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The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.","images",{"_292":293,"_294":295,"_296":297},"download_url","https://img.ochreeditions.com/m/1331.jpg?dl=1","page_url","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","walk_url","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","frame",{"_288":289,"_290":291},{"_222":280,"_125":281,"_282":283},"size",{"_273":274,"_275":276,"_277":278,"_279":243},"w",113.11484375,"h",138.2,"image_w",98.11484375,"image_h",{"_284":222,"_123":170,"_154":169,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},"era",{"_284":282,"_123":166,"_154":165,"_140":168},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1331/480.jpg","960","https://img.ochreeditions.com/a/1331/960.jpg","1920","https://img.ochreeditions.com/a/1331/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_308":318,"_310":319},{"_308":316,"_310":317},{"_308":314,"_310":315},{"_308":312,"_310":313},{"_308":309,"_310":311},"hex","#b4864a","weight",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","bio","British, 1804–1887","nationality","British","birth_year",1804,"death_year",1887,"birth_place","death_place","about_excerpt","the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":385,"_219":386,"_322":387,"_324":388,"_326":389,"_328":390,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[370,371,372,373,374],{"_218":366,"_219":367,"_42":368,"_301":369},"Courtesy of the Art Institute of Chicago","2019.193","John Linnell painted this in 1834, aged 42. 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Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":452,"_310":453},{"_308":450,"_310":451},{"_308":448,"_310":449},{"_308":446,"_310":447},{"_308":444,"_310":445},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":510,"_219":511,"_322":512,"_324":513,"_326":514,"_328":515,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[495,496,497,498,499],{"_218":435,"_219":436,"_42":437,"_301":438},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":494,"_433":434},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_292":491,"_294":492,"_296":493},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_288":289,"_290":291},{"_222":486,"_125":487,"_282":488},{"_273":483,"_275":484,"_277":467,"_279":485},142,116.11441176470589,101.11441176470589,{"_284":222,"_123":489,"_154":490,"_140":89},{"_284":125,"_123":424,"_154":425,"_140":426},{"_284":282,"_123":421,"_154":422,"_140":423},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_308":508,"_310":509},{"_308":506,"_310":507},{"_308":504,"_310":505},{"_308":502,"_310":503},{"_308":500,"_310":501},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":571,"_219":572,"_322":573,"_324":325,"_326":574,"_328":575,"_330":576,"_331":460,"_332":577,"_140":97},"1830","print","Print","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[556,557,558,559,560],{"_218":298,"_219":299,"_42":300,"_301":302},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_292":553,"_294":554,"_296":555},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_288":551,"_290":552},{"_222":543,"_125":544,"_282":545},{"_273":540,"_275":541,"_277":524,"_279":542},49.2,41.94638671875,17.94638671875,{"_284":222,"_123":549,"_154":550,"_140":97},{"_284":125,"_123":546,"_154":547,"_140":548},{"_284":282,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","white","snow","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_308":569,"_310":570},{"_308":567,"_310":568},{"_308":565,"_310":566},{"_308":563,"_310":564},{"_308":561,"_310":562},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":454,"_219":455,"_322":456,"_324":325,"_326":457,"_328":458,"_330":459,"_331":460,"_332":461,"_140":91},"1803–15","Oil on