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The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_292":371,"_294":372,"_296":373},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_288":369,"_290":370},{"_221":361,"_125":362,"_282":363},{"_273":358,"_275":359,"_277":343,"_278":360},82.5,66.1468505859375,42.1468505859375,{"_284":221,"_123":367,"_154":368,"_140":89},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","white","snow","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":391,"_310":392},{"_308":389,"_310":390},{"_308":387,"_310":388},{"_308":385,"_310":386},{"_308":383,"_310":384},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780","British",1701,1780,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":451,"_218":452,"_322":453,"_324":396,"_326":454,"_328":455,"_330":456,"_332":457,"_333":458,"_140":95},"1776–81","Painting","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[436,437,438,439,440],{"_217":432,"_218":433,"_42":434,"_301":435},"Courtesy of the Art Institute of Chicago","2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_292":429,"_294":430,"_296":431},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_288":289,"_290":291},{"_221":424,"_125":425,"_282":426},{"_273":421,"_275":422,"_277":423,"_278":406},76.14076281287247,88,61.14076281287247,{"_284":221,"_123":427,"_154":428,"_140":95},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_308":449,"_310":450},{"_308":447,"_310":448},{"_308":445,"_310":446},{"_308":443,"_310":444},{"_308":441,"_310":442},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","London","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":320,"_218":321,"_322":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":331,"_333":334,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[493,494,495,496,497],{"_217":432,"_218":433,"_42":434,"_301":435},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_292":490,"_294":491,"_296":492},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_288":369,"_290":370},{"_221":485,"_125":486,"_282":487},{"_273":482,"_275":483,"_277":484,"_278":168},53.22455845248108,66,29.224558452481077,{"_284":221,"_123":170,"_154":169,"_140":99},{"_284":125,"_123":488,"_154":489,"_140":53},{"_284":282,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_308":506,"_310":507},{"_308":504,"_310":505},{"_308":502,"_310":503},{"_308":500,"_310":501},{"_308":498,"_310":499},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":563,"_218":564,"_322":565,"_324":396,"_326":566,"_328":567,"_330":568,"_332":457,"_333":569,"_140":97},"1830",19,"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[548,549,550,551,552],{"_217":374,"_218":375,"_42":376,"_301":377},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_292":545,"_294":546,"_296":547},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_288":369,"_290":370},{"_221":534,"_125":535,"_282":536},{"_273":531,"_275":532,"_277":515,"_278":533},49.2,41.94638671875,17.94638671875,{"_284":221,"_123":543,"_154":544,"_140":97},{"_284":125,"_123":540,"_154":541,"_140":542},{"_284":282,"_123":537,"_154":538,"_140":539},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_308":561,"_310":562},{"_308":559,"_310":560},{"_308":557,"_310":558},{"_308":555,"_310":556},{"_308":553,"_310":554},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","oil on canvas","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[606,607,608,609,610],{"_217":603,"_218":604,"_42":605,"_301":377},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_292":600,"_294":601,"_296":602},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_288":289,"_290":291},{"_221":595,"_125":596,"_282":597},{"_273":592,"_275":593,"_277":576,"_278":594},70.2,58.4424,43.4424,{"_284":221,"_123":598,"_154":599,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_308":619,"_310":620},{"_308":617,"_310":618},{"_308":615,"_310":616},{"_308":613,"_310":614},{"_308":611,"_310":612},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":669,"_218":670,"_322":671,"_324":325,"_326":672,"_328":673,"_330":674,"_332":457,"_333":675,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[654,655,656,657,658],{"_217":432,"_218":433,"_42":434,"_301":435},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