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It is now at the National Gallery of Art in Washington, DC.","Pierrot, the white-clad clown of the Italian comedy, stands at the centre of a shallow stage with his arms hanging at his sides, while the troupe gathers around him as if for a curtain call: a masked Harlequin in diamond-patterned costume, a young man in red with a jester’s bauble, a lute player, a bearded old man in black cloak and skullcap, and a figure in gold who gestures towards Pierrot.","A man wearing loose, ivory-white clothing stands flanked by two groups of people in this horizontal painting. All the people have pale or peachy skin except for one person, who may have a brown mask. The man in the center, representing the character Pierrot, stands facing us with his hands by his sides. He has slightly bulging eyes, a bulbous nose, ruddy cheeks, and his full pink lips slightly smile. He wears a straw hat pushed back on his high forehead and a narrow ruffled collar around his neck. His shirt has long, voluminous sleeves and a row of small white buttons down the front. The pants are baggy and end abruptly above his white-stockinged ankles over white slippers. The fabric seems to have a sheen. In the shallow space behind him, a stone wall curves toward us to either side of a doorway that leads to a park-like setting. A crimson-red curtain is pulled to our right. Pierrot stands on the top of two steps, and the people to either side are arranged along the stage or the step that runs close to the bottom edge of the canvas. A spray of white flowers drapes down the front of the steps to our right of center. The group to our left has eight men, women, and children. Closest to us and in the lower left corner, a young man wearing a tomato-red jester’s costume trimmed with bells sits on the steps as he twists and looks back at the scene behind him. He holds a scepter or puppet in the shape of a doll-like jester. Two children gather at his feet. One weaves stems of white flowers together, and the other looks at us, smiling. Just above them another cleanshaven young man sits holding a lute in his lap. He wears a brick-red coat, brown breeches, and slate-blue stockings over crossed legs. He leans back and looks up and to our left, his round cheeks flushed. At the back of this group, two people wear tan-colored costumes covered in muted green and pink diamond shapes, and one might wear a brown mask. That person’s pink lips, black mustache and eyebrows, and black dots for eyes appear painted onto a hard, molded surface. The group of six people to our right stand on the same level as Pierrot. At the front of that group, a heavyset young man wears a gold-colored costume trimmed with black and a waist-length, Wedgewood-blue cape. He faces us but looks to our right as he leans back with one arm extended toward Pierrot. Beyond him are two woman and another person shown only from the neck up. The woman closest to Pierrot wears a pewter-gray gown with a scooped neckline. To the right of the man in gold is an old man with a long beard, wearing a black skullcap and cloak. He leans on a short staff and turns his head to look at the group. The last person on the far right is shown from the neck up and stands before the red curtain hanging from the upper