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In the lower section of the image, there is some text, likely Latin.",{"_293":372,"_295":373,"_297":374},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_289":290,"_291":292},{"_224":364,"_125":365,"_284":366},{"_275":360,"_277":361,"_279":362,"_281":363},41.572021484375,49,17.572021484375,25,{"_286":224,"_123":370,"_154":371,"_140":89},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":392,"_311":393},{"_309":390,"_311":391},{"_309":388,"_311":389},{"_309":386,"_311":387},{"_309":384,"_311":385},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812","British",1742,1811,"self-portrait-aic-11706","Self-Portrait",{"_42":448,"_221":449,"_323":450,"_325":326,"_327":451,"_329":452,"_331":-5,"_333":-5,"_334":453,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[433,434,435,436,437],{"_220":299,"_221":300,"_42":301,"_302":303},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_293":430,"_295":431,"_297":432},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_289":290,"_291":292},{"_224":425,"_125":426,"_284":427},{"_275":422,"_277":423,"_279":424,"_281":407},41.0926483233018,54,17.092648323301805,{"_286":224,"_123":428,"_154":429,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_309":446,"_311":447},{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":508,"_221":509,"_323":510,"_325":326,"_327":511,"_329":512,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1792","painting","Painting","Oil on canvas","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[493,494,495,496,497],{"_220":299,"_221":300,"_42":301,"_302":303},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_293":490,"_295":491,"_297":492},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_289":488,"_291":489},{"_224":480,"_125":481,"_284":482},{"_275":477,"_277":478,"_279":479,"_281":463},42.32984293193717,51,27.329842931937172,{"_286":224,"_123":486,"_154":487,"_140":89},{"_286":125,"_123":483,"_154":484,"_140":485},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","natural","ivory","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_309":506,"_311":507},{"_309":504,"_311":505},{"_309":502,"_311":503},{"_309":500,"_311":501},{"_309":498,"_311":499},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":567,"_221":568,"_323":569,"_325":326,"_327":570,"_329":571,"_331":-5,"_333":-5,"_334":-5,"_140":101},"1834",19,"Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[552,553,554,555,556],{"_220":299,"_221":300,"_42":301,"_302":303},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":549,"_295":550,"_297":551},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_289":488,"_291":489},{"_224":538,"_125":539,"_284":540},{"_275":535,"_277":536,"_279":520,"_281":537},53,38.1345982804625,23.134598280462495,{"_286":224,"_123":547,"_154":548,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_309":565,"_311":566},{"_309":563,"_311":564},{"_309":561,"_311":562},{"_309":559,"_311":560},{"_309":557,"_311":558},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":625,"_221":626,"_323":627,"_325":326,"_327":628,"_329":629,"_331":630,"_333":631,"_334":632,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[610,611,612,613,614],{"_220":606,"_221":607,"_42":608,"_302":609},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_293":603,"_295":604,"_297":605},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_289":488,"_291":489},{"_224":598,"_125":599,"_284":600},{"_275":595,"_277":596,"_279":597,"_281":579},135.62100077780656,162.6,120.62100077780657,{"_286":224,"_123":601,"_154":602,"_140":97},{"_286":125,"_123":483,"_154":484,"_140":485},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":623,"_311":624},{"_309":621,"_311":622},{"_309":619,"_311":620},{"_309":617,"_311":618},{"_309":615,"_311":616},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","London","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","heaton-park-races-nga-52254","Heaton Park Races",{"_42":680,"_221":681,"_323":682,"_325":397,"_327":683,"_329":684,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1829","oil on canvas","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[665,666,667,668,669],{"_220":375,"_221":376,"_42":377,"_302":378},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_293":662,"_295":663,"_297":664},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_289":488,"_291":489},{"_224":657,"_125":658,"_284":659},{"_275":654,"_277":655,"_279":639,"_281":656},167.6,105.38271484375,90.38271484375,{"_286":224,"_123":660,"_154":661,"_140":89},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_309":678,"_311":679},{"_309":676,"_311":677},{"_309":674,"_311":675},{"_309":672,"_311":673},{"_309":670,"_311":671},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":740,"_221":741,"_323":742,"_325":397,"_327":743,"_329":570,"_331":744,"_333":631,"_334":745,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[725,726,727,728,729],{"_220":721,"_221":722,"_42":723,"_302":724},"Courtesy of the Cleveland Museum of Art","1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":718,"_719":720},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_293":715,"_295":716,"_297":717},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_289":488,"_291":489},{"_224":710,"_125":711,"_284":712},{"_275":707,"_277":708,"_279":709,"_281":691},185.63529411764705,211,170.63529411764705,{"_286":224,"_123":713,"_154":714,"_140":95},{"_286":125,"_123":483,"_154":484,"_140":485},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":738,"_311":739},{"_309":736,"_311":737},{"_309":734,"_311":735},{"_309":732,"_311":733},{"_309":730,"_311":731},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","bray-church-yard-cma-119729","Bray Church Yard",{"_42":799,"_221":800,"_323":801,"_325":397,"_327":802,"_329":803,"_331":-5,"_333":-5,"_334":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[784,785,786,787,788],{"_220":721,"_221":722,"_42":723,"_302":724},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":783,"_719":720},"Bray Church Yard, by John Varley, 