canvas","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[611,612,613,614,615],{"_218":366,"_219":367,"_42":368,"_301":369},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":609,"_433":610},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_292":606,"_294":607,"_296":608},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_288":289,"_290":291},{"_222":603,"_125":604,"_282":605},{"_273":600,"_275":601,"_277":602,"_279":585},116.09951287404314,143,101.09951287404314,{"_284":222,"_123":427,"_154":428,"_140":91},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_308":624,"_310":625},{"_308":622,"_310":623},{"_308":620,"_310":621},{"_308":618,"_310":619},{"_308":616,"_310":617},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":571,"_219":572,"_322":573,"_324":325,"_326":574,"_328":575,"_330":576,"_331":460,"_332":577,"_140":97},"mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[656,657,658,659,660],{"_218":298,"_219":299,"_42":300,"_301":302},"2001.118.21","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_292":653,"_294":654,"_296":655},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_288":551,"_290":552},{"_222":650,"_125":651,"_282":652},{"_273":646,"_275":647,"_277":648,"_279":649},49,44.166015625,25,20.166015625,{"_284":222,"_123":549,"_154":550,"_140":97},{"_284":125,"_123":546,"_154":547,"_140":548},{"_284":282,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_308":669,"_310":670},{"_308":667,"_310":668},{"_308":665,"_310":666},{"_308":663,"_310":664},{"_308":661,"_310":662},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[704,705,706,707,708],{"_218":366,"_219":367,"_42":368,"_301":369},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_292":701,"_294":702,"_296":703},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_288":551,"_290":552},{"_222":693,"_125":694,"_282":695},{"_273":646,"_275":691,"_277":648,"_279":692},48.48828746872867,24.488287468728675,{"_284":222,"_123":699,"_154":700,"_140":97},{"_284":125,"_123":696,"_154":697,"_140":698},{"_284":282,"_123":421,"_154":422,"_140":423},"style/print-18","More prints of the 18th century",129,"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_308":717,"_310":718},{"_308":715,"_310":716},{"_308":713,"_310":714},{"_308":711,"_310":712},{"_308":709,"_310":710},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":769,"_219":770,"_322":771,"_324":388,"_326":772,"_328":773,"_330":-5,"_331":-5,"_332":774,"_140":99},"c. 1783","watercolour","Drawing and Watercolor","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[755,756,757,758,759],{"_218":366,"_219":367,"_42":368,"_301":369},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_292":752,"_294":753,"_296":754},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_288":551,"_290":552},{"_222":745,"_125":746,"_282":747},{"_273":742,"_275":743,"_277":727,"_279":744},71,60.23588863463005,36.23588863463005,{"_284":222,"_123":750,"_154":751,"_140":99},{"_284":125,"_123":748,"_154":749,"_140":53},{"_284":282,"_123":421,"_154":422,"_140":423},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_308":767,"_310":768},{"_308":765,"_310":766},{"_308":764,"_310":501},{"_308":762,"_310":763},{"_308":760,"_310":761},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f","#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":828,"_219":829,"_322":830,"_324":388,"_326":831,"_328":832,"_330":833,"_331":460,"_332":834,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[813,814,815,816,817],{"_218":809,"_219":810,"_42":811,"_301":812},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_292":806,"_294":807,"_296":808},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_288":289,"_290":291},{"_222":801,"_125":802,"_282":803},{"_273":798,"_275":799,"_277":800,"_279":782},135.62100077780656,162.6,120.62100077780657,{"_284":222,"_123":804,"_154":805,"_140":97},{"_284":125,"_123":424,"_154":425,"_140":426},{"_284":282,"_123":421,"_154":422,"_140":423},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_308":826,"_310":827},{"_308":824,"_310":825},{"_308":822,"_310":823},{"_308":820,"_310":821},{"_308":818,"_310":819},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":882,"_219":883,"_322":884,"_324":388,"_326":885,"_328":886,"_330":460,"_331":460,"_332":887,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[867,868,869,870,871],{"_218":366,"_219":367,"_42":368,"_301":369},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_292":864,"_294":865,"_296":866},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_288":289,"_290":291},{"_222":859,"_125":860,"_282":861},{"_273":856,"_275":857,"_277":840,"_279":858},239,188.10233393177737,173.10233393177737,{"_284":222,"_123":862,"_154":863,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_308":880,"_310":881},{"_308":878,"_310":879},{"_308":876,"_310":877},{"_308":874,"_310":875},{"_308":872,"_310":873},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":934,"_219":935,"_322":936,"_324":388,"_326":937,"_328":938,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",65,0.7011965811965812