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It is now at the Cleveland Museum of Art.",{"_118":302,"_303":304},"note","Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/557.jpg?dl=1","page_url","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","walk_url","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":246},"w",185.63529411764705,"h",211,"image_w",170.63529411764705,"image_h",{"_288":225,"_123":171,"_154":170,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/557/480.jpg","960","https://img.ochreeditions.com/a/557/960.jpg","1920","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_315":325,"_317":326},{"_315":323,"_317":324},{"_315":321,"_317":322},{"_315":319,"_317":320},{"_315":316,"_317":318},"hex","#aa9c7e","weight",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","bio","English, 1723–1792","nationality","British","birth_year",1723,"death_year",1792,"birth_place","Plympton","death_place","London","about_excerpt","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":397,"_222":398,"_329":399,"_331":400,"_333":401,"_335":402,"_337":403,"_339":403,"_341":404,"_140":99},"1779","Paintings","Oil on canvas","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[382,383,384,385,386],{"_221":378,"_222":379,"_42":380,"_308":381},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_296":375,"_298":376,"_300":377},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_292":293,"_294":295},{"_225":370,"_125":371,"_286":372},{"_277":367,"_279":368,"_281":350,"_283":369},142,117.37854406130268,102.37854406130268,{"_288":225,"_123":373,"_154":374,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_315":395,"_317":396},{"_315":393,"_317":394},{"_315":391,"_317":392},{"_315":389,"_317":390},{"_315":387,"_317":388},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":464,"_222":465,"_329":466,"_331":400,"_333":467,"_335":468,"_337":469,"_339":340,"_341":470,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[449,450,451,452,453],{"_221":445,"_222":446,"_42":447,"_308":448},"Courtesy of the Art Institute of Chicago","2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_296":442,"_298":443,"_300":444},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_292":440,"_294":441},{"_225":433,"_125":434,"_286":435},{"_277":430,"_279":431,"_281":413,"_283":432},79,66.1776611694153,42.177661169415295,{"_288":225,"_123":438,"_154":439,"_140":97},{"_288":125,"_123":436,"_154":437,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","white","snow","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_315":462,"_317":463},{"_315":460,"_317":461},{"_315":458,"_317":459},{"_315":456,"_317":457},{"_315":454,"_317":455},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":529,"_222":530,"_329":531,"_331":332,"_333":532,"_335":533,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1830-1880",19,"overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[514,515,516,517,518],{"_221":510,"_222":511,"_42":512,"_308":513},"Courtesy National Gallery of Art, Washington","1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_296":507,"_298":508,"_300":509},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_292":293,"_294":295},{"_225":496,"_125":497,"_286":498},{"_277":493,"_279":494,"_281":495,"_283":478},113.11484375,138.2,98.11484375,{"_288":225,"_123":505,"_154":506,"_140":89},{"_288":125,"_123":502,"_154":503,"_140":504},{"_288":286,"_123":499,"_154":500,"_140":501},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_315":527,"_317":528},{"_315":525,"_317":526},{"_315":523,"_317":524},{"_315":521,"_317":522},{"_315":519,"_317":520},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":580,"_222":581,"_329":582,"_331":583,"_333":584,"_335":585,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[565,566,567,568,569],{"_221":510,"_222":511,"_42":512,"_308":513},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_296":562,"_298":563,"_300":564},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_292":293,"_294":295},{"_225":557,"_125":558,"_286":559},{"_277":554,"_279":555,"_281":539,"_283":556},135,116.953125,101.953125,{"_288":225,"_123":560,"_154":561,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_315":578,"_317":579},{"_315":576,"_317":577},{"_315":574,"_317":575},{"_315":572,"_317":573},{"_315":570,"_317":571},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":640,"_222":641,"_329":642,"_331":332,"_333":643,"_335":644,"_337":645,"_339":340,"_341":646,"_140":97},"1830","print","Print","