_292":651,"_294":652,"_296":653},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_288":369,"_290":370},{"_221":646,"_125":647,"_282":648},{"_273":643,"_275":644,"_277":627,"_278":645},79,66.1776611694153,42.177661169415295,{"_284":221,"_123":649,"_154":650,"_140":97},{"_284":125,"_123":488,"_154":489,"_140":53},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_308":667,"_310":668},{"_308":665,"_310":666},{"_308":663,"_310":664},{"_308":661,"_310":662},{"_308":659,"_310":660},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":725,"_218":726,"_322":727,"_324":396,"_326":728,"_328":729,"_330":-5,"_332":-5,"_333":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[710,711,712,713,714],{"_217":374,"_218":375,"_42":376,"_301":377},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_292":707,"_294":708,"_296":709},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_288":289,"_290":291},{"_221":699,"_125":700,"_282":701},{"_273":696,"_275":697,"_277":698,"_278":682},113.11484375,138.2,98.11484375,{"_284":221,"_123":705,"_154":706,"_140":89},{"_284":125,"_123":702,"_154":703,"_140":704},{"_284":282,"_123":537,"_154":538,"_140":539},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_308":723,"_310":724},{"_308":721,"_310":722},{"_308":719,"_310":720},{"_308":717,"_310":718},{"_308":715,"_310":716},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":777,"_218":778,"_322":779,"_324":325,"_326":780,"_328":781,"_330":-5,"_332":-5,"_333":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[762,763,764,765,766],{"_217":432,"_218":433,"_42":434,"_301":435},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_292":759,"_294":760,"_296":761},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_288":369,"_290":370},{"_221":754,"_125":755,"_282":756},{"_273":751,"_275":752,"_277":753,"_278":737},69.57777777777778,89,45.57777777777778,{"_284":221,"_123":757,"_154":758,"_140":89},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_308":775,"_310":776},{"_308":773,"_310":774},{"_308":771,"_310":772},{"_308":769,"_310":770},{"_308":767,"_310":768},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":828,"_218":829,"_322":830,"_324":396,"_326":831,"_328":832,"_330":-5,"_332":-5,"_333":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[813,814,815,816,817],{"_217":374,"_218":375,"_42":376,"_301":377},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_292":810,"_294":811,"_296":812},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_288":289,"_290":291},{"_221":805,"_125":806,"_282":807},{"_273":802,"_275":803,"_277":787,"_278":804},167.6,105.38271484375,90.38271484375,{"_284":221,"_123":808,"_154":809,"_140":89},{"_284":125,"_123":702,"_154":703,"_140":704},{"_284":282,"_123":537,"_154":538,"_140":539},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_308":826,"_310":827},{"_308":824,"_310":825},{"_308":822,"_310":823},{"_308":820,"_310":821},{"_308":818,"_310":819},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":880,"_218":881,"_322":882,"_324":325,"_326":455,"_328":883,"_330":-5,"_332":-5,"_333":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[865,866,867,868,869],{"_217":432,"_218":433,"_42":434,"_301":435},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_292":862,"_294":863,"_296":864},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_288":289,"_290":291},{"_221":857,"_125":858,"_282":859},{"_273":854,"_275":855,"_277":839,"_278":856},53,38.1345982804625,23.134598280462495,{"_284":221,"_123":860,"_154":861,"_140":89},{"_284":125,"_123":702,"_154":703,"_140":704},{"_284":282,"_123":537,"_154":538,"_140":539},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_308":878,"_310":879},{"_308":876,"_310":877},{"_308":874,"_310":875},{"_308":872,"_310":873},{"_308":870,"_310":871},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":930,"_218":931,"_322":932,"_324":325,"_326":933,"_328":934,"_330":-5,"_332":-5,"_333":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[916,917,918,919,920],{"_217":432,"_218":433,"_42":434,"_301":435},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_292":913,"_294":914,"_296":915},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_288":369,"_290":370},{"_221":908,"_125":909,"_282":910},{"_273":905,"_275":906,"