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This painting is among Dupont’s best portraits.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":455,"_314":456},{"_312":453,"_314":454},{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797","British",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":512,"_219":513,"_326":514,"_328":460,"_330":515,"_332":516,"_334":517,"_335":518,"_336":519,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[497,498,499,500,501],{"_218":438,"_219":439,"_42":440,"_305":441},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":496,"_300":437},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_293":493,"_295":494,"_297":495},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_289":290,"_291":292},{"_222":488,"_125":489,"_283":490},{"_274":485,"_276":486,"_278":487,"_279":470},185.63529411764705,211,170.63529411764705,{"_285":222,"_123":491,"_154":492,"_140":95},{"_285":125,"_123":370,"_154":371,"_140":372},{"_285":283,"_123":367,"_154":368,"_140":369},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","London","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":567,"_219":568,"_326":569,"_328":329,"_330":570,"_332":571,"_334":518,"_335":518,"_336":572,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[552,553,554,555,556],{"_218":302,"_219":303,"_42":304,"_305":306},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":549,"_295":550,"_297":551},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":290,"_291":292},{"_222":544,"_125":545,"_283":546},{"_274":541,"_276":542,"_278":525,"_279":543},239,188.10233393177737,173.10233393177737,{"_285":222,"_123":547,"_154":548,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_312":565,"_314":566},{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},{"_312":557,"_314":558},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","print","Print","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[612,613,614,615,616],{"_218":302,"_219":303,"_42":304,"_305":306},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_293":609,"_295":610,"_297":611},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_289":607,"_291":608},{"_222":599,"_125":600,"_283":601},{"_274":595,"_276":596,"_278":597,"_279":598},49,48.48828746872867,25,24.488287468728675,{"_285":222,"_123":605,"_154":606,"_140":97},{"_285":125,"_123":602,"_154":603,"_140":604},{"_285":283,"_123":367,"_154":368,"_140":369},"style/print-18","More prints of the 18th century",129,"artist/unrecorded-britain","More by unrecorded makers of Britain","white","snow","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},{"_312":619,"_314":620},{"_312":617,"_314":618},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"weymouth-bay-met-682931","Weymouth Bay",{"_42":683,"_219":684,"_326":685,"_328":460,"_330":686,"_332":687,"_334":688,"_335":518,"_336":689,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[668,669,670,671,672],{"_218":664,"_219":665,"_42":666,"_305":667},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_293":661,"_295":662,"_297":663},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_289":607,"_291":608},{"_222":653,"_125":654,"_283":655},{"_274":595,"_276":651,"_278":597,"_279":652},43.859539602028875,19.85953960202887,{"_285":222,"_123":659,"_154":660,"_140":97},{"_285":125,"_123":656,"_154":657,"_140":658},{"_285":283,"_123":167,"_154":166,"_140":169},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":681,"_314":682},{"_312":679,"_314":680},{"_312":677,"_314":678},{"_312":675,"_314":676},{"_312":673,"_314":674},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":737,"_219":738,"_326":739,"_328":329,"_330":516,"_332":740,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[722,723,724,725,726],{"_218":302,"_219":303,"_42":304,"_305":306},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":719,"_295":720,"_297":721},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_289":290,"_291":292},{"_222":714,"_125":715,"_283":716},{"_274":711,"_276":712,"_278":696,"_279":713},53,38.1345982804625,23.134598280462495,{"_285":222,"_123":717,"_154":718,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_312":735,"_314":736},{"_312":733,"_314":734},{"_312":731,"_314":732},{"_312":729,"_314":730},{"_312":727,"_314":728},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":789,"_219":790,"_326":791,"_328":460,"_330":792,"_332":793,"_334":794,"_335":518,"_336":795,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[774,775,776,777,778],{"_218":302,"_219":303,"_42":304,"_305":306},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":773,"_300":301},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_293":770,"_295":771,"_297":772},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_289":290,"_291":292},{"_222":765,"_125":766,"_283":767},{"_274":762,"_276":763,"_278":764,"_279":747},116.09951287404314,143,101.09951287404314,{"_285":222,"_123":768,"_154":769,"_140":91},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.",{"_312":787,"_314":788},{"_312":785,"_314":786},{"_312":783,"_314":784},{"_312":781,"_314":782},{"_312":779,"_314":780},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":683,"_219":684,"_326":685,"_328":460,"_330":686,"_332":687,"_334":688,"_335":518,"_336":689,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[826,827,828,829,830],{"_218":378,"_219":379,"_42":380,"_305":381},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_293":823,"_295":824,"_297":825},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_289":607,"_291":608},{"_222":820,"_125":821,"_283":822},{"_274":817,"_276":818,"_278":801,"_279":819},49.2,41.94638671875,17.94638671875,{"_285":222,"_123":659,"_154":660,"_140":97},{"_285":125,"_123":656,"_154":657,"_140":658},{"_285":283,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_312":839,"_314":840},{"_312":837,"_314":838},{"_312":835,"_314":836},{"_312":833,"_314":834},{"_312":831,"_314":832},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"small-landscape-si-saam-1956-11-20","Small