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His themes were often complex, and frequently incorporated witty allusions to classical texts.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},"#4f5958",0.0837,"#78776a",0.0924,"#494032",0.1986,"#231e16",0.292,"#332b1f",0.3333,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","peasant-couple-with-cow-nga-51518","Peasant Couple with Cow",{"_42":521,"_221":522,"_325":523,"_327":328,"_329":524,"_331":525,"_333":-5,"_335":-5,"_336":-5,"_140":101},"c. 1621","print","Print","etching on laid paper","plate: 8.4 × 8.5 cm (3 5/16 × 3 3/8 in.) sheet: 9.7 × 9.5 cm (3 13/16 × 3 3/4 in.)",8.5,8.4,1.0267741935483872,[506,507,508,509,510],{"_220":502,"_221":503,"_42":504,"_304":505},"Courtesy National Gallery of Art, Washington","1969.15.365","Jacques Callot made this in about 1621, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image has an elevated perspective showing two figures with animals in the scene. One person is leaning against a tree with a stick, while the other is seated on the ground. A cow is between them and other livestock in the middle distance. A person in the distance is tending to the animals. The horizon is low in the image, hidden by rolling hills. The artwork is in monochrome with fine linework, creating texture through hatching and cross-hatching, emphasizing depth and dimensionality.",{"_295":499,"_297":500,"_299":501},"https://img.ochreeditions.com/m/1543.jpg?dl=1","/art/peasant-couple-with-cow-nga-51518","/galleries/style/french-classicism/peasant-couple-with-cow-nga-51518",{"_291":371,"_293":372},{"_224":491,"_125":492,"_285":493},{"_275":487,"_277":488,"_279":489,"_281":490},49,48.34809927741125,25,24.348099277411247,{"_287":224,"_123":497,"_154":498,"_140":89},{"_287":125,"_123":494,"_154":495,"_140":496},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-jacques-callot","Jacques Callot's contemporaries","https://img.ochreeditions.com/a/1543/480.jpg","https://img.ochreeditions.com/a/1543/960.jpg","https://img.ochreeditions.com/a/1543/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":519,"_313":520},{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},"#6b6156",0.1207,"#cdc1ab",0.1797,"#a99d8a",0.1893,"#8a7f6f",0.1973,"#ebdfc8",0.313,"Jacques Callot","jacques-callot","French, 1592–1635",1592,1635,"the-four-seasons-autumn-cma-106811","The Four Seasons: Autumn",{"_42":575,"_221":576,"_325":577,"_327":328,"_329":194,"_331":578,"_333":-5,"_335":-5,"_336":-5,"_140":101},"1635","engraving and etching","Sheet: 26.1 x 32 cm (10 1/4 x 12 5/8 in.)",32,26.1,1.2239020878329734,[560,561,562,563,564],{"_220":437,"_221":438,"_42":439,"_304":440},"1924.830.3","Abraham Bosse made this in 1635, aged 33. It is now at the Cleveland Museum of Art.",{"_118":559,"_435":436},"The Four Seasons: Autumn, by Abraham Bosse, 1635",{"_295":556,"_297":557,"_299":558},"https://img.ochreeditions.com/m/513.jpg?dl=1","/art/the-four-seasons-autumn-cma-106811","/galleries/style/french-classicism/the-four-seasons-autumn-cma-106811",{"_291":371,"_293":372},{"_224":551,"_125":552,"_285":553},{"_275":548,"_277":549,"_279":532,"_281":550},56,50.14588235294117,26.145882352941175,{"_287":224,"_123":554,"_154":555,"_140":89},{"_287":125,"_123":494,"_154":495,"_140":496},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abraham-bosse","Abraham Bosse's contemporaries","https://img.ochreeditions.com/a/513/480.jpg","https://img.ochreeditions.com/a/513/960.jpg","https://img.ochreeditions.com/a/513/1920.jpg","Depictions of the four seasons in the early modern period often emphasized timeless agrarian seasonal activities. In this image of autumn, however, Abraham Bosse