_277":907,"_278":539},55.65199378560331,64,31.651993785603313,{"_284":221,"_123":911,"_154":912,"_140":99},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_308":928,"_310":929},{"_308":926,"_310":927},{"_308":925,"_310":819},{"_308":923,"_310":924},{"_308":921,"_310":922},"#766942",0.061,"#684c41",0.0717,"#94856f","#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":669,"_218":670,"_322":671,"_324":325,"_326":672,"_328":673,"_330":674,"_332":457,"_333":675,"_140":97},"1787","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[965,966,967,968,969],{"_217":298,"_218":299,"_42":300,"_301":302},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_292":962,"_294":963,"_296":964},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_288":289,"_290":291},{"_221":959,"_125":960,"_282":961},{"_273":956,"_275":957,"_277":958,"_278":941},135.62100077780656,162.6,120.62100077780657,{"_284":221,"_123":649,"_154":650,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_308":978,"_310":979},{"_308":976,"_310":977},{"_308":974,"_310":975},{"_308":972,"_310":973},{"_308":970,"_310":971},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"weymouth-bay-met-682931","Weymouth Bay",{"_42":563,"_218":564,"_322":565,"_324":396,"_326":566,"_328":567,"_330":568,"_332":457,"_333":569,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[1012,1013,1014,1015,1016],{"_217":298,"_218":299,"_42":300,"_301":302},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_292":1009,"_294":1010,"_296":1011},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_288":369,"_290":370},{"_221":1006,"_125":1007,"_282":1008},{"_273":1002,"_275":1003,"_277":1004,"_278":1005},49,43.859539602028875,25,19.85953960202887,{"_284":221,"_123":543,"_154":544,"_140":97},{"_284":125,"_123":540,"_154":541,"_140":542},{"_284":282,"_123":537,"_154":538,"_140":539},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_308":1025,"_310":1026},{"_308":1023,"_310":1024},{"_308":1021,"_310":1022},{"_308":1019,"_310":1020},{"_308":1017,"_310":1018},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":930,"_218":931,"_322":932,"_324":325,"_326":933,"_328":934,"_330":-5,"_332":-5,"_333":-5,"_140":99},0.7948175568482284,[1050,1051,1052,1053,1054],{"_217":432,"_218":433,"_42":434,"_301":435},"1946.402","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.",{"_292":1047,"_294":1048,"_296":1049},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_288":369,"_290":370},{"_221":1044,"_125":1045,"_282":1046},{"_273":1042,"_275":906,"_277":1043,"_278":539},55.79270227392914,31.792702273929137,{"_284":221,"_123":911,"_154":912,"_140":99},{"_284":125,"_123":364,"_154":365,"_140":366},{"_284":282,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_308":1063,"_310":1064},{"_308":1061,"_310":1062},{"_308":1059,"_310":1060},{"_308":1057,"_310":1058},{"_308":1055,"_310":1056},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":669,"_218":670,"_322":671,"_324":325,"_326":672,"_328":673,"_330":674,"_332":457,"_333":675,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[1094,1095,1096,1097,1098],{"_217":374,"_218":375,"_42":376,"_301":377},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_292":1091,"_294":1092,"_296":1093},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_288":289,"_290":291},{"_221":1088,"_125":1089,"_282":1090},{"_273":1086,"_275":681,"_277":1087,"_278":1071},85.3828125,70.3828125,{"_284":221,"_123":649,"_154":650,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_308":1107,"_310":1108},{"_308":1105,"_310":1106},{"_308":1103,"_310":1104},{"_308":1101,"_310":1102},{"_308":1099,"_310":1100},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,{"_1110":-5,"_1111":1112,"_1113":1114,"_1115":8,"_1116":1117,"_1118":8},"user","csrf","061408a7cd9ace2ca83565b95c481276fe3fcdd2","cartCount",0,"dropLive","legal",[1119,1120,1121,1122,1123,1124,1125,1126,1127,1128,1129,1130],"uploadsEnabled",{"_218":1153,"_20":1154},{"_218":1151,"_20":1152},{"_218":1149,"_20":1150},{"_218":1147,"_20":1148},{"_218":1145,"_20":1146},{"_218":1143,"_20":1144},{"_218":1141,"_20":1142},{"_218":1139,"_20":1140},{"_218":1137,"_20":1138},{"_218":1135,"_20":1136},{"_218":1133,"_20":1134},{"_218":1131,"_20":1132},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]