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They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_317":327,"_319":328},{"_317":325,"_319":326},{"_317":323,"_319":324},{"_317":321,"_319":322},{"_317":318,"_319":320},"hex","#aa9c7e","weight",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","bio","English, 1723–1792","nationality","British","birth_year",1723,"death_year",1792,"birth_place","Plympton","death_place","London","about_excerpt","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":405,"_224":406,"_331":407,"_333":408,"_335":409,"_337":410,"_339":342,"_341":342,"_343":411,"_140":97},"1837–38",19,"Oil on canvas","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[390,391,392,393,394],{"_223":386,"_224":387,"_42":388,"_310":389},"Courtesy of the Art Institute of Chicago","1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. 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The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_298":450,"_300":451,"_302":452},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_294":448,"_296":449},{"_227":440,"_125":441,"_288":442},{"_279":437,"_281":438,"_283":420,"_285":439},49.2,41.94638671875,17.94638671875,{"_290":227,"_123":446,"_154":447,"_140":97},{"_290":125,"_123":443,"_154":444,"_140":445},{"_290":288,"_123":375,"_154":376,"_140":377},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","white","snow","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_317":470,"_319":471},{"_317":468,"_319":469},{"_317":466,"_319":467},{"_317":464,"_319":465},{"_317":462,"_319":463},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","william-pitt-nga-52264","William Pitt",{"_42":527,"_224":528,"_331":529,"_333":334,"_335":530,"_337":531,"_339":-5,"_341":-5,"_343":532,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[512,513,514,515,516],{"_223":453,"_224":454,"_42":455,"_310":456},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_298":509,"_300":510,"_302":511},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_294":295,"_296":297},{"_227":504,"_125":505,"_288":506},{"_279":501,"_281":377,"_283":502,"_285":503},34.62890625,19.62890625,25,{"_290":227,"_123":507,"_154":508,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_317":525,"_319":526},{"_317":523,"_319":524},{"_317":521,"_319":522},{"_317":519,"_319":520},{"_317":517,"_319":518},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[568,569,570,571,572],{"_223":565,"_224":566,"_42":567,"_310":456},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_298":562,"_300":563,"_302":564},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_294":295,"_296":297},{"_227":557,"_125":558,"_288":559},{"_279":554,"_281":555,"_283":556,"_285":539},117.51170000000002,143.3,102.51170000000002,{"_290":227,"_123":560,"_154":561,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_317":581,"_319":582},{"_317":579,"_319":580},{"_317":577,"_319":578},{"_317":575,"_319":576},{"_317":573,"_319":574},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":629,"_224":630,"_331":631,"_333":408,"_335":632,"_337":633,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[614,615,616,617,618],{"_223":386,"_224":387,"_42":388,"_310":389},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_298":611,"_300":612,"_302":613},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_294":295,"_296":297},{"_227":606,"_125":607,"_288":608},{"_279":603,"_281":604,"_283":605,"_285":589},42.32984293193717,51,27.329842931937172,{"_290":227,"_123":609,"_154":610,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_317":627,"_319":628},{"_317":625,"_319":626},{"_317":623,"_319":624},{"_317":621,"_319":622},{"_317":619,"_319":620},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":405,"_224":406,"_331":407,"_333":408,"_335":409,"_337":410,"_339":342,"_341":342,"_343":411,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[665,666,667,668,669],{"_223":307,"_224":308,"_42":309,"_310":311},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":664,"_305":306},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_298":661,"_300":662,"_302":663},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_294":295,"_296":297},{"_227":658,"_125":659,"_288":660},{"_279":655,"_281":656,"_283":639,"_285":657},138.2,106.49411764705881,91.49411764705881,{"_290":227,"_123":381,"_154":382,"_140":97},{"_290":125,"_123":378,"_154":379,"_140":380},{"_290":288,"_123":375,"_154":376,"_140":377},"https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_317":678,"_319":679},{"_317":676,"_319":677},{"_317":674,"_319":675},{"_317":672,"_319":673},{"_317":670,"_319":671},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":727,"_224":728,"_331":729,"_333":408,"_335":730,"_337":731,"_339":732,"_341":342,"_343":733,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[712,713,714,715,716],{"_223":453,"_224":454,"_42":455,"_310":456},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_298":709,"_300":710,"_302":711},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_294":295,"_296":297},{"_227":704,"_125":705,"_288":706},{"_279":701,"_281":702,"_283":685,"_285":703},142.6,116.65009765625,101.65009765625,{"_290":227,"_123":707,"_154":708,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_317":725,"_319":726},{"_317":723,"_319":724},{"_317":721,"_319":722},{"_317":719,"_319":720},{"_317":717,"_319":718},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":785,"_224":786,"_331":787,"_333":408,"_335":788,"_337":789,"_339":-5,"_341":-5,"_343":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[770,771,772,773,774],{"_223":386,"_224":387,"_42":388,"_310":389},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_298":767,"_300":768,"_302":769},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_294":448,"_296":449},{"_227":760,"_125":761,"_288":762},{"_279":757,"_281":758,"_283":742,"_285":759},70,56.1976386036961,32.1976386036961,{"_290":227,"_123":765,"_154":766,"_140":89},{"_290":125,"_123":763,"_154":764,"_140":377},{"_290":288,"_123":375,"_154":376,"_140":377},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_317":783,"_319":784},{"_317":781,"_319":782},{"_317":779,"_319":780},{"_