portrayed instead a group of middle-class people in contemporary costume.",{"_311":573,"_313":574},{"_311":571,"_313":572},{"_311":569,"_313":570},{"_311":567,"_313":568},{"_311":565,"_313":566},"#c1bdb2",0.1671,"#54514d",0.1872,"#6f6b65",0.2037,"#8b877e",0.2055,"#a6a297",0.2365,"Abraham Bosse","abraham-bosse","French, 1602–1676",1676,"a-rocky-pond-nga-127566","A Rocky Pond",{"_42":624,"_221":625,"_325":626,"_327":328,"_329":627,"_331":628,"_333":-5,"_335":-5,"_336":-5,"_140":101},"1640","sheet (cut within platemark): 10.2 x 15.6 cm (4 x 6 1/8 in.)",15.6,10.2,1.5550493545937738,[609,610,611,612,613],{"_220":502,"_221":503,"_42":504,"_304":505},"2002.157.46","Laurent de La Hyre made this in 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image is a landscape view with a natural scene depicted in fine etching. The horizon is situated towards the middle of the composition, where the land gently rises, and a subtle outline of distant hills is visible. Large rocks and foliage are depicted close to us, with a lone, barren tree extending upwards on the left side. The etching features intricate and well-defined brushstrokes, including thin lines and cross-hatching to create texture and depth. The color palette is monochromatic, with dark tones against a lighter background. In the distance, additional clusters of trees can be seen, rendered with similar linework to convey movement and detail.",{"_295":606,"_297":607,"_299":608},"https://img.ochreeditions.com/m/1653.jpg?dl=1","/art/a-rocky-pond-nga-127566","/galleries/style/french-classicism/a-rocky-pond-nga-127566",{"_291":371,"_293":372},{"_224":601,"_125":602,"_285":603},{"_275":487,"_277":599,"_279":489,"_281":600},40.07666015625,16.07666015625,{"_287":224,"_123":604,"_154":605,"_140":89},{"_287":125,"_123":494,"_154":495,"_140":496},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-laurent-de-la-hyre","Laurent de La Hyre's contemporaries","https://img.ochreeditions.com/a/1653/480.jpg","https://img.ochreeditions.com/a/1653/960.jpg","https://img.ochreeditions.com/a/1653/1920.jpg",{"_311":622,"_313":623},{"_311":620,"_313":621},{"_311":618,"_313":619},{"_311":616,"_313":617},{"_311":614,"_313":615},"#b29f85",0.1715,"#6c5f52",0.1776,"#d7c3a5",0.1787,"#8e7d69",0.2142,"#f3e2c5",0.258,"Laurent de La Hyre","laurent-de-la-hyre","French, 1606–1656",1606,1656,"the-four-evangelists-nga-9227","The Four Evangelists",{"_42":673,"_221":674,"_325":675,"_327":328,"_329":676,"_331":677,"_333":-5,"_335":-5,"_336":-5,"_140":101},"engraving",0.569091796875,[658,659,660,661,662],{"_220":502,"_221":503,"_42":504,"_304":505},"1943.3.6433","Robert Nanteuil made this. It is now at the National Gallery of Art in Washington, DC.","The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.",{"_295":655,"_297":656,"_299":657},"https://img.ochreeditions.com/m/1352.jpg?dl=1","/art/the-four-evangelists-nga-9227","/galleries/style/french-classicism/the-four-evangelists-nga-9227",{"_291":371,"_293":372},{"_224":650,"_125":651,"_285":652},{"_275":646,"_277":647,"_279":648,"_281":649},58.1455078125,84,34.1455078125,60,{"_287":224,"_123":653,"_154":654,"_140":89},{"_287":125,"_123":494,"_154":495,"_140":496},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-robert-nanteuil","Robert Nanteuil's contemporaries","https://img.ochreeditions.com/a/1352/480.jpg","https://img.ochreeditions.com/a/1352/960.jpg","https://img.ochreeditions.com/a/1352/1920.jpg",{"_311":671,"_313":672},{"_311":669,"_313":670},{"_311":667,"_313":668},{"_311":665,"_313":666},{"_311":663,"_313":664},"#6f6256",0.1024,"#968673",0.1315,"#eadabf",0.1875,"#b8a78f",0.2595,"#d0bfa4",0.3191,"Robert Nanteuil","robert-nanteuil","French, 1623–1678",1623,1678,"hilly-landscape-with-travelers-on-foot-nga-61211","Hilly Landscape with Travelers on Foot",{"_42":725,"_221":726,"_325":727,"_327":328,"_329":728,"_331":729,"_333":-5,"_335":-5,"_336":-5,"_140":101},"etching",0.73388671875,[710,711,712,713,714],{"_220":502,"_221":503,"_42":504,"_304":505},"1982.51.2","Jean Morin made this. