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Martin.”",{"_294":375,"_296":376,"_298":377},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_290":373,"_292":374},{"_223":363,"_125":364,"_284":365},{"_275":360,"_277":361,"_279":344,"_281":362},246,166.762939453125,151.762939453125,{"_286":223,"_123":371,"_154":372,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":366,"_154":367,"_140":244},"era/19-britain","19th-century Britain","style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-martin","John Martin's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":395,"_312":396},{"_310":393,"_312":394},{"_310":391,"_312":392},{"_310":389,"_312":390},{"_310":387,"_312":388},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854","British",1789,1854,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":460,"_220":461,"_324":462,"_326":327,"_328":463,"_330":464,"_332":465,"_333":465,"_334":466,"_140":99},"1779","Paintings","Oil on canvas","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[445,446,447,448,449],{"_219":441,"_220":442,"_42":443,"_303":444},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_294":438,"_296":439,"_298":440},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_290":373,"_292":374},{"_223":430,"_125":431,"_284":432},{"_275":427,"_277":428,"_279":410,"_281":429},142,117.37854406130268,102.37854406130268,{"_286":223,"_123":436,"_154":437,"_140":99},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":513,"_220":514,"_324":515,"_326":400,"_328":516,"_330":517,"_332":518,"_333":519,"_334":520,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[498,499,500,501,502],{"_219":300,"_220":301,"_42":302,"_303":304},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":495,"_296":496,"_298":497},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_290":373,"_292":374},{"_223":490,"_125":491,"_284":492},{"_275":487,"_277":488,"_279":489,"_281":473},79.64294930875576,93,64.64294930875576,{"_286":223,"_123":493,"_154":494,"_140":91},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_310":511,"_312":512},{"_310":509,"_312":510},{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":569,"_220":570,"_324":571,"_326":400,"_328":572,"_330":573,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[554,555,556,557,558],{"_219":378,"_220":379,"_42":380,"_303":381},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_294":551,"_296":552,"_298":553},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_290":291,"_292":293},{"_223":546,"_125":547,"_284":548},{"_275":542,"_277":543,"_279":544,"_281":545},42.560791015625,49,18.560791015625,25,{"_286":223,"_123":549,"_154":550,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_310":567,"_312":568},{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":621,"_220":622,"_324":623,"_326":327,"_328":624,"_330":625,"_332":626,"_333":519,"_334":627,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[606,607,608,609,610],{"_219":378,"_220":379,"_42":380,"_303":381},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_294":603,"_296":604,"_298":605},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_290":373,"_292":374},{"_223":598,"_125":599,"_284":600},{"_275":595,"_277":596,"_279":579,"_281":597},142.6,116.65009765625,101.65009765625,{"_286":223,"_123":601,"_154":602,"_140":97},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},{"_310":611,"_312":612},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":675,"_220":676,"_324":677,"_326":400,"_328":678,"_330":679,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[660,661,662,663,664],{"_219":378,"_220":379,"_42":380,"_303":381},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":657,"_296":658,"_298":659},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":291,"_292":293},{"_223":652,"_125":653,"_284":654},{"_275":649,"_277":650,"_279":651,"_281":635},59.630419921874996,77.4,35.630419921874996,{"_286":223,"_123":655,"_154":656,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},{"_310":667,"_312":668},{"_310":665,"_312":666},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":726,"_220":727,"_324":728,"_326":400,"_328":729,"_330":730,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[711,712,713,714,715],{"_219":378,"_220":379,"_42":380,"_303":381},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":708,"_296":709,"_298":710},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":373,"_292":374},{"_223":703,"_125":704,"_284":705},{"_275":700,"_277":701,"_279":702,"_281":686},113.11484375,138.2,98.11484375,{"_286":223,"_123":706,"_154":707,"_140":89},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":366,"_154":367,"_140":244},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":724,"_312":725},{"_310":722,"_312":723},{"_310":720,"_312":721},{"_310":718,"_312":719},{"_310":716,"_312":717},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":99},0.7912519643792562,[753,754,755,756,757],{"_219":300,"_220":301,"_42":302,"_303":304},"1946.405",{"_294":750,"_296":751,"_298":752},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":291,"_292":293},{"_223":747,"_125":748,"_284":749},{"_275":745,"_277":278,"_279":746,"_281":244},55.65007857517025,31.650078575170248,{"_286":223,"_123":170,"_154":169,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_310":766,"_312":767},{"_310":764,"_312":765},{"_310":762,"_312":763},{"_310":760,"_312":761},{"_310":758,"_312":759},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":820,"_220":821,"_324":822,"_326":400,"_328":823,"_330":824,"_332":519,"_333":519,"_334":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[805,806,807,808,809],{"_219":441,"_220":442,"_42":443,"_303":444},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_294":802,"_296":803,"_298":804},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_290":291,"_292":293},{"_223":794,"_125":795,"_284":796},{"_275":791,"_277":792,"_279":793,"_281":777},50.26670344827586,63.2,26.266703448275862,{"_286":223,"_123":800,"_154":801,"_140":89},{"_286":125,"_123":797,"_154":798,"_140":799},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_310":818,"_312":819},{"_310":816,"_312":817},{"_310":814,"_312":815},{"_310":812,"_312":813},{"_310":810,"_312":811},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":885,"_220":886,"_324":887,"_326":400,"_328":888,"_330":889,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1807","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[870,871,872,873,874],{"_219":866,"_220":867,"_42":868,"_303":869},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":863,"_864":865},"Bray