,[919,920,921,922,923],{"_218":366,"_219":367,"_42":368,"_301":369},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_292":916,"_294":917,"_296":918},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_288":551,"_290":552},{"_222":911,"_125":912,"_282":913},{"_273":908,"_275":909,"_277":910,"_279":894},69.57777777777778,89,45.57777777777778,{"_284":222,"_123":914,"_154":915,"_140":89},{"_284":125,"_123":696,"_154":697,"_140":698},{"_284":282,"_123":421,"_154":422,"_140":423},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_308":932,"_310":933},{"_308":930,"_310":931},{"_308":928,"_310":929},{"_308":926,"_310":927},{"_308":924,"_310":925},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"peamore-devon-nga-137152","Peamore, Devon",{"_42":991,"_219":992,"_322":993,"_324":325,"_326":994,"_328":886,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[976,977,978,979,980],{"_218":298,"_219":299,"_42":300,"_301":302},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_292":973,"_294":974,"_296":975},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_288":551,"_290":552},{"_222":965,"_125":966,"_282":967},{"_273":962,"_275":963,"_277":947,"_279":964},81.3,70.4443359375,46.44433593749999,{"_284":222,"_123":971,"_154":972,"_140":89},{"_284":125,"_123":968,"_154":969,"_140":970},{"_284":282,"_123":421,"_154":422,"_140":423},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_308":989,"_310":990},{"_308":987,"_310":988},{"_308":985,"_310":986},{"_308":983,"_310":984},{"_308":981,"_310":982},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":454,"_219":455,"_322":456,"_324":325,"_326":457,"_328":458,"_330":459,"_331":460,"_332":461,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1025,1026,1027,1028,1029],{"_218":435,"_219":436,"_42":437,"_301":438},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1024,"_433":434},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_292":1021,"_294":1022,"_296":1023},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_288":289,"_290":291},{"_222":1018,"_125":1019,"_282":1020},{"_273":1015,"_275":1016,"_277":1017,"_279":698},117.63088235294117,144,102.63088235294117,{"_284":222,"_123":427,"_154":428,"_140":91},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_308":1038,"_310":1039},{"_308":1036,"_310":1037},{"_308":1034,"_310":1035},{"_308":1032,"_310":1033},{"_308":1030,"_310":1031},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":1086,"_219":1087,"_322":1088,"_324":325,"_326":1089,"_328":1090,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[1071,1072,1073,1074,1075],{"_218":298,"_219":299,"_42":300,"_301":302},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_292":1068,"_294":1069,"_296":1070},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_288":551,"_290":552},{"_222":1063,"_125":1064,"_282":1065},{"_273":1060,"_275":1061,"_277":1046,"_279":1062},82.5,66.1468505859375,42.1468505859375,{"_284":222,"_123":1066,"_154":1067,"_140":89},{"_284":125,"_123":696,"_154":697,"_140":698},{"_284":282,"_123":421,"_154":422,"_140":423},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_308":1084,"_310":1085},{"_308":1082,"_310":1083},{"_308":1080,"_310":1081},{"_308":1078,"_310":1079},{"_308":1076,"_310":1077},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":882,"_219":883,"_322":884,"_324":388,"_326":885,"_328":886,"_330":460,"_331":460,"_332":887,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",92,1.3465346534653466,[1120,1121,1122,1123,1124],{"_218":435,"_219":436,"_42":437,"_301":438},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":1119,"_433":434},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_292":1116,"_294":1117,"_296":1118},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_288":289,"_290":291},{"_222":1113,"_125":1114,"_282":1115},{"_273":276,"_275":1111,"_277":243,"_279":1112},106.49411764705881,91.49411764705881,{"_284":222,"_123":862,"_154":863,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_308":1133,"_310":1134},{"_308":1131,"_310":1132},{"_308":1129,"_310":1130},{"_308":1127,"_310":1128},{"_308":1125,"_310":1126},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","6aa04bdacb5a9312cb1daadd333798220dd94352","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},{"_219":1165,"_20":1166},{"_219":1163,"_20":1164},{"_219":1161,"_20":1162},{"_219":1159,"_20":1160},{"_219":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]