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It is now at the Art Institute of Chicago.",{"_118":448,"_449":450},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. 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Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.",{"_313":464,"_315":465},{"_313":462,"_315":463},{"_313":460,"_315":461},{"_313":458,"_315":459},{"_313":456,"_315":457},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":521,"_222":522,"_327":523,"_329":404,"_331":524,"_333":525,"_335":-5,"_337":-5,"_339":526,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[506,507,508,509,510],{"_221":382,"_222":383,"_42":384,"_306":385},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":505,"_449":450},"Large English country landscape painting, farmers with horses, green trees.",{"_297":502,"_299":503,"_301":504},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_293":443,"_295":444},{"_225":497,"_125":498,"_287":499},{"_277":494,"_279":495,"_281":478,"_283":496},184,139.40655926352127,124.40655926352129,{"_289":225,"_123":500,"_154":501,"_140":99},{"_289":125,"_123":438,"_154":439,"_140":440},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.",{"_313":519,"_315":520},{"_313":517,"_315":518},{"_313":515,"_315":516},{"_313":513,"_315":514},{"_313":511,"_315":512},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":577,"_222":578,"_327":579,"_329":580,"_331":581,"_333":582,"_335":-5,"_337":-5,"_339":-5,"_140":103},"c. 1790/1795","oil on canvas","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[562,563,564,565,566],{"_221":303,"_222":304,"_42":305,"_306":307},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_297":559,"_299":560,"_301":561},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_293":443,"_295":444},{"_225":551,"_125":552,"_287":553},{"_277":548,"_279":549,"_281":533,"_283":550},135,116.953125,101.953125,{"_289":225,"_123":557,"_154":558,"_140":89},{"_289":125,"_123":554,"_154":555,"_140":556},{"_289":287,"_123":372,"_154":373,"_140":374},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_313":575,"_315":576},{"_313":573,"_315":574},{"_313":571,"_315":572},{"_313":569,"_315":570},{"_313":567,"_315":568},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":629,"_222":630,"_327":631,"_329":330,"_331":632,"_333":633,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[614,615,616,617,618],{"_221":303,"_222":304,"_42":305,"_306":307},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_297":611,"_299":612,"_301":613},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_293":443,"_295":444},{"_225":606,"_125":607,"_287":608},{"_277":603,"_279":604,"_281":588,"_283":605},246,166.762939453125,151.762939453125,{"_289":225,"_123":609,"_154":610,"_140":89},{"_289":125,"_123":438,"_154":439,"_140":440},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_313":627,"_315":628},{"_313":625,"_315":626},{"_313":623,"_315":624},{"_313":621,"_315":622},{"_313":619,"_315":620},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":680,"_222":681,"_327":682,"_329":404,"_331":683,"_333":684,"_335":-5,"_337":-5,"_339":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[665,666,667,668,669],{"_221":382,"_222":383,"_42":384,"_306":385},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_297":662,"_299":663,"_301":664},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_293":443,"_295":444},{"_225":657,"_125":658,"_287":659},{"_277":366,"_279":655,"_281":640,"_283":656},38.1345982804625,23.134598280462495,{"_289":225,"_123":660,"_154":661,"_140":89},{"_289":125,"_123":438,"_154":439,"_140":440},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_313":678,"_315":679},{"_313":676,"_315":677},{"_313":674,"_315":675},{"_313":672,"_315":673},{"_313":670,"_315":671},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":734,"_222":735,"_327":736,"_329":330,"_331":737,"_333":738,"_335":-5,"_337":-5,"_339":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[719,720,721,722,723],{"_221":303,"_222":304,"_42":305,"_306":307},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_297":716,"_299":717,"_301":718},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_293":294,"_295":296},{"_225":708,"_125":709,"_287":710},{"_277":706,"_279":278,"_281":707,"_283":282},42.560791015625,18.560791015625,{"_289":225,"_123":714,"_154":715,"_140":89},{"_289":125,"_123":711,"_154":712,"_140":713},{"_289":287,"_123":372,"_154":373,"_140":374},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_313":732,"_315":733},{"_313":730,"_315":731},{"_313":728,"_315":729},{"_313":726,"_315":727},{"_313":724,"_315":725},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":325,"_222":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[768,769,770,771,772],{"_221":303,"_222":304,"_42":305,"_306":307},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_297":765,"_299":766,"_301":767},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_293":294,"_295":296},{"_225":762,"_125":763,"_287":764},{"_277":759,"_279":760,"_281":744,"_283":761},49.2,41.94638671875,17.94638671875,{"_289":225,"_123":171,"_154":170,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_313":781,"_315":782},{"_313":779,"_315":780},{"_313":777,"_315":778},{"_313":775,"_315":776},{"_313":773,"_315":774},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":828,"_222":829,"_327":830,"_329":580,"_331":831,"_333":832,"_335":-5,"_337":-5,"_339":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[813,814,815,816,817],{"_221":303,"_222":304,"_42":305,"_306":307},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_297":810,"_299":811,"_301":812},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_293":294,"_295":296},{"_225":805,"_125":806,"_287":807},{"_277":803,"_279":278,"_281":804,"_283":282},40.387939453125,16.387939453125,