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape viewed from a slightly elevated angle. On the left side, there is a large tree with a twisted trunk and dense foliage. A winding path can be seen with a figure walking with a dog. In the distance, a river winds through the land, and there are rolling hills and trees in the background. The color scheme is sepia-toned.",{"_295":707,"_297":708,"_299":709},"https://img.ochreeditions.com/m/1602.jpg?dl=1","/art/hilly-landscape-with-travelers-on-foot-nga-61211","/galleries/style/french-classicism/hilly-landscape-with-travelers-on-foot-nga-61211",{"_291":371,"_293":372},{"_224":697,"_125":698,"_285":699},{"_275":695,"_277":647,"_279":696,"_281":649},68.033203125,44.033203125,{"_287":224,"_123":705,"_154":706,"_140":89},{"_287":125,"_123":702,"_154":703,"_140":704},{"_287":285,"_123":700,"_154":701,"_140":89},"era/16-france","16th-century France","style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-jean-morin","Jean Morin's contemporaries","https://img.ochreeditions.com/a/1602/480.jpg","https://img.ochreeditions.com/a/1602/960.jpg","https://img.ochreeditions.com/a/1602/1920.jpg",{"_311":723,"_313":724},{"_311":721,"_313":722},{"_311":719,"_313":720},{"_311":717,"_313":718},{"_311":715,"_313":716},"#dbc5a4",0.0805,"#847663",0.1802,"#b5a183",0.1818,"#695f52",0.2626,"#504942",0.2949,"Jean Morin","jean-morin","French, c. 1600–1650",1600,1650,"edge-of-a-wood-with-peasants-going-to-market-nga-61210","Edge of a Wood with Peasants Going to Market",{"_42":725,"_221":726,"_325":727,"_327":328,"_329":728,"_331":729,"_333":-5,"_335":-5,"_336":-5,"_140":101},1.463902787705504,[753,754,755,756,757],{"_220":502,"_221":503,"_42":504,"_304":505},"1982.51.1","The image shows an etching of a rural landscape with trees obscuring the horizon. In the distance, there is a cart on a winding path with a person walking beside it. Closer to the viewer, there is a person with a child under a tree, accompanied by a small dog. The artwork features fine and detailed brushwork with cross-hatching for texture and shadows. The color scheme is monochromatic in muted browns, emphasizing details and creating a peaceful scene under soft light filtered through the trees. The trees form a canopy framing the serene setting.",{"_295":750,"_297":751,"_299":752},"https://img.ochreeditions.com/m/1601.jpg?dl=1","/art/edge-of-a-wood-with-peasants-going-to-market-nga-61210","/galleries/style/french-classicism/edge-of-a-wood-with-peasants-going-to-market-nga-61210",{"_291":371,"_293":372},{"_224":747,"_125":748,"_285":749},{"_275":647,"_277":745,"_279":649,"_281":746},64.986328125,40.986328125,{"_287":224,"_123":705,"_154":706,"_140":89},{"_287":125,"_123":702,"_154":703,"_140":704},{"_287":285,"_123":700,"_154":701,"_140":89},"https://img.ochreeditions.com/a/1601/480.jpg","https://img.ochreeditions.com/a/1601/960.jpg","https://img.ochreeditions.com/a/1601/1920.jpg",{"_311":766,"_313":767},{"_311":764,"_313":765},{"_311":762,"_313":763},{"_311":760,"_313":761},{"_311":758,"_313":759},"#d5c1a3",0.1531,"#8d7c68",0.1808,"#ad9a80",0.1832,"#706355",0.2177,"#564c44",0.2652,"a-procession-aic-248309","A Procession",{"_42":822,"_221":823,"_325":824,"_327":328,"_329":188,"_331":825,"_333":-5,"_335":-5,"_336":-5,"_140":103},"c. 1610","watercolour","Drawing and Watercolor","Black