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It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_296":438,"_298":439,"_300":440},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_292":293,"_294":295},{"_226":427,"_125":428,"_286":429},{"_277":424,"_279":425,"_281":426,"_283":409},113.11484375,138.2,98.11484375,{"_288":226,"_123":436,"_154":437,"_140":89},{"_288":125,"_123":433,"_154":434,"_140":435},{"_288":286,"_123":430,"_154":431,"_140":432},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":458,"_314":459},{"_312":456,"_314":457},{"_312":454,"_314":455},{"_312":452,"_314":453},{"_312":450,"_314":451},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":513,"_223":514,"_326":515,"_328":516,"_330":517,"_332":518,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[498,499,500,501,502],{"_222":377,"_223":378,"_42":379,"_305":380},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":497,"_375":376},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_292":293,"_294":295},{"_226":489,"_125":490,"_286":491},{"_277":486,"_279":487,"_281":470,"_283":488},142,116.11441176470589,101.11441176470589,{"_288":226,"_123":492,"_154":493,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_312":511,"_314":512},{"_312":509,"_314":510},{"_312":507,"_314":508},{"_312":505,"_314":506},{"_312":503,"_314":504},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[554,555,556,557,558],{"_222":551,"_223":552,"_42":553,"_305":444},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_296":548,"_298":549,"_300":550},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_292":293,"_294":295},{"_226":543,"_125":544,"_286":545},{"_277":540,"_279":541,"_281":542,"_283":525},117.51170000000002,143.3,102.51170000000002,{"_288":226,"_123":546,"_154":547,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":567,"_314":568},{"_312":565,"_314":566},{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":621,"_223":622,"_326":623,"_328":624,"_330":625,"_332":626,"_334":-5,"_336":-5,"_338":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[607,608,609,610,611],{"_222":302,"_223":303,"_42":304,"_305":306},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_296":604,"_298":605,"_300":606},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_292":602,"_294":603},{"_226":594,"_125":595,"_286":596},{"_277":591,"_279":592,"_281":593,"_283":432},55.65007857517025,64,31.650078575170248,{"_288":226,"_123":600,"_154":601,"_140":99},{"_288":125,"_123":597,"_154":598,"_140":599},{"_288":286,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","white","snow","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_312":619,"_314":620},{"_312":618,"_314":568},{"_312":616,"_314":617},{"_312":614,"_314":615},{"_312":612,"_314":613},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b","#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750","English",1710,1750,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":678,"_223":679,"_326":680,"_328":624,"_330":681,"_332":400,"_334":682,"_336":682,"_338":683,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[663,664,665,666,667],{"_222":659,"_223":660,"_42":661,"_305":662},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_296":656,"_298":657,"_300":658},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_292":293,"_294":295},{"_226":651,"_125":652,"_286":653},{"_277":486,"_279":649,"_281":470,"_283":650},117.37854406130268,102.37854406130268,{"_288":226,"_123":654,"_154":655,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":676,"_314":677},{"_312":674,"_314":675},{"_312":672,"_314":673},{"_312":670,"_314":671},{"_312":668,"_314":669},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":732,"_223":733,"_326":734,"_328":624,"_330":735,"_332":736,"_334":-5,"_336":-5,"_338":737,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,1.358449273096764,[717,718,719,720,721],{"_222":302,"_223":303,"_42":304,"_305":306},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":715,"_375":716},"Large English country landscape painting, farmers with horses, green trees.",{"_296":712,"_298":713,"_300":714},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_292":293,"_294":295},{"_226":707,"_125":708,"_286":709},{"_277":704,"_279":705,"_281":689,"_283":706},184,139.40655926352127,124.40655926352129,{"_288":226,"_123":710,"_154":711,"_140":99},{"_288":125,"_123":433,"_154":434,"_140":435},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_312":730,"_314":731},{"_312":728,"_314":729},{"_312":726,"_314":727},{"_312":724,"_314":725},{"_312":722,"_314":723},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[769,770,771,772,773],{"_222":377,"_223":378,"_42":379,"_305":380},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":768,"_375":376},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_296":765,"_298":766,"_300":767},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_292":293,"_294":295},{"_226":762,"_125":763,"_286":764},{"_277":759,"_279":760,"_281":761,"_283":744},185.63529411764705,211,170.63529411764705,{"_288":226,"_123":170,"_154":169,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_312":782,"_314":783},{"_312":780,"_314":781},{"_312":778,"_314":779},{"_312":776,"_314":777},{"_312":774,"_314":775},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":835,"_223":836,"_326":837,"_328":624,"_330":838,"_332":839,"_334":840,"_336":337,"_338":841,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[821,822,823,824,825],{"_222":302,"_223":303,"_42":304,"_305":306},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_296":818,"_298":819,"_300":820},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_292":602,"_294":603},{"_226":811,"_125":812,"_286":813},{"_277":808,"_279":809,"_281":792,"_283":810},79,66.1776611694153,42.177661169415295,{"_288":226,"_123":816,"_154":817,"_