{"_289":225,"_123":808,"_154":809,"_140":89},{"_289":125,"_123":711,"_154":712,"_140":713},{"_289":287,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_313":826,"_315":827},{"_313":824,"_315":825},{"_313":822,"_315":823},{"_313":820,"_315":821},{"_313":818,"_315":819},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":880,"_222":881,"_327":882,"_329":404,"_331":883,"_333":884,"_335":338,"_337":338,"_339":885,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[865,866,867,868,869],{"_221":382,"_222":383,"_42":384,"_306":385},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_297":862,"_299":863,"_301":864},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_293":443,"_295":444},{"_225":857,"_125":858,"_287":859},{"_277":854,"_279":855,"_281":838,"_283":856},239,188.10233393177737,173.10233393177737,{"_289":225,"_123":860,"_154":861,"_140":97},{"_289":125,"_123":438,"_154":439,"_140":440},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_313":878,"_315":879},{"_313":876,"_315":877},{"_313":874,"_315":875},{"_313":872,"_315":873},{"_313":870,"_315":871},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":932,"_222":933,"_327":934,"_329":404,"_331":935,"_333":936,"_335":-5,"_337":-5,"_339":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[917,918,919,920,921],{"_221":382,"_222":383,"_42":384,"_306":385},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_297":914,"_299":915,"_301":916},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_293":294,"_295":296},{"_225":909,"_125":910,"_287":911},{"_277":906,"_279":907,"_281":908,"_283":169},55.79270227392914,64,31.792702273929137,{"_289":225,"_123":912,"_154":913,"_140":99},{"_289":125,"_123":711,"_154":712,"_140":713},{"_289":287,"_123":372,"_154":373,"_140":374},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_313":930,"_315":931},{"_313":928,"_315":929},{"_313":926,"_315":927},{"_313":924,"_315":925},{"_313":922,"_315":923},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":466,"_222":467,"_327":468,"_329":330,"_331":469,"_333":470,"_335":471,"_337":338,"_339":472,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[975,976,977,978,979],{"_221":971,"_222":972,"_42":973,"_306":974},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":969,"_449":970},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_297":966,"_299":967,"_301":968},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_293":443,"_295":444},{"_225":963,"_125":964,"_287":965},{"_277":959,"_279":960,"_281":961,"_283":962},163.0235294117647,255,148.0235294117647,240,{"_289":225,"_123":441,"_154":442,"_140":91},{"_289":125,"_123":554,"_154":555,"_140":556},{"_289":287,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":988,"_315":989},{"_313":986,"_315":987},{"_313":984,"_315":985},{"_313":982,"_315":983},{"_313":980,"_315":981},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"the-white-horse-nga-1146","The White Horse",{"_42":521,"_222":522,"_327":523,"_329":404,"_331":524,"_333":525,"_335":-5,"_337":-5,"_339":526,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[1020,1021,1022,1023,1024],{"_221":303,"_222":304,"_42":305,"_306":307},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_297":1017,"_299":1018,"_301":1019},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_293":443,"_295":444},{"_225":1014,"_125":1015,"_287":1016},{"_277":1011,"_279":1012,"_281":995,"_283":1013},198,142.912353515625,127.912353515625,{"_289":225,"_123":500,"_154":501,"_140":99},{"_289":125,"_123":438,"_154":439,"_140":440},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_313":1033,"_315":1034},{"_313":1031,"_315":1032},{"_313":1029,"_315":1030},{"_313":1027,"_315":1028},{"_313":1025,"_315":1026},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"william-pitt-nga-52264","William Pitt",{"_42":1082,"_222":1083,"_327":1084,"_329":330,"_331":1085,"_333":1086,"_335":-5,"_337":-5,"_339":1087,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[1067,1068,1069,1070,1071],{"_221":303,"_222":304,"_42":305,"_306":307},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_297":1064,"_299":1065,"_301":1066},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_293":443,"_295":444},{"_225":1059,"_125":1060,"_287":1061},{"_277":1057,"_279":169,"_281":1058,"_283":282},34.62890625,19.62890625,{"_289":225,"_123":1062,"_154":1063,"_140":99},{"_289":125,"_123":554,"_154":555,"_140":556},{"_289":287,"_123":372,"_154":373,"_140":374},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_313":1080,"_315":1081},{"_313":1078,"_315":1079},{"_313":1076,"_315":1077},{"_313":1074,"_315":1075},{"_313":1072,"_315":1073},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":466,"_222":467,"_327":468,"_329":330,"_331":469,"_333":470,"_335":471,"_337":338,"_339":472,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[1124,1125,1126,1127,1128],{"_221":1120,"_222":1121,"_42":1122,"_306":1123},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_297":1117,"_299":1118,"_301":1119},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_293":443,"_295":444},{"_225":1114,"_125":1115,"_287":1116},{"_277":1111,"_279":1112,"_281":1113,"_283":1095},161.4845419354839,253.8,146.4845419354839,{"_289":225,"_123":441,"_154":442,"_140":91},{"_289":125,"_123":554,"_154":555,"_140":556},{"_289":287,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":1137,"_315":1138},{"_313":1135,"_315":1136},{"_313":1133,"_315":1134},{"_313":1131,"_315":1132},{"_313":1129,"_315":1130},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,{"_1140":-5,"_1141":1142,"_1143":1144,"_1145":8,"_1146":1147,"_1148":8},"user","csrf","7806bb1269b3a42f537ae81f49b4591a03270a61","cartCount",0,"dropLive","legal",[1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160],"uploadsEnabled",{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]