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(17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[444,445,446,447,448],{"_220":440,"_221":441,"_42":442,"_303":443},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_294":437,"_296":438,"_298":439},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_290":435,"_292":436},{"_224":427,"_125":428,"_284":429},{"_275":423,"_277":424,"_279":425,"_280":426},49,43.859539602028875,25,19.85953960202887,{"_286":224,"_123":433,"_154":434,"_140":97},{"_286":125,"_123":430,"_154":431,"_140":432},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","white","snow","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":522,"_221":523,"_324":524,"_326":394,"_328":525,"_330":526,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1784, after the drawing of 1775",18,"Print","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[507,508,509,510,511],{"_220":372,"_221":373,"_42":374,"_303":375},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":504,"_296":505,"_298":506},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":435,"_292":436},{"_224":493,"_125":494,"_284":495},{"_275":490,"_277":491,"_279":492,"_280":476},69.57777777777778,89,45.57777777777778,{"_286":224,"_123":502,"_154":503,"_140":89},{"_286":125,"_123":499,"_154":500,"_140":501},{"_286":284,"_123":496,"_154":497,"_140":498},"era/18-britain","18th-century Britain",42,"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_310":520,"_312":521},{"_310":518,"_312":519},{"_310":516,"_312":517},{"_310":514,"_312":515},{"_310":512,"_312":513},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":578,"_221":579,"_324":580,"_326":394,"_328":581,"_330":582,"_332":-5,"_333":-5,"_334":583,"_140":99},"n.d.","watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[563,564,565,566,567],{"_220":372,"_221":373,"_42":374,"_303":375},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":560,"_296":561,"_298":562},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":435,"_292":436},{"_224":553,"_125":554,"_284":555},{"_275":550,"_277":551,"_279":535,"_280":552},53,44.521086780210865,20.52108678021087,{"_286":224,"_123":558,"_154":559,"_140":99},{"_286":125,"_123":556,"_154":557,"_140":53},{"_286":284,"_123":496,"_154":497,"_140":498},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_310":576,"_312":577},{"_310":574,"_312":575},{"_310":572,"_312":573},{"_310":570,"_312":571},{"_310":568,"_312":569},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":635,"_221":636,"_324":637,"_326":394,"_328":638,"_330":639,"_332":640,"_333":640,"_334":641,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[620,621,622,623,624],{"_220":440,"_221":441,"_42":442,"_303":443},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_294":617,"_296":618,"_298":619},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_290":291,"_292":293},{"_224":609,"_125":610,"_284":611},{"_275":606,"_277":607,"_279":590,"_280":608},142,117.37854406130268,102.37854406130268,{"_286":224,"_123":615,"_154":616,"_140":99},{"_286":125,"_123":612,"_154":613,"_140":614},{"_286":284,"_123":496,"_154":497,"_140":498},"style/painting-18","More paintings of the 18th century",168,"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_310":633,"_312":634},{"_310":631,"_312":632},{"_310":629,"_312":630},{"_310":627,"_312":628},{"_310":625,"_312":626},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":578,"_221":579,"_324":580,"_326":394,"_328":581,"_330":582,"_332":-5,"_333":-5,"_334":583,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",34,1.2970566411080882,[671,672,673,674,675],{"_220":372,"_221":373,"_42":374,"_303":375},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_294":668,"_296":669,"_298":670},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_290":435,"_292":436},{"_224":665,"_125":666,"_284":667},{"_275":662,"_277":663,"_279":475,"_280":664},71,60.23588863463005,36.23588863463005,{"_286":224,"_123":558,"_154":559,"_140":99},{"_286":125,"_123":556,"_154":557,"_140":53},{"_286":284,"_123":496,"_154":497,"_140":498},"https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_310":683,"_312":684},{"_310":681,"_312":682},{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":676,"_312":626},"#a49483","#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":731,"_221":732,"_324":733,"_326":394,"_328":734,"_330":735,"_332":736,"_333":465,"_334":737,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",84,0.837890625,[716,717,718,719,720],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_294":713,"_296":714,"_298":715},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_290":291,"_292":293},{"_224":708,"_125":709,"_284":710},{"_275":705,"_277":706,"_279":707,"_280":690},85.3828125,99,70.3828125,{"_286":224,"_123":711,"_154":712,"_140":97},{"_286":125,"_123":612,"_154":613,"_140":614},{"_286":284,"_123":496,"_154":497,"_140":498},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_310":729,"_312":730},{"_310":727,"_312":728},{"_310":725,"_312":726},{"_310":723,"_312":724},{"_310":721,"_312":722},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":784,"_221":785,"_324":786,"_326":394,"_328":329,"_330":787,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[769,770,771,772,773],{"_220":372,"_221":373,"_42":374,"_303":375},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":768,"_370":371},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_294":765,"_296":766,"_298":767},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_290":291,"_292":293},{"_224":760,"_125":761,"_284":762},{"_275":758,"_277":606,"_279":759,"_280":590},115.83991565971941,100.83991565971941,{"_286":224,"_123":763,"_154":764,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.",{"_310":782,"_312":783},{"_310":780,"_312":781},{"_310":778,"_312":779},{"_310":776,"_312":777},{"_310":774,"_312":775},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1847,