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It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_294":445,"_296":446,"_298":447},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_290":291,"_292":293},{"_224":434,"_125":435,"_284":436},{"_275":430,"_277":431,"_279":432,"_280":433},49,43.859539602028875,25,19.85953960202887,{"_286":224,"_123":443,"_154":444,"_140":97},{"_286":125,"_123":440,"_154":441,"_140":442},{"_286":284,"_123":437,"_154":438,"_140":439},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":465,"_312":466},{"_310":463,"_312":464},{"_310":461,"_312":462},{"_310":459,"_312":460},{"_310":457,"_312":458},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":525,"_221":526,"_324":527,"_326":327,"_328":528,"_330":529,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1771","Print","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[510,511,512,513,514],{"_220":300,"_221":301,"_42":302,"_303":304},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_294":507,"_296":508,"_298":509},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_290":291,"_292":293},{"_224":499,"_125":500,"_284":501},{"_275":497,"_277":430,"_279":498,"_280":432},41.572021484375,17.572021484375,{"_286":224,"_123":505,"_154":506,"_140":89},{"_286":125,"_123":502,"_154":503,"_140":504},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_310":523,"_312":524},{"_310":521,"_312":522},{"_310":519,"_312":520},{"_310":517,"_312":518},{"_310":515,"_312":516},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":579,"_221":580,"_324":581,"_326":327,"_328":582,"_330":583,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[564,565,566,567,568],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":561,"_296":562,"_298":563},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":371,"_292":372},{"_224":553,"_125":554,"_284":555},{"_275":550,"_277":551,"_279":552,"_280":536},113.11484375,138.2,98.11484375,{"_286":224,"_123":559,"_154":560,"_140":89},{"_286":125,"_123":556,"_154":557,"_140":558},{"_286":284,"_123":437,"_154":438,"_140":439},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":577,"_312":578},{"_310":575,"_312":576},{"_310":573,"_312":574},{"_310":571,"_312":572},{"_310":569,"_312":570},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":636,"_221":637,"_324":638,"_326":639,"_328":640,"_330":641,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1792","Oil on canvas","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[621,622,623,624,625],{"_220":617,"_221":618,"_42":619,"_303":620},"Courtesy of the Art Institute of Chicago","2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":614,"_296":615,"_298":616},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_290":371,"_292":372},{"_224":609,"_125":610,"_284":611},{"_275":606,"_277":607,"_279":608,"_280":591},42.32984293193717,51,27.329842931937172,{"_286":224,"_123":612,"_154":613,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":634,"_312":635},{"_310":632,"_312":633},{"_310":630,"_312":631},{"_310":628,"_312":629},{"_310":626,"_312":627},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832","English",1748,1832,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":693,"_221":694,"_324":695,"_326":327,"_328":696,"_330":697,"_332":698,"_333":473,"_334":699,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[678,679,680,681,682],{"_220":617,"_221":618,"_42":619,"_303":620},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_294":675,"_296":676,"_298":677},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_290":291,"_292":293},{"_224":668,"_125":669,"_284":670},{"_275":665,"_277":666,"_279":667,"_280":651},48.02081362346263,59,24.02081362346263,{"_286":224,"_123":673,"_154":674,"_140":91},{"_286":125,"_123":671,"_154":672,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_310":691,"_312":692},{"_310":689,"_312":690},{"_310":687,"_312":688},{"_310":685,"_312":686},{"_310":683,"_312":684},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":745,"_221":746,"_324":747,"_326":327,"_328":748,"_330":749,"_332":750,"_333":473,"_334":751,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[730,731,732,733,734],{"_220":617,"_221":618,"_42":619,"_303":620},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_294":727,"_296":728,"_298":729},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_290":371,"_292":372},{"_224":722,"_125":723,"_284":724},{"_275":719,"_277":720,"_279":721,"_280":706},115.51366857914276,141,100.51366857914276,{"_286":224,"_123":725,"_154":726,"_140":95},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_310":743,"_312":744},{"_310":741,"_312":742},{"_310":739,"_312":740},{"_310":737,"_312":738},{"_310":735,"_312":736},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","self-portrait-aic-11706","Self-Portrait",{"_42":800,"_221":801,"_324":802,"_326":639,"_328":803,"_330":804,"_332":-5,"_333":-5,"_334":805,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[785,786,787,788,789],{"_220":617,"_221":618,"_42":619,"_303":620},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":782,"_296":783,"_298":784},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":291,"_292":293},{"_224":777,"_125":778,"_284":779},{"_275":774,"_277":775,"_279":776,"_280":759},41.0926483233018,54,17.092648323301805,{"_286":224,"_123":780,"_154":781,"_140":99},{"_286":125,"_123":671,"_154":672,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":798,"_312":799},{"_310":796,"_312":797},{"_310":794,"_312":795},{"_310":792,"_312":793},{"_310":790,"_312":791},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","noon-nga-119642","Noon",{"_42":467,"_221":468,"_324":469,"_326":327,"_328":470,"_330":471,"_332":472,"_333":473,"_334":474,"_140":97},"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[836,837,838,839,840],{"_220":300,"_221":301,"_42":302,"_303":304},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":833,"_296":834,"_298":835},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