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A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","source","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_308":399,"_310":400},{"_308":397,"_310":398},{"_308":395,"_310":396},{"_308":393,"_310":394},{"_308":391,"_310":392},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847","English",1782,1847,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":458,"_219":459,"_322":460,"_324":404,"_326":461,"_328":462,"_330":-5,"_332":-5,"_333":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[443,444,445,446,447],{"_218":382,"_219":383,"_42":384,"_301":385},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_292":440,"_294":441,"_296":442},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_288":289,"_290":291},{"_222":433,"_125":434,"_282":435},{"_273":430,"_275":431,"_277":415,"_279":432},70,56.1976386036961,32.1976386036961,{"_284":222,"_123":438,"_154":439,"_140":89},{"_284":125,"_123":436,"_154":437,"_140":368},{"_284":282,"_123":366,"_154":367,"_140":368},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_308":456,"_310":457},{"_308":454,"_310":455},{"_308":452,"_310":453},{"_308":450,"_310":451},{"_308":448,"_310":449},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":518,"_219":519,"_322":520,"_324":521,"_326":522,"_328":523,"_330":-5,"_332":-5,"_333":-5,"_140":103},"c. 1790/1795","oil on canvas","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[503,504,505,506,507],{"_218":499,"_219":500,"_42":501,"_301":502},"Courtesy National Gallery of Art, Washington","1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_292":496,"_294":497,"_296":498},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_288":374,"_290":375},{"_222":488,"_125":489,"_282":490},{"_273":485,"_275":486,"_277":469,"_279":487},135,116.953125,101.953125,{"_284":222,"_123":494,"_154":495,"_140":89},{"_284":125,"_123":491,"_154":492,"_140":493},{"_284":282,"_123":165,"_154":164,"_140":167},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":516,"_310":517},{"_308":514,"_310":515},{"_308":512,"_310":513},{"_308":510,"_310":511},{"_308":508,"_310":509},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":583,"_219":584,"_322":585,"_324":325,"_326":586,"_328":587,"_330":-5,"_332":-5,"_333":-5,"_140":103},"1807","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[568,569,570,571,572],{"_218":564,"_219":565,"_42":566,"_301":567},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":562,"_380":563},"Bray Church Yard, by John Varley, 1807",{"_292":559,"_294":560,"_296":561},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_288":289,"_290":291},{"_222":551,"_125":552,"_282":553},{"_273":548,"_275":549,"_277":531,"_279":550},60.9,48.95091176470588,24.950911764705882,{"_284":222,"_123":557,"_154":558,"_140":89},{"_284":125,"_123":554,"_154":555,"_140":556},{"_284":282,"_123":366,"_154":367,"_140":368},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":581,"_310":582},{"_308":579,"_310":580},{"_308":577,"_310":578},{"_308":575,"_310":576},{"_308":573,"_310":574},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":637,"_219":638,"_322":639,"_324":325,"_326":640,"_328":641,"_330":642,"_332":331,"_333":643,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[622,623,624,625,626],{"_218":564,"_219":565,"_42":566,"_301":567},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":621,"_380":563},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_292":618,"_294":619,"_296":620},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_288":374,"_290":375},{"_222":613,"_125":614,"_282":615},{"_273":609,"_275":610,"_277":611,"_279":612},163.0235294117647,255,148.0235294117647,240,{"_284":222,"_123":616,"_154":617,"_140":91},{"_284":125,"_123":491,"_154":492,"_140":493},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_308":635,"_310":636},{"_308":633,"_310":634},{"_308":631,"_310":632},{"_308":629,"_310":630},{"_308":627,"_310":628},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":694,"_219":695,"_322":696,"_324":404,"_326":697,"_328":698,"_330":699,"_332":331,"_333":700,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[679,680,681,682,683],{"_218":382,"_219":383,"_42":384,"_301":385},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_292":676,"_294":677,"_296":678},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_288":289,"_290":291},{"_222":669,"_125":670,"_282":671},{"