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It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":465,"_311":466},{"_309":463,"_311":464},{"_309":461,"_311":462},{"_309":459,"_311":460},{"_309":457,"_311":458},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":521,"_219":522,"_323":523,"_325":524,"_327":525,"_329":471,"_331":526,"_332":526,"_333":527,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[506,507,508,509,510],{"_218":448,"_219":449,"_42":450,"_302":451},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":505,"_380":447},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_293":502,"_295":503,"_297":504},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_289":374,"_291":375},{"_222":497,"_125":498,"_283":499},{"_273":494,"_275":495,"_277":496,"_279":479},116.48794117647058,142,101.48794117647058,{"_285":222,"_123":500,"_154":501,"_140":99},{"_285":125,"_123":438,"_154":439,"_140":440},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_309":519,"_311":520},{"_309":517,"_311":518},{"_309":515,"_311":516},{"_309":513,"_311":514},{"_309":511,"_311":512},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":521,"_219":522,"_323":523,"_325":524,"_327":525,"_329":471,"_331":526,"_332":526,"_333":527,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[562,563,564,565,566],{"_218":382,"_219":383,"_42":384,"_302":385},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_293":559,"_295":560,"_297":561},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_289":290,"_291":292},{"_222":554,"_125":555,"_283":556},{"_273":551,"_275":552,"_277":553,"_279":168},53.22455845248108,66,29.224558452481077,{"_285":222,"_123":500,"_154":501,"_140":99},{"_285":125,"_123":557,"_154":558,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_309":575,"_311":576},{"_309":573,"_311":574},{"_309":571,"_311":572},{"_309":569,"_311":570},{"_309":567,"_311":568},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":630,"_219":631,"_323":632,"_325":524,"_327":633,"_329":634,"_331":635,"_332":407,"_333":636,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[615,616,617,618,619],{"_218":611,"_219":612,"_42":613,"_302":614},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_293":608,"_295":609,"_297":610},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_289":374,"_291":375},{"_222":603,"_125":604,"_283":605},{"_273":600,"_275":601,"_277":602,"_279":584},135.62100077780656,162.6,120.62100077780657,{"_285":222,"_123":606,"_154":607,"_140":97},{"_285":125,"_123":438,"_154":439,"_140":440},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":628,"_311":629},{"_309":626,"_311":627},{"_309":624,"_311":625},{"_309":622,"_311":623},{"_309":620,"_311":621},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":684,"_219":685,"_323":686,"_325":524,"_327":687,"_329":688,"_331":-5,"_332":-5,"_333":689,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[669,670,671,672,673],{"_218":382,"_219":383,"_42":384,"_302":385},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_293":666,"_295":667,"_297":668},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_289":290,"_291":292},{"_222":661,"_125":662,"_283":663},{"_273":658,"_275":659,"_277":643,"_279":660},71,60.23588863463005,36.23588863463005,{"_285":222,"_123":664,"_154":665,"_140":99},{"_285":125,"_123":557,"_154":558,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_309":682,"_311":683},{"_309":680,"_311":681},{"_309":678,"_311":679},{"_309":676,"_311":677},{"_309":674,"_311":675},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":737,"_219":738,"_323":739,"_325":524,"_327":740,"_329":741,"_331":-5,"_332":-5,"_333":742,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[722,723,724,725,726],{"_218":299,"_219":300,"_42":301,"_302":303},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_293":719,"_295":720,"_297":721},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_289":374,"_291":375},{"_222":714,"_125":715,"_283":716},{"_273":711,"_275":712,"_277":695,"_279":713},116.2,69.8001953125,54.8001953125,{"_285":222,"_123":717,"_154":718,"_140":99},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_309":735,"_311":736},{"_309":733,"_311":734},{"_309":731,"_311":732},{"_309":729,"_311":730},{"_309":727,"_311":728},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":789,"_219":790,"_323":791,"_325":524,"_327":792,"_329":793,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",65,0.7011965811965812,[774,775,776,777,778],{"_218":382,"_219":383,"_42":384,"_302":385},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_293":771,"_295":772,"_297":773},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_289":290,"_291":292},{"_222":766,"_125":767,"_283":768},{"_273":763,"_275":764,"_277":765,"_279":749},69.57777777777778,89,45.57777777777778,{"_285":222,"_123":769,"_154":770,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_309":787,"_311":788},{"_309":785,"_311":786},{"_309":783,"_311":784},{"_309":781,"_311":782},{"_309":779,"_311":780},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"peamore-devon-nga-137152","Peamore, Devon",{"_42":846,"_219":847,"_323":848,"_325":326,"_327":849,"_329":850,"_331":-5,"_332":-5,"_333":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[831,832,833,834,835],{"_218":299,"_219":300,"_42":301,"_302":303},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_293":828,"_295":829,"_297":830},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_289":290,"_291":292},{"_222":820,"_125":821,"_283":822},{"_273":817,"_275":818,"_277":802,"_279":819},81.3,70.4443359375,46.44433593749999,{"_285":222,"_123":826,"_154":827,"_140":89},{"_285":125,"_123":823,"_154":824,"_140":825},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_309":844,"_311