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In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_294":445,"_296":446,"_298":447},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_290":443,"_292":444},{"_223":432,"_125":433,"_284":434},{"_275":428,"_277":429,"_279":430,"_281":431},49,44.166015625,25,20.166015625,{"_286":223,"_123":441,"_154":442,"_140":97},{"_286":125,"_123":438,"_154":439,"_140":440},{"_286":284,"_123":435,"_154":436,"_140":437},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","white","snow","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":465,"_312":466},{"_310":463,"_312":464},{"_310":461,"_312":462},{"_310":459,"_312":460},{"_310":457,"_312":458},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","noon-nga-119642","Noon",{"_42":467,"_220":468,"_324":469,"_326":327,"_328":470,"_330":471,"_332":472,"_334":335,"_336":473,"_140":97},"plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[502,503,504,505,506],{"_219":448,"_220":449,"_42":450,"_303":451},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":499,"_296":500,"_298":501},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":443,"_292":444},{"_223":496,"_125":497,"_284":498},{"_275":493,"_277":494,"_279":478,"_281":495},49.5,42.3094482421875,18.3094482421875,{"_286":223,"_123":441,"_154":442,"_140":97},{"_286":125,"_123":438,"_154":439,"_140":440},{"_286":284,"_123":435,"_154":436,"_140":437},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_310":515,"_312":516},{"_310":513,"_312":514},{"_310":511,"_312":512},{"_310":509,"_312":510},{"_310":507,"_312":508},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":567,"_220":568,"_324":569,"_326":327,"_328":570,"_330":571,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1816","oil on canvas","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[552,553,554,555,556],{"_219":448,"_220":449,"_42":450,"_303":451},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_294":549,"_296":550,"_298":551},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_290":291,"_292":293},{"_223":541,"_125":542,"_284":543},{"_275":538,"_277":539,"_279":523,"_281":540},246,166.762939453125,151.762939453125,{"_286":223,"_123":547,"_154":548,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":435,"_154":436,"_140":437},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":627,"_220":628,"_324":629,"_326":397,"_328":630,"_330":631,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[612,613,614,615,616],{"_219":608,"_220":609,"_42":610,"_303":611},"Courtesy of the Art Institute of Chicago","2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":605,"_296":606,"_298":607},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":443,"_292":444},{"_223":597,"_125":598,"_284":599},{"_275":594,"_277":595,"_279":596,"_281":579},69.57777777777778,89,45.57777777777778,{"_286":223,"_123":603,"_154":604,"_140":89},{"_286":125,"_123":600,"_154":601,"_140":602},{"_286":284,"_123":165,"_154":164,"_140":167},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":625,"_312":626},{"_310":623,"_312":624},{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[662,663,664,665,666],{"_219":448,"_220":449,"_42":450,"_303":451},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_294":659,"_296":660,"_298":661},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_290":291,"_292":293},{"_223":656,"_125":657,"_284":658},{"_275":653,"_277":654,"_279":655,"_281":638},116.6768798828125,143.5,101.6768798828125,{"_286":223,"_123":169,"_154":168,"_140":91},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":435,"_154":436,"_140":437},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},{"_310":669,"_312":668},{"_310":667,"_312":668},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":722,"_220":723,"_324":724,"_326":725,"_328":726,"_330":727,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[707,708,709,710,711],{"_219":375,"_220":376,"_42":377,"_303":378},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":706,"_373":374},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_294":703,"_296":704,"_298":705},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_290":291,"_292":293},{"_223":698,"_125":699,"_284":700},{"_275":362,"_277":696,"_279":345,"_281":697},116.11441176470589,101.11441176470589,{"_286":223,"_123":701,"_154":702,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_310":720,"_312":721},{"_310":718,"_312":719},{"_310":716,"_312":717},{"_310":714,"_312":715},{"_310":712,"_312":713},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":775,"_220":776,"_324":777,"_326":327,"_328":778,"_330":779,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[760,761,762,763,764],{"_219":448,"_220":449,"_42":450,"_303":451},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":757,"_296":758,"_298":759},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":443,"_292":444},{"_223":752,"_125":753,"_284":754},{"_275":749,"_277":750,"_279":751,"_281":735},59.630419921874996,77.4,35.630419921874996,{"_286":223,"_123":755,"_154":756,"_140":89},{"_286":125,"_123":600,"_154":601,"_140":602},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_310":773,"_312":774},{"_310":771,"_312":772},{"_310":769,"_312":770},{"_310":767,"_312":768},{"_310":765,"_312":766},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":826,"_220":827,"_324":828,"_326":397,"_328":829,"_330":830,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[811,812,813,814,815],{"_219":608,"_220":609,"_42":610,"_303":611},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":808,"_296":809,"_