right.",{"_295":430,"_297":431,"_299":432},"https://img.ochreeditions.com/m/1481.jpg?dl=1","/art/the-italian-comedians-nga-32687","/galleries/style/french-eighteenth-century/the-italian-comedians-nga-32687",{"_291":292,"_293":294},{"_224":427,"_125":428,"_285":429},{"_276":424,"_278":425,"_280":408,"_282":426},91.2,78.21474609375001,63.21474609375001,{"_287":224,"_123":171,"_154":170,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1481/480.jpg","https://img.ochreeditions.com/a/1481/960.jpg","https://img.ochreeditions.com/a/1481/1920.jpg",{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},{"_311":440,"_313":441},{"_311":438,"_313":439},"#d6bea3",0.0525,"#917355",0.1565,"#7e3f17",0.1934,"#33281b",0.2535,"#594a36",0.3441,"le-duel-the-duel-nga-45777","Le Duel (The Duel)",{"_42":495,"_221":496,"_325":497,"_327":328,"_329":332,"_331":498,"_333":-5,"_335":-5,"_337":-5,"_140":103},"in or after 1756","etching on laid paper","sheet (trimmed to plate mark): 33.1 x 23.7 cm (13 1/16 x 9 5/16 in.)",23.7,33.1,0.719970703125,[480,481,482,483,484],{"_220":377,"_221":378,"_42":379,"_304":380},"1958.8.132","Charles Germain de Saint-Aubin made this (in or after 1756), aged 35. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of anthropomorphic butterflies engaged in a duel with fencing swords. The butterflies have human-like bodies with wings resembling cloaks or capes. They stand on an ornate structure featuring decorative architectural elements like columns with floral and leaf motifs. Above them are arches, canopies, and hanging vines, creating a theatrical setting. The drawing combines fantasy and nature elements, showcasing elegance and imagination.",{"_295":477,"_297":478,"_299":479},"https://img.ochreeditions.com/m/1509.jpg?dl=1","/art/le-duel-the-duel-nga-45777","/galleries/style/french-eighteenth-century/le-duel-the-duel-nga-45777",{"_291":372,"_293":373},{"_224":472,"_125":473,"_285":474},{"_276":469,"_278":470,"_280":471,"_282":455},47.831030273437506,57.1,23.831030273437502,{"_287":224,"_123":475,"_154":476,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-charles-germain-de-saint-aubin","Charles Germain de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/1509/480.jpg","https://img.ochreeditions.com/a/1509/960.jpg","https://img.ochreeditions.com/a/1509/1920.jpg",{"_311":493,"_313":494},{"_311":491,"_313":492},{"_311":489,"_313":490},{"_311":487,"_313":488},{"_311":485,"_313":486},"#8a7c67",0.0391,"#aa9b82",0.1077,"#c4b599",0.1664,"#dbccb0",0.2065,"#f2e3c8",0.4803,"Charles Germain de Saint-Aubin","charles-germain-de-saint-aubin","French, 1721–1786",1786,"ancient-ruins-on-the-bank-of-the-tiber-nga-110206","Ancient Ruins on the Bank of the Tiber",{"_42":551,"_221":552,"_325":553,"_327":328,"_329":554,"_331":555,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1752/1756","drawing","Drawing","pen and brown ink over black chalk on laid paper","overall: 18 x 12.3 cm (7 1/16 x 4 13/16 in.)",12.3,0.690673828125,[536,537,538,539,540],{"_220":377,"_221":378,"_42":379,"_304":380},"1999.75.5.b","Augustin Pajou drew this in 1752/1756, aged about 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of an architectural scene with structures lining a road or pathway. The horizon is not clearly defined, and the sketch focuses on architectural details. The drawing features loose, freehand lines outlining buildings and trees, with classical elements like columns and entablatures. The color palette is monochromatic, with light parchment and dark ink strokes creating contrast. Close-up details are lightly shaded for depth, while distant details are