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[625,626,627,628,629],{"_221":510,"_222":511,"_42":512,"_308":513},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_296":622,"_298":623,"_300":624},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_292":440,"_294":441},{"_225":614,"_125":615,"_286":616},{"_277":610,"_279":611,"_281":612,"_283":613},49,44.166015625,25,20.166015625,{"_288":225,"_123":620,"_154":621,"_140":97},{"_288":125,"_123":617,"_154":618,"_140":619},{"_288":286,"_123":499,"_154":500,"_140":501},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_315":638,"_317":639},{"_315":636,"_317":637},{"_315":634,"_317":635},{"_315":632,"_317":633},{"_315":630,"_317":631},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":640,"_222":641,"_329":642,"_331":332,"_333":643,"_335":644,"_337":645,"_339":340,"_341":646,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[676,677,678,679,680],{"_221":510,"_222":511,"_42":512,"_308":513},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_296":673,"_298":674,"_300":675},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_292":440,"_294":441},{"_225":670,"_125":671,"_286":672},{"_277":667,"_279":668,"_281":652,"_283":669},49.2,41.94638671875,17.94638671875,{"_288":225,"_123":620,"_154":621,"_140":97},{"_288":125,"_123":617,"_154":618,"_140":619},{"_288":286,"_123":499,"_154":500,"_140":501},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_315":689,"_317":690},{"_315":687,"_317":688},{"_315":685,"_317":686},{"_315":683,"_317":684},{"_315":681,"_317":682},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":738,"_222":739,"_329":740,"_331":400,"_333":336,"_335":741,"_337":-5,"_339":-5,"_341":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[723,724,725,726,727],{"_221":445,"_222":446,"_42":447,"_308":448},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_296":720,"_298":721,"_300":722},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_292":293,"_294":295},{"_225":715,"_125":716,"_286":717},{"_277":712,"_279":713,"_281":697,"_283":714},53,38.1345982804625,23.134598280462495,{"_288":225,"_123":718,"_154":719,"_140":89},{"_288":125,"_123":502,"_154":503,"_140":504},{"_288":286,"_123":499,"_154":500,"_140":501},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_315":736,"_317":737},{"_315":734,"_317":735},{"_315":732,"_317":733},{"_315":730,"_317":731},{"_315":728,"_317":729},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":792,"_222":793,"_329":794,"_331":332,"_333":584,"_335":795,"_337":-5,"_339":-5,"_341":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[777,778,779,780,781],{"_221":510,"_222":511,"_42":512,"_308":513},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_296":774,"_298":775,"_300":776},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_292":440,"_294":441},{"_225":766,"_125":767,"_286":768},{"_277":763,"_279":764,"_281":748,"_283":765},60.9,49.927294921875,25.927294921875,{"_288":225,"_123":772,"_154":773,"_140":89},{"_288":125,"_123":769,"_154":770,"_140":771},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_315":790,"_317":791},{"_315":788,"_317":789},{"_315":786,"_317":787},{"_315":784,"_317":785},{"_315":782,"_317":783},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1827,"weymouth-bay-met-682931","Weymouth Bay",{"_42":640,"_222":641,"_329":642,"_331":332,"_333":643,"_335":644,"_337":645,"_339":340,"_341":646,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[826,827,828,829,830],{"_221":378,"_222":379,"_42":380,"_308":381},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_296":823,"_298":824,"_300":825},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_292":440,"_294":441},{"_225":820,"_125":821,"_286":822},{"_277":610,"_279":818,"_281":612,"_283":819},43.859539602028875,19.85953960202887,{"_288":225,"_123":620,"_154":621,"_140":97},{"_288":125,"_123":617,"_154":618,"_140":619},{"_288":286,"_123":499,"_154":500,"_140":501},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_315":839,"_317":840},{"_315":837,"_317":838},{"_315":835,"_317":836},{"_315":833,"_317":834},{"_315":831,"_317":832},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":464,"_222":465,"_329":466,"_331":400,"_333":467,"_335":468,"_337":469,"_339":340,"_341":470,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[871,872,873,874,875],{"_221":510,"_222":511,"_42":512,"_308":513},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_296":868,"_298":869,"_300":870},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