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(14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)","width_cm",18.1,"height_cm",14.3,"aspect",1.2588408644400786,"palette",[306,307,308,309,310],"museum",{"_219":301,"_220":302,"_42":303,"_304":305},"credit","Courtesy of The Metropolitan Museum of Art","accession","39.68.16","licence","CC0","story","David Lucas made this in 1830, aged 28. 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He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":468,"_220":469,"_325":470,"_327":471,"_329":472,"_331":473,"_333":336,"_335":336,"_337":474,"_140":97},"1835","oil on canvas","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[453,454,455,456,457],{"_219":449,"_220":450,"_42":451,"_304":452},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. 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Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":466,"_313":467},{"_311":464,"_313":465},{"_311":462,"_313":463},{"_311":460,"_313":461},{"_311":458,"_313":459},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","English",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":531,"_220":532,"_325":533,"_327":328,"_329":534,"_331":535,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1785","Print","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[516,517,518,519,520],{"_219":512,"_220":513,"_42":514,"_304":515},"Courtesy National Gallery of Art, Washington","1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":509,"_297":510,"_299":511},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":292,"_293":294},{"_223":501,"_125":502,"_285":503},{"_275":498,"_277":499,"_279":482,"_281":500},60.9,49.927294921875,25.927294921875,{"_287":223,"_123":507,"_154":508,"_140":89},{"_287":125,"_123":504,"_154":505,"_140":506},{"_287":285,"_123":370,"_154":371,"_140":372},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":529,"_313":530},{"_311":527,"_313":528},{"_311":525,"_313":526},{"_311":523,"_313":524},{"_311":521,"_313":522},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":582,"_220":583,"_325":584,"_327":585,"_329":534,"_331":586,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[567,568,569,570,571],{"_219":512,"_220":513,"_42":514,"_304":515},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":564,"_297":565,"_299":566},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":378,"_293":379},{"_223":559,"_125":560,"_285":561},{"_275":556,"_277":557,"_279":541,"_281":558},135,116.953125,101.953125,{"_287":223,"_123":562,"_154":563,"_140":89},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_311":580,"_313":581},{"_311":578,"_313":579},{"_311":576,"_313":577},{"_311":574,"_313":575},{"_311":572,"_313":573},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1823,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":633,"_220":634,"_325":635,"_327":471,"_329":636,"_331":637,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[618,619,620,621,622],{"_219":383,"_220":384,"_42":385,"_304":386},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":615,"_297":616,"_299":617},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_291":292,"_293":294},{"_223":610,"_125":611,"_285":612},{"_275":607,"_277":608,"_279":609,"_281":168},55.65007857517025,64,31.650078575170248,{"_287":223,"_123":613,"_154":614,"_140":99},{"_287":125,"_123":504,"_154":505,"_140":506},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_311":631,"_313":632},{"_311":629,"_313":630},{"_311":627,"_313":628},{"_311":625,"_313":626},{"_311":623,"_313":624},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":402,"_220":403,"_325":404,"_327":328,"_329":405,"_331":406,"_333":407,"_335":336,"_337":408,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[669,670,671,672,673],{"_219":301,"_220":302,"_42":303,"_304":305},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_295":666,"_297":667,"_299":668},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_291":378,"_293":379},{"_223":663,"_125":664,"_285":665},{"_275":660,"_277":661,"_279":662,"_281":645},161.4845419354839,253.8,146.4845419354839,{"_287":223,"_123":376,"_154":377,"_140":91},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_311":682,"_313":683},{"_311":680,"_313":681},{"_311":678,"_313":679},{"_311":676,"_313":677},{"_311":674,"_313":675},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":735,"_220":736,"_325":737,"_327":471,"_329":738,"_331":739,"_333":-5,"_335":-5,"_337":740,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[720,721,722,723,724],{"_219":383,"_220":384,"_42":385,"_304":386},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_295":717,"_297":718,"_299":719},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_291":292,"_293":294},{"_223":710,"_125":711,"_285":712},{"_275":707,"_277":708,"_279":692,"_281":709},71,60.23588863463005,36.23588863463005,{"_287":223,"_123":715,"_154":716,"_140":99},{"_287":125,"_123":713,"_154":714,"_140":53},{"_287":285,"_123":370,"_154":371,"_140":372},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},{"_311":727,"_313":728},{"_311":725,"_313":726},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":323,"_220":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":97},"mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[770,771,772,773,774],{"_219":512,"_220":513,"_42":514,"_304":515},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_295":767,"_297":768,"_299":769},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_291":292,"_293":294},{"_223":764,"_125":765,"_285":766},{"_275":276,"_277":762,"_279":280,"_281":763},44.166015625,20.166015625,{"_287":223,"_123":170,"_154":169,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_311":783,"_313":784},{"_311":781,"_313":782},{"_311":779,"_313":780},{"_311":777,"_313":778},{"_311":775,"_313":776},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":832,"_220":833,"_325":834,"_327":328,"_329":835,"_331":836