Church Yard, by John Varley, 1807",{"_294":860,"_296":861,"_298":862},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_290":291,"_292":293},{"_223":852,"_125":853,"_284":854},{"_275":849,"_277":850,"_279":832,"_281":851},60.9,48.95091176470588,24.950911764705882,{"_286":223,"_123":858,"_154":859,"_140":89},{"_286":125,"_123":855,"_154":856,"_140":857},{"_286":284,"_123":366,"_154":367,"_140":244},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":883,"_312":884},{"_310":881,"_312":882},{"_310":879,"_312":880},{"_310":877,"_312":878},{"_310":875,"_312":876},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":940,"_220":941,"_324":942,"_326":327,"_328":943,"_330":944,"_332":-5,"_333":-5,"_334":945,"_140":99},"watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[925,926,927,928,929],{"_219":300,"_220":301,"_42":302,"_303":304},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":922,"_296":923,"_298":924},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":291,"_292":293},{"_223":915,"_125":916,"_284":917},{"_275":912,"_277":913,"_279":897,"_281":914},53,44.521086780210865,20.52108678021087,{"_286":223,"_123":920,"_154":921,"_140":99},{"_286":125,"_123":918,"_154":919,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_310":938,"_312":939},{"_310":936,"_312":937},{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","weymouth-bay-met-682931","Weymouth Bay",{"_42":997,"_220":998,"_324":999,"_326":400,"_328":1000,"_330":1001,"_332":1002,"_333":519,"_334":1003,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[982,983,984,985,986],{"_219":441,"_220":442,"_42":443,"_303":444},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_294":979,"_296":980,"_298":981},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_290":291,"_292":293},{"_223":971,"_125":972,"_284":973},{"_275":543,"_277":969,"_279":545,"_281":970},43.859539602028875,19.85953960202887,{"_286":223,"_123":977,"_154":978,"_140":97},{"_286":125,"_123":974,"_154":975,"_140":976},{"_286":284,"_123":366,"_154":367,"_140":244},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_310":995,"_312":996},{"_310":993,"_312":994},{"_310":991,"_312":992},{"_310":989,"_312":990},{"_310":987,"_312":988},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":1051,"_220":1052,"_324":1053,"_326":327,"_328":1054,"_330":1055,"_332":519,"_333":519,"_334":1056,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[1036,1037,1038,1039,1040],{"_219":300,"_220":301,"_42":302,"_303":304},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_294":1033,"_296":1034,"_298":1035},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_290":373,"_292":374},{"_223":1028,"_125":1029,"_284":1030},{"_275":1025,"_277":1026,"_279":1009,"_281":1027},239,188.10233393177737,173.10233393177737,{"_286":223,"_123":1031,"_154":1032,"_140":97},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":366,"_154":367,"_140":244},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_310":1049,"_312":1050},{"_310":1047,"_312":1048},{"_310":1045,"_312":1046},{"_310":1043,"_312":1044},{"_310":1041,"_312":1042},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":513,"_220":514,"_324":515,"_326":400,"_328":516,"_330":517,"_332":518,"_333":519,"_334":520,"_140":91},"1790","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[1087,1088,1089,1090,1091],{"_219":441,"_220":442,"_42":443,"_303":444},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_294":1084,"_296":1085,"_298":1086},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_290":373,"_292":374},{"_223":1081,"_125":1082,"_284":1083},{"_275":1078,"_277":1079,"_279":1080,"_281":1063},161.4845419354839,253.8,146.4845419354839,{"_286":223,"_123":493,"_154":494,"_140":91},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},{"_310":1092,"_312":1093},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":675,"_220":676,"_324":677,"_326":400,"_328":678,"_330":679,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[1131,1132,1133,1134,1135],{"_219":378,"_220":379,"_42":380,"_303":381},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_294":1128,"_296":1129,"_298":1130},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_290":291,"_292":293},{"_223":1125,"_125":1126,"_284":1127},{"_275":1122,"_277":1123,"_279":1108,"_281":1124},82.5,66.1468505859375,42.1468505859375,{"_286":223,"_123":655,"_154":656,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_310":1144,"_312":1145},{"_310":1142,"_312":1143},{"_310":1140,"_312":1141},{"_310":1138,"_312":1139},{"_310":1136,"_312":1137},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","f10d5d6716d461ffcd40d39ed0e13dfc0ffaff6c","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_220":1190,"_20":1191},{"_220":1188,"_20":1189},{"_220":1186,"_20":1187},{"_220":1184,"_20":1185},{"_220":1182,"_20":1183},{"_220":1180,"_20":1181},{"_220":1178,"_20":1179},{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]