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It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_298":438,"_300":439,"_302":440},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_294":295,"_296":297},{"_227":433,"_125":434,"_288":435},{"_279":430,"_281":431,"_283":432,"_284":415},76.14076281287247,88,61.14076281287247,{"_290":227,"_123":436,"_154":437,"_140":95},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_317":458,"_319":459},{"_317":456,"_319":457},{"_317":454,"_319":455},{"_317":452,"_319":453},{"_317":450,"_319":451},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792","British",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":522,"_224":523,"_331":524,"_333":334,"_335":525,"_337":526,"_339":-5,"_341":-5,"_342":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[507,508,509,510,511],{"_223":441,"_224":442,"_42":443,"_310":444},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_298":504,"_300":505,"_302":506},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_294":502,"_296":503},{"_227":494,"_125":495,"_288":496},{"_279":491,"_281":492,"_283":493,"_284":169},55.65199378560331,64,31.651993785603313,{"_290":227,"_123":500,"_154":501,"_140":99},{"_290":125,"_123":497,"_154":498,"_140":499},{"_290":288,"_123":372,"_154":373,"_140":374},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","white","snow","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_317":520,"_319":521},{"_317":518,"_319":519},{"_317":516,"_319":517},{"_317":514,"_319":515},{"_317":512,"_319":513},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":576,"_224":577,"_331":578,"_333":463,"_335":579,"_337":580,"_339":581,"_341":340,"_342":582,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[561,562,563,564,565],{"_223":307,"_224":308,"_42":309,"_310":311},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":560,"_305":306},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_298":557,"_300":558,"_302":559},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_294":295,"_296":297},{"_227":552,"_125":553,"_288":554},{"_279":548,"_281":549,"_283":550,"_284":551},163.0235294117647,255,148.0235294117647,240,{"_290":227,"_123":555,"_154":556,"_140":91},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_317":574,"_319":575},{"_317":572,"_319":573},{"_317":570,"_319":571},{"_317":568,"_319":569},{"_317":566,"_319":567},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":636,"_224":637,"_331":638,"_333":334,"_335":639,"_337":640,"_339":641,"_341":641,"_342":642,"_140":99},"1779","Paintings","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[621,622,623,624,625],{"_223":617,"_224":618,"_42":619,"_310":620},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_298":614,"_300":615,"_302":616},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_294":295,"_296":297},{"_227":609,"_125":610,"_288":611},{"_279":606,"_281":607,"_283":589,"_284":608},142,117.37854406130268,102.37854406130268,{"_290":227,"_123":612,"_154":613,"_140":99},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_317":634,"_319":635},{"_317":632,"_319":633},{"_317":630,"_319":631},{"_317":628,"_319":629},{"_317":626,"_319":627},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":693,"_224":694,"_331":695,"_333":463,"_335":696,"_337":697,"_339":-5,"_341":-5,"_342":-5,"_140":103},"watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[678,679,680,681,682],{"_223":441,"_224":442,"_42":443,"_310":444},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_298":675,"_300":676,"_302":677},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_294":502,"_296":503},{"_227":668,"_125":669,"_288":670},{"_279":665,"_281":666,"_283":650,"_284":667},80,62.20221481948321,38.20221481948321,{"_290":227,"_123":673,"_154":674,"_140":89},{"_290":125,"_123":671,"_154":672,"_140":53},{"_290":288,"_123":372,"_154":373,"_140":374},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_317":691,"_319":692},{"_317":689,"_319":690},{"_317":687,"_319":688},{"_317":685,"_319":686},{"_317":683,"_319":684},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":460,"_224":461,"_331":462,"_333":463,"_335":464,"_337":465,"_339":466,"_341":340,"_342":467,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[726,727,728,729,730],{"_223":441,"_224":442,"_42":443,"_310":444},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_298":723,"_300":724,"_302":725},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_294":295,"_296":297},{"_227":720,"_125":721,"_288":722},{"_279":717,"_281":718,"_283":719,"_284":704},115.51366857914276,141,100.51366857914276,{"_290":227,"_123":436,"_154":437,"_140":95},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_317":739,"_319":740},{"_317":737,"_319":738},{"_317":735,"_319":736},{"_317":733,"_319":734},{"_317":731,"_319":732},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[776,777,778,779,780],{"_223":773,"_224":774,"_42":775,"_310":386},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_298":770,"_300":771,"_302":772},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_294":295,"_296":297},{"_227":765,"_125":766,"_288":767},{"_279":762,"_281":763,"_283":746,"_284":764},70.2,58.4424,43.4424,{"_290":227,"_123":768,"_154":769,"_140":97},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_317":789,"_319":790},{"_317":787,"_319":788},{"_317":785,"_319":786},{"_317":783,"_319":784},{"_317":781,"_319":782},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"lord-rothes-si-saam-1956-11-60","Lord