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Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#a39e86","weight",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","bio","English, 1769–1830","nationality","British","birth_year",1769,"death_year",1830,"birth_place","Bristol","death_place","London","about_excerpt","Lawrence was a child prodigy in pastel portraiture and largely self-taught. 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(43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[441,442,443,444,445],{"_219":438,"_220":439,"_42":440,"_307":385},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_295":435,"_297":436,"_299":437},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_291":292,"_293":294},{"_223":430,"_125":431,"_285":432},{"_275":427,"_277":428,"_279":411,"_281":429},70.2,58.4424,43.4424,{"_287":223,"_123":433,"_154":434,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_314":454,"_316":455},{"_314":452,"_316":453},{"_314":450,"_316":451},{"_314":448,"_316":449},{"_314":446,"_316":447},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":512,"_220":513,"_328":514,"_330":331,"_332":515,"_334":516,"_336":517,"_338":339,"_340":518,"_140":97},"1830",19,"mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[497,498,499,500,501],{"_219":382,"_220":383,"_42":384,"_307":385},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_295":494,"_297":495,"_299":496},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_291":377,"_293":378},{"_223":483,"_125":484,"_285":485},{"_275":479,"_277":480,"_279":481,"_281":482},49,44.166015625,25,20.166015625,{"_287":223,"_123":492,"_154":493,"_140":97},{"_287":125,"_123":489,"_154":490,"_140":491},{"_287":285,"_123":486,"_154":487,"_140":488},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},{"_314":504,"_316":505},{"_314":502,"_316":503},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":573,"_220":574,"_328":575,"_330":576,"_332":577,"_334":578,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[558,559,560,561,562],{"_219":304,"_220":305,"_42":306,"_307":308},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":557,"_302":303},"Descent into the Plain of Granada, by David Roberts, 1834",{"_295":554,"_297":555,"_299":556},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_291":377,"_293":378},{"_223":546,"_125":547,"_285":548},{"_275":543,"_277":544,"_279":527,"_281":545},56.5,47.45735294117647,23.45735294117647,{"_287":223,"_123":552,"_154":553,"_140":89},{"_287":125,"_123":549,"_154":550,"_140":551},{"_287":285,"_123":486,"_154":487,"_140":488},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_314":571,"_316":572},{"_314":569,"_316":570},{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"the-white-horse-nga-1146","The White Horse",{"_42":629,"_220":630,"_328":631,"_330":632,"_332":633,"_334":634,"_336":-5,"_338":-5,"_340":635,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[614,615,616,617,618],{"_219":382,"_220":383,"_42":384,"_307":385},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_295":611,"_297":612,"_299":613},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_291":292,"_293":294},{"_223":603,"_125":604,"_285":605},{"_275":600,"_277":601,"_279":584,"_281":602},198,142.912353515625,127.912353515625,{"_287":223,"_123":609,"_154":610,"_140":99},{"_287":125,"_123":606,"_154":607,"_140":608},{"_287":285,"_123":486,"_154":487,"_140":488},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_314":627,"_316":628},{"_314":625,"_316":626},{"_314":623,"_316":624},{"_314":621,"_316":622},{"_314":619,"_316":620},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837","English",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":629,"_220":630,"_328":631,"_330":632,"_332":633,"_334":634,"_336":-5,"_338":-5,"_340":635,"_140":99},"1836","Oil on canvas","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[674,675,676,677,678],{"_219":670,"_220":671,"_42":672,"_307":673},"Courtesy of the Art Institute of Chicago","1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":668,"_302":669},"Large English country landscape painting, farmers with horses, green trees.",{"_295":665,"_297":666,"_299":667},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_291":292,"_293":294},{"_223":662,"_125":663,"_285":664},{"_275":659,"_277":660,"_279":642,"_281":661},184,139.40655926352127,124.40655926352129,{"_287":223,"_123":609,"_154":610,"_140":99},{"_287":125,"_123":606,"_154":607,"_140":608},{"_287":285,"_123":486,"_154":487,"_140":488},"https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":687,"_316":688},{"_314":685,"_316":686},{"_314":683,"_316":684},{"_314":681,"_316":682},{"_314":679,"_316":680},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":736,"_220":737,"_328":738,"_330":331,"_332":739,"_334":740,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",24.9,1.4789038712483689,[721,722,723,724,725],{"_219":304,"_220":305,"_42":306,"_307":308},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":720,"_302":303},"Bray Church Yard, by John Varley, 1807",{"_295":717,"_297":718,"_299":719},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":377,"_293":378},{"_223":712,"_125":713,"_285":714},{"_275":366,"_277":710,"_279":350,"_281":711},48.95091176470588,24.950911764705882,{"_287":223,"_123":715,"_154":716,"_140":89},{"_287":125,"_123":549,"_154":550,"_140":551},{"_287":285,"_123":486,"_154":487,"_140":488},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_314":734,"_316":735},{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},{"_314":726,"_316":727},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":788,"_220":789,"_328":790,"_330":632,"_332":791,"_334":792,"_336":-5,"_338":-5,"_340":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[773,774,775,776,777],{"_219":670,"_220":671,"_42":672,"_307":673},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":770,"_297":771,"_299":772},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_291":377,"_293":378},{"_223":765,"_125":766,"_285":767},{"_275":762,"_277":763,"_279":764,"_281":488},55.79270227392914,64,31.792702273929137,{"_287":223,"_123":768,"_154":769,"_140":99},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