[{"_1":2,"_3":4},"root",{"_5":1146},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/theophilia-gwatkin-aic-251126",15,"https://www.ochreeditions.com/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",14,"https://www.ochreeditions.com/art/self-portrait-in-a-fur-cap-aic-76295",13,"https://www.ochreeditions.com/art/portrait-of-mary-anne-jolliffe-cma-122344",12,"https://www.ochreeditions.com/art/wivenhoe-park-essex-nga-1147",11,"https://www.ochreeditions.com/art/athena-and-the-winds-aic-77249",10,"https://www.ochreeditions.com/art/peamore-devon-nga-137152",9,"https://www.ochreeditions.com/art/descent-into-the-plain-of-granada-cma-119728",8,"https://www.ochreeditions.com/art/lindisfarne-castle-holy-island-northumberland-met-341793",7,"https://www.ochreeditions.com/art/self-portrait-aic-11706",6,"https://www.ochreeditions.com/art/mrs-paul-cobb-methuen-nga-1159",5,"https://www.ochreeditions.com/art/two-studies-of-a-right-hand-aic-249662",4,"https://www.ochreeditions.com/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",3,"https://www.ochreeditions.com/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",2,"https://www.ochreeditions.com/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",1,"https://www.ochreeditions.com/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",4516,"/galleries/style/georgian-britain","total",63,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[172,173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NDUxNiwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=4516&cursor=eyJvIjoxNiwiaCI6NDUxNiwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/1913/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":95},{"_154":165,"_123":166,"_44":167,"_140":168},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=4516&via=continue",42,"More by Joshua Reynolds","artist/joshua-reynolds","/galleries/artist/joshua-reynolds?hang=4516&via=continue",{"_42":199,"_178":200},{"_42":193,"_178":194},{"_42":187,"_178":188},{"_42":182,"_178":183},{"_42":177,"_178":179},"Section 3, north wall","work_ids",[180,181],433,389,"Section 2, north wall",[184,185,186],1327,552,193,"Section 2, south wall",[189,190,191,192],1039,541,1666,199,"Section 1, south wall",[195,196,197,198],1465,380,1336,22,"Section 1, north wall",[201,202,203],558,1537,1202,{"_220":201,"_221":1095,"_20":1096,"_224":1097,"_226":-5,"_227":1098,"_229":516,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":455,"_240":1099,"_242":1100,"_244":715,"_246":1101,"_248":1102,"_250":1103,"_252":462,"_254":1104,"_256":257,"_258":1105,"_154":1106,"_260":-5,"_111":1107,"_262":1108,"_264":1109,"_266":1110,"_268":1111,"_270":1112,"_144":1113,"_273":1114},{"_220":202,"_221":1051,"_20":1052,"_224":1053,"_226":-5,"_227":1054,"_229":516,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":455,"_240":1055,"_242":1056,"_244":1057,"_246":1058,"_248":1059,"_250":1060,"_252":523,"_254":1061,"_256":257,"_258":1062,"_154":-5,"_260":1063,"_111":1064,"_262":1065,"_264":1066,"_266":1067,"_268":1068,"_270":1069,"_144":1070,"_273":1071},{"_220":203,"_221":1006,"_20":1007,"_224":1008,"_226":-5,"_227":341,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":1009,"_238":239,"_240":1010,"_242":1011,"_244":1012,"_246":1013,"_248":1014,"_250":1015,"_252":755,"_254":1016,"_256":257,"_258":1017,"_154":-5,"_260":1018,"_111":1019,"_262":1020,"_264":1021,"_266":1022,"_268":1023,"_270":1024,"_144":1025,"_273":1026},{"_220":195,"_221":955,"_20":956,"_224":957,"_226":-5,"_227":958,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":455,"_240":959,"_242":960,"_244":961,"_246":962,"_248":963,"_250":964,"_252":523,"_254":965,"_256":257,"_258":966,"_154":-5,"_260":-5,"_111":967,"_262":968,"_264":969,"_266":970,"_268":971,"_270":972,"_144":973,"_273":974},{"_220":196,"_221":901,"_20":902,"_224":903,"_226":-5,"_227":904,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":342,"_236":343,"_238":905,"_240":906,"_242":907,"_244":908,"_246":909,"_248":910,"_250":911,"_252":253,"_254":912,"_256":257,"_258":913,"_154":-5,"_260":-5,"_111":914,"_262":915,"_264":916,"_266":917,"_268":918,"_270":919,"_144":920,"_273":921},{"_220":197,"_221":847,"_20":848,"_224":849,"_226":-5,"_227":850,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":455,"_240":851,"_242":852,"_244":853,"_246":854,"_248