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The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#bc9f72","weight",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","bio","English, 1769–1830","nationality","British","birth_year",1769,"death_year",1830,"birth_place","Bristol","death_place","London","about_excerpt","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":398,"_221":399,"_328":400,"_330":401,"_332":402,"_334":403,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[383,384,385,386,387],{"_220":304,"_221":305,"_42":306,"_307":308},"1940.563","David Roberts painted this in 1834, aged 38. 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It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_295":440,"_297":441,"_299":442},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_291":377,"_293":378},{"_224":432,"_125":433,"_285":434},{"_276":429,"_278":430,"_280":412,"_282":431},49.2,41.94638671875,17.94638671875,{"_287":224,"_123":438,"_154":439,"_140":97},{"_287":125,"_123":435,"_154":436,"_140":437},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":460,"_316":461},{"_314":458,"_316":459},{"_314":456,"_316":457},{"_314":454,"_316":455},{"_314":452,"_316":453},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":524,"_221":525,"_328":526,"_330":331,"_332":527,"_334":528,"_336":529,"_338":339,"_340":530,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[509,510,511,512,513],{"_220":304,"_221":305,"_42":306,"_307":308},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":508,"_302":303},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_295":505,"_297":506,"_299":507},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_291":292,"_293":294},{"_224":494,"_125":495,"_285":496},{"_276":491,"_278":492,"_280":493,"_282":476},80.5529411764706,95,65.5529411764706,{"_287":224,"_123":503,"_154":504,"_140":95},{"_287":125,"_123":500,"_154":501,"_140":502},{"_287":285,"_123":497,"_154":498,"_140":499},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century",168,"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_314":522,"_316":523},{"_314":520,"_316":521},{"_314":518,"_316":519},{"_314":516,"_316":517},{"_314":514,"_316":515},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":584,"_221":585,"_328":586,"_330":331,"_332":587,"_334":588,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1785",18,"etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[569,570,571,572,573],{"_220":443,"_221":444,"_42":445,"_307":446},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":566,"_297":567,"_299":568},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":377,"_293":378},{"_224":556,"_125":557,"_285":558},{"_276":553,"_278":554,"_280":538,"_282":555},60.9,49.927294921875,25.927294921875,{"_287":224,"_123":564,"_154":565,"_140":89},{"_287":125,"_123":562,"_154":563,"_140":245},{"_287":285,"_123":559,"_154":560,"_140":561},"era/18-britain","18th-century Britain",42,"style/print-18","More prints of the 18th century","artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_314":582,"_316":583},{"_314":580,"_316":581},{"_314":578,"_316":579},{"_314":576,"_316":577},{"_314":574,"_316":575},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":645,"_221":646,"_328":647,"_330":648,"_332":649,"_334":650,"_336":651,"_338":651,"_340":652,"_140":99},"1779","Paintings","Oil on canvas","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[630,631,632,633,634],{"_220":626,"_221":627,"_42":628,"_307":629},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_295":623,"_297":624,"_299":625},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_291":292,"_293":294},{"_224":616,"_125":617,"_285":618},{"_276":613,"_278":614,"_280":596,"_282":615},142,117.37854406130268,102.37854406130268,{"_287":224,"_123":621,"_154":622,"_140":99},{"_287":125,"_123":619,"_154":620,"_140":502},{"_287":285,"_123":559,"_154":560,"_140":561},"style/painting-18","More paintings