},{"_314":778,"_316":779},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":840,"_220":841,"_328":842,"_330":632,"_332":843,"_334":844,"_336":845,"_338":339,"_340":846,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[825,826,827,828,829],{"_219":382,"_220":383,"_42":384,"_307":385},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_295":822,"_297":823,"_299":824},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_291":292,"_293":294},{"_223":817,"_125":818,"_285":819},{"_275":814,"_277":815,"_279":798,"_281":816},142.6,116.65009765625,101.65009765625,{"_287":223,"_123":820,"_154":821,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_314":838,"_316":839},{"_314":836,"_316":837},{"_314":834,"_316":835},{"_314":832,"_316":833},{"_314":830,"_316":831},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":840,"_220":841,"_328":842,"_330":632,"_332":843,"_334":844,"_336":845,"_338":339,"_340":846,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[882,883,884,885,886],{"_219":670,"_220":671,"_42":672,"_307":673},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_295":879,"_297":880,"_299":881},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_291":377,"_293":378},{"_223":874,"_125":875,"_285":876},{"_275":871,"_277":872,"_279":855,"_281":873},79,66.1776611694153,42.177661169415295,{"_287":223,"_123":820,"_154":821,"_140":97},{"_287":125,"_123":877,"_154":878,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_314":894,"_316":895},{"_314":892,"_316":893},{"_314":890,"_316":891},{"_314":889,"_316":682},{"_314":887,"_316":888},"#75643b",0.1438,"#483b21","#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"lord-rothes-si-saam-1956-11-60","Lord Rothes","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[924,925,926,927,928],{"_219":438,"_220":439,"_42":440,"_307":385},"1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_295":921,"_297":922,"_299":923},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_291":292,"_293":294},{"_223":918,"_125":919,"_285":920},{"_275":915,"_277":916,"_279":917,"_281":901},117.51170000000002,143.3,102.51170000000002,{"_287":223,"_123":433,"_154":434,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg",{"_314":937,"_316":938},{"_314":935,"_316":936},{"_314":933,"_316":934},{"_314":931,"_316":932},{"_314":929,"_316":930},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":986,"_220":987,"_328":988,"_330":331,"_332":989,"_334":990,"_336":-5,"_338":-5,"_340":991,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[971,972,973,974,975],{"_219":382,"_220":383,"_42":384,"_307":385},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_295":968,"_297":969,"_299":970},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_291":292,"_293":294},{"_223":963,"_125":964,"_285":965},{"_275":960,"_277":961,"_279":962,"_281":945},54.4048095703125,74.1,39.4048095703125,{"_287":223,"_123":966,"_154":967,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_314":984,"_316":985},{"_314":982,"_316":983},{"_314":980,"_316":981},{"_314":978,"_316":979},{"_314":976,"_316":977},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","heaton-park-races-nga-52254","Heaton Park Races",{"_42":1037,"_220":1038,"_328":1039,"_330":331,"_332":1040,"_334":1041,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[1022,1023,1024,1025,1026],{"_219":382,"_220":383,"_42":384,"_307":385},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_295":1019,"_297":1020,"_299":1021},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_291":292,"_293":294},{"_223":1014,"_125":1015,"_285":1016},{"_275":1011,"_277":1012,"_279":997,"_281":1013},167.6,105.38271484375,90.38271484375,{"_287":223,"_123":1017,"_154":1018,"_140":89},{"_287":125,"_123":606,"_154":607,"_140":608},{"_287":285,"_123":486,"_154":487,"_140":488},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_314":1035,"_316":1036},{"_314":1033,"_316":1034},{"_314":1031,"_316":1032},{"_314":1029,"_316":1030},{"_314":1027,"_316":1028},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":1088,"_220":1089,"_328":1090,"_330":331,"_332":1091,"_334":1092,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[1073,1074,1075,1076,1077],{"_219":382,"_220":383,"_42":384,"_307":385},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_295":1070,"_297":1071,"_299":1072},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_291":377,"_293":378},{"_223":1065,"_125":1066,"_285":1067},{"_275":1063,"_277":479,"_279":1064,"_281":481},42.560791015625,18.560791015625,{"_287":223,"_123":1068,"_154":1069,"_140":89},{"_287":125,"_123":372,"_154":373,"_140":374},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_314":1086,"_316":1087},{"_314":1084,"_316":1085},{"_314":1082,"_316":1083},{"_314":1080,"_316":1081},{"_314":1078,"_316":1079},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":1147,"_220":1148,"_328":1149,"_330":331,"_332":1150,"_334":1151,"_336":1152,"_338":339,"_340":1153,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[1132,1133,1134,1135,1136],{"_219":304,"_220":305,"_42":306,"_307":308},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":1131,"_302":303},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_295":1128,"_297":1129,"_299":1130},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_291":292,"_293":294},{"_223":1118,"_125":1119,"_285":1120},{"_275":1115,"_277":1116,"_279":1117,"_281":1100},80.5529411764706,95,65.5529411764706,{"_287":223,"_123":1126,"_154":1127,"_140":95},{"_287":125,"_123":1124,"_154":1125,"_140":290},{"_287":285,"_123":1121,"_154":1122,"_140":1123},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_314":1145,"_316":1146},{"_314":1143,"_316":1144},{"_314":1141,"_316":1142},{"_314":1139,"_316":1140},{"_314":1137,"_316":1138},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.",{"_1155":-5,"_1156":1157,"_1158":1159,"_1160":8,"_1161":1162,"_1163":8},"user","csrf","19dc2a2d21a49d132738f84e1aee55853e0f0974","cartCount",0,"dropLive","legal",[1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175],"uploadsEnabled",{"_220":1198,"_20":1199},{"_220":1196,"_20":1197},{"_220":1194,"_20":1195},{"_220":1192,"_20":1193},{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]