":855,"_250":856,"_252":523,"_254":857,"_256":257,"_258":858,"_154":-5,"_260":859,"_111":860,"_262":861,"_264":862,"_266":863,"_268":864,"_270":865,"_144":866,"_273":867},{"_220":198,"_221":801,"_20":802,"_224":803,"_226":-5,"_227":804,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":342,"_236":343,"_238":805,"_240":806,"_242":807,"_244":808,"_246":809,"_248":810,"_250":811,"_252":253,"_254":812,"_256":257,"_258":813,"_154":-5,"_260":814,"_111":815,"_262":816,"_264":817,"_266":818,"_268":819,"_270":820,"_144":821,"_273":822},{"_220":189,"_221":743,"_20":744,"_224":745,"_226":-5,"_227":746,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":632,"_236":747,"_238":748,"_240":749,"_242":750,"_244":751,"_246":752,"_248":753,"_250":754,"_252":755,"_254":756,"_256":257,"_258":757,"_154":-5,"_260":-5,"_111":758,"_262":759,"_264":760,"_266":761,"_268":762,"_270":763,"_144":764,"_273":765},{"_220":190,"_221":685,"_20":686,"_224":687,"_226":-5,"_227":688,"_229":516,"_231":232,"_233":-5,"_125":234,"_28":632,"_236":633,"_238":689,"_240":690,"_242":691,"_244":692,"_246":693,"_248":694,"_250":695,"_252":462,"_254":696,"_256":257,"_258":697,"_154":698,"_260":-5,"_111":699,"_262":700,"_264":701,"_266":702,"_268":703,"_270":704,"_144":705,"_273":706},{"_220":191,"_221":628,"_20":629,"_224":630,"_226":-5,"_227":631,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":632,"_236":633,"_238":634,"_240":635,"_242":636,"_244":637,"_246":638,"_248":639,"_250":640,"_252":523,"_254":641,"_256":257,"_258":642,"_154":-5,"_260":-5,"_111":643,"_262":644,"_264":645,"_266":646,"_268":647,"_270":648,"_144":649,"_273":650},{"_220":192,"_221":577,"_20":578,"_224":579,"_226":-5,"_227":580,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":342,"_236":343,"_238":581,"_240":582,"_242":402,"_244":583,"_246":584,"_248":585,"_250":586,"_252":253,"_254":587,"_256":257,"_258":588,"_154":-5,"_260":-5,"_111":589,"_262":590,"_264":591,"_266":592,"_268":593,"_270":594,"_144":595,"_273":596},{"_220":184,"_221":512,"_20":513,"_224":514,"_226":-5,"_227":515,"_229":516,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":455,"_240":517,"_242":518,"_244":519,"_246":520,"_248":521,"_250":522,"_252":523,"_254":524,"_256":257,"_258":525,"_154":-5,"_260":526,"_111":527,"_262":528,"_264":529,"_266":530,"_268":531,"_270":532,"_144":533,"_273":534},{"_220":185,"_221":451,"_20":452,"_224":453,"_226":-5,"_227":454,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":455,"_240":456,"_242":457,"_244":458,"_246":459,"_248":460,"_250":461,"_252":462,"_254":463,"_256":257,"_258":464,"_154":465,"_260":-5,"_111":466,"_262":467,"_264":468,"_266":469,"_268":470,"_270":471,"_144":472,"_273":473},{"_220":186,"_221":396,"_20":397,"_224":398,"_226":-5,"_227":399,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":342,"_236":343,"_238":400,"_240":401,"_242":402,"_244":168,"_246":403,"_248":404,"_250":405,"_252":253,"_254":406,"_256":257,"_258":407,"_154":-5,"_260":408,"_111":409,"_262":410,"_264":411,"_266":412,"_268":413,"_270":414,"_144":415,"_273":416},{"_220":180,"_221":338,"_20":339,"_224":340,"_226":-5,"_227":341,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":342,"_236":343,"_238":344,"_240":345,"_242":346,"_244":347,"_246":348,"_248":349,"_250":350,"_252":253,"_254":351,"_256":257,"_258":352,"_154":-5,"_260":-5,"_111":353,"_262":354,"_264":355,"_266":356,"_268":357,"_270":358,"_144":359,"_273":360},{"_220":181,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":228,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_154":-5,"_260":-5,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","theophilia-gwatkin-aic-251126","Theophilia Gwatkin","artist",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":95},"unrecorded","date","1776–81","century",18,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","Oil on canvas","dimensions","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)","width_cm",61,"height_cm",73,"aspect",0.8375446960667461,"palette",[305,306,307,308,309],"museum",{"_220":300,"_221":301,"_42":302,"_303":304},"credit","Courtesy of the Art Institute of Chicago","accession","2019.1236","licence","CC0","story","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","note","A work made of oil on canvas.