less defined. The composition is open and airy, emphasizing architectural features over precision.",{"_295":533,"_297":534,"_299":535},"https://img.ochreeditions.com/m/1647.jpg?dl=1","/art/ancient-ruins-on-the-bank-of-the-tiber-nga-110206","/galleries/style/french-eighteenth-century/ancient-ruins-on-the-bank-of-the-tiber-nga-110206",{"_291":372,"_293":373},{"_224":525,"_125":526,"_285":527},{"_276":521,"_278":522,"_280":523,"_282":524},41.266845703125,49,17.266845703125,25,{"_287":224,"_123":531,"_154":532,"_140":89},{"_287":125,"_123":528,"_154":529,"_140":530},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-augustin-pajou","Augustin Pajou's contemporaries","https://img.ochreeditions.com/a/1647/480.jpg","https://img.ochreeditions.com/a/1647/960.jpg","https://img.ochreeditions.com/a/1647/1920.jpg",{"_311":549,"_313":550},{"_311":547,"_313":548},{"_311":545,"_313":546},{"_311":543,"_313":544},{"_311":541,"_313":542},"#bdac92",0.0487,"#b3af9f",0.1349,"#c4bfaa",0.1516,"#bdbcae",0.2102,"#c9c7b9",0.4546,"Augustin Pajou","augustin-pajou","French, 1730–1809",1730,1809,"seated-woman-met-459192","Seated Woman",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":97},"1716–17","Drawings","Black, red and white chalk","9 7/16 x 5 7/16 in. (24 x 13.8 cm)",13.8,24,0.6601138127263321,[586,587,588,589,590],{"_220":301,"_221":302,"_42":303,"_304":305},"1975.1.763","Antoine Watteau drew this in 1716–17, aged about 32. It is now at The Met in New York.","Seated Woman, by Antoine Watteau, 1716–17",{"_295":583,"_297":584,"_299":585},"https://img.ochreeditions.com/m/1270.jpg?dl=1","/art/seated-woman-met-459192","/galleries/style/french-eighteenth-century/seated-woman-met-459192",{"_291":372,"_293":373},{"_224":580,"_125":581,"_285":582},{"_276":578,"_278":522,"_280":579,"_282":524},40.5028453181583,16.5028453181583,{"_287":224,"_123":171,"_154":170,"_140":97},{"_287":125,"_123":528,"_154":529,"_140":530},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1270/480.jpg","https://img.ochreeditions.com/a/1270/960.jpg","https://img.ochreeditions.com/a/1270/1920.jpg",{"_311":599,"_313":600},{"_311":597,"_313":598},{"_311":595,"_313":596},{"_311":593,"_313":594},{"_311":591,"_313":592},"#cfcbbd",0.0551,"#c0a06b",0.1079,"#c4ab91",0.1815,"#9b8e72",0.2582,"#c19a78",0.3973,"portrait-of-cardinal-guillaume-dubois-cma-143206","Portrait of Cardinal Guillaume Dubois",{"_42":656,"_221":657,"_325":658,"_327":328,"_329":659,"_331":660,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1723","Framed: 180.5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 in.); Unframed: 146.7 x 113.7 cm (57 3/4 x 44 3/4 in.)",113.7,146.7,0.7764705882352941,[641,642,643,644,645],{"_220":637,"_221":638,"_42":639,"_304":640},"Courtesy of the Cleveland Museum of Art","1967.17","Hyacinthe Rigaud painted this in 1723, aged 64. It is now at the Cleveland Museum of Art.",{"_118":634,"_635":636},"Portrait of Cardinal Guillaume Dubois, by Hyacinthe Rigaud, 1723",{"_295":631,"_297":632,"_299":633},"https://img.ochreeditions.com/m/665.jpg?dl=1","/art/portrait-of-cardinal-guillaume-dubois-cma-143206","/galleries/style/french-eighteenth-century/portrait-of-cardinal-guillaume-dubois-cma-143206",{"_291":292,"_293":294},{"_224":626,"_125":627,"_285":628},{"_276":623,"_278":624,"_280":625,"_282":607},128.90823529411765,161.7,113.90823529411765,{"_287":224,"_123":629,"_154":630,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-hyacinthe-rigaud","Hyacinthe Rigaud's contemporaries","https://img.ochreeditions.com/a/665/480.jpg","https://img.ochreeditions.com/a/665/960.jpg","https://img.ochreeditions.com/a/665/1920.jpg","With his luxurious, flamboyant dress—a voluminous wrap of scarlet silk topped by a short fur cape—the subject of Hyacinthe Rigaud’s portrait was clearly a man of consequence.