chalk, with touches of white chalk, on cream laid paper","17.1 × 21.8 cm (6 3/4 × 8 5/8 in.)",21,1.2648636566830576,[807,808,809,810,811],{"_220":803,"_221":804,"_42":805,"_304":806},"Courtesy of the Art Institute of Chicago","2019.878","Ambroise Dubois painted this in about 1610, aged about 62. It is now at the Art Institute of Chicago.","A work made of black chalk, with touches of white chalk, on cream laid paper.",{"_295":800,"_297":801,"_299":802},"https://img.ochreeditions.com/m/376.jpg?dl=1","/art/a-procession-aic-248309","/galleries/style/french-classicism/a-procession-aic-248309",{"_291":371,"_293":372},{"_224":793,"_125":794,"_285":795},{"_275":487,"_277":791,"_279":489,"_281":792},43.76497614419509,19.76497614419509,{"_287":224,"_123":798,"_154":799,"_140":89},{"_287":125,"_123":796,"_154":797,"_140":230},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-ambroise-dubois","Ambroise Dubois's contemporaries","https://img.ochreeditions.com/a/376/480.jpg","https://img.ochreeditions.com/a/376/960.jpg","https://img.ochreeditions.com/a/376/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},{"_311":814,"_313":815},{"_311":812,"_313":813},"#826f60",0.0855,"#94897f",0.106,"#ac9886",0.1955,"#cdb8a3",0.2941,"#bea894",0.3189,"Ambroise Dubois","ambroise-dubois","French, 1543–1615",1615,"queen-esther-approaching-the-palace-of-ahasuerus-met-336489","Queen Esther Approaching the Palace of Ahasuerus",{"_42":391,"_221":392,"_325":393,"_327":328,"_329":394,"_331":395,"_333":396,"_335":397,"_336":398,"_140":99},"1658","Pen and brown ink, brush and brown wash, heightened with white, over black chalk","11 13/16 x 17 1/2 in. (30 x 44.4 cm)",44.4,1.4576399394856279,[855,856,857,858,859],{"_220":301,"_221":302,"_42":303,"_304":305},"1997.156","Claude Lorrain (Claude Gellée) drew this in 1658, aged 54. It is now at The Met in New York.","Queen Esther Approaching the Palace of Ahasuerus, by Claude Lorrain (Claude Gellée), 1658",{"_295":852,"_297":853,"_299":854},"https://img.ochreeditions.com/m/1007.jpg?dl=1","/art/queen-esther-approaching-the-palace-of-ahasuerus-met-336489","/galleries/style/french-classicism/queen-esther-approaching-the-palace-of-ahasuerus-met-336489",{"_291":371,"_293":372},{"_224":849,"_125":850,"_285":851},{"_275":846,"_277":847,"_279":832,"_281":848},68.4,54.46019719771665,30.460197197716656,{"_287":224,"_123":369,"_154":370,"_140":99},{"_287":125,"_123":366,"_154":367,"_140":368},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1007/480.jpg","https://img.ochreeditions.com/a/1007/960.jpg","https://img.ochreeditions.com/a/1007/1920.jpg",{"_311":868,"_313":869},{"_311":866,"_313":867},{"_311":864,"_313":865},{"_311":862,"_313":863},{"_311":860,"_313":861},"#d0c4b6",0.1314,"#b9a997",0.1374,"#786251",0.1708,"#a38e7a",0.2688,"#917962",0.2916,"still-life-with-shells-and-a-chip-wood-box-met-438543","Still Life with Shells and a Chip-Wood Box",{"_42":916,"_221":917,"_325":918,"_327":328,"_329":919,"_331":920,"_333":921,"_335":922,"_336":-5,"_140":103},"late 1620s","18 1/2 x 23 3/8 in. (47 x 59.4 cm)",59.4,47,1.261431725007884,[901,902,903,904,905],{"_220":301,"_221":302,"_42":303,"_304":305},"2002.68","Sebastian Stoskopff painted this in the late 1620s, aged about 29. It is now at The Met in New York.","Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s",{"_295":898,"_297":899,"_299":900},"https://img.ochreeditions.com/m/1183.jpg?dl=1","/art/still-life-with-shells-and-a-chip-wood-box-met-438543","/galleries/style/french-classicism/still-life-with-shells-and-a-chip-wood-box-met-438543",{"_291":292,"_293":294},{"_224":893,"_125":894,"_285":895},{"_275":890,"_277":891,"_279":875,"_281":892},74.4,62.08935,47.08935,{"_287":224,"_123":896,"_154":897,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastian-stoskopff","Sebastian