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/389.jpg?dl=1","page_url","/art/theophilia-gwatkin-aic-251126","walk_url","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126","frame",{"_290":291,"_292":293},{"_224":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":280,"_281":245},"w",76.14076281287247,"h",88,"image_w",61.14076281287247,"image_h",{"_286":224,"_123":170,"_154":169,"_140":95},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/389/480.jpg","960","https://img.ochreeditions.com/a/389/960.jpg","1920","https://img.ochreeditions.com/a/389/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#78623f","weight",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","bio","English, 1723–1792","nationality","British","birth_year",1723,"death_year",1792,"birth_place","Plympton","death_place","London","about_excerpt","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":391,"_221":392,"_324":393,"_326":327,"_328":394,"_330":395,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1779","watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[376,377,378,379,380],{"_220":300,"_221":301,"_42":302,"_303":304},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":373,"_296":374,"_298":375},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":371,"_292":372},{"_224":364,"_125":365,"_284":366},{"_275":361,"_277":362,"_279":346,"_281":363},80,62.20221481948321,38.20221481948321,{"_286":224,"_123":369,"_154":370,"_140":89},{"_286":125,"_123":367,"_154":368,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","white","snow","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":389,"_312":390},{"_310":387,"_312":388},{"_310":385,"_312":386},{"_310":383,"_312":384},{"_310":381,"_312":382},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":443,"_221":444,"_324":445,"_326":446,"_328":447,"_330":448,"_332":449,"_334":449,"_336":450,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[428,429,430,431,432],{"_220":300,"_221":301,"_42":302,"_303":304},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_294":425,"_296":426,"_298":427},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_290":371,"_292":372},{"_224":420,"_125":421,"_284":422},{"_275":417,"_277":418,"_279":419,"_281":168},53.22455845248108,66,29.224558452481077,{"_286":224,"_123":423,"_154":424,"_140":99},{"_286":125,"_123":367,"_154":368,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_310":441,"_312":442},{"_310":439,"_312":440},{"_310":437,"_312":438},{"_310":435,"_312":436},{"_310":433,"_312":434},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":507,"_221":508,"_324":509,"_326":327,"_328":510,"_330":448,"_332":-5,"_334":-5,"_336":511,"_140":99},"after 1788","oil on canvas","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[492,493,494,495,496],{"_220":488,"_221":489,"_42":490,"_303":491},"Courtesy of the Cleveland Museum of Art","1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":485,"_486":487},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_294":482,"_296":483,"_298":484},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_290":291,"_292":293},{"_224":477,"_125":478,"_284":479},{"_275":474,"_277":475,"_279":476,"_281":458},83.17205882352941,90.5,68.17205882352941,{"_286":224,"_123":480,"_154":481,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":571,"_221":572,"_324":573,"_326":446,"_328":574,"_330":575,"_332":-5,"_334":-5,"_336":576,"_140":99},"1816",19,"overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[556,557,558,559,560],{"_220":552,"_221":553,"_42":554,"_303":555},"Courtesy National Gallery of Art, Washington","1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_294":549,"_296":550,"_298":551},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_290":291,"_292":293},{"_224":538,"_125":539,"_284":540},{"_275":535,"_277":536,"_279":518,"_281":537},116.2,69.8001953125,54.8001953125,{"_286":224,"_123":547,"_154":548,"_140":99},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":569,"_312":570},{"_310":567,"_312":568},{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":623,"_221":624,"_324":625,"_326":446,"_328":394,"_330":626,"_332":-5,"_334":-5,"_336":627,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",21,1.4131805157593123,[608,609,610,611,612],{"_220":300,"_221":301,"_42":302,"_303":304},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