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It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_295":432,"_297":433,"_299":434},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_291":430,"_293":431},{"_225":423,"_125":424,"_285":425},{"_276":420,"_278":421,"_280":405,"_282":422},80,62.20221481948321,38.20221481948321,{"_287":225,"_123":428,"_154":429,"_140":89},{"_287":125,"_123":426,"_154":427,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","white","snow","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_311":448,"_313":449},{"_311":446,"_313":447},{"_311":444,"_313":445},{"_311":442,"_313":443},{"_311":440,"_313":441},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":91},"c. 1822/1823",19,"overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[492,493,494,495,496],{"_221":372,"_222":373,"_42":374,"_304":375},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":489,"_297":490,"_299":491},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":292,"_293":294},{"_225":480,"_125":481,"_285":482},{"_276":477,"_278":478,"_280":479,"_282":462},116.6768798828125,143.5,101.6768798828125,{"_287":225,"_123":171,"_154":170,"_140":91},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":483,"_154":484,"_140":485},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_311":504,"_313":505},{"_311":502,"_313":503},{"_311":500,"_313":501},{"_311":499,"_313":498},{"_311":497,"_313":498},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":560,"_222":561,"_325":562,"_327":328,"_329":563,"_331":564,"_333":565,"_335":336,"_337":566,"_140":97},"1830","print","Print","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[545,546,547,548,549],{"_221":372,"_222":373,"_42":374,"_304":375},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_295":542,"_297":543,"_299":544},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_291":430,"_293":431},{"_225":534,"_125":535,"_285":536},{"_276":530,"_278":531,"_280":532,"_282":533},49,44.166015625,25,20.166015625,{"_287":225,"_123":540,"_154":541,"_140":97},{"_287":125,"_123":537,"_154":538,"_140":539},{"_287":285,"_123":483,"_154":484,"_140":485},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_311":558,"_313":559},{"_311":556,"_313":557},{"_311":554,"_313":555},{"_311":552,"_313":553},{"_311":550,"_313":551},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[597,598,599,600,601],{"_221":301,"_222":302,"_42":303,"_304":305},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_295":594,"_297":595,"_299":596},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_291":430,"_293":431},{"_225":591,"_125":592,"_285":593},{"_276":588,"_278":589,"_280":590,"_282":574},48.02081362346263,59,24.02081362346263,{"_287":225,"_123":171,"_154":170,"_140":91},{"_287":125,"_123":426,"_154":427,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_311":610,"_313":611},{"_311":608,"_313":609},{"_311":606,"_313":607},{"_311":604,"_313":605},{"_311":602,"_313":603},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[647,648,649,650,651],{"_221":644,"_222":645,"_42":646,"_304":375},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_295":641,"_297":642,"_299":643},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_291":292,"_293":294},{"_225":636,"_125":637,"_285":638},{"_276":633,"_278":634,"_280":635,"_282":618},117.51170000000002,143.3,102.51170000000002,{"_287":225,"_123":639,"_154":640,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":660,"_313":661},{"_311":658,"_313":659},{"_311":656,"_313":657},{"_311":654,"_313":655},{"_311":652,"_313":653},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"self-portrait-aic-11706","Self-Portrait",{"_42":710,"_222":711,"_325":712,"_327":713,"_329":453,"_331":714,"_333":-5,"_335":-5,"_337":715,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[695,696,697,698,699],{"_221":301,"_222":302,"_42":303,"_304":305},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_295":692,"_297":693,"_299":694},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_291":430,"_293":431},{"_225":687,"_125":688,"_285":689},{"_276":684,"_278":685,"_280":686,"_282":669},41.0926483233018,54,17.092648323301805,{"_287":225,"_123":690,"_154":691,"_140":99},{"_287":125,"_123":426,"_154":427,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_311":708,"_313":709},{"_311":706,"_313":707},{"_311":704,"_313":705},{"_311":702,"_313":703},{"_311":700,"_313":701},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826","English",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":764,"_222":765,"_325":766,"_327":713,"_329":767,"_331":768,"_333":769,"_335":336,"_337":770,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[749,750,751,752,753],{"_221":301,"_222":302,"_42":303,"_304":305},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_295":746,"_297":747,"_299":748},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_291":430,"_293":431},{"_225":741,"_125":742,"_285":743},{"_276":738,"_278":739,"_280":722,"_282":740},79,66.1776611694153,42.177661169415295,{"_287":225,"_123":744,"_154":745,"_140":97},{"_287":125,"_123":426,"_154":427,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_311":762,"_313":763},{"_311":760,"_313":761},{"_311":758,"_313":759},{"_311":756,"_313":757},{"_311":754,"_313":755},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":818,"_222":819,"_325":820,"_327":328,"_329":821,"_331":822,"_333":-5,"_335":-5,"_337":823,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[803,804,805,806,807],{"_221":372,"_222":373,"_42":374,"_304":375},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_295":800,"_297":801,"_299":802},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_291":292,"_293":294},{"_225":795,"_125":796,"_285":797},{"_276":792,"_278":793,"_280