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":654,"_313":655},{"_311":652,"_313":653},{"_311":650,"_313":651},{"_311":648,"_313":649},{"_311":646,"_313":647},"#c3bda7",0.0591,"#8c6d4d",0.0594,"#932e05",0.2044,"#4d2107",0.2966,"#241105",0.3805,"Hyacinthe Rigaud","hyacinthe-rigaud","French, 1659–1743",1659,1743,"study-of-a-shepherd-cma-149290","Study of a Shepherd","Unrecorded French maker","1700s",17,"oil on paper, mounted on board","Framed: 64 x 52.5 x 4.5 cm (25 3/16 x 20 11/16 x 1 3/4 in.); Unframed: 54 x 42.5 cm (21 1/4 x 16 3/4 in.)",42.5,54,0.7844117647058824,[701,702,703,704,705],{"_220":637,"_221":638,"_42":639,"_304":640},"1978.125","An unrecorded France artist painted this in the 1700s. It is now at the Cleveland Museum of Art.",{"_118":700,"_635":636},"Study of a Shepherd, 1700s",{"_295":697,"_297":698,"_299":699},"https://img.ochreeditions.com/m/705.jpg?dl=1","/art/study-of-a-shepherd-cma-149290","/galleries/style/french-eighteenth-century/study-of-a-shepherd-cma-149290",{"_291":292,"_293":294},{"_224":687,"_125":688,"_285":689},{"_276":684,"_278":685,"_280":686,"_282":669},57.35823529411765,69,42.35823529411765,{"_287":224,"_123":695,"_154":696,"_140":87},{"_287":125,"_123":693,"_154":694,"_140":290},{"_287":285,"_123":690,"_154":691,"_140":692},"era/17-france","17th-century France",30,"style/painting-17","More paintings of the 17th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/705/480.jpg","https://img.ochreeditions.com/a/705/960.jpg","https://img.ochreeditions.com/a/705/1920.jpg","The attribution of this unsigned painting remains unsettled and may be by a French or Italian artist. Among the names proposed have been Joseph-Marie Vien the Elder and Hugues Taraval.",{"_311":713,"_313":714},{"_311":711,"_313":712},{"_311":709,"_313":710},{"_311":708,"_313":649},{"_311":706,"_313":707},"#a87249",0.0481,"#734325","#5a4127",0.1994,"#291d12",0.2919,"#422f1e",0.4012,"the-white-tablecloth-aic-51577","The White Tablecloth",{"_42":767,"_221":768,"_325":769,"_327":328,"_329":770,"_331":771,"_333":772,"_335":772,"_337":773,"_140":99},"c. 1731–32","96.8 × 123.5 cm (38 1/8 × 48 5/16 in.); Framed: 126.7 × 154.4 × 14 cm (49 7/8 × 60 3/4 × 5 1/2 in.)",123,96,1.2933452700686363,[752,753,754,755,756],{"_220":748,"_221":749,"_42":750,"_304":751},"Courtesy of the Art Institute of Chicago","1944.699","Jean Siméon Chardin painted this in about 1731–32, aged about 32. It is now at the Art Institute of Chicago.","A white cloth is thrown over a small table set with simple things, among them bread and a glass of wine, as if a meal has just been left.","A work made of oil on canvas.",{"_295":745,"_297":746,"_299":747},"https://img.ochreeditions.com/m/163.jpg?dl=1","/art/the-white-tablecloth-aic-51577","/galleries/style/french-eighteenth-century/the-white-tablecloth-aic-51577",{"_291":292,"_293":294},{"_224":740,"_125":741,"_285":742},{"_276":737,"_278":738,"_280":720,"_282":739},138,110.10221504383941,95.10221504383941,{"_287":224,"_123":743,"_154":744,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/jean-simeon-chardin","More by Jean Siméon