_273":666,"_275":667,"_277":650,"_279":668},79,66.1776611694153,42.177661169415295,{"_284":222,"_123":674,"_154":675,"_140":97},{"_284":125,"_123":672,"_154":673,"_140":53},{"_284":282,"_123":165,"_154":164,"_140":167},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_308":692,"_310":693},{"_308":690,"_310":691},{"_308":688,"_310":689},{"_308":686,"_310":687},{"_308":684,"_310":685},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":747,"_219":748,"_322":749,"_324":404,"_326":750,"_328":751,"_330":752,"_332":752,"_333":753,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[732,733,734,735,736],{"_218":564,"_219":565,"_42":566,"_301":567},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":731,"_380":563},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_292":728,"_294":729,"_296":730},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_288":374,"_290":375},{"_222":723,"_125":724,"_282":725},{"_273":721,"_275":361,"_277":722,"_279":344},116.48794117647058,101.48794117647058,{"_284":222,"_123":726,"_154":727,"_140":99},{"_284":125,"_123":491,"_154":492,"_140":493},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_308":745,"_310":746},{"_308":743,"_310":744},{"_308":741,"_310":742},{"_308":739,"_310":740},{"_308":737,"_310":738},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":800,"_219":801,"_322":802,"_324":404,"_326":803,"_328":804,"_330":-5,"_332":-5,"_333":805,"_140":99},"Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[785,786,787,788,789],{"_218":382,"_219":383,"_42":384,"_301":385},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_292":782,"_294":783,"_296":784},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_288":289,"_290":291},{"_222":777,"_125":778,"_282":779},{"_273":774,"_275":775,"_277":759,"_279":776},53,44.521086780210865,20.52108678021087,{"_284":222,"_123":780,"_154":781,"_140":99},{"_284":125,"_123":672,"_154":673,"_140":53},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_308":798,"_310":799},{"_308":796,"_310":797},{"_308":794,"_310":795},{"_308":792,"_310":793},{"_308":790,"_310":791},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","print","Print","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[843,844,845,846,847],{"_218":382,"_219":383,"_42":384,"_301":385},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_292":840,"_294":841,"_296":842},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_288":289,"_290":291},{"_222":832,"_125":833,"_282":834},{"_273":828,"_275":829,"_277":830,"_279":831},49,48.48828746872867,25,24.488287468728675,{"_284":222,"_123":838,"_154":839,"_140":97},{"_284":125,"_123":835,"_154":836,"_140":837},{"_284":282,"_123":165,"_154":164,"_140":167},"style/print-18","More prints of the 18th century",129,"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_308":856,"_310":857},{"_308":854,"_310":855},{"_308":852,"_310":853},{"_308":850,"_310":851},{"_308":848,"_310":849},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":906,"_219":907,"_322":908,"_324":325,"_326":909,"_328":910,"_330":911,"_332":331,"_333":912,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[891,892,893,894,895],{"_218":564,"_219":565,"_42":566,"_301":567},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":890,"_380":563},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_292":887,"_294":888,"_296":889},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_288":374,"_290":375},{"_222":882,"_125":883,"_282":884},{"_273":879,"_275":880,"_277":881,"_279":864},185.63529411764705,211,170.63529411764705,{"_284":222,"_123":885,"_154":886,"_140":95},{"_284":125,"_123":491,"_154":492,"_140":493},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_308":904,"_310":905},{"_308":902,"_310":903},{"_308":900,"_310":901},{"_308":898,"_310":899},{"_308":896,"_310":897},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","peamore-devon-nga-137152","Peamore, Devon",{"_42":960,"_219":961,"_322":962,"_324":325,"_326":963,"_328":964,"_330":-5,"_332":-5,"_333":-5,"_140":103},"1799","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[945,946,947,948,949],{"_218":499,"_219":500,"_42":501,"_301":502},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_292":942,"_294":943,"_296":944},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_288":289,"_290":291},{"_222":937,"_125":938,"_282":939},{"_273":934,"_275":935,"_277":919,"_279":936},81.3,70.4443359375,46.44433593749999,