298":810},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_290":291,"_292":293},{"_223":803,"_125":804,"_284":805},{"_275":800,"_277":801,"_279":802,"_281":786},42.32984293193717,51,27.329842931937172,{"_286":223,"_123":806,"_154":807,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_310":824,"_312":825},{"_310":822,"_312":823},{"_310":820,"_312":821},{"_310":818,"_312":819},{"_310":816,"_312":817},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":885,"_220":886,"_324":887,"_326":888,"_328":889,"_330":890,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[870,871,872,873,874],{"_219":375,"_220":376,"_42":377,"_303":378},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":869,"_373":374},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":866,"_296":867,"_298":868},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":443,"_292":444},{"_223":858,"_125":859,"_284":860},{"_275":855,"_277":856,"_279":839,"_281":857},56.5,47.45735294117647,23.45735294117647,{"_286":223,"_123":864,"_154":865,"_140":89},{"_286":125,"_123":861,"_154":862,"_140":863},{"_286":284,"_123":435,"_154":436,"_140":437},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_310":883,"_312":884},{"_310":881,"_312":882},{"_310":879,"_312":880},{"_310":877,"_312":878},{"_310":875,"_312":876},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":936,"_220":937,"_324":938,"_326":327,"_328":939,"_330":940,"_332":941,"_334":335,"_336":942,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[921,922,923,924,925],{"_219":608,"_220":609,"_42":610,"_303":611},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_294":918,"_296":919,"_298":920},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_290":291,"_292":293},{"_223":913,"_125":914,"_284":915},{"_275":910,"_277":911,"_279":912,"_281":897},76.14076281287247,88,61.14076281287247,{"_286":223,"_123":916,"_154":917,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},{"_310":928,"_312":929},{"_310":926,"_312":927},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":989,"_220":990,"_324":991,"_326":327,"_328":992,"_330":993,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[974,975,976,977,978],{"_219":448,"_220":449,"_42":450,"_303":451},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":971,"_296":972,"_298":973},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":291,"_292":293},{"_223":966,"_125":967,"_284":968},{"_275":963,"_277":964,"_279":965,"_281":949},113.11484375,138.2,98.11484375,{"_286":223,"_123":969,"_154":970,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":987,"_312":988},{"_310":985,"_312":986},{"_310":983,"_312":984},{"_310":981,"_312":982},{"_310":979,"_312":980},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1041,"_220":1042,"_324":1043,"_326":397,"_328":1044,"_330":1045,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[1026,1027,1028,1029,1030],{"_219":608,"_220":609,"_42":610,"_303":611},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1024,"_373":1025},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_294":1021,"_296":1022,"_298":1023},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_290":291,"_292":293},{"_223":1016,"_125":1017,"_284":1018},{"_275":1014,"_277":362,"_279":1015,"_281":345},115.83991565971941,100.83991565971941,{"_286":223,"_123":1019,"_154":1020,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_310":1039,"_312":1040},{"_310":1037,"_312":1038},{"_310":1035,"_312":1036},{"_310":1033,"_312":1034},{"_310":1031,"_312":1032},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1090,"_220":1091,"_324":1092,"_326":888,"_328":1093,"_330":1094,"_332":-5,"_334":-5,"_336":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[1076,1077,1078,1079,1080],{"_219":448,"_220":449,"_42":450,"_303":451},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_294":1073,"_296":1074,"_298":1075},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_290":443,"_292":444},{"_223":1068,"_125":1069,"_284":1070},{"_275":428,"_277":1066,"_279":430,"_281":1067},39.68603515625,15.686035156249998,{"_286":223,"_123":1071,"_154":1072,"_140":89},{"_286":125,"_123":600,"_154":601,"_140":602},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_310":1088,"_312":1089},{"_310":1086,"_312":1087},{"_310":1084,"_312":1085},{"_310":1083,"_312":387},{"_310":1081,"_312":1082},"#294d6a",0.0227,"#666947","#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":936,"_220":937,"_324":938,"_326":327,"_328":939,"_330":940,"_332":941,"_334":335,"_336":942,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",126,0.7977275284058949,[1122,1123,1124,1125,1126],{"_219":608,"_220":609,"_42":610,"_303":611},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_294":1119,"_296":1120,"_298":1121},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_290":291,"_292":293},{"_223":1116,"_125":1117,"_284":1118},{"_275":1113,"_277":1114,"_279":1115,"_281":1100},115.51366857914276,141,100.51366857914276,{"_286":223,"_123":916,"_154":917,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_310":1135,"_312":1136},{"_310":1133,"_312":1134},{"_310":1131,"_312":1132},{"_310":1129,"_312":1130},{"_310":1127,"_312":1128},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,{"_1138":-5,"_1139":1140,"_1141":1142,"_1143":8,"_1144":1145,"_1146":8},"user","csrf","5ee2372d2c485100d63985a38678bb73de007cb6","cartCount",0,"dropLive","legal",[1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158],"uploadsEnabled",{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},{"_220":1159,"_20":1160},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]