Chardin","https://img.ochreeditions.com/a/163/480.jpg","https://img.ochreeditions.com/a/163/960.jpg","https://img.ochreeditions.com/a/163/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":765,"_313":766},{"_311":763,"_313":764},{"_311":761,"_313":762},{"_311":759,"_313":760},{"_311":757,"_313":758},"#736955",0.0695,"#9d9a89",0.0989,"#bebfb5",0.1502,"#4e3d2c",0.3227,"#2e2820",0.3587,"Jean Siméon Chardin","jean-simeon-chardin","French, 1699–1779",1699,1779,"Paris","Chardin spent his life in Paris and was received into the Academy in 1728 as a painter of animals and fruit.","lion-s-head-from-the-capitoline-staircase-nga-110205","Lion's Head from the Capitoline Staircase",{"_42":551,"_221":552,"_325":553,"_327":328,"_329":554,"_331":555,"_333":-5,"_335":-5,"_337":-5,"_140":101},"black chalk on laid paper",0.688232421875,[798,799,800,801,802],{"_220":377,"_221":378,"_42":379,"_304":380},"1999.75.5.a","This is a detailed sketch of a lion's head, positioned to show its profile. The drawing features the lion's broad nose, rounded mouth, large eye, and flowing mane. The facial features are depicted with various curves and lines. The sketch is on textured paper with pencil shading creating variations in the background. Handwritten text at the bottom reads \"Leone de l'Escalier du capitol.\"",{"_295":795,"_297":796,"_299":797},"https://img.ochreeditions.com/m/1646.jpg?dl=1","/art/lion-s-head-from-the-capitoline-staircase-nga-110205","/galleries/style/french-eighteenth-century/lion-s-head-from-the-capitoline-staircase-nga-110205",{"_291":372,"_293":373},{"_224":792,"_125":793,"_285":794},{"_276":790,"_278":522,"_280":791,"_282":524},41.205810546875,17.205810546875,{"_287":224,"_123":531,"_154":532,"_140":89},{"_287":125,"_123":528,"_154":529,"_140":530},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1646/480.jpg","https://img.ochreeditions.com/a/1646/960.jpg","https://img.ochreeditions.com/a/1646/1920.jpg",{"_311":811,"_313":812},{"_311":809,"_313":810},{"_311":807,"_313":808},{"_311":805,"_313":806},{"_311":803,"_313":804},"#b4b0a3",0.0632,"#d1c3a9",0.0824,"#c6c1b4",0.1484,"#d3cec0",0.2859,"#ded8c8",0.4201,"broken-eggs-met-436579","Broken Eggs",{"_42":860,"_221":861,"_325":862,"_327":328,"_329":863,"_331":864,"_333":865,"_335":772,"_337":866,"_140":99},"1756","28 3/4 x 37 in. (73 x 94 cm)",94,73,1.2870279146141215,[845,846,847,848,849],{"_220":301,"_221":302,"_42":303,"_304":305},"20.155.8","Jean Baptiste Greuze painted this in 1756, aged 31. It is now at The Met in New York.","A young woman sits dejected beside a basket of broken eggs, while an older woman remonstrates with a young man who seems eager to slip away. The broken eggs are a pointed metaphor for lost innocence.","Broken Eggs, by Jean Baptiste Greuze, 1756",{"_295":842,"_297":843,"_299":844},"https://img.ochreeditions.com/m/1099.jpg?dl=1","/art/broken-eggs-met-436579","/galleries/style/french-eighteenth-century/broken-eggs-met-436579",{"_291":292,"_293":294},{"_224":837,"_125":838,"_285":839},{"_276":834,"_278":835,"_280":818,"_282":836},109,88.03648890022966,73.03648890022966,{"_287":224,"_123":840,"_154":841,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/jean-baptiste-greuze","More by Jean Baptiste Greuze","https://img.ochreeditions.com/a/1099/480.jpg","https://img.ochreeditions.com/a/1099/960.jpg","https://img.ochreeditions.com/a/1099/1920.jpg",{"_311":858,"_313":859},{"_311":856,"_313":857},{"_311":854,"_313":855},{"_311":852,"_313":853},{"_311":850,"_313":851},"#6b4429",0.0386,"#998c68",0.0635,"#6c5d40",0.1371,"#453622",0.2873,"#291d11",0.4735,"Jean