of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":643,"_316":644},{"_314":641,"_316":642},{"_314":639,"_316":640},{"_314":637,"_316":638},{"_314":635,"_316":636},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":699,"_221":700,"_328":701,"_330":401,"_332":702,"_334":703,"_336":-5,"_338":-5,"_340":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,0.655517578125,[684,685,686,687,688],{"_220":443,"_221":444,"_42":445,"_307":446},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_295":681,"_297":682,"_299":683},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_291":377,"_293":378},{"_224":676,"_125":677,"_285":678},{"_276":672,"_278":673,"_280":674,"_282":675},40.387939453125,49,16.387939453125,25,{"_287":224,"_123":679,"_154":680,"_140":89},{"_287":125,"_123":562,"_154":563,"_140":245},{"_287":285,"_123":559,"_154":560,"_140":561},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_314":697,"_316":698},{"_314":695,"_316":696},{"_314":693,"_316":694},{"_314":691,"_316":692},{"_314":689,"_316":690},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":751,"_221":752,"_328":753,"_330":331,"_332":754,"_334":755,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",24.9,1.4789038712483689,[736,737,738,739,740],{"_220":304,"_221":305,"_42":306,"_307":308},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":735,"_302":303},"Bray Church Yard, by John Varley, 1807",{"_295":732,"_297":733,"_299":734},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":377,"_293":378},{"_224":727,"_125":728,"_285":729},{"_276":553,"_278":725,"_280":538,"_282":726},48.95091176470588,24.950911764705882,{"_287":224,"_123":730,"_154":731,"_140":89},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_314":749,"_316":750},{"_314":747,"_316":748},{"_314":745,"_316":746},{"_314":743,"_316":744},{"_314":741,"_316":742},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":802,"_221":803,"_328":804,"_330":805,"_332":806,"_334":807,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[787,788,789,790,791],{"_220":304,"_221":305,"_42":306,"_307":308},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":786,"_302":303},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_295":783,"_297":784,"_299":785},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_291":292,"_293":294},{"_224":778,"_125":779,"_285":780},{"_276":613,"_278":776,"_280":596,"_282":777},116.11441176470589,101.11441176470589,{"_287":224,"_123":781,"_154":782,"_140":89},{"_287":125,"_123":619,"_154":620,"_140":502},{"_287":285,"_123":559,"_154":560,"_140":561},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_314":800,"_316":801},{"_314":798,"_316":799},{"_314":796,"_316":797},{"_314":794,"_316":795},{"_314":792,"_316":793},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":853,"_221":854,"_328":855,"_330":401,"_332":587,"_334":856,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,1.1770114942528735,[838,839,840,841,842],{"_220":443,"_221":444,"_42":445,"_307":446},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":835,"_297":836,"_299":837},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":292,"_293":294},{"_224":830,"_125":831,"_285":832},{"_276":827,"_278":828,"_280":813,"_282":829},135,116.953125,101.953125,{"_287":224,"_123":833,"_154":834,"_140":89},{"_287":125,"_123":619,"_154":620,"_140":502},{"_287":285,"_123":559,"_154":560,"_140":561},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_314":851,"_316":852},{"_314":849,"_316":850},{"_314":847,"_316":848},{"_314":845,"_316":846},{"_314":843,"_316":844},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823",1823,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":904,"_221":905,"_328":906,"_330":331,"_332":907,"_334":650,"_336":-5,"_338":-5,"_340":908,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[889,890,891,892,893],{"_220":443,"_221":444,"_42":445,"_307":446},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_295":886,"_297":887,"_299":888},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_291":292,"_293":294},{"_224":881,"_125":882,"_285":883},{"_276":878,"_278":879,"_280":880,"_282":863},54.4048095703125,74.1,39.4048095703125,{"_287":224,"_123":884,"_154":885,"_140":99},{"_287":125,"_123":619,"_154":620,"_140":502},{"_287":285,"_123":559,"_154":560,"_140":561},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_314":902,"_316":903},{"_314":900,"_316":901},{"_314":898,"_316":899},{"_314":896,"_316":897},{"_314":894,"_316":895},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","william-pitt-nga-52264","William