,"_336":-5,"_140":103},"ca. 1890–96","latin-america","Prints","Type-metal engraving and letterpress","Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)",30,40,0.7604708458800985,[888,889,890,891,892],{"_222":884,"_223":885,"_42":886,"_305":887},"Courtesy of The Metropolitan Museum of Art","46.46.311","José Guadalupe Posada made this in about 1890–96, aged about 33. It is now at The Met in New York.","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), by José Guadalupe Posada, ca. 1890–96",{"_296":881,"_298":882,"_300":883},"https://img.ochreeditions.com/m/1283.jpg?dl=1","/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","/galleries/style/etching-revival/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",{"_292":293,"_294":295},{"_226":873,"_125":874,"_286":875},{"_277":870,"_279":871,"_281":872,"_282":855},54.41883383520394,64,30.41883383520394,{"_288":226,"_123":879,"_154":880,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":876,"_154":877,"_140":878},"era/19","The 19th century",731,"artist/contemporaries-of-jose-guadalupe-posada","José Guadalupe Posada's contemporaries","https://img.ochreeditions.com/a/1283/480.jpg","https://img.ochreeditions.com/a/1283/960.jpg","https://img.ochreeditions.com/a/1283/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":901,"_314":902},{"_312":899,"_314":900},{"_312":897,"_314":898},{"_312":895,"_314":896},{"_312":893,"_314":894},"#889598",0.0576,"#dbd1c7",0.0723,"#4d5a62",0.1289,"#5d737e",0.3607,"#67818d",0.3805,"José Guadalupe Posada","jose-guadalupe-posada","Mexican, 1852–1913","Mexican",1852,1913,"Aguascalientes","Mexico City","cornwall-si-saam-1977-66-68","Cornwall",{"_42":627,"_223":628,"_326":629,"_328":-5,"_330":333,"_332":630,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1927","plate: 5 3/8 x 9 1/4 in. (13.6 x 23.5 cm.); sheet...",23.5,13.6,1.6120365394948952,[939,940,941,942,943],{"_222":376,"_223":377,"_42":378,"_305":306},"1977.66.68","Kerr Eby made this in 1927, aged 38. It is now at the Smithsonian American Art Museum in Washington, DC.","Cornwall, by Kerr Eby, 1927",{"_296":936,"_298":937,"_300":938},"https://img.ochreeditions.com/m/1953.jpg?dl=1","/art/cornwall-si-saam-1977-66-68","/galleries/style/etching-revival/cornwall-si-saam-1977-66-68",{"_292":293,"_294":295},{"_226":933,"_125":934,"_286":935},{"_277":596,"_279":931,"_281":598,"_282":932},39.50833333333333,15.508333333333333,{"_288":226,"_123":607,"_154":608,"_140":89},{"_288":125,"_123":605,"_154":606,"_140":75},{"_288":286,"_123":602,"_154":603,"_140":604},"https://img.ochreeditions.com/a/1953/480.jpg","https://img.ochreeditions.com/a/1953/960.jpg","https://img.ochreeditions.com/a/1953/1920.jpg",{"_312":952,"_314":953},{"_312":950,"_314":951},{"_312":948,"_314":949},{"_312":946,"_314":947},{"_312":944,"_314":945},"#716351",0.0172,"#a4957f",0.0477,"#cbbca5",0.1355,"#e2d6bf",0.309,"#f2e9d4",0.4906,"street-in-saverne-nga-133448","Street in Saverne",{"_42":567,"_223":568,"_326":569,"_328":397,"_330":570,"_332":571,"_334":572,"_335":573,"_336":574,"_140":232},"etching and open bite or sandpaper ground on laid paper","plate: 20.9 x 15.8 cm (8 1/4 x 6 1/4 in.) sheet: 26.2 x 18.1 cm (10 5/16 x 7 1/8 in.)",15.8,20.9,0.763916015625,[983,984,985,986,987],{"_222":302,"_223":303,"_42":304,"_305":306},"2005.99.38","James McNeill Whistler made this in 1858, aged 24. It is now at the National Gallery of Art in Washington, DC.","A narrow street in the Alsatian town of Saverne stretches away at night, its worn house fronts in deep shadow and a single figure in the distance.","The image shows a street scene from a close perspective down a narrow alleyway. The horizon is not visible, with buildings on both sides. The style features detailed etching with fine lines and shading for depth and texture. The color palette is monochromatic with black, gray, and off-white tones. The houses have worn facades, and there is a distant figure. The sky is dark and overcast, enhancing the shadow-filled