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This painting is among Dupont’s best portraits.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_307":440,"_309":441},{"_307":438,"_309":439},{"_307":436,"_309":437},{"_307":434,"_309":435},{"_307":432,"_309":433},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797","British",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":319,"_219":320,"_321":322,"_323":324,"_325":326,"_327":328,"_329":-5,"_330":-5,"_331":332,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[479,480,481,482,483],{"_218":297,"_219":298,"_42":299,"_300":301},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_291":476,"_293":477,"_295":478},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_287":288,"_289":290},{"_222":473,"_125":474,"_282":475},{"_273":470,"_275":471,"_277":455,"_278":472},53,44.521086780210865,20.52108678021087,{"_284":222,"_123":171,"_154":170,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_307":492,"_309":493},{"_307":490,"_309":491},{"_307":488,"_309":489},{"_307":486,"_309":487},{"_307":484,"_309":485},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":541,"_219":542,"_321":543,"_323":445,"_325":326,"_327":544,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[526,527,528,529,530],{"_218":297,"_219":298,"_42":299,"_300":301},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_291":523,"_293":524,"_295":525},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_287":288,"_289":290},{"_222":518,"_125":519,"_282":520},{"_273":515,"_275":516,"_277":500,"_278":517},80,62.20221481948321,38.20221481948321,{"_284":222,"_123":521,"_154":522,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_307":539,"_309":540},{"_307":537,"_309":538},{"_307":535,"_309":536},{"_307":533,"_309":534},{"_307":531,"_309":532},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1834,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":603,"_219":604,"_321":605,"_323":445,"_325":606,"_327":607,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1829",19,"overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[588,589,590,591,592],{"_218":584,"_219":585,"_42":586,"_300":587},"Courtesy National Gallery of Art, Washington","1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_291":581,"_293":582,"_295":583},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_287":415,"_289":416},{"_222":570,"_125":571,"_282":572},{"_273":567,"_275":568,"_277":551,"_278":569},167.6,105.38271484375,90.38271484375,{"_284":222,"_123":579,"_154":580,"_140":89},{"_284":125,"_123":576,"_154":577,"_140":578},{"_284":282,"_123":573,"_154":574,"_140":575},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_307":601,"_309":602},{"_307":599,"_309":600},{"_307":597,"_309":598},{"_307":595,"_309":596},{"_307":593,"_309":594},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":658,"_219":659,"_321":660,"_323":324,"_325":661,"_327":662,"_329":-5,"_330":-5,"_331":-5,"_140":99},"print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",0.7948175568482284,[643,644,645,646,647],{"_218":297,"_219":298,"_42":299,"_300":301},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_291":640,"_293":641,"_295":642},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_287":288,"_289":290},{"_222":632,"_125":633,"_282":634},{"_273":629,"_275":630,"_277":631,"_278":575},55.79270227392914,64,31.792702273929137,{"_284":222,"_123":638,"_154":639,"_140":99},{"_284":125,"_123":635,"_154":636,"_140":637},{"_284":282,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_307":656,"_309":657},{"_307":654,"_309":655},{"_307":652,"_309":653},{"_307":650,"_309":651},{"_307":648,"_309":649},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":710,"_219":711,"_321":712,"_323":445,"_325":713,"_327":714,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[695,696,697,698,699],{"_218":584,"_219":585,"_42":586,"_300":587},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_291":692,"_293":693,"_295":694},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_287":288,"_289":290},{"_222":687,"_125":688,"_282":689},{"_273":684,"_275":685,"_277":686,"_278":670},59.630419921874996,77.4,35.630419921874996,{"_284":222,"_123":690,"_154":691,"_140":89},{"_284":125,"_123":635,"_154":636,"_140":637},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_307":708,"_309":709},{"_307":706,"_309":707},{"_307":704,"_309":705},{"_307":702,"_309":703},{"_307":700,"_309":701},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":763,"_219":764,"_321":765,"_323":445,"_325":766,"_327":767,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[748,749,750,751,752],{"_218":584,"_219":585,"_42":586,"_300":587},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_291":745,"_293":746,"_295":747},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_287":288,"_289":290},{"_222":740,"_125":741,"_282":742},{"_273":736,"_275":737,"_277":738,"_278":739},41.572021484375,49,17.572021484375,25,{"_284":222,"_123":743,"_154":744,"_140":89},{"_284":125,"_123":635,"_154":636,"_140":637},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_307":761,"_309":762},{"_307":759,"_309":760},{"_307":757,"_309":758},{"_307":755,"_309":756},{"_307":753,"_309":754},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":814,"_219":815,"_321":816,"_323":445,"_325":817,"_327":818,"_329":819,"_330":820,"_331":821,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[800,801,802,803,804],{"_218":584,"_219":585,"_42":586,"_300":587},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_291":797,"_293":798,"_295":799},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_287":415,"_289":416},{"_222":792,"_125":793,"_282":794},{"_273":789,"_275":790,"_277":791,"_278":774},116.6768798828125,143.5,101.6768798828125,{"_284":222,"_123":795,"_154":796,"_140":91},{"_284":125,"_123":576,"_154":577,"_140":578},{"_284":282,"_123":573,"_154":574,"_140":575},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_307":812,"_309":813},{"_307":810,"_309":811},{"_307":808,"_309":809},{"_307":807,"_309":806},{"_307":805,"_309":806},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":875,"_219":876,"_321":877,"_323":878,"_325":879,"_327":880,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[860,861,862,863,864],{"_218":423,"_219":424,"_42":425,"_300":426},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":859,"_421":422},"Descent