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":832,"_221":833,"_324":834,"_326":394,"_328":835,"_330":836,"_332":-5,"_333":-5,"_334":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[818,819,820,821,822],{"_220":372,"_221":373,"_42":374,"_303":375},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":815,"_296":816,"_298":817},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":435,"_292":436},{"_224":810,"_125":811,"_284":812},{"_275":807,"_277":808,"_279":809,"_280":169},55.65007857517025,64,31.650078575170248,{"_286":224,"_123":813,"_154":814,"_140":99},{"_286":125,"_123":499,"_154":500,"_140":501},{"_286":284,"_123":496,"_154":497,"_140":498},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":827,"_312":313},{"_310":825,"_312":826},{"_310":823,"_312":824},"#796237",0.064,"#5c493a",0.0907,"#8a7b65","#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"self-portrait-aic-11706","Self-Portrait",{"_42":578,"_221":579,"_324":580,"_326":394,"_328":581,"_330":582,"_332":-5,"_333":-5,"_334":583,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,0.5697549441100602,[867,868,869,870,871],{"_220":372,"_221":373,"_42":374,"_303":375},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":864,"_296":865,"_298":866},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":435,"_292":436},{"_224":861,"_125":862,"_284":863},{"_275":858,"_277":859,"_279":860,"_280":793},41.0926483233018,54,17.092648323301805,{"_286":224,"_123":558,"_154":559,"_140":99},{"_286":125,"_123":556,"_154":557,"_140":53},{"_286":284,"_123":496,"_154":497,"_140":498},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":880,"_312":881},{"_310":878,"_312":879},{"_310":876,"_312":877},{"_310":874,"_312":875},{"_310":872,"_312":873},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":941,"_221":942,"_324":943,"_326":327,"_328":944,"_330":945,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[926,927,928,929,930],{"_220":922,"_221":923,"_42":924,"_303":925},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":920,"_370":921},"Bray Church Yard, by John Varley, 1807",{"_294":917,"_296":918,"_298":919},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_290":435,"_292":436},{"_224":910,"_125":911,"_284":912},{"_275":907,"_277":908,"_279":890,"_280":909},60.9,48.95091176470588,24.950911764705882,{"_286":224,"_123":915,"_154":916,"_140":89},{"_286":125,"_123":913,"_154":914,"_140":245},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":939,"_312":940},{"_310":937,"_312":938},{"_310":935,"_312":936},{"_310":933,"_312":934},{"_310":931,"_312":932},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[981,982,983,984,985],{"_220":978,"_221":979,"_42":980,"_303":304},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_294":975,"_296":976,"_298":977},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_290":291,"_292":293},{"_224":970,"_125":971,"_284":972},{"_275":967,"_277":968,"_279":969,"_280":952},117.51170000000002,143.3,102.51170000000002,{"_286":224,"_123":973,"_154":974,"_140":97},{"_286":125,"_123":612,"_154":613,"_140":614},{"_286":284,"_123":496,"_154":497,"_140":498},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_310":994,"_312":829},{"_310":992,"_312":993},{"_310":990,"_312":991},{"_310":988,"_312":989},{"_310":986,"_312":987},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1022,1023,1024,1025,1026],{"_220":372,"_221":373,"_42":374,"_303":375},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_294":1019,"_296":1020,"_298":1021},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_290":435,"_292":436},{"_224":1016,"_125":1017,"_284":1018},{"_275":423,"_277":1014,"_279":425,"_280":1015},48.48828746872867,24.488287468728675,{"_286":224,"_123":973,"_154":974,"_140":97},{"_286":125,"_123":499,"_154":500,"_140":501},{"_286":284,"_123":496,"_154":497,"_140":498},"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_310":1035,"_312":1036},{"_310":1033,"_312":1034},{"_310":1031,"_312":1032},{"_310":1029,"_312":1030},{"_310":1027,"_312":1028},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":731,"_221":732,"_324":733,"_326":394,"_328":734,"_330":735,"_332":736,"_333":465,"_334":737,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[1068,1069,1070,1071,1072],{"_220":372,"_221":373,"_42":374,"_303":375},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_294":1065,"_296":1066,"_298":1067},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_290":435,"_292":436},{"_224":1062,"_125":1063,"_284":1064},{"_275":1059,"_277":1060,"_279":1043,"_280":1061},79,66.1776611694153,42.177661169415295,{"_286":224,"_123":711,"_154":712,"_140":97},{"_286":125,"_123":556,"_154":557,"_140":53},{"_286":284,"_123":496,"_154":497,"_140":498},"https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1075,"_312":384},{"_310":1073,"_312":1074},"#75643b",0.1438,"#483b21","#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":1129,"_221":1130,"_324":1131,"_326":327,"_328":1132,"_330":1133,"_332":1134,"_333":465,"_334":1135,"_140":91},"1790","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[1114,1115,1116,1117,1118],{"_220":440,"_221":441,"_42":442,"_303":443},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_294":1111,"_296":1112,"_298":1113},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_290":291,"_292":293},{"_224":1106,"_125":1107,"_284":1108},{"_275":1103,"_277":1104,"_279":1105,"_280":1088},161.4845419354839,253.8,146.4845419354839,{"_286":224,"_123":1109,"_154":1110,"_140":91},{"_286":125,"_123":612,"_154":613,"_140":614},{"_286":284,"_123":496,"_154":497,"_140":498},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_310":1127,"_312":1128},{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},{"_310":1121,"_312":1122},{"_310":1119,"_312":1120},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.",{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","a73b3905d64ac6e178256679c34a388cd7c2694a","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]