Stoskopff's contemporaries","https://img.ochreeditions.com/a/1183/480.jpg","https://img.ochreeditions.com/a/1183/960.jpg","https://img.ochreeditions.com/a/1183/1920.jpg",{"_311":914,"_313":915},{"_311":912,"_313":913},{"_311":910,"_313":911},{"_311":908,"_313":909},{"_311":906,"_313":907},"#6b5c42",0.0757,"#2d231c",0.1131,"#997f50",0.1192,"#443526",0.1602,"#1a1615",0.5318,"Sebastian Stoskopff","sebastian-stoskopff","French, 1597–1657",1597,1657,"Strasbourg","Idstein","samson-cma-147020","Samson",{"_42":971,"_221":972,"_325":973,"_327":328,"_329":974,"_331":975,"_333":976,"_335":397,"_336":-5,"_140":101},"1630–31","Framed: 157 x 125 x 7 cm (61 13/16 x 49 3/16 x 2 3/4 in.); Unframed: 135.6 x 102.8 cm (53 3/8 x 40 1/2 in.)",102.8,135.6,0.7588235294117647,[956,957,958,959,960],{"_220":437,"_221":438,"_42":439,"_304":440},"1972.50","Valentin de Boulogne painted this in 1630–31, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":955,"_435":436},"Samson, by Valentin de Boulogne, 1630–31",{"_295":952,"_297":953,"_299":954},"https://img.ochreeditions.com/m/681.jpg?dl=1","/art/samson-cma-147020","/galleries/style/french-classicism/samson-cma-147020",{"_291":292,"_293":294},{"_224":947,"_125":948,"_285":949},{"_275":944,"_277":945,"_279":946,"_281":929},117.89647058823529,150.6,102.89647058823529,{"_287":224,"_123":950,"_154":951,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-valentin-de-boulogne","Valentin de Boulogne's contemporaries","https://img.ochreeditions.com/a/681/480.jpg","https://img.ochreeditions.com/a/681/960.jpg","https://img.ochreeditions.com/a/681/1920.jpg","The Old Testament hero Samson rests his head on his hand in a pensive, even melancholic pose. Objects on the table recall two of his heroic deeds: he killed a lion with his bare hands, and liberated the Israelites by slaughtering a thousand Philistines with a donkey’s jawbone.",{"_311":969,"_313":970},{"_311":967,"_313":968},{"_311":965,"_313":966},{"_311":963,"_313":964},{"_311":961,"_313":962},"#a4724c",0.051,"#653f23",0.0593,"#69271e",0.2309,"#381e14",0.2379,"#130f0c",0.4209,"Valentin de Boulogne","valentin-de-boulogne","French, 1591–1632",1591,1632,"Coulommiers-en-Brie","the-holy-family-on-the-steps-cma-150389","The Holy Family on the Steps",{"_42":456,"_221":457,"_325":458,"_327":328,"_329":459,"_331":460,"_333":461,"_335":397,"_336":462,"_140":93},"1648","Framed: 103.5 x 135.3 x 13.3 cm (40 3/4 x 53 1/4 x 5 1/4 in.); Unframed: 73.3 x 105.8 cm (28 7/8 x 41 5/8 in.); Former: 72.3 x 104 cm (28 7/16 x 40 15/16 in.)",105.8,73.3,1.4573510501500215,[1008,1009,1010,1011,1012],{"_220":437,"_221":438,"_42":439,"_304":440},"1981.18","Nicolas Poussin painted this in 1648, aged 54. It is now at the Cleveland Museum of Art.",{"_118":1007,"_435":436},"The Holy Family on the Steps, by Nicolas Poussin, 1648",{"_295":1004,"_297":1005,"_299":1006},"https://img.ochreeditions.com/m/714.jpg?dl=1","/art/the-holy-family-on-the-steps-cma-150389","/galleries/style/french-classicism/the-holy-family-on-the-steps-cma-150389",{"_291":292,"_293":294},{"_224":1001,"_125":1002,"_285":1003},{"_275":998,"_277":999,"_279":982,"_281":1000},120.8,87.59747058823528,72.59747058823528,{"_287":224,"_123":429,"_154":430,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/714/480.jpg","https://img.ochreeditions.com/a/714/960.jpg","https://img.ochreeditions.com/a/714/1920.jpg","This deceptively simple composition represents a complex meditation on the Holy Family’s role in the redemption of humanity. At the center, Mary presents the Christ child to the