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It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":521,"_217":522,"_324":523,"_326":327,"_328":524,"_330":525,"_332":335,"_334":335,"_336":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[506,507,508,509,510],{"_216":502,"_217":503,"_42":504,"_303":505},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_291":499,"_293":500,"_295":501},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_287":376,"_289":377},{"_220":491,"_125":492,"_281":493},{"_272":488,"_274":489,"_276":490,"_278":473},50.26670344827586,63.2,26.266703448275862,{"_283":220,"_123":497,"_154":498,"_140":89},{"_283":125,"_123":494,"_154":495,"_140":496},{"_283":281,"_123":369,"_154":370,"_140":371},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":519,"_312":520},{"_310":517,"_312":518},{"_310":515,"_312":516},{"_310":513,"_312":514},{"_310":511,"_312":512},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":583,"_217":584,"_324":585,"_326":327,"_328":586,"_330":587,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1771","print","Print","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[568,569,570,571,572],{"_216":564,"_217":565,"_42":566,"_303":567},"Courtesy National Gallery of Art, Washington","1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_291":561,"_293":562,"_295":563},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_287":376,"_289":377},{"_220":554,"_125":555,"_281":556},{"_272":550,"_274":551,"_276":552,"_278":553},41.572021484375,49,17.572021484375,25,{"_283":220,"_123":559,"_154":560,"_140":89},{"_283":125,"_123":557,"_154":558,"_140":241},{"_283":281,"_123":369,"_154":370,"_140":371},"style/print-18","More prints of the 18th century","artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":581,"_312":582},{"_310":579,"_312":580},{"_310":577,"_312":578},{"_310":575,"_312":576},{"_310":573,"_312":574},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":322,"_217":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":91},"c. 1805","Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[618,619,620,621,622],{"_216":381,"_217":382,"_42":383,"_303":384},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_291":615,"_293":616,"_295":617},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_287":288,"_289":290},{"_220":612,"_125":613,"_281":614},{"_272":609,"_274":610,"_276":611,"_278":595},79.64294930875576,93,64.64294930875576,{"_283":220,"_123":170,"_154":169,"_140":91},{"_283":125,"_123":434,"_154":435,"_140":436},{"_283":281,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_310":631,"_312":632},{"_310":629,"_312":630},{"_310":627,"_312":628},{"_310":625,"_312":626},{"_310":623,"_312":624},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":680,"_217":681,"_324":682,"_326":403,"_328":683,"_330":684,"_332":-5,"_334":-5,"_336":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[665,666,667,668,669],{"_216":381,"_217":382,"_42":383,"_303":384},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_291":662,"_293":663,"_295":664},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_287":376,"_289":377},{"_220":657,"_125":658,"_281":659},{"_272":654,"_274":655,"_276":656,"_278":168},55.65199378560331,64,31.651993785603313,{"_283":220,"_123":660,"_154":661,"_140":99},{"_283":125,"_123":557,"_154":558,"_140":241},{"_283":281,"_123":369,"_154":370,"_140":371},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":678,"_312":679},{"_310":676,"_312":677},{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":730,"_217":731,"_324":732,"_326":327,"_328":733,"_330":734,"_332":735,"_334":335,"_336":736,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[715,716,717,718,719],{"_216":381,"_217":382,"_42":383,"_303":384},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_291":712,"_293":713,"_295":714},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_287":288,"_289":290},{"_220":707,"_125":708,"_281":709},{"_272":704,"_274":705,"_276":706,"_278":691},115.51366857914276,141,100.51366857914276,{"_283":220,"_123":710,"_154":711,"_140":95},{"_283":125,"_123":434,"_154":435,"_140":436},{"_283":281,"_123":369,"_154":370,"_140":371},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},{"_310":722,"_312":723},{"_310":720,"_312":721},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","peamore-devon-nga-137152","Peamore, Devon",{"_42":785,"_217":786,"_324":787,"_326":327,"_328":788,"_330":789,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1799","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[770,771,772,773,774],{"_216":564,"_217":565,"_42":566,"_303":567},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_291":767,"_293":768,"_295":769},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_287":376,"_289":377},{"_220":762,"_125":763,"_281":764},{"_272":759,"_274":760,"_276":744,"_278":761},81.3,70.4443359375,46.44433593749999,{"_283":220,"_123":765,"_154":766,"_140":89},{"_283":125,"_123":494,"_154":495,"_140":496},{"_283":281,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_310":783,"_312":784},{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"weymouth-bay-met-682931","Weymouth Bay",{"_42":841,"_217":842,"_324":843,"_326":327,"_328":844,"_330":845,"_332":846,"_334":335,"_336":847,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[826,827,828,829,830],{"_216":502,"_217":503,"_42":504,"_303":505},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_291":823,"_293":824,"_295":825},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_287":376,"_289":377},{"_220":815,"_125":816,"_281":817},{"_272":551,"_274":813,"_276":553,"_278":814},43.859539602028875,19.85953960202887,{"_283":220,"_123":821,"_154":822,"_140":97},{"_283":125,"_123":818,"_154":819,"_140":820},{"_283":281,"_123":166,"_154":165,"_140":168},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_310":839,"_312":840},{"_310":837,"_312":838},{"_310":835,"_312":836},{"_310":833,"_312":834},{"_310":831,"_312":832},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","william-pitt-nga-52264","William