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It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_296":445,"_298":446,"_300":447},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_292":293,"_294":295},{"_224":438,"_125":439,"_286":440},{"_276":435,"_278":436,"_280":437,"_282":374},53.22455845248108,66,29.224558452481077,{"_288":224,"_123":443,"_154":444,"_140":99},{"_288":125,"_123":441,"_154":442,"_140":53},{"_288":286,"_123":372,"_154":373,"_140":374},"style/watercolour-18","More watercolours of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":465,"_314":466},{"_312":463,"_314":464},{"_312":461,"_314":462},{"_312":459,"_314":460},{"_312":457,"_314":458},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":529,"_221":530,"_326":531,"_328":470,"_330":532,"_332":533,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1827","Painting","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[514,515,516,517,518],{"_220":448,"_221":449,"_42":450,"_305":451},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":511,"_512":513},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_296":508,"_298":509,"_300":510},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_292":380,"_294":381},{"_224":500,"_125":501,"_286":502},{"_276":497,"_278":498,"_280":499,"_282":482},115.83991565971941,142,100.83991565971941,{"_288":224,"_123":506,"_154":507,"_140":89},{"_288":125,"_123":503,"_154":504,"_140":505},{"_288":286,"_123":166,"_154":165,"_140":168},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","source","Text from the Art Institute of Chicago.",{"_312":527,"_314":528},{"_312":525,"_314":526},{"_312":523,"_314":524},{"_312":521,"_314":522},{"_312":519,"_314":520},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":583,"_221":584,"_326":585,"_328":470,"_330":586,"_332":587,"_334":-5,"_336":-5,"_338":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[568,569,570,571,572],{"_220":448,"_221":449,"_42":450,"_305":451},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_296":565,"_298":566,"_300":567},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_292":293,"_294":295},{"_224":557,"_125":558,"_286":559},{"_276":554,"_278":555,"_280":556,"_282":168},55.65007857517025,64,31.650078575170248,{"_288":224,"_123":563,"_154":564,"_140":99},{"_288":125,"_123":560,"_154":561,"_140":562},{"_288":286,"_123":372,"_154":373,"_140":374},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_312":581,"_314":582},{"_312":579,"_314":580},{"_312":577,"_314":578},{"_312":575,"_314":576},{"_312":573,"_314":574},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":633,"_221":634,"_326":635,"_328":636,"_330":637,"_332":638,"_334":-5,"_336":-5,"_338":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[618,619,620,621,622],{"_220":302,"_221":303,"_42":304,"_305":306},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_296":615,"_298":616,"_300":617},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_292":293,"_294":295},{"_224":610,"_125":611,"_286":612},{"_276":608,"_278":277,"_280":609,"_282":281},40.387939453125,16.387939453125,{"_288":224,"_123":613,"_154":614,"_140":89},{"_288":125,"_123":560,"_154":561,"_140":562},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_312":631,"_314":632},{"_312":629,"_314":630},{"_312":627,"_314":628},{"_312":625,"_314":626},{"_312":623,"_314":624},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":467,"_221":468,"_326":469,"_328":470,"_330":471,"_332":472,"_334":473,"_336":473,"_338":474,"_140":99},"1779","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[667,668,669,670,671],{"_220":385,"_221":386,"_42":387,"_305":388},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_296":664,"_298":665,"_300":666},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_292":380,"_294":381},{"_224":661,"_125":662,"_286":663},{"_276":498,"_278":659,"_280":482,"_282":660},117.37854406130268,102.37854406130268,{"_288":224,"_123":443,"_154":444,"_140":99},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_312":680,"_314":681},{"_312":678,"_314":679},{"_312":676,"_314":677},{"_312":674,"_314":675},{"_312":672,"_314":673},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":729,"_221":730,"_326":731,"_328":329,"_330":732,"_332":733,"_334":734,"_336":337,"_338":735,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[714,715,716,717,718],{"_220":448,"_221":449,"_42":450,"_305":451},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_296":711,"_298":712,"_300":713},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_292":293,"_294":295},{"_224":706,"_125":707,"_286":708},{"_276":703,"_278":704,"_280":705,"_282":689},48.02081362346263,59,24.02081362346263,{"_288":224,"_123":709,"_154":710,"_140":91},{"_288":125,"_123":441,"_154":442,"_140":53},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_312":727,"_314":728},{"_312":725,"_314":726},{"_312":723,"_314":724},{"_312":721,"_314":722},{"_312":719,"_314":720},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":783,"_221":784,"_326":785,"_328":329,"_330":786,"_332":787,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[768,769,770,771,772],{"_220":302,"_221":303,"_42":304,"_305":306},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_296":765,"_298":766,"_300":767},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_292":293,"_294":295},{"_224":760,"_125":761,"_286":762},{"_276":757,"_278":758,"_280":742,"_282":759},60.9,49.927294921875,25.927294921875,{"_288":224,"_123":763,"_154":764,"_140":89},{"_288":125,"_123":560,"_154":561,"_140":562},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_312":781,"_314":782},{"_312":779,"_314":780},{"_312":777,"_314":778},{"_312":775,"_314":776},{"_312":773,"_314":774},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":404,"_221":405,"_326":406,"_328":329,"_330":407,"_332":408,"_334":409,"_336":337,"_338":410,"_140":95},"c. 1761","oil on