world.",{"_311":1020,"_313":1021},{"_311":1018,"_313":1019},{"_311":1017,"_313":865},{"_311":1015,"_313":1016},{"_311":1013,"_313":1014},"#927057",0.0966,"#33597c",0.0973,"#5f5850","#261b17",0.2408,"#473327",0.3945,"the-abduction-of-the-sabine-women-met-437329","The Abduction of the Sabine Women",{"_42":456,"_221":457,"_325":458,"_327":328,"_329":459,"_331":460,"_333":461,"_335":397,"_336":462,"_140":93},"probably 1633–34","60 7/8 x 82 5/8 in. (154.6 x 209.9 cm)",209.9,154.6,1.3454423141607803,[1052,1053,1054,1055,1056],{"_220":301,"_221":302,"_42":303,"_304":305},"46.160","Nicolas Poussin painted this (probably 1633–34), aged about 39. It is now at The Met in New York.","On a signal from Romulus, who stands on a raised platform at the left lifting his cloak, Roman soldiers seize the Sabine women who had come to the new city for a festival, to provide wives for Rome’s first citizens.","The Abduction of the Sabine Women, by Nicolas Poussin, probably 1633–34",{"_295":1049,"_297":1050,"_299":1051},"https://img.ochreeditions.com/m/1138.jpg?dl=1","/art/the-abduction-of-the-sabine-women-met-437329","/galleries/style/french-classicism/the-abduction-of-the-sabine-women-met-437329",{"_291":292,"_293":294},{"_224":1046,"_125":1047,"_285":1048},{"_275":1043,"_277":1044,"_279":1027,"_281":1045},224.9,171.00817500000002,156.00817500000002,{"_287":224,"_123":429,"_154":430,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1138/480.jpg","https://img.ochreeditions.com/a/1138/960.jpg","https://img.ochreeditions.com/a/1138/1920.jpg",{"_311":1065,"_313":1066},{"_311":1063,"_313":1064},{"_311":1061,"_313":1062},{"_311":1059,"_313":1060},{"_311":1057,"_313":1058},"#51585e",0.0947,"#6a3f27",0.1445,"#76624e",0.1523,"#241f1b",0.1654,"#4f3b2b",0.4431,"the-wise-and-foolish-virgins-plate-five-aic-23553","The Wise and Foolish Virgins, plate five",{"_42":575,"_221":576,"_325":577,"_327":328,"_329":194,"_331":578,"_333":-5,"_335":-5,"_336":-5,"_140":101},"Engraving and etching on ivory laid paper","Image: 21.8 × 32 cm (8 5/8 × 12 5/8 in.); Sheet: 42.2 × 32 cm (16 5/8 × 12 5/8 in.)",1.275486381322957,[1093,1094,1095,1096,1097],{"_220":803,"_221":804,"_42":805,"_304":806},"1937.138","Abraham Bosse made this in 1635, aged 33. It is now at the Art Institute of Chicago.","A work made of engraving and etching on ivory laid paper.",{"_295":1090,"_297":1091,"_299":1092},"https://img.ochreeditions.com/m/98.jpg?dl=1","/art/the-wise-and-foolish-virgins-plate-five-aic-23553","/galleries/style/french-classicism/the-wise-and-foolish-virgins-plate-five-aic-23553",{"_291":371,"_293":372},{"_224":1087,"_125":1088,"_285":1089},{"_275":548,"_277":1085,"_279":532,"_281":1086},49.08846857840147,25.088468578401468,{"_287":224,"_123":554,"_154":555,"_140":89},{"_287":125,"_123":494,"_154":495,"_140":496},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/98/480.jpg","https://img.ochreeditions.com/a/98/960.jpg","https://img.ochreeditions.com/a/98/1920.jpg",{"_311":1106,"_313":1107},{"_311":1104,"_313":1105},{"_311":1102,"_313":1103},{"_311":1100,"_313":1101},{"_311":1098,"_313":1099},"#c3bbae",0.0644,"#7d766a",0.1275,"#4d4a41",0.1931,"#20201c",0.2034,"#e6ded2",0.4116,{"_1109":-5,"_1110":1111,"_1112":1113,"_1114":8,"_1115":1116,"_1117":8},"user","csrf","aa6d62d772df4458d145e9ee78d6dace6e4466ab","cartCount",0,"dropLive","legal",[1118,1119,1120,1121,1122,1123,1124,1125,1126,1127,1128,1129],"uploadsEnabled",{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},{"_221":1140,"_20":1141},{"_221":1138,"_20":1139},{"_221":1136,"_20":1137},{"_221":1134,"_20":1135},{"_221":1132,"_20":1133},{"_221":1130,"_20":1131},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]