140":97},{"_288":125,"_123":814,"_154":815,"_140":53},{"_288":286,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_312":833,"_314":834},{"_312":831,"_314":832},{"_312":829,"_314":830},{"_312":828,"_314":725},{"_312":826,"_314":827},"#75643b",0.1438,"#483b21","#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":894,"_223":895,"_326":896,"_328":329,"_330":897,"_332":898,"_334":337,"_336":337,"_338":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[879,880,881,882,883],{"_222":659,"_223":660,"_42":661,"_305":662},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_296":876,"_298":877,"_300":878},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_292":602,"_294":603},{"_226":868,"_125":869,"_286":870},{"_277":865,"_279":866,"_281":850,"_283":867},76,62.26731078904992,38.26731078904992,{"_288":226,"_123":874,"_154":875,"_140":89},{"_288":125,"_123":871,"_154":872,"_140":873},{"_288":286,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_312":892,"_314":893},{"_312":890,"_314":891},{"_312":888,"_314":889},{"_312":886,"_314":887},{"_312":884,"_314":885},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":944,"_223":945,"_326":946,"_328":624,"_330":947,"_332":948,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",0.7940150839347985,[929,930,931,932,933],{"_222":302,"_223":303,"_42":304,"_305":306},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":928,"_375":716},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_296":925,"_298":926,"_300":927},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_292":293,"_294":295},{"_226":920,"_125":921,"_286":922},{"_277":918,"_279":486,"_281":919,"_283":470},115.83991565971941,100.83991565971941,{"_288":226,"_123":923,"_154":924,"_140":89},{"_288":125,"_123":433,"_154":434,"_140":435},{"_288":286,"_123":430,"_154":431,"_140":432},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.",{"_312":942,"_314":943},{"_312":940,"_314":941},{"_312":938,"_314":939},{"_312":936,"_314":937},{"_312":934,"_314":935},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":396,"_223":397,"_326":398,"_328":329,"_330":399,"_332":400,"_334":-5,"_336":-5,"_338":401,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[979,980,981,982,983],{"_222":441,"_223":442,"_42":443,"_305":444},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_296":976,"_298":977,"_300":978},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_292":293,"_294":295},{"_226":973,"_125":974,"_286":975},{"_277":970,"_279":971,"_281":972,"_283":955},54.4048095703125,74.1,39.4048095703125,{"_288":226,"_123":369,"_154":370,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_312":992,"_314":993},{"_312":990,"_314":991},{"_312":988,"_314":989},{"_312":986,"_314":987},{"_312":984,"_314":985},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":1041,"_223":1042,"_326":1043,"_328":329,"_330":1044,"_332":1045,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[1026,1027,1028,1029,1030],{"_222":441,"_223":442,"_42":443,"_305":444},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_296":1023,"_298":1024,"_300":1025},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_292":602,"_294":603},{"_226":1018,"_125":1019,"_286":1020},{"_277":1015,"_279":1016,"_281":1000,"_283":1017},60.9,49.927294921875,25.927294921875,{"_288":226,"_123":1021,"_154":1022,"_140":89},{"_288":125,"_123":597,"_154":598,"_140":599},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_312":1039,"_314":1040},{"_312":1037,"_314":1038},{"_312":1035,"_314":1036},{"_312":1033,"_314":1034},{"_312":1031,"_314":1032},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":1095,"_223":1096,"_326":1097,"_328":329,"_330":1098,"_332":1099,"_334":1100,"_336":337,"_338":1101,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[1080,1081,1082,1083,1084],{"_222":377,"_223":378,"_42":379,"_305":380},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":1079,"_375":376},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_296":1076,"_298":1077,"_300":1078},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_292":293,"_294":295},{"_226":1071,"_125":1072,"_286":1073},{"_277":1067,"_279":1068,"_281":1069,"_283":1070},163.0235294117647,255,148.0235294117647,240,{"_288":226,"_123":1074,"_154":1075,"_140":91},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_312":1093,"_314":1094},{"_312":1091,"_314":1092},{"_312":1089,"_314":1090},{"_312":1087,"_314":1088},{"_312":1085,"_314":1086},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1147,"_223":1148,"_326":1149,"_328":624,"_330":1150,"_332":1151,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[1132,1133,1134,1135,1136],{"_222":302,"_223":303,"_42":304,"_305":306},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.",{"_296":1129,"_298":1130,"_300":1131},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_292":293,"_294":295},{"_226":1124,"_125":1125,"_286":1126},{"_277":1121,"_279":1122,"_281":1123,"_283":1108},42.32984293193717,51,27.329842931937172,{"_288":226,"_123":1127,"_154":1128,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_312":1145,"_314":1146},{"_312":1143,"_314":1144},{"_312":1141,"_314":1142},{"_312":1139,"_314":1140},{"_312":1137,"_314":1138},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,{"_1153":-5,"_1154":1155,"_1156":1157,"_1158":8,"_1159":1160,"_1161":8},"user","csrf","6a196ffe6697f17eb8d0e1042c429f8b5a83cfbf","cartCount",0,"dropLive","legal",[1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173],"uploadsEnabled",{"_223":1196,"_20":1197},{"_223":1194,"_20":1195},{"_223":1192,"_20":1193},{"_223":1190,"_20":1191},{"_223":1188,"_20":1189},{"_223":1186,"_20":1187},{"_223":1184,"_20":1185},{"_223":1182,"_20":1183},{"_223":1180,"_20":1181},{"_223":1178,"_20":1179},{"_223":1176,"_20":1177},{"_223":1174,"_20":1175},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]