":291,"_292":293},{"_224":830,"_125":831,"_284":832},{"_275":827,"_277":828,"_279":811,"_280":829},49.5,42.3094482421875,18.3094482421875,{"_286":224,"_123":443,"_154":444,"_140":97},{"_286":125,"_123":440,"_154":441,"_140":442},{"_286":284,"_123":437,"_154":438,"_140":439},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_310":849,"_312":850},{"_310":847,"_312":848},{"_310":845,"_312":846},{"_310":843,"_312":844},{"_310":841,"_312":842},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":693,"_221":694,"_324":695,"_326":327,"_328":696,"_330":697,"_332":698,"_333":473,"_334":699,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[881,882,883,884,885],{"_220":379,"_221":380,"_42":381,"_303":382},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":880,"_377":378},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":877,"_296":878,"_298":879},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":371,"_292":372},{"_224":874,"_125":875,"_284":876},{"_275":871,"_277":872,"_279":873,"_280":504},117.63088235294117,144,102.63088235294117,{"_286":224,"_123":673,"_154":674,"_140":91},{"_286":125,"_123":556,"_154":557,"_140":558},{"_286":284,"_123":437,"_154":438,"_140":439},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_310":894,"_312":895},{"_310":892,"_312":893},{"_310":890,"_312":891},{"_310":888,"_312":889},{"_310":886,"_312":887},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":693,"_221":694,"_324":695,"_326":327,"_328":696,"_330":697,"_332":698,"_333":473,"_334":699,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[928,929,930,931,932],{"_220":379,"_221":380,"_42":381,"_303":382},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":927,"_377":378},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_294":924,"_296":925,"_298":926},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_290":371,"_292":372},{"_224":921,"_125":922,"_284":923},{"_275":917,"_277":918,"_279":919,"_280":920},163.0235294117647,255,148.0235294117647,240,{"_286":224,"_123":673,"_154":674,"_140":91},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_310":941,"_312":942},{"_310":939,"_312":940},{"_310":937,"_312":938},{"_310":935,"_312":936},{"_310":933,"_312":934},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":467,"_221":468,"_324":469,"_326":327,"_328":470,"_330":471,"_332":472,"_333":473,"_334":474,"_140":97},"plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[970,971,972,973,974],{"_220":300,"_221":301,"_42":302,"_303":304},"2001.118.21","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_294":967,"_296":968,"_298":969},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_290":291,"_292":293},{"_224":964,"_125":965,"_284":966},{"_275":430,"_277":962,"_279":432,"_280":963},44.166015625,20.166015625,{"_286":224,"_123":443,"_154":444,"_140":97},{"_286":125,"_123":440,"_154":441,"_140":442},{"_286":284,"_123":437,"_154":438,"_140":439},"https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_310":983,"_312":984},{"_310":981,"_312":982},{"_310":979,"_312":980},{"_310":977,"_312":978},{"_310":975,"_312":976},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":1031,"_221":1032,"_324":1033,"_326":639,"_328":1034,"_330":1035,"_332":-5,"_333":-5,"_334":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",0.7912998446400829,[1016,1017,1018,1019,1020],{"_220":617,"_221":618,"_42":619,"_303":620},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":1013,"_296":1014,"_298":1015},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":291,"_292":293},{"_224":1008,"_125":1009,"_284":1010},{"_275":1005,"_277":1006,"_279":1007,"_280":439},55.65199378560331,64,31.651993785603313,{"_286":224,"_123":1011,"_154":1012,"_140":99},{"_286":125,"_123":502,"_154":503,"_140":504},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":1029,"_312":1030},{"_310":1027,"_312":1028},{"_310":1025,"_312":1026},{"_310":1023,"_312":1024},{"_310":1021,"_312":1022},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":745,"_221":746,"_324":747,"_326":327,"_328":748,"_330":749,"_332":750,"_333":473,"_334":751,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[1067,1068,1069,1070,1071],{"_220":379,"_221":380,"_42":381,"_303":382},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":1066,"_377":378},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_294":1063,"_296":1064,"_298":1065},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_290":371,"_292":372},{"_224":1060,"_125":1061,"_284":1062},{"_275":1057,"_277":1058,"_279":1059,"_280":1042},185.63529411764705,211,170.63529411764705,{"_286":224,"_123":725,"_154":726,"_140":95},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_310":1079,"_312":1080},{"_310":1077,"_312":1078},{"_310":1075,"_312":1076},{"_310":1074,"_312":887},{"_310":1072,"_312":1073},"#aa9c7e",0.0806,"#7a6c4b","#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"william-pitt-nga-52264","William Pitt",{"_42":398,"_221":399,"_324":400,"_326":327,"_328":401,"_330":402,"_332":-5,"_333":-5,"_334":403,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[1111,1112,1113,1114,1115],{"_220":300,"_221":301,"_42":302,"_303":304},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":1108,"_296":1109,"_298":1110},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":371,"_292":372},{"_224":1105,"_125":1106,"_284":1107},{"_275":1103,"_277":439,"_279":1104,"_280":432},34.62890625,19.62890625,{"_286":224,"_123":369,"_154":370,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":1124,"_312":1125},{"_310":1122,"_312":1123},{"_310":1120,"_312":1121},{"_310":1118,"_312":1119},{"_310":1116,"_312":1117},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,{"_1127":-5,"_1128":1129,"_1130":1131,"_1132":8,"_1133":1134,"_1135":8},"user","csrf","a683e786e31d2fd27deef830842d277f16f313f3","cartCount",0,"dropLive","legal",[1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146,1147],"uploadsEnabled",{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]