_292":293,"_294":295},{"_225":865,"_125":866,"_286":867},{"_277":862,"_279":863,"_281":846,"_283":864},142.6,116.65009765625,101.65009765625,{"_288":225,"_123":438,"_154":439,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_315":884,"_317":885},{"_315":882,"_317":883},{"_315":880,"_317":881},{"_315":878,"_317":879},{"_315":876,"_317":877},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":935,"_222":936,"_329":937,"_331":332,"_333":938,"_335":939,"_337":940,"_339":340,"_341":941,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[920,921,922,923,924],{"_221":305,"_222":306,"_42":307,"_308":309},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":919,"_303":304},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_296":916,"_298":917,"_300":918},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_292":293,"_294":295},{"_225":911,"_125":912,"_286":913},{"_277":907,"_279":908,"_281":909,"_283":910},163.0235294117647,255,148.0235294117647,240,{"_288":225,"_123":914,"_154":915,"_140":91},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_315":933,"_317":934},{"_315":931,"_317":932},{"_315":929,"_317":930},{"_315":927,"_317":928},{"_315":925,"_317":926},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":987,"_222":988,"_329":989,"_331":990,"_333":991,"_335":992,"_337":-5,"_339":-5,"_341":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",1.2560029553010712,[972,973,974,975,976],{"_221":305,"_222":306,"_42":307,"_308":309},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":971,"_303":304},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_296":968,"_298":969,"_300":970},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_292":293,"_294":295},{"_225":963,"_125":964,"_286":965},{"_277":367,"_279":961,"_281":350,"_283":962},116.11441176470589,101.11441176470589,{"_288":225,"_123":966,"_154":967,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_315":985,"_317":986},{"_315":983,"_317":984},{"_315":981,"_317":982},{"_315":979,"_317":980},{"_315":977,"_317":978},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1038,"_222":1039,"_329":1040,"_331":583,"_333":468,"_335":1041,"_337":-5,"_339":-5,"_341":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[1023,1024,1025,1026,1027],{"_221":510,"_222":511,"_42":512,"_308":513},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_296":1020,"_298":1021,"_300":1022},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_292":440,"_294":441},{"_225":1015,"_125":1016,"_286":1017},{"_277":610,"_279":1013,"_281":612,"_283":1014},39.68603515625,15.686035156249998,{"_288":225,"_123":1018,"_154":1019,"_140":89},{"_288":125,"_123":769,"_154":770,"_140":771},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_315":1036,"_317":1037},{"_315":1034,"_317":1035},{"_315":1032,"_317":1033},{"_315":1030,"_317":1031},{"_315":1028,"_317":1029},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1859,"saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":1088,"_222":1089,"_329":1090,"_331":332,"_333":1091,"_335":1092,"_337":-5,"_339":-5,"_341":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[1073,1074,1075,1076,1077],{"_221":510,"_222":511,"_42":512,"_308":513},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_296":1070,"_298":1071,"_300":1072},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_292":440,"_294":441},{"_225":1065,"_125":1066,"_286":1067},{"_277":1063,"_279":610,"_281":1064,"_283":612},42.560791015625,18.560791015625,{"_288":225,"_123":1068,"_154":1069,"_140":89},{"_288":125,"_123":769,"_154":770,"_140":771},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_315":1086,"_317":1087},{"_315":1084,"_317":1085},{"_315":1082,"_317":1083},{"_315":1080,"_317":1081},{"_315":1078,"_317":1079},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[1128,1129,1130,1131,1132],{"_221":1125,"_222":1126,"_42":1127,"_308":513},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_296":1122,"_298":1123,"_300":1124},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_292":293,"_294":295},{"_225":1117,"_125":1118,"_286":1119},{"_277":1114,"_279":1115,"_281":1098,"_283":1116},70.2,58.4424,43.4424,{"_288":225,"_123":1120,"_154":1121,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_315":1141,"_317":1142},{"_315":1139,"_317":1140},{"_315":1137,"_317":1138},{"_315":1135,"_317":1136},{"_315":1133,"_317":1134},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","10e663bbe2b498af4e8e53895980b46391988965","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]