":605,"_296":606,"_298":607},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":371,"_292":372},{"_224":600,"_125":601,"_284":602},{"_275":597,"_277":598,"_279":402,"_281":599},53,44.521086780210865,20.52108678021087,{"_286":224,"_123":603,"_154":604,"_140":99},{"_286":125,"_123":367,"_154":368,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","peamore-devon-nga-137152","Peamore, Devon",{"_42":680,"_221":681,"_324":682,"_326":327,"_328":683,"_330":684,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[665,666,667,668,669],{"_220":552,"_221":553,"_42":554,"_303":555},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_294":662,"_296":663,"_298":664},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_290":371,"_292":372},{"_224":654,"_125":655,"_284":656},{"_275":651,"_277":652,"_279":636,"_281":653},81.3,70.4443359375,46.44433593749999,{"_286":224,"_123":660,"_154":661,"_140":89},{"_286":125,"_123":657,"_154":658,"_140":659},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_310":678,"_312":679},{"_310":676,"_312":677},{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":737,"_221":738,"_324":739,"_326":740,"_328":741,"_330":742,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1834","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[722,723,724,725,726],{"_220":488,"_221":489,"_42":490,"_303":491},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":721,"_486":487},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":718,"_296":719,"_298":720},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":371,"_292":372},{"_224":710,"_125":711,"_284":712},{"_275":707,"_277":708,"_279":691,"_281":709},56.5,47.45735294117647,23.45735294117647,{"_286":224,"_123":716,"_154":717,"_140":89},{"_286":125,"_123":713,"_154":714,"_140":715},{"_286":284,"_123":541,"_154":542,"_140":543},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_310":735,"_312":736},{"_310":733,"_312":734},{"_310":731,"_312":732},{"_310":729,"_312":730},{"_310":727,"_312":728},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":796,"_221":797,"_324":798,"_326":327,"_328":799,"_330":800,"_332":335,"_334":335,"_336":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[781,782,783,784,785],{"_220":777,"_221":778,"_42":779,"_303":780},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":774,"_296":775,"_298":776},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":371,"_292":372},{"_224":769,"_125":770,"_284":771},{"_275":766,"_277":767,"_279":750,"_281":768},76,62.26731078904992,38.26731078904992,{"_286":224,"_123":772,"_154":773,"_140":89},{"_286":125,"_123":657,"_154":658,"_140":659},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":794,"_312":795},{"_310":792,"_312":793},{"_310":790,"_312":791},{"_310":788,"_312":789},{"_310":786,"_312":787},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"self-portrait-aic-11706","Self-Portrait",{"_42":623,"_221":624,"_324":625,"_326":446,"_328":394,"_330":626,"_332":-5,"_334":-5,"_336":627,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[832,833,834,835,836],{"_220":300,"_221":301,"_42":302,"_303":304},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":829,"_296":830,"_298":831},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":371,"_292":372},{"_224":826,"_125":827,"_284":828},{"_275":823,"_277":824,"_279":825,"_281":808},41.0926483233018,54,17.092648323301805,{"_286":224,"_123":603,"_154":604,"_140":99},{"_286":125,"_123":367,"_154":368,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":845,"_312":846},{"_310":843,"_312":844},{"_310":841,"_312":842},{"_310":839,"_312":840},{"_310":837,"_312":838},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":894,"_221":895,"_324":896,"_326":446,"_328":897,"_330":898,"_332":899,"_334":335,"_336":900,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[879,880,881,882,883],{"_220":552,"_221":553,"_42":554,"_303":555},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_294":876,"_296":877,"_298":878},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_290":291,"_292":293},{"_224":871,"_125":872,"_284":873},{"_275":868,"_277":869,"_279":870,"_281":853},85.3828125,99,70.3828125,{"_286":224,"_123":874,"_154":875,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_310":892,"_312":893},{"_310":890,"_312":891},{"_310":888,"_312":889