1807",{"_293":780,"_295":781,"_297":782},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_289":290,"_291":292},{"_224":773,"_125":774,"_284":775},{"_275":770,"_277":771,"_279":754,"_281":772},60.9,48.95091176470588,24.950911764705882,{"_286":224,"_123":778,"_154":779,"_140":89},{"_286":125,"_123":776,"_154":777,"_140":640},{"_286":284,"_123":541,"_154":542,"_140":543},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_309":797,"_311":798},{"_309":795,"_311":796},{"_309":793,"_311":794},{"_309":791,"_311":792},{"_309":789,"_311":790},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":850,"_221":851,"_323":852,"_325":326,"_327":853,"_329":854,"_331":-5,"_333":-5,"_334":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",0.7948175568482284,[835,836,837,838,839],{"_220":299,"_221":300,"_42":301,"_302":303},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_293":832,"_295":833,"_297":834},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_289":290,"_291":292},{"_224":827,"_125":828,"_284":829},{"_275":824,"_277":825,"_279":826,"_281":543},55.79270227392914,64,31.792702273929137,{"_286":224,"_123":830,"_154":831,"_140":99},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_309":848,"_311":849},{"_309":846,"_311":847},{"_309":844,"_311":845},{"_309":842,"_311":843},{"_309":840,"_311":841},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":850,"_221":851,"_323":852,"_325":326,"_327":853,"_329":854,"_331":-5,"_333":-5,"_334":-5,"_140":99},0.7912998446400829,[878,879,880,881,882],{"_220":299,"_221":300,"_42":301,"_302":303},"1946.404","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.",{"_293":875,"_295":876,"_297":877},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_289":290,"_291":292},{"_224":872,"_125":873,"_284":874},{"_275":870,"_277":825,"_279":871,"_281":543},55.65199378560331,31.651993785603313,{"_286":224,"_123":830,"_154":831,"_140":99},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_309":890,"_311":891},{"_309":888,"_311":889},{"_309":887,"_311":671},{"_309":885,"_311":886},{"_309":883,"_311":884},"#766942",0.061,"#684c41",0.0717,"#94856f","#bcb09d",0.3294,"#d2c8b7",0.4108,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":940,"_221":941,"_323":942,"_325":397,"_327":943,"_329":330,"_331":-5,"_333":-5,"_334":944,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[925,926,927,928,929],{"_220":721,"_221":722,"_42":723,"_302":724},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":924,"_719":720},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_293":921,"_295":922,"_297":923},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_289":488,"_291":489},{"_224":916,"_125":917,"_284":918},{"_275":913,"_277":914,"_279":915,"_281":898},83.17205882352941,90.5,68.17205882352941,{"_286":224,"_123":919,"_154":920,"_140":99},{"_286":125,"_123":483,"_154":484,"_140":485},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_309":938,"_311":939},{"_309":936,"_311":937},{"_309":934,"_311":935},{"_309":932,"_311":933},{"_309":930,"_311":931},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","william-pitt-nga-52264","William Pitt",{"_42":940,"_221":941,"_323":942,"_325":397,"_327":943,"_329":330,"_331":-5,"_333":-5,"_334":944,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[975,976,977,978,979],{"_220":375,"_221":376,"_42":377,"_302":378},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_293":972,"_295":973,"_297":974},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_289":488,"_291":489},{"_224":969,"_125":970,"_284":971},{"_275":967,"_277":543,"_279":968,"_281":363},34.62890625,19.62890625,{"_286":224,"_123":919,"_154":920,"_140":99},{"_286":125,"_123":483,"_154":484,"_140":485},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_309":988,"_311":989},{"_309":986,"_311":987},{"_309":984,"_311":985},{"_309":982,"_311":983},{"_309":980,"_311":981},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[1025,1026,1027,1028,1029],{"_220":1022,"_221":1023,"_42":1024,"_302":378},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_293":1019,"_295":1020,"_297":1021},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_289":488,"_291":489},{"_224":1014,"_125":1015,"_284":1016},{"_275":1011,"_277":1012,"_279":1013,"_281":996},117.51170000000002,143.3,102.51170000000002,{"_286":224,"_123":1017,"_154":1018,"_140":97},{"_286":125,"_123":483,"_154":484,"_140":485},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},{"_309":1032,"_311":1033},{"_309":1030,"_311":1031},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":1086,"_221":1087,"_323":1088,"_325":397,"_327":1089,"_329":1090,"_331":1091,"_333":631,"_334":1092,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1072,1073,1074,1075,1076],{"_220":721,"_221":722,"_42":723,"_302":724},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1071,"_719":720},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_293":1068,"_295":1069,"_297":1070},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_289":488,"_291":489},{"_224":1063,"_125":1064,"_284":1065},{"_275":1060,"_277":1061,"_279":1062,"_281":369},117.63088235294117,144,102.63088235294117,{"_286":224,"_123":1066,"_154":1067,"_140":91},{"_286":125,"_123":544,"_154":545,"_140":546},{"_286":284,"_123":541,"_154":542,"_140":543},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_309":1084,"_311":1085},{"_309":1082,"_311":1083},{"_309":1080,"_311":1081},{"_309":1078,"_311":1079},{"_309":1077,"_311":733},"#bc9f72","#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":740,"_221":741,"_323":742,"_325":397,"_327":743,"_329":570,"_331":744,"_333":631,"_334":745,"_140":95},"18th century","Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[1129,1130,1131,1132,1133],{"_220":721,"_221":722,"_42":723,"_302":724},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":1128,"_719":720},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_293":1125,"_295":1126,"_297":1127},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_289":488,"_291":489},{"_224":1117,"_125":1118,"_284":1119},{"_275":1114,"_277":1115,"_279":1116,"_281":1099},80.5529411764706,95,65.5529411764706,{"_286":224,"_123":713,"_154":714,"_140":95},{"_286":125,"_123":1123,"_154":1124,"_140":485},{"_286":284,"_123":1120,"_154":1121,"_140":1122},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_309":1141,"_311":1142},{"_309":1139,"_311":1140},{"_309":1138,"_311":316},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},"#dbae62",0.0772,"#543416",0.0793,"#a17433","#784818",0.1532,"#312311",0.5941,{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","f957874fed3a9915f66da96e16bb8488949db056","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]