Pitt",{"_42":458,"_217":459,"_324":460,"_326":327,"_328":461,"_330":462,"_332":-5,"_334":-5,"_336":463,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[878,879,880,881,882],{"_216":564,"_217":565,"_42":566,"_303":567},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_291":875,"_293":876,"_295":877},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_287":288,"_289":290},{"_220":872,"_125":873,"_281":874},{"_272":870,"_274":168,"_276":871,"_278":553},34.62890625,19.62890625,{"_283":220,"_123":437,"_154":438,"_140":99},{"_283":125,"_123":434,"_154":435,"_140":436},{"_283":281,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":891,"_312":892},{"_310":889,"_312":890},{"_310":887,"_312":888},{"_310":885,"_312":886},{"_310":883,"_312":884},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[923,924,925,926,927],{"_216":381,"_217":382,"_42":383,"_303":384},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_291":920,"_293":921,"_295":922},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_287":376,"_289":377},{"_220":915,"_125":916,"_281":917},{"_272":551,"_274":913,"_276":553,"_278":914},48.48828746872867,24.488287468728675,{"_283":220,"_123":918,"_154":919,"_140":97},{"_283":125,"_123":557,"_154":558,"_140":241},{"_283":281,"_123":369,"_154":370,"_140":371},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_310":936,"_312":937},{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},{"_310":928,"_312":929},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":990,"_217":991,"_324":992,"_326":327,"_328":993,"_330":994,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[975,976,977,978,979],{"_216":300,"_217":301,"_42":302,"_303":304},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":974,"_298":299},"Bray Church Yard, by John Varley, 1807",{"_291":971,"_293":972,"_295":973},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_287":376,"_289":377},{"_220":963,"_125":964,"_281":965},{"_272":960,"_274":961,"_276":944,"_278":962},60.9,48.95091176470588,24.950911764705882,{"_283":220,"_123":969,"_154":970,"_140":89},{"_283":125,"_123":966,"_154":967,"_140":968},{"_283":281,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_310":988,"_312":989},{"_310":986,"_312":987},{"_310":984,"_312":985},{"_310":982,"_312":983},{"_310":980,"_312":981},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":730,"_217":731,"_324":732,"_326":327,"_328":733,"_330":734,"_332":735,"_334":335,"_336":736,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[1023,1024,1025,1026,1027],{"_216":381,"_217":382,"_42":383,"_303":384},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_291":1020,"_293":1021,"_295":1022},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_287":288,"_289":290},{"_220":1017,"_125":1018,"_281":1019},{"_272":1014,"_274":1015,"_276":1016,"_278":1001},76.14076281287247,88,61.14076281287247,{"_283":220,"_123":710,"_154":711,"_140":95},{"_283":125,"_123":434,"_154":435,"_140":436},{"_283":281,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_310":1036,"_312":1037},{"_310":1034,"_312":1035},{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":322,"_217":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[1070,1071,1072,1073,1074],{"_216":381,"_217":382,"_42":383,"_303":384},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":1068,"_298":1069},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_291":1065,"_293":1066,"_295":1067},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_287":288,"_289":290},{"_220":1062,"_125":1063,"_281":1064},{"_272":1059,"_274":1060,"_276":1061,"_278":1044},116.09951287404314,143,101.09951287404314,{"_283":220,"_123":170,"_154":169,"_140":91},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_310":1083,"_312":1084},{"_310":1081,"_312":1082},{"_310":1079,"_312":1080},{"_310":1077,"_312":1078},{"_310":1075,"_312":1076},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":1133,"_217":1134,"_324":1135,"_326":403,"_328":1136,"_330":462,"_332":1137,"_334":1137,"_336":1138,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[1118,1119,1120,1121,1122],{"_216":300,"_217":301,"_42":302,"_303":304},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1117,"_298":299},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_291":1114,"_293":1115,"_295":1116},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_287":288,"_289":290},{"_220":1109,"_125":1110,"_281":1111},{"_272":1106,"_274":1107,"_276":1108,"_278":1091},116.48794117647058,142,101.48794117647058,{"_283":220,"_123":1112,"_154":1113,"_140":99},{"_283":125,"_123":434,"_154":435,"_140":436},{"_283":281,"_123":369,"_154":370,"_140":371},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_310":1131,"_312":1132},{"_310":1129,"_312":1130},{"_310":1127,"_312":1128},{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.",{"_1140":-5,"_1141":1142,"_1143":1144,"_1145":8,"_1146":1147,"_1148":8},"user","csrf","9b1ff2d6958c9ba77a29347d49d0b9fda1d1fd22","cartCount",0,"dropLive","legal",[1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160],"uploadsEnabled",{"_217":1183,"_20":1184},{"_217":1181,"_20":1182},{"_217":1179,"_20":1180},{"_217":1177,"_20":1178},{"_217":1175,"_20":1176},{"_217":1173,"_20":1174},{"_217":1171,"_20":1172},{"_217":1169,"_20":1170},{"_217":1167,"_20":1168},{"_217":1165,"_20":1166},{"_217":1163,"_20":1164},{"_217":1161,"_20":1162},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]