Baptiste Greuze","jean-baptiste-greuze","French, 1725–1805",1725,1805,"Tournus","Greuze rose to fame at the Paris Salon in the later 1750s with moralising scenes of family life, sentimental and theatrical, which the critic Denis Diderot championed. Broken Eggs, shown at the Salon of 1757, tells a story of lost innocence through a single domestic incident.","seated-male-nude-aic-85961","Seated Male Nude",{"_42":916,"_221":917,"_325":918,"_327":328,"_329":919,"_331":920,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.","watercolour","Drawing and Watercolor","Red chalk, with stumping, on tan laid paper","36.9 × 30.4 cm (14 9/16 × 12 in.)",36,0.8264226479839862,[901,902,903,904,905],{"_220":748,"_221":749,"_42":750,"_304":751},"1922.3201","François Le Moyne painted this (n.d.), aged about 12. It is now at the Art Institute of Chicago.","A work made of red chalk, with stumping, on tan laid paper.",{"_295":898,"_297":899,"_299":900},"https://img.ochreeditions.com/m/233.jpg?dl=1","/art/seated-male-nude-aic-85961","/galleries/style/french-eighteenth-century/seated-male-nude-aic-85961",{"_291":372,"_293":373},{"_224":891,"_125":892,"_285":893},{"_276":889,"_278":363,"_280":890,"_282":875},53.75121532742351,29.751215327423505,{"_287":224,"_123":896,"_154":897,"_140":99},{"_287":125,"_123":894,"_154":895,"_140":665},{"_287":285,"_123":690,"_154":691,"_140":692},"style/watercolour-17","More watercolours of the 17th century","artist/francois-le-moyne","More by François Le Moyne","https://img.ochreeditions.com/a/233/480.jpg","https://img.ochreeditions.com/a/233/960.jpg","https://img.ochreeditions.com/a/233/1920.jpg",{"_311":914,"_313":915},{"_311":912,"_313":913},{"_311":910,"_313":911},{"_311":908,"_313":909},{"_311":906,"_313":907},"#aa7155",0.0622,"#e1dacc",0.0625,"#b79072",0.1551,"#bba188",0.2568,"#c2b19c",0.4634,"François Le Moyne","francois-le-moyne","French, 1688–1737",1688,1737,"ange-laurent-de-la-live-de-jully-nga-32686","Ange Laurent de La Live de Jully",{"_42":860,"_221":861,"_325":862,"_327":328,"_329":863,"_331":864,"_333":865,"_335":772,"_337":866,"_140":99},"probably 1759","overall: 117 x 88.5 cm (46 1/16 x 34 13/16 in.) framed: 161.9 x 121.9 cm (63 3/4 x 48 in.)",88.5,117,0.757568359375,[951,952,953,954,955],{"_220":377,"_221":378,"_42":379,"_304":380},"1946.7.8","Jean Baptiste Greuze painted this (probably 1759), aged 34. It is now at the National Gallery of Art in Washington, DC.","The collector Ange Laurent de La Live de Jully sits at his harp in a loose white shirt and rose-pink breeches, turning from the strings to smile at us, in a room furnished with a gilded chair and a table of books, portfolios and a statuette.","A pale-skinned man sits facing our left as he plays a harp while turning his face to smile at us in this vertical portrait painting. He looks out the corners of his light blue eyes under arched, gray brows. He has a rounded nose, pale pink lips, and a round face. Gray hair is brushed back from his high forehead and curls around his ears. His long fingers rest on the strings of the harp, and the ends of strings curl like wind-loosened strands of hair along the top edge. The man wears a pale mauve-purple cravat, and his snow-white, long-sleeved chemise is untucked and loose around his thighs. The cuff we see is open and folded back over a bright white