},{"_310":886,"_312":887},{"_310":884,"_312":885},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":948,"_221":949,"_324":950,"_326":327,"_328":951,"_330":952,"_332":953,"_334":335,"_336":954,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[933,934,935,936,937],{"_220":300,"_221":301,"_42":302,"_303":304},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_294":930,"_296":931,"_298":932},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_290":371,"_292":372},{"_224":925,"_125":926,"_284":927},{"_275":922,"_277":923,"_279":924,"_281":908},48.02081362346263,59,24.02081362346263,{"_286":224,"_123":928,"_154":929,"_140":91},{"_286":125,"_123":367,"_154":368,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_310":946,"_312":947},{"_310":944,"_312":945},{"_310":942,"_312":943},{"_310":940,"_312":941},{"_310":938,"_312":939},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":1001,"_221":1002,"_324":1003,"_326":740,"_328":1004,"_330":1005,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[986,987,988,989,990],{"_220":552,"_221":553,"_42":554,"_303":555},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_294":983,"_296":984,"_298":985},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_290":291,"_292":293},{"_224":978,"_125":979,"_284":980},{"_275":975,"_277":976,"_279":960,"_281":977},135,116.953125,101.953125,{"_286":224,"_123":981,"_154":982,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_310":999,"_312":1000},{"_310":997,"_312":998},{"_310":995,"_312":996},{"_310":993,"_312":994},{"_310":991,"_312":992},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823",1756,1823,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":443,"_221":444,"_324":445,"_326":446,"_328":447,"_330":448,"_332":449,"_334":449,"_336":450,"_140":99},"Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[1036,1037,1038,1039,1040],{"_220":777,"_221":778,"_42":779,"_303":780},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_294":1033,"_296":1034,"_298":1035},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_290":291,"_292":293},{"_224":1030,"_125":1031,"_284":1032},{"_275":1027,"_277":1028,"_279":1011,"_281":1029},142,117.37854406130268,102.37854406130268,{"_286":224,"_123":423,"_154":424,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_310":1049,"_312":1050},{"_310":1047,"_312":1048},{"_310":1045,"_312":1046},{"_310":1043,"_312":1044},{"_310":1041,"_312":1042},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":948,"_221":949,"_324":950,"_326":327,"_328":951,"_330":952,"_332":953,"_334":335,"_336":954,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[1081,1082,1083,1084,1085],{"_220":552,"_221":553,"_42":554,"_303":555},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_294":1078,"_296":1079,"_298":1080},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_290":291,"_292":293},{"_224":1075,"_125":1076,"_284":1077},{"_275":1072,"_277":1073,"_279":1074,"_281":1057},116.6768798828125,143.5,101.6768798828125,{"_286":224,"_123":928,"_154":929,"_140":91},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_310":1093,"_312":1094},{"_310":1091,"_312":1092},{"_310":1089,"_312":1090},{"_310":1088,"_312":1087},{"_310":1086,"_312":1087},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":1142,"_221":1143,"_324":1144,"_326":446,"_328":799,"_330":684,"_332":335,"_334":335,"_336":1145,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,1.3465346534653466,[1127,1128,1129,1130,1131],{"_220":488,"_221":489,"_42":490,"_303":491},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":1126,"_486":487},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_294":1123,"_296":1124,"_298":1125},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_290":291,"_292":293},{"_224":1118,"_125":1119,"_284":1120},{"_275":1115,"_277":1116,"_279":1100,"_281":1117},138.2,106.49411764705881,91.49411764705881,{"_286":224,"_123":1121,"_154":1122,"_140":97},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_310":1140,"_312":1141},{"_310":1138,"_312":1139},{"_310":1136,"_312":1137},{"_310":1134,"_312":1135},{"_310":1132,"_312":1133},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.",{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","2f731cee9dc85428884e1e564447854b6dd26767","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]