into the Plain of Granada, by David Roberts, 1834",{"_291":856,"_293":857,"_295":858},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_287":288,"_289":290},{"_222":849,"_125":850,"_282":851},{"_273":846,"_275":847,"_277":830,"_278":848},56.5,47.45735294117647,23.45735294117647,{"_284":222,"_123":854,"_154":855,"_140":89},{"_284":125,"_123":852,"_154":853,"_140":552},{"_284":282,"_123":573,"_154":574,"_140":575},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_307":873,"_309":874},{"_307":871,"_309":872},{"_307":869,"_309":870},{"_307":867,"_309":868},{"_307":865,"_309":866},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":930,"_219":931,"_321":932,"_323":445,"_325":933,"_327":934,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[915,916,917,918,919],{"_218":423,"_219":424,"_42":425,"_300":426},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":914,"_421":422},"Bray Church Yard, by John Varley, 1807",{"_291":911,"_293":912,"_295":913},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_287":288,"_289":290},{"_222":906,"_125":907,"_282":908},{"_273":903,"_275":904,"_277":887,"_278":905},60.9,48.95091176470588,24.950911764705882,{"_284":222,"_123":909,"_154":910,"_140":89},{"_284":125,"_123":852,"_154":853,"_140":552},{"_284":282,"_123":573,"_154":574,"_140":575},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_307":928,"_309":929},{"_307":926,"_309":927},{"_307":924,"_309":925},{"_307":922,"_309":923},{"_307":920,"_309":921},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"william-pitt-nga-52264","William Pitt",{"_42":442,"_219":443,"_321":444,"_323":445,"_325":446,"_327":447,"_329":-5,"_330":-5,"_331":448,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[965,966,967,968,969],{"_218":584,"_219":585,"_42":586,"_300":587},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_291":962,"_293":963,"_295":964},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_287":415,"_289":416},{"_222":959,"_125":960,"_282":961},{"_273":957,"_275":575,"_277":958,"_278":739},34.62890625,19.62890625,{"_284":222,"_123":413,"_154":414,"_140":99},{"_284":125,"_123":410,"_154":411,"_140":412},{"_284":282,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_307":978,"_309":979},{"_307":976,"_309":977},{"_307":974,"_309":975},{"_307":972,"_309":973},{"_307":970,"_309":971},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":1032,"_219":1033,"_321":1034,"_323":445,"_325":1035,"_327":1036,"_329":1037,"_330":820,"_331":1038,"_140":95},"18th century","Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,0.8194117647058824,[1017,1018,1019,1020,1021],{"_218":423,"_219":424,"_42":425,"_300":426},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":1016,"_421":422},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_291":1013,"_293":1014,"_295":1015},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_287":415,"_289":416},{"_222":1003,"_125":1004,"_282":1005},{"_273":1000,"_275":1001,"_277":1002,"_278":515},80.5529411764706,95,65.5529411764706,{"_284":222,"_123":1011,"_154":1012,"_140":95},{"_284":125,"_123":1009,"_154":1010,"_140":412},{"_284":282,"_123":1006,"_154":1007,"_140":1008},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_307":1030,"_309":1031},{"_307":1028,"_309":1029},{"_307":1026,"_309":1027},{"_307":1024,"_309":1025},{"_307":1022,"_309":1023},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-white-horse-nga-1146","The White Horse",{"_42":1086,"_219":1087,"_321":1088,"_323":324,"_325":1089,"_327":1090,"_329":-5,"_330":-5,"_331":1091,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[1071,1072,1073,1074,1075],{"_218":584,"_219":585,"_42":586,"_300":587},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_291":1068,"_293":1069,"_295":1070},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_287":415,"_289":416},{"_222":1063,"_125":1064,"_282":1065},{"_273":1060,"_275":1061,"_277":1044,"_278":1062},198,142.912353515625,127.912353515625,{"_284":222,"_123":1066,"_154":1067,"_140":99},{"_284":125,"_123":576,"_154":577,"_140":578},{"_284":282,"_123":573,"_154":574,"_140":575},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_307":1084,"_309":1085},{"_307":1082,"_309":1083},{"_307":1080,"_309":1081},{"_307":1078,"_309":1079},{"_307":1076,"_309":1077},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":442,"_219":443,"_321":444,"_323":445,"_325":446,"_327":447,"_329":-5,"_330":-5,"_331":448,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[1122,1123,1124,1125,1126],{"_218":584,"_219":585,"_42":586,"_300":587},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_291":1119,"_293":1120,"_295":1121},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_287":415,"_289":416},{"_222":1116,"_125":1117,"_282":1118},{"_273":1113,"_275":1114,"_277":1115,"_278":1098},54.4048095703125,74.1,39.4048095703125,{"_284":222,"_123":413,"_154":414,"_140":99},{"_284":125,"_123":410,"_154":411,"_140":412},{"_284":282,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_307":1135,"_309":1136},{"_307":1133,"_309":1134},{"_307":1131,"_309":1132},{"_307":1129,"_309":1130},{"_307":1127,"_309":1128},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,{"_1138":-5,"_1139":1140,"_1141":1142,"_1143":8,"_1144":1145,"_1146":8},"user","csrf","b51da3e8c0e6aaa3a163986fe88d50385afe86ac","cartCount",0,"dropLive","legal",[1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158],"uploadsEnabled",{"_219":1181,"_20":1182},{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},{"_219":1165,"_20":1166},{"_219":1163,"_20":1164},{"_219":1161,"_20":1162},{"_219":1159,"_20":1160},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]