Pitt",{"_42":904,"_221":905,"_328":906,"_330":331,"_332":907,"_334":650,"_336":-5,"_338":-5,"_340":908,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[939,940,941,942,943],{"_220":443,"_221":444,"_42":445,"_307":446},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_295":936,"_297":937,"_299":938},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_291":292,"_293":294},{"_224":933,"_125":934,"_285":935},{"_276":931,"_278":168,"_280":932,"_282":675},34.62890625,19.62890625,{"_287":224,"_123":884,"_154":885,"_140":99},{"_287":125,"_123":619,"_154":620,"_140":502},{"_287":285,"_123":559,"_154":560,"_140":561},"https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_314":952,"_316":953},{"_314":950,"_316":951},{"_314":948,"_316":949},{"_314":946,"_316":947},{"_314":944,"_316":945},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":1001,"_221":1002,"_328":1003,"_330":648,"_332":1004,"_334":702,"_336":1005,"_338":339,"_340":1006,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[986,987,988,989,990],{"_220":443,"_221":444,"_42":445,"_307":446},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_295":983,"_297":984,"_299":985},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_291":292,"_293":294},{"_224":978,"_125":979,"_285":980},{"_276":975,"_278":976,"_280":959,"_282":977},142.6,116.65009765625,101.65009765625,{"_287":224,"_123":981,"_154":982,"_140":97},{"_287":125,"_123":619,"_154":620,"_140":502},{"_287":285,"_123":559,"_154":560,"_140":561},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_314":999,"_316":1000},{"_314":997,"_316":998},{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":1053,"_221":1054,"_328":1055,"_330":331,"_332":1056,"_334":1057,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[1038,1039,1040,1041,1042],{"_220":443,"_221":444,"_42":445,"_307":446},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_295":1035,"_297":1036,"_299":1037},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_291":292,"_293":294},{"_224":1030,"_125":1031,"_285":1032},{"_276":1027,"_278":1028,"_280":1029,"_282":1013},113.11484375,138.2,98.11484375,{"_287":224,"_123":1033,"_154":1034,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_314":1051,"_316":1052},{"_314":1049,"_316":1050},{"_314":1047,"_316":1048},{"_314":1045,"_316":1046},{"_314":1043,"_316":1044},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":524,"_221":525,"_328":526,"_330":331,"_332":527,"_334":528,"_336":529,"_338":339,"_340":530,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[1092,1093,1094,1095,1096],{"_220":1088,"_221":1089,"_42":1090,"_307":1091},"Courtesy of the Art Institute of Chicago","2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":1085,"_297":1086,"_299":1087},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_291":292,"_293":294},{"_224":1082,"_125":1083,"_285":1084},{"_276":1079,"_278":1080,"_280":1081,"_282":1064},76.14076281287247,88,61.14076281287247,{"_287":224,"_123":503,"_154":504,"_140":95},{"_287":125,"_123":619,"_154":620,"_140":502},{"_287":285,"_123":559,"_154":560,"_140":561},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":1105,"_316":1106},{"_314":1103,"_316":1104},{"_314":1101,"_316":1102},{"_314":1099,"_316":1100},{"_314":1097,"_316":1098},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":904,"_221":905,"_328":906,"_330":331,"_332":907,"_334":650,"_336":-5,"_338":-5,"_340":908,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[1138,1139,1140,1141,1142],{"_220":304,"_221":305,"_42":306,"_307":308},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":1137,"_302":303},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_295":1134,"_297":1135,"_299":1136},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_291":292,"_293":294},{"_224":1131,"_125":1132,"_285":1133},{"_276":1128,"_278":1129,"_280":1130,"_282":1113},83.17205882352941,90.5,68.17205882352941,{"_287":224,"_123":884,"_154":885,"_140":99},{"_287":125,"_123":619,"_154":620,"_140":502},{"_287":285,"_123":559,"_154":560,"_140":561},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_314":1151,"_316":1152},{"_314":1149,"_316":1150},{"_314":1147,"_316":1148},{"_314":1145,"_316":1146},{"_314":1143,"_316":1144},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","c5cc63b79a0297d76b28ec03ff03b604c80242d7","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]