":794,"_282":777},54.4048095703125,74.1,39.4048095703125,{"_287":225,"_123":798,"_154":799,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_311":816,"_313":817},{"_311":814,"_313":815},{"_311":812,"_313":813},{"_311":810,"_313":811},{"_311":808,"_313":809},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":881,"_222":882,"_325":883,"_327":328,"_329":884,"_331":563,"_333":336,"_335":336,"_337":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[866,867,868,869,870],{"_221":862,"_222":863,"_42":864,"_304":865},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_295":859,"_297":860,"_299":861},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_291":430,"_293":431},{"_225":851,"_125":852,"_285":853},{"_276":848,"_278":849,"_280":832,"_282":850},76,62.26731078904992,38.26731078904992,{"_287":225,"_123":857,"_154":858,"_140":89},{"_287":125,"_123":854,"_154":855,"_140":856},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":879,"_313":880},{"_311":877,"_313":878},{"_311":875,"_313":876},{"_311":873,"_313":874},{"_311":871,"_313":872},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"the-white-horse-nga-1146","The White Horse",{"_42":932,"_222":933,"_325":934,"_327":713,"_329":935,"_331":936,"_333":-5,"_335":-5,"_337":937,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[917,918,919,920,921],{"_221":372,"_222":373,"_42":374,"_304":375},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_295":914,"_297":915,"_299":916},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_291":292,"_293":294},{"_225":909,"_125":910,"_285":911},{"_276":906,"_278":907,"_280":890,"_282":908},198,142.912353515625,127.912353515625,{"_287":225,"_123":912,"_154":913,"_140":99},{"_287":125,"_123":486,"_154":487,"_140":488},{"_287":285,"_123":483,"_154":484,"_140":485},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_311":930,"_313":931},{"_311":928,"_313":929},{"_311":926,"_313":927},{"_311":924,"_313":925},{"_311":922,"_313":923},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":987,"_222":988,"_325":989,"_327":713,"_329":990,"_331":991,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",0.7948175568482284,[972,973,974,975,976],{"_221":301,"_222":302,"_42":303,"_304":305},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":969,"_297":970,"_299":971},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_291":430,"_293":431},{"_225":961,"_125":962,"_285":963},{"_276":958,"_278":959,"_280":960,"_282":485},55.79270227392914,64,31.792702273929137,{"_287":225,"_123":967,"_154":968,"_140":99},{"_287":125,"_123":964,"_154":965,"_140":966},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_311":985,"_313":986},{"_311":983,"_313":984},{"_311":981,"_313":982},{"_311":979,"_313":980},{"_311":977,"_313":978},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":987,"_222":988,"_325":989,"_327":713,"_329":990,"_331":991,"_333":-5,"_335":-5,"_337":-5,"_140":99},0.7912998446400829,[1015,1016,1017,1018,1019],{"_221":301,"_222":302,"_42":303,"_304":305},"1946.404","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.",{"_295":1012,"_297":1013,"_299":1014},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_291":430,"_293":431},{"_225":1009,"_125":1010,"_285":1011},{"_276":1007,"_278":959,"_280":1008,"_282":485},55.65199378560331,31.651993785603313,{"_287":225,"_123":967,"_154":968,"_140":99},{"_287":125,"_123":964,"_154":965,"_140":966},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_311":1028,"_313":1029},{"_311":1026,"_313":1027},{"_311":1024,"_313":1025},{"_311":1022,"_313":1023},{"_311":1020,"_313":1021},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":1078,"_222":1079,"_325":1080,"_327":328,"_329":1081,"_331":1082,"_333":1083,"_335":336,"_337":1084,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[1063,1064,1065,1066,1067],{"_221":862,"_222":863,"_42":864,"_304":865},"20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_295":1060,"_297":1061,"_299":1062},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_291":292,"_293":294},{"_225":1055,"_125":1056,"_285":1057},{"_276":1052,"_278":1053,"_280":1054,"_282":1037},162.4421624418003,253.1,147.4421624418003,{"_287":225,"_123":1058,"_154":1059,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg",{"_311":1076,"_313":1077},{"_311":1074,"_313":1075},{"_311":1072,"_313":1073},{"_311":1070,"_313":1071},{"_311":1068,"_313":1069},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1129,"_222":1130,"_325":1131,"_327":394,"_329":768,"_331":1132,"_333":-5,"_335":-5,"_337":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[1114,1115,1116,1117,1118],{"_221":372,"_222":373,"_42":374,"_304":375},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_295":1111,"_297":1112,"_299":1113},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_291":430,"_293":431},{"_225":1106,"_125":1107,"_285":1108},{"_276":530,"_278":1104,"_280":532,"_282":1105},39.68603515625,15.686035156249998,{"_287":225,"_123":1109,"_154":1110,"_140":89},{"_287":125,"_123":964,"_154":965,"_140":966},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_311":1127,"_313":1128},{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},{"_311":1119,"_313":1120},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1859,{"_1134":-5,"_1135":1136,"_1137":1138,"_1139":8,"_1140":1141,"_1142":8},"user","csrf","cef9271c3d738123f74ae93997165c26ef496286","cartCount",0,"dropLive","legal",[1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153,1154],"uploadsEnabled",{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},{"_222":1167,"_20":1168},{"_222":1165,"_20":1166},{"_222":1163,"_20":1164},{"_222":1161,"_20":1162},{"_222":1159,"_20":1160},{"_222":1157,"_20":1158},{"_222":1155,"_20":1156},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]