,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[817,818,819,820,821],{"_219":512,"_220":513,"_42":514,"_304":515},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_295":814,"_297":815,"_299":816},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_291":292,"_293":294},{"_223":809,"_125":810,"_285":811},{"_275":806,"_277":807,"_279":808,"_281":792},59.630419921874996,77.4,35.630419921874996,{"_287":223,"_123":812,"_154":813,"_140":89},{"_287":125,"_123":504,"_154":505,"_140":506},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_311":830,"_313":831},{"_311":828,"_313":829},{"_311":826,"_313":827},{"_311":824,"_313":825},{"_311":822,"_313":823},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":402,"_220":403,"_325":404,"_327":328,"_329":405,"_331":406,"_333":407,"_335":336,"_337":408,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[869,870,871,872,873],{"_219":383,"_220":384,"_42":385,"_304":386},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":867,"_447":868},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_295":864,"_297":865,"_299":866},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_291":378,"_293":379},{"_223":861,"_125":862,"_285":863},{"_275":858,"_277":859,"_279":860,"_281":843},116.09951287404314,143,101.09951287404314,{"_287":223,"_123":376,"_154":377,"_140":91},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_311":882,"_313":883},{"_311":880,"_313":881},{"_311":878,"_313":879},{"_311":876,"_313":877},{"_311":874,"_313":875},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":932,"_220":933,"_325":934,"_327":328,"_329":935,"_331":936,"_333":-5,"_335":-5,"_337":937,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[917,918,919,920,921],{"_219":449,"_220":450,"_42":451,"_304":452},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":916,"_447":448},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_295":913,"_297":914,"_299":915},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_291":378,"_293":379},{"_223":908,"_125":909,"_285":910},{"_275":905,"_277":906,"_279":907,"_281":890},83.17205882352941,90.5,68.17205882352941,{"_287":223,"_123":911,"_154":912,"_140":99},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_311":930,"_313":931},{"_311":928,"_313":929},{"_311":926,"_313":927},{"_311":924,"_313":925},{"_311":922,"_313":923},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","the-white-horse-nga-1146","The White Horse",{"_42":985,"_220":986,"_325":987,"_327":471,"_329":988,"_331":989,"_333":-5,"_335":-5,"_337":990,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[970,971,972,973,974],{"_219":512,"_220":513,"_42":514,"_304":515},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_295":967,"_297":968,"_299":969},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_291":378,"_293":379},{"_223":962,"_125":963,"_285":964},{"_275":959,"_277":960,"_279":943,"_281":961},198,142.912353515625,127.912353515625,{"_287":223,"_123":965,"_154":966,"_140":99},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_311":983,"_313":984},{"_311":981,"_313":982},{"_311":979,"_313":980},{"_311":977,"_313":978},{"_311":975,"_313":976},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1035,"_220":1036,"_325":1037,"_327":471,"_329":1038,"_331":1039,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[1021,1022,1023,1024,1025],{"_219":383,"_220":384,"_42":385,"_304":386},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.",{"_295":1018,"_297":1019,"_299":1020},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_291":378,"_293":379},{"_223":1013,"_125":1014,"_285":1015},{"_275":1010,"_277":1011,"_279":1012,"_281":997},42.32984293193717,51,27.329842931937172,{"_287":223,"_123":1016,"_154":1017,"_140":89},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_311":1033,"_313":1034},{"_311":1031,"_313":1032},{"_311":1029,"_313":1030},{"_311":1028,"_313":877},{"_311":1026,"_313":1027},"#89694e",0.141,"#26261b","#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":1087,"_220":1088,"_325":1089,"_327":471,"_329":1090,"_331":936,"_333":1091,"_335":1091,"_337":1092,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[1072,1073,1074,1075,1076],{"_219":383,"_220":384,"_42":385,"_304":386},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_295":1069,"_297":1070,"_299":1071},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_291":292,"_293":294},{"_223":1064,"_125":1065,"_285":1066},{"_275":1061,"_277":1062,"_279":1063,"_281":372},53.22455845248108,66,29.224558452481077,{"_287":223,"_123":1067,"_154":1068,"_140":99},{"_287":125,"_123":713,"_154":714,"_140":53},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_311":1085,"_313":1086},{"_311":1083,"_313":1084},{"_311":1081,"_313":1082},{"_311":1079,"_313":1080},{"_311":1077,"_313":1078},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":1137,"_220":1138,"_325":1139,"_327":328,"_329":1140,"_331":1141,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,0.79638671875,[1122,1123,1124,1125,1126],{"_219":512,"_220":513,"_42":514,"_304":515},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_295":1119,"_297":1120,"_299":1121},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_291":378,"_293":379},{"_223":1114,"_125":1115,"_285":1116},{"_275":1112,"_277":432,"_279":1113,"_281":415},113.11484375,98.11484375,{"_287":223,"_123":1117,"_154":1118,"_140":89},{"_287":125,"_123":438,"_154":439,"_140":440},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_311":1135,"_313":1136},{"_311":1133,"_313":1134},{"_311":1131,"_313":1132},{"_311":1129,"_313":1130},{"_311":1127,"_313":1128},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,{"_1143":-5,"_1144":1145,"_1146":1147,"_1148":8,"_1149":1150,"_1151":8},"user","csrf","5e76279653efaef14b743f2fbd36aaca26a9540f","cartCount",0,"dropLive","legal",[1152,1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163],"uploadsEnabled",{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]