scene.",{"_296":980,"_298":981,"_300":982},"https://img.ochreeditions.com/m/1657.jpg?dl=1","/art/street-in-saverne-nga-133448","/galleries/style/etching-revival/street-in-saverne-nga-133448",{"_292":293,"_294":295},{"_226":977,"_125":978,"_286":979},{"_277":975,"_279":596,"_281":976,"_282":598},43.097900390625,19.097900390625,{"_288":226,"_123":543,"_154":544,"_140":232},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1657/480.jpg","https://img.ochreeditions.com/a/1657/960.jpg","https://img.ochreeditions.com/a/1657/1920.jpg",{"_312":995,"_314":996},{"_312":993,"_314":994},{"_312":991,"_314":992},{"_312":990,"_314":725},{"_312":988,"_314":989},"#bda983",0.1119,"#9a8a6e","#726755",0.1964,"#403c3a",0.2194,"#585046",0.3116,"la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":567,"_223":568,"_326":569,"_328":397,"_330":570,"_332":571,"_334":572,"_335":573,"_336":574,"_140":232},"1894","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[1025,1026,1027,1028,1029],{"_222":548,"_223":549,"_42":550,"_305":551},"1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_296":1022,"_298":1023,"_300":1024},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_292":293,"_294":295},{"_226":1019,"_125":1020,"_286":1021},{"_277":1017,"_279":596,"_281":1018,"_282":598},40.22557726465364,16.22557726465364,{"_288":226,"_123":543,"_154":544,"_140":232},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg",{"_312":1038,"_314":1039},{"_312":1036,"_314":1037},{"_312":1034,"_314":1035},{"_312":1032,"_314":1033},{"_312":1030,"_314":1031},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"mevisto-from-le-cafe-concert-aic-125988","Mévisto, from Le Café-Concert",{"_42":1086,"_223":1087,"_326":1088,"_328":466,"_330":1089,"_332":1090,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1893","Lithograph in dark green on cream wove paper","Image: 35 × 20.3 cm (13 13/16 × 8 in.); Sheet: 44.3 × 31.7 cm (17 1/2 × 12 1/2 in.)",0.7197901591895803,[1071,1072,1073,1074,1075],{"_222":548,"_223":549,"_42":550,"_305":551},"1938.1148","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph in dark green on cream wove paper.",{"_296":1068,"_298":1069,"_300":1070},"https://img.ochreeditions.com/m/303.jpg?dl=1","/art/mevisto-from-le-cafe-concert-aic-125988","/galleries/style/etching-revival/mevisto-from-le-cafe-concert-aic-125988",{"_292":293,"_294":295},{"_226":1063,"_125":1064,"_286":1065},{"_277":1059,"_279":1060,"_281":1061,"_282":1062},46.44667261383536,55.18502292266445,22.446672613835357,31.18502292266445,{"_288":226,"_123":1066,"_154":1067,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/303/480.jpg","https://img.ochreeditions.com/a/303/960.jpg","https://img.ochreeditions.com/a/303/1920.jpg",{"_312":1084,"_314":1085},{"_312":1082,"_314":1083},{"_312":1080,"_314":1081},{"_312":1078,"_314":1079},{"_312":1076,"_314":1077},"#727b7b",0.0401,"#adada3",0.0513,"#8a8f8b",0.0802,"#cac5b7",0.0839,"#e1d5c4",0.7445,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":1136,"_223":1137,"_326":1138,"_328":397,"_330":1139,"_332":1140,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1887","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[1121,1122,1123,1124,1125],{"_222":302,"_223":303,"_42":304,"_305":306},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_296":1118,"_298":1119,"_300":1120},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_292":293,"_294":295},{"_226":1113,"_125":1114,"_286":1115},{"_277":1109,"_279":1110,"_281":1111,"_282":1112},84,67.36633663366337,60,43.366336633663366,{"_288":226,"_123":1116,"_154":1117,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_312":1134,"_314":1135},{"_312":1132,"_314":1133},{"_312":1130,"_314":1131},{"_312":1128,"_314":1129},{"_312":1126,"_314":1127},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,{"_1142":-5,"_1143":1144,"_1145":1146,"_1147":8,"_1148":1149,"_1150":8},"user","csrf","afde8b4da6ad49003c9c77097e21dffa1c34efd9","cartCount",0,"dropLive","legal",[1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162],"uploadsEnabled",{"_223":1185,"_20":1186},{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]