317":777,"_319":778},{"_317":775,"_319":776},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":836,"_224":837,"_331":838,"_333":334,"_335":839,"_337":840,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[821,822,823,824,825],{"_223":453,"_224":454,"_42":455,"_310":456},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_298":818,"_300":819,"_302":820},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_294":295,"_296":297},{"_227":813,"_125":814,"_288":815},{"_279":810,"_281":811,"_283":795,"_285":812},246,166.762939453125,151.762939453125,{"_290":227,"_123":816,"_154":817,"_140":89},{"_290":125,"_123":378,"_154":379,"_140":380},{"_290":288,"_123":375,"_154":376,"_140":377},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_317":834,"_319":835},{"_317":832,"_319":833},{"_317":830,"_319":831},{"_317":828,"_319":829},{"_317":826,"_319":827},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":886,"_224":887,"_331":888,"_333":334,"_335":889,"_337":890,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[871,872,873,874,875],{"_223":453,"_224":454,"_42":455,"_310":456},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_298":868,"_300":869,"_302":870},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_294":295,"_296":297},{"_227":863,"_125":864,"_288":865},{"_279":860,"_281":861,"_283":846,"_285":862},167.6,105.38271484375,90.38271484375,{"_290":227,"_123":866,"_154":867,"_140":89},{"_290":125,"_123":378,"_154":379,"_140":380},{"_290":288,"_123":375,"_154":376,"_140":377},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_317":884,"_319":885},{"_317":882,"_319":883},{"_317":880,"_319":881},{"_317":878,"_319":879},{"_317":876,"_319":877},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":940,"_224":941,"_331":942,"_333":943,"_335":731,"_337":944,"_339":-5,"_341":-5,"_343":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[925,926,927,928,929],{"_223":453,"_224":454,"_42":455,"_310":456},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_298":922,"_300":923,"_302":924},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_294":448,"_296":449},{"_227":914,"_125":915,"_288":916},{"_279":911,"_281":912,"_283":913,"_285":503},40.387939453125,49,16.387939453125,{"_290":227,"_123":920,"_154":921,"_140":89},{"_290":125,"_123":917,"_154":918,"_140":919},{"_290":288,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_317":938,"_319":939},{"_317":936,"_319":937},{"_317":934,"_319":935},{"_317":932,"_319":933},{"_317":930,"_319":931},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":992,"_224":993,"_331":994,"_333":334,"_335":995,"_337":996,"_339":-5,"_341":-5,"_343":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[977,978,979,980,981],{"_223":453,"_224":454,"_42":455,"_310":456},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_298":974,"_300":975,"_302":976},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_294":448,"_296":449},{"_227":969,"_125":970,"_288":971},{"_279":966,"_281":967,"_283":968,"_285":952},59.630419921874996,77.4,35.630419921874996,{"_290":227,"_123":972,"_154":973,"_140":89},{"_290":125,"_123":917,"_154":918,"_140":919},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_317":990,"_319":991},{"_317":988,"_319":989},{"_317":986,"_319":987},{"_317":984,"_319":985},{"_317":982,"_319":983},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"noon-nga-119642","Noon",{"_42":472,"_224":473,"_331":474,"_333":334,"_335":475,"_337":476,"_339":477,"_341":342,"_343":478,"_140":97},"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,1.3927235634138049,[1025,1026,1027,1028,1029],{"_223":453,"_224":454,"_42":455,"_310":456},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_298":1022,"_300":1023,"_302":1024},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_294":448,"_296":449},{"_227":1019,"_125":1020,"_288":1021},{"_279":1016,"_281":1017,"_283":1002,"_285":1018},49.5,42.3094482421875,18.3094482421875,{"_290":227,"_123":446,"_154":447,"_140":97},{"_290":125,"_123":443,"_154":444,"_140":445},{"_290":288,"_123":375,"_154":376,"_140":377},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_317":1038,"_319":1039},{"_317":1036,"_319":1037},{"_317":1034,"_319":1035},{"_317":1032,"_319":1033},{"_317":1030,"_319":1031},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":527,"_224":528,"_331":529,"_333":334,"_335":530,"_337":531,"_339":-5,"_341":-5,"_343":532,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[1071,1072,1073,1074,1075],{"_223":307,"_224":308,"_42":309,"_310":311},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":1070,"_305":306},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_298":1067,"_300":1068,"_302":1069},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_294":295,"_296":297},{"_227":1064,"_125":1065,"_288":1066},{"_279":1061,"_281":1062,"_283":1063,"_285":1046},83.17205882352941,90.5,68.17205882352941,{"_290":227,"_123":507,"_154":508,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_317":1084,"_319":1085},{"_317":1082,"_319":1083},{"_317":1080,"_319":1081},{"_317":1078,"_319":1079},{"_317":1076,"_319":1077},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":1143,"_224":1144,"_331":1145,"_333":334,"_335":1146,"_337":1147,"_339":342,"_341":342,"_343":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[1128,1129,1130,1131,1132],{"_223":1124,"_224":1125,"_42":1126,"_310":1127},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_298":1121,"_300":1122,"_302":1123},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_294":448,"_296":449},{"_227":1113,"_125":1114,"_288":1115},{"_279":1110,"_281":1111,"_283":1112,"_285":1095},50.26670344827586,63.2,26.266703448275862,{"_290":227,"_123":1119,"_154":1120,"_140":89},{"_290":125,"_123":1116,"_154":1117,"_140":1118},{"_290":288,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_317":1141,"_319":1142},{"_317":1139,"_319":1140},{"_317":1137,"_319":1138},{"_317":1135,"_319":1136},{"_317":1133,"_319":1134},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","a132fdc3b2005ef45f31431bd74cebeb9e538c07","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_224":1192,"_20":1193},{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]