shirt edged with lace. His dusky rose-pink breeches are unbuttoned at the knee over white stockings. The square-seated chair on which he sits is carved with garlands and floral patterns, which are gilded gold. The seat itself is topaz blue, and it has a low back. A similarly ornamented and gilded table along the back of the room holds a portfolio and roll of papers, the tooled and gilded spines of books, and a statuette to the right. The pale pinkish-orange statuette shows a woman holding a tablet and wearing a long, loose robe and head covering. Her body angles to our left and she looks off in that direction. The wall behind the table is mottled with smoky shades of gray and tan.",{"_295":948,"_297":949,"_299":950},"https://img.ochreeditions.com/m/1480.jpg?dl=1","/art/ange-laurent-de-la-live-de-jully-nga-32686","/galleries/style/french-eighteenth-century/ange-laurent-de-la-live-de-jully-nga-32686",{"_291":292,"_293":294},{"_224":945,"_125":946,"_285":947},{"_276":942,"_278":943,"_280":944,"_282":927},103.635498046875,132,88.635498046875,{"_287":224,"_123":840,"_154":841,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1480/480.jpg","https://img.ochreeditions.com/a/1480/960.jpg","https://img.ochreeditions.com/a/1480/1920.jpg",{"_311":964,"_313":965},{"_311":962,"_313":963},{"_311":960,"_313":961},{"_311":958,"_313":959},{"_311":956,"_313":957},"#b7b2af",0.1217,"#8e807a",0.126,"#605045",0.1738,"#5a341a",0.182,"#382a20",0.3965,"portrait-of-a-woman-as-diana-cma-122347","Portrait of a Woman as Diana",{"_42":1014,"_221":1015,"_325":1016,"_327":328,"_329":1017,"_331":1018,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1752","Framed: 127.5 x 107.5 x 10 cm (50 3/16 x 42 5/16 x 3 15/16 in.); Unframed: 100.4 x 79.5 cm (39 1/2 x 31 5/16 in.)",79.5,100.4,0.805,[999,1000,1001,1002,1003],{"_220":637,"_221":638,"_42":639,"_304":640},"1942.643","Jean-Marc Nattier painted this in 1752, aged 67. It is now at the Cleveland Museum of Art.",{"_118":998,"_635":636},"Portrait of a Woman as Diana, by Jean-Marc Nattier, 1752",{"_295":995,"_297":996,"_299":997},"https://img.ochreeditions.com/m/555.jpg?dl=1","/art/portrait-of-a-woman-as-diana-cma-122347","/galleries/style/french-eighteenth-century/portrait-of-a-woman-as-diana-cma-122347",{"_291":292,"_293":294},{"_224":990,"_125":991,"_285":992},{"_276":987,"_278":988,"_280":989,"_282":972},95.822,115.4,80.822,{"_287":224,"_123":993,"_154":994,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-marc-nattier","Jean-Marc Nattier's contemporaries","https://img.ochreeditions.com/a/555/480.jpg","https://img.ochreeditions.com/a/555/960.jpg","https://img.ochreeditions.com/a/555/1920.jpg","For many years, this sitter was identified as Madame de Pompadour, but she bears little resemblance to this pivotal figure in French art and politics of the mid 1700s.",{"_311":1012,"_313":1013},{"_311":1010,"_313":1011},{"_311":1008,"_313":1009},{"_311":1006,"_313":1007},{"_311":1004,"_313":1005},"#a79d8d",0.0705,"#776f5f",0.1057,"#514e3f",0.2206,"#262217",0.296,"#3c3c30",0.3072,"Jean-Marc Nattier","jean-marc-nattier","French, 1685–1766",1685,1766,"portrait-of-the-marquise-d-aguirandes-cma-122341","Portrait of the Marquise d'Aguirandes",{"_42":1067,"_221":1068,"_325":1069,"_327":328,"_329":1070,"_331":1071,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1759","Framed: 138.6 x 111.9 x 13.7 cm (54 9/16 x 44 1/16 x 5 3/8 in.); Unframed: 101 x 85.6 cm (39 3/4 x 33 11/16 