{"_284":222,"_123":940,"_154":941,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_308":958,"_310":959},{"_308":956,"_310":957},{"_308":954,"_310":955},{"_308":952,"_310":953},{"_308":950,"_310":951},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":1011,"_219":1012,"_322":1013,"_324":325,"_326":1014,"_328":1015,"_330":-5,"_332":-5,"_333":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[996,997,998,999,1000],{"_218":499,"_219":500,"_42":501,"_301":502},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_292":993,"_294":994,"_296":995},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_288":374,"_290":375},{"_222":988,"_125":989,"_282":990},{"_273":985,"_275":986,"_277":987,"_279":971},113.11484375,138.2,98.11484375,{"_284":222,"_123":991,"_154":992,"_140":89},{"_284":125,"_123":369,"_154":370,"_140":371},{"_284":282,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_308":1009,"_310":1010},{"_308":1007,"_310":1008},{"_308":1005,"_310":1006},{"_308":1003,"_310":1004},{"_308":1001,"_310":1002},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":637,"_219":638,"_322":639,"_324":325,"_326":640,"_328":641,"_330":642,"_332":331,"_333":643,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[1047,1048,1049,1050,1051],{"_218":382,"_219":383,"_42":384,"_301":385},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":1046,"_380":381},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_292":1043,"_294":1044,"_296":1045},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_288":374,"_290":375},{"_222":1040,"_125":1041,"_282":1042},{"_273":1037,"_275":1038,"_277":1039,"_279":1022},116.09951287404314,143,101.09951287404314,{"_284":222,"_123":616,"_154":617,"_140":91},{"_284":125,"_123":369,"_154":370,"_140":371},{"_284":282,"_123":366,"_154":367,"_140":368},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.",{"_308":1060,"_310":1061},{"_308":1058,"_310":1059},{"_308":1056,"_310":1057},{"_308":1054,"_310":1055},{"_308":1052,"_310":1053},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":637,"_219":638,"_322":639,"_324":325,"_326":640,"_328":641,"_330":642,"_332":331,"_333":643,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[1093,1094,1095,1096,1097],{"_218":298,"_219":299,"_42":300,"_301":302},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_292":1090,"_294":1091,"_296":1092},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_288":374,"_290":375},{"_222":1087,"_125":1088,"_282":1089},{"_273":1084,"_275":1085,"_277":1086,"_279":1069},161.4845419354839,253.8,146.4845419354839,{"_284":222,"_123":616,"_154":617,"_140":91},{"_284":125,"_123":491,"_154":492,"_140":493},{"_284":282,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_308":1106,"_310":1107},{"_308":1104,"_310":1105},{"_308":1102,"_310":1103},{"_308":1100,"_310":1101},{"_308":1098,"_310":1099},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"weymouth-bay-met-682931","Weymouth Bay",{"_42":1159,"_219":1160,"_322":1161,"_324":325,"_326":1162,"_328":1163,"_330":1164,"_332":331,"_333":1165,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[1144,1145,1146,1147,1148],{"_218":298,"_219":299,"_42":300,"_301":302},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_292":1141,"_294":1142,"_296":1143},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_288":289,"_290":291},{"_222":1133,"_125":1134,"_282":1135},{"_273":828,"_275":1131,"_277":830,"_279":1132},43.859539602028875,19.85953960202887,{"_284":222,"_123":1139,"_154":1140,"_140":97},{"_284":125,"_123":1136,"_154":1137,"_140":1138},{"_284":282,"_123":366,"_154":367,"_140":368},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_308":1157,"_310":1158},{"_308":1155,"_310":1156},{"_308":1153,"_310":1154},{"_308":1151,"_310":1152},{"_308":1149,"_310":1150},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.",{"_1167":-5,"_1168":1169,"_1170":1171,"_1172":8,"_1173":1174,"_1175":8},"user","csrf","f1badd19f9601d58b802dbe14b1d9bf7aed845ed","cartCount",0,"dropLive","legal",[1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186,1187],"uploadsEnabled",{"_219":1210,"_20":1211},{"_219":1208,"_20":1209},{"_219":1206,"_20":1207},{"_219":1204,"_20":1205},{"_219":1202,"_20":1203},{"_219":1200,"_20":1201},{"_219":1198,"_20":1199},{"_219":1196,"_20":1197},{"_219":1194,"_20":1195},{"_219":1192,"_20":1193},{"_219":1190,"_20":1191},{"_219":1188,"_20":1189},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]