":845},{"_309":842,"_311":843},{"_309":840,"_311":841},{"_309":838,"_311":839},{"_309":836,"_311":837},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":401,"_219":402,"_323":403,"_325":326,"_327":404,"_329":405,"_331":406,"_332":407,"_333":408,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[881,882,883,884,885],{"_218":382,"_219":383,"_42":384,"_302":385},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_293":878,"_295":879,"_297":880},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_289":290,"_291":292},{"_222":875,"_125":876,"_283":877},{"_273":872,"_275":873,"_277":874,"_279":858},48.02081362346263,59,24.02081362346263,{"_285":222,"_123":372,"_154":373,"_140":91},{"_285":125,"_123":557,"_154":558,"_140":53},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_309":894,"_311":895},{"_309":892,"_311":893},{"_309":890,"_311":891},{"_309":888,"_311":889},{"_309":886,"_311":887},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":946,"_219":947,"_323":948,"_325":326,"_327":949,"_329":950,"_331":951,"_332":407,"_333":952,"_140":97},"1830","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[931,932,933,934,935],{"_218":299,"_219":300,"_42":301,"_302":303},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_293":928,"_295":929,"_297":930},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_289":290,"_291":292},{"_222":920,"_125":921,"_283":922},{"_273":276,"_275":918,"_277":280,"_279":919},44.166015625,20.166015625,{"_285":222,"_123":926,"_154":927,"_140":97},{"_285":125,"_123":923,"_154":924,"_140":925},{"_285":283,"_123":366,"_154":367,"_140":368},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_309":944,"_311":945},{"_309":942,"_311":943},{"_309":940,"_311":941},{"_309":938,"_311":939},{"_309":936,"_311":937},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":1001,"_219":1002,"_323":1003,"_325":326,"_327":1004,"_329":949,"_331":407,"_332":407,"_333":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[986,987,988,989,990],{"_218":611,"_219":612,"_42":613,"_302":614},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_293":983,"_295":984,"_297":985},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_289":290,"_291":292},{"_222":978,"_125":979,"_283":980},{"_273":975,"_275":976,"_277":960,"_279":977},76,62.26731078904992,38.26731078904992,{"_285":222,"_123":981,"_154":982,"_140":89},{"_285":125,"_123":823,"_154":824,"_140":825},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_309":999,"_311":1000},{"_309":997,"_311":998},{"_309":995,"_311":996},{"_309":993,"_311":994},{"_309":991,"_311":992},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"weymouth-bay-met-682931","Weymouth Bay",{"_42":946,"_219":947,"_323":948,"_325":326,"_327":949,"_329":950,"_331":951,"_332":407,"_333":952,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[1035,1036,1037,1038,1039],{"_218":611,"_219":612,"_42":613,"_302":614},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_293":1032,"_295":1033,"_297":1034},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_289":290,"_291":292},{"_222":1029,"_125":1030,"_283":1031},{"_273":276,"_275":1027,"_277":280,"_279":1028},43.859539602028875,19.85953960202887,{"_285":222,"_123":926,"_154":927,"_140":97},{"_285":125,"_123":923,"_154":924,"_140":925},{"_285":283,"_123":366,"_154":367,"_140":368},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_309":1048,"_311":1049},{"_309":1046,"_311":1047},{"_309":1044,"_311":1045},{"_309":1042,"_311":1043},{"_309":1040,"_311":1041},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1095,"_219":1096,"_323":1097,"_325":326,"_327":1098,"_329":1099,"_331":-5,"_332":-5,"_333":-5,"_140":103},"overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[1080,1081,1082,1083,1084],{"_218":299,"_219":300,"_42":301,"_302":303},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_293":1077,"_295":1078,"_297":1079},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_289":374,"_291":375},{"_222":1072,"_125":1073,"_283":1074},{"_273":1069,"_275":1070,"_277":1054,"_279":1071},246,166.762939453125,151.762939453125,{"_285":222,"_123":1075,"_154":1076,"_140":89},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_309":1093,"_311":1094},{"_309":1091,"_311":1092},{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},{"_309":1085,"_311":1086},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":1147,"_219":1148,"_323":1149,"_325":524,"_327":1004,"_329":850,"_331":407,"_332":407,"_333":1150,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[1132,1133,1134,1135,1136],{"_218":382,"_219":383,"_42":384,"_302":385},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_293":1129,"_295":1130,"_297":1131},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_289":374,"_291":375},{"_222":1124,"_125":1125,"_283":1126},{"_273":1121,"_275":1122,"_277":1105,"_279":1123},239,188.10233393177737,173.10233393177737,{"_285":222,"_123":1127,"_154":1128,"_140":97},{"_285":125,"_123":369,"_154":370,"_140":371},{"_285":283,"_123":366,"_154":367,"_140":368},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_309":1145,"_311":1146},{"_309":1143,"_311":1144},{"_309":1141,"_311":1142},{"_309":1139,"_311":1140},{"_309":1137,"_311":1138},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.",{"_1152":-5,"_1153":1154,"_1155":1156,"_1157":8,"_1158":1159,"_1160":8},"user","csrf","7b245555b26fdebe350e63673a8fd13b19d22599","cartCount",0,"dropLive","legal",[1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172],"uploadsEnabled",{"_219":1195,"_20":1196},{"_219":1193,"_20":1194},{"_219":1191,"_20":1192},{"_219":1189,"_20":1190},{"_219":1187,"_20":1188},{"_219":1185,"_20":1186},{"_219":1183,"_20":1184},{"_219":1181,"_20":1182},{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]