Landscape","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[873,874,875,876,877],{"_218":870,"_219":871,"_42":872,"_305":381},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_293":867,"_295":868,"_297":869},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_289":290,"_291":292},{"_222":864,"_125":865,"_283":866},{"_274":861,"_276":862,"_278":845,"_279":863},70.2,58.4424,43.4424,{"_285":222,"_123":605,"_154":606,"_140":97},{"_285":125,"_123":370,"_154":371,"_140":372},{"_285":283,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":886,"_314":887},{"_312":884,"_314":885},{"_312":882,"_314":883},{"_312":880,"_314":881},{"_312":878,"_314":879},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":939,"_219":940,"_326":941,"_328":329,"_330":942,"_332":462,"_334":943,"_335":943,"_336":944,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[924,925,926,927,928],{"_218":302,"_219":303,"_42":304,"_305":306},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_293":921,"_295":922,"_297":923},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_289":607,"_291":608},{"_222":914,"_125":915,"_283":916},{"_274":911,"_276":912,"_278":913,"_279":369},53.22455845248108,66,29.224558452481077,{"_285":222,"_123":919,"_154":920,"_140":99},{"_285":125,"_123":917,"_154":918,"_140":53},{"_285":283,"_123":367,"_154":368,"_140":369},"style/watercolour-18","More watercolours of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_312":937,"_314":938},{"_312":935,"_314":936},{"_312":933,"_314":934},{"_312":931,"_314":932},{"_312":929,"_314":930},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":512,"_219":513,"_326":514,"_328":460,"_330":515,"_332":516,"_334":517,"_335":518,"_336":519,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,0.7977275284058949,[973,974,975,976,977],{"_218":302,"_219":303,"_42":304,"_305":306},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":970,"_295":971,"_297":972},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_289":290,"_291":292},{"_222":967,"_125":968,"_283":969},{"_274":964,"_276":965,"_278":966,"_279":243},115.51366857914276,141,100.51366857914276,{"_285":222,"_123":491,"_154":492,"_140":95},{"_285":125,"_123":370,"_154":371,"_140":372},{"_285":283,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_312":986,"_314":987},{"_312":984,"_314":985},{"_312":982,"_314":983},{"_312":980,"_314":981},{"_312":978,"_314":979},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":789,"_219":790,"_326":791,"_328":460,"_330":792,"_332":793,"_334":794,"_335":518,"_336":795,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",35,0.6863089606703608,[1017,1018,1019,1020,1021],{"_218":302,"_219":303,"_42":304,"_305":306},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_293":1014,"_295":1015,"_297":1016},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_289":607,"_291":608},{"_222":1011,"_125":1012,"_283":1013},{"_274":1008,"_276":1009,"_278":1010,"_279":994},48.02081362346263,59,24.02081362346263,{"_285":222,"_123":768,"_154":769,"_140":91},{"_285":125,"_123":917,"_154":918,"_140":53},{"_285":283,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_312":1030,"_314":1031},{"_312":1028,"_314":1029},{"_312":1026,"_314":1027},{"_312":1024,"_314":1025},{"_312":1022,"_314":1023},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":789,"_219":790,"_326":791,"_328":460,"_330":792,"_332":793,"_334":794,"_335":518,"_336":795,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[1060,1061,1062,1063,1064],{"_218":302,"_219":303,"_42":304,"_305":306},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_293":1057,"_295":1058,"_297":1059},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_289":290,"_291":292},{"_222":1054,"_125":1055,"_283":1056},{"_274":1051,"_276":1052,"_278":1053,"_279":1038},79.64294930875576,93,64.64294930875576,{"_285":222,"_123":768,"_154":769,"_140":91},{"_285":125,"_123":370,"_154":371,"_140":372},{"_285":283,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_312":1073,"_314":1074},{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},{"_312":1067,"_314":1068},{"_312":1065,"_314":1066},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1127,"_219":1128,"_326":1129,"_328":400,"_330":1130,"_332":1131,"_334":-5,"_335":-5,"_336":-5,"_140":103},"drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[1113,1114,1115,1116,1117],{"_218":438,"_219":439,"_42":440,"_305":441},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1112,"_300":437},"Descent into the Plain of Granada, by David Roberts, 1834",{"_293":1109,"_295":1110,"_297":1111},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_289":607,"_291":608},{"_222":1101,"_125":1102,"_283":1103},{"_274":1098,"_276":1099,"_278":1082,"_279":1100},56.5,47.45735294117647,23.45735294117647,{"_285":222,"_123":1107,"_154":1108,"_140":89},{"_285":125,"_123":1104,"_154":1105,"_140":1106},{"_285":283,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_312":1125,"_314":1126},{"_312":1124,"_314":562},{"_312":1122,"_314":1123},{"_312":1120,"_314":1121},{"_312":1118,"_314":1119},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b","#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,{"_1133":-5,"_1134":1135,"_1136":1137,"_1138":8,"_1139":1140,"_1141":8},"user","csrf","d2ca9bebe1740a4e06939d280bc2e5555b95b1c8","cartCount",0,"dropLive","legal",[1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153],"uploadsEnabled",{"_219":1176,"_20":1177},{"_219":1174,"_20":1175},{"_219":1172,"_20":1173},{"_219":1170,"_20":1171},{"_219":1168,"_20":1169},{"_219":1166,"_20":1167},{"_219":1164,"_20":1165},{"_219":1162,"_20":1163},{"_219":1160,"_20":1161},{"_219":1158,"_20":1159},{"_219":1156,"_20":1157},{"_219":1154,"_20":1155},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]