in.)",85.6,101,0.8085294117647058,[1052,1053,1054,1055,1056],{"_220":637,"_221":638,"_42":639,"_304":640},"1942.638","François Hubert Drouais painted this in 1759, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1051,"_635":636},"Portrait of the Marquise d'Aguirandes, by François Hubert Drouais, 1759",{"_295":1048,"_297":1049,"_299":1050},"https://img.ochreeditions.com/m/551.jpg?dl=1","/art/portrait-of-the-marquise-d-aguirandes-cma-122341","/galleries/style/french-eighteenth-century/portrait-of-the-marquise-d-aguirandes-cma-122341",{"_291":292,"_293":294},{"_224":1043,"_125":1044,"_285":1045},{"_276":1040,"_278":1041,"_280":1042,"_282":1025},96.66147058823529,116,81.66147058823529,{"_287":224,"_123":1046,"_154":1047,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-francois-hubert-drouais","François Hubert Drouais's contemporaries","https://img.ochreeditions.com/a/551/480.jpg","https://img.ochreeditions.com/a/551/960.jpg","https://img.ochreeditions.com/a/551/1920.jpg","Like many French portraitists active during the ancien régime, François-Hubert Drouais was skilled at veiling the physical imperfections of his subjects.",{"_311":1065,"_313":1066},{"_311":1063,"_313":1064},{"_311":1061,"_313":1062},{"_311":1059,"_313":1060},{"_311":1057,"_313":1058},"#a69b80",0.0493,"#796e54",0.1145,"#584932",0.1764,"#392f21",0.2921,"#1e1e14",0.3677,"François Hubert Drouais","francois-hubert-drouais","French, 1727–1775",1727,1775,"the-old-savoyard-aic-20432","The Old Savoyard",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":97},"c. 1715","Red and black chalk on cream laid paper","35.9 × 22.1 cm (14 3/16 × 8 3/4 in.)",22,0.6095143706640238,[1104,1105,1106,1107,1108],{"_220":748,"_221":749,"_42":750,"_304":751},"1964.74","Antoine Watteau painted this in about 1715, aged about 26. It is now at the Art Institute of Chicago.","An elderly, bearded man carries a crate and pack on his back, sketched from life in red and black chalk. He is a Savoyard, one of the poor itinerant performers from the Alpine region of Savoy who tramped the streets of Paris with peep-show boxes or performing marmots.","Chalk drawing with red and black shading of man carrying crate and pack.",{"_295":1101,"_297":1102,"_299":1103},"https://img.ochreeditions.com/m/75.jpg?dl=1","/art/the-old-savoyard-aic-20432","/galleries/style/french-eighteenth-century/the-old-savoyard-aic-20432",{"_291":372,"_293":373},{"_224":1096,"_125":1097,"_285":1098},{"_276":1093,"_278":1094,"_280":1095,"_282":138},45.33300297324084,59,21.333002973240834,{"_287":224,"_123":171,"_154":170,"_140":97},{"_287":125,"_123":1099,"_154":1100,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/75/480.jpg","https://img.ochreeditions.com/a/75/960.jpg","https://img.ochreeditions.com/a/75/1920.jpg",{"_311":1117,"_313":1118},{"_311":1115,"_313":1116},{"_311":1113,"_313":1114},{"_311":1111,"_313":1112},{"_311":1109,"_313":1110},"#a59d94",0.0853,"#8f685a",0.1086,"#af836f",0.1999,"#c69d84",0.2508,"#d3b59b",0.3554,{"_1120":-5,"_1121":1122,"_1123":1124,"_1125":8,"_1126":1127,"_1128":8},"user","csrf","12e88d5b2280705dcdc68ee33a49d2d4dcd49474","cartCount",0,"dropLive","legal",[1129,1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140],"uploadsEnabled",{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},{"_221":1149,"_20":1150},{"_221":1147,"_20":1148},{"_221":1145,"_20":1146},{"_221":1143,"_20":1144},{"_221":1141,"_20":1142},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]