canvas","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[826,827,828,829,830],{"_220":822,"_221":823,"_42":824,"_305":825},"Courtesy of the Cleveland Museum of Art","1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":820,"_512":821},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_296":817,"_298":818,"_300":819},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_292":380,"_294":381},{"_224":814,"_125":815,"_286":816},{"_276":811,"_278":812,"_280":813,"_282":795},185.63529411764705,211,170.63529411764705,{"_288":224,"_123":378,"_154":379,"_140":95},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":839,"_314":840},{"_312":837,"_314":838},{"_312":835,"_314":836},{"_312":833,"_314":834},{"_312":831,"_314":832},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":889,"_221":890,"_326":891,"_328":470,"_330":892,"_332":893,"_334":-5,"_336":-5,"_338":-5,"_140":101},"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[874,875,876,877,878],{"_220":448,"_221":449,"_42":450,"_305":451},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_296":871,"_298":872,"_300":873},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_292":293,"_294":295},{"_224":864,"_125":865,"_286":866},{"_276":861,"_278":862,"_280":846,"_282":863},70,56.1976386036961,32.1976386036961,{"_288":224,"_123":869,"_154":870,"_140":89},{"_288":125,"_123":867,"_154":868,"_140":168},{"_288":286,"_123":166,"_154":165,"_140":168},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_312":887,"_314":888},{"_312":885,"_314":886},{"_312":883,"_314":884},{"_312":881,"_314":882},{"_312":879,"_314":880},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":467,"_221":468,"_326":469,"_328":470,"_330":471,"_332":472,"_334":473,"_336":473,"_338":474,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[923,924,925,926,927],{"_220":822,"_221":823,"_42":824,"_305":825},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":922,"_512":821},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_296":919,"_298":920,"_300":921},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_292":380,"_294":381},{"_224":916,"_125":917,"_286":918},{"_276":914,"_278":498,"_280":915,"_282":482},116.48794117647058,101.48794117647058,{"_288":224,"_123":443,"_154":444,"_140":99},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_312":936,"_314":937},{"_312":934,"_314":935},{"_312":932,"_314":933},{"_312":930,"_314":931},{"_312":928,"_314":929},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":984,"_221":985,"_326":986,"_328":636,"_330":786,"_332":987,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[969,970,971,972,973],{"_220":302,"_221":303,"_42":304,"_305":306},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_296":966,"_298":967,"_300":968},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_292":380,"_294":381},{"_224":961,"_125":962,"_286":963},{"_276":958,"_278":959,"_280":943,"_282":960},135,116.953125,101.953125,{"_288":224,"_123":964,"_154":965,"_140":89},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_312":982,"_314":983},{"_312":980,"_314":981},{"_312":978,"_314":979},{"_312":976,"_314":977},{"_312":974,"_314":975},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823",1823,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":1035,"_221":1036,"_326":1037,"_328":470,"_330":1038,"_332":1039,"_334":-5,"_336":-5,"_338":1040,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[1020,1021,1022,1023,1024],{"_220":302,"_221":303,"_42":304,"_305":306},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_296":1017,"_298":1018,"_300":1019},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_292":380,"_294":381},{"_224":1012,"_125":1013,"_286":1014},{"_276":1009,"_278":1010,"_280":993,"_282":1011},116.2,69.8001953125,54.8001953125,{"_288":224,"_123":1015,"_154":1016,"_140":99},{"_288":125,"_123":503,"_154":504,"_140":505},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_312":1033,"_314":1034},{"_312":1031,"_314":1032},{"_312":1029,"_314":1030},{"_312":1027,"_314":1028},{"_312":1025,"_314":1026},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1087,"_221":1088,"_326":1089,"_328":470,"_330":1090,"_332":1091,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[1072,1073,1074,1075,1076],{"_220":448,"_221":449,"_42":450,"_305":451},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":1069,"_298":1070,"_300":1071},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_292":380,"_294":381},{"_224":1064,"_125":1065,"_286":1066},{"_276":1061,"_278":1062,"_280":1063,"_282":1047},42.32984293193717,51,27.329842931937172,{"_288":224,"_123":1067,"_154":1068,"_140":89},{"_288":125,"_123":375,"_154":376,"_140":377},{"_288":286,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_312":1085,"_314":1086},{"_312":1083,"_314":1084},{"_312":1081,"_314":1082},{"_312":1079,"_314":1080},{"_312":1077,"_314":1078},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":1144,"_221":1145,"_326":1146,"_328":329,"_330":1147,"_332":331,"_334":337,"_336":337,"_338":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[1129,1130,1131,1132,1133],{"_220":385,"_221":386,"_42":387,"_305":388},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_296":1126,"_298":1127,"_300":1128},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_292":293,"_294":295},{"_224":1118,"_125":1119,"_286":1120},{"_276":1115,"_278":1116,"_280":1100,"_282":1117},76,62.26731078904992,38.26731078904992,{"_288":224,"_123":1124,"_154":1125,"_140":89},{"_288":125,"_123":1121,"_154":1122,"_140":1123},{"_288":286,"_123":372,"_154":373,"_140":374},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_312":1142,"_314":1143},{"_312":1140,"_314":1141},{"_312":1138,"_314":1139},{"_312":1136,"_314":1137},{"_312":1134,"_314":1135},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","257b7293dc72a2d0503b3b5c1175567a29fc6bcd","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]