Rothes","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[819,820,821,822,823],{"_223":773,"_224":774,"_42":775,"_310":386},"1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_298":816,"_300":817,"_302":818},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_294":295,"_296":297},{"_227":813,"_125":814,"_288":815},{"_279":810,"_281":811,"_283":812,"_284":796},117.51170000000002,143.3,102.51170000000002,{"_290":227,"_123":768,"_154":769,"_140":97},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg",{"_317":832,"_319":833},{"_317":830,"_319":831},{"_317":828,"_319":829},{"_317":826,"_319":827},{"_317":824,"_319":825},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":881,"_224":882,"_331":883,"_333":463,"_335":884,"_337":640,"_339":-5,"_341":-5,"_342":885,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[866,867,868,869,870],{"_223":383,"_224":384,"_42":385,"_310":386},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_298":863,"_300":864,"_302":865},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_294":295,"_296":297},{"_227":858,"_125":859,"_288":860},{"_279":855,"_281":856,"_283":857,"_284":840},54.4048095703125,74.1,39.4048095703125,{"_290":227,"_123":861,"_154":862,"_140":99},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_317":879,"_319":880},{"_317":877,"_319":878},{"_317":875,"_319":876},{"_317":873,"_319":874},{"_317":871,"_319":872},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":933,"_224":934,"_331":935,"_333":405,"_335":936,"_337":937,"_339":-5,"_341":-5,"_342":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[918,919,920,921,922],{"_223":383,"_224":384,"_42":385,"_310":386},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_298":915,"_300":916,"_302":917},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_294":502,"_296":503},{"_227":910,"_125":911,"_288":912},{"_279":906,"_281":907,"_283":908,"_284":909},40.387939453125,49,16.387939453125,25,{"_290":227,"_123":913,"_154":914,"_140":89},{"_290":125,"_123":497,"_154":498,"_140":499},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_317":931,"_319":932},{"_317":929,"_319":930},{"_317":927,"_319":928},{"_317":925,"_319":926},{"_317":923,"_319":924},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1788,1859,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":990,"_224":991,"_331":992,"_333":463,"_335":993,"_337":994,"_339":340,"_341":340,"_342":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[975,976,977,978,979],{"_223":617,"_224":618,"_42":619,"_310":620},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_298":972,"_300":973,"_302":974},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_294":502,"_296":503},{"_227":964,"_125":965,"_288":966},{"_279":961,"_281":962,"_283":963,"_284":947},50.26670344827586,63.2,26.266703448275862,{"_290":227,"_123":970,"_154":971,"_140":89},{"_290":125,"_123":967,"_154":968,"_140":969},{"_290":288,"_123":372,"_154":373,"_140":374},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_317":988,"_319":989},{"_317":986,"_319":987},{"_317":984,"_319":985},{"_317":982,"_319":983},{"_317":980,"_319":981},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":1041,"_224":1042,"_331":1043,"_333":463,"_335":1044,"_337":1045,"_339":-5,"_341":-5,"_342":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[1026,1027,1028,1029,1030],{"_223":383,"_224":384,"_42":385,"_310":386},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_298":1023,"_300":1024,"_302":1025},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_294":502,"_296":503},{"_227":1018,"_125":1019,"_288":1020},{"_279":1015,"_281":1016,"_283":1001,"_284":1017},82.5,66.1468505859375,42.1468505859375,{"_290":227,"_123":1021,"_154":1022,"_140":89},{"_290":125,"_123":497,"_154":498,"_140":499},{"_290":288,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_317":1039,"_319":1040},{"_317":1037,"_319":1038},{"_317":1035,"_319":1036},{"_317":1033,"_319":1034},{"_317":1031,"_319":1032},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1092,"_224":1093,"_331":1094,"_333":463,"_335":1095,"_337":1096,"_339":-5,"_341":-5,"_342":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[1077,1078,1079,1080,1081],{"_223":383,"_224":384,"_42":385,"_310":386},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_298":1074,"_300":1075,"_302":1076},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_294":295,"_296":297},{"_227":1069,"_125":1070,"_288":1071},{"_279":1066,"_281":1067,"_283":1051,"_284":1068},246,166.762939453125,151.762939453125,{"_290":227,"_123":1072,"_154":1073,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_317":1090,"_319":1091},{"_317":1088,"_319":1089},{"_317":1086,"_319":1087},{"_317":1084,"_319":1085},{"_317":1082,"_319":1083},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":1145,"_224":1146,"_331":1147,"_333":334,"_335":1148,"_337":1149,"_339":-5,"_341":-5,"_342":1150,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,1.358449273096764,[1130,1131,1132,1133,1134],{"_223":441,"_224":442,"_42":443,"_310":444},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":1128,"_305":1129},"Large English country landscape painting, farmers with horses, green trees.",{"_298":1125,"_300":1126,"_302":1127},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_294":295,"_296":297},{"_227":1120,"_125":1121,"_288":1122},{"_279":1117,"_281":1118,"_283":1102,"_284":1119},184,139.40655926352127,124.40655926352129,{"_290":227,"_123":1123,"_154":1124,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":167,"_154":166,"_140":169},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_317":1143,"_319":1144},{"_317":1141,"_319":1142},{"_317":1139,"_319":1140},{"_317":1137,"_319":1138},{"_317":1135,"_319":1136},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.",{"_1152":-5,"_1153":1154,"_1155":1156,"_1157":8,"_1158":1159,"_1160":8},"user","csrf","6c6181ac1f7a6a10d146bedc409e9a581886222a","cartCount",0,"dropLive","legal",[1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172],"uploadsEnabled",{"_224":1195,"_20":1196},{"_224":1193,"_20":1194},{"_224":1191,"_20":1192},{"_224":1189,"_20":1190},{"_224":1187,"_20":1188},{"_224":1185,"_20":1186},{"_224":1183,"_20":1184},{"_224":1181,"_20":1182},{"_224":1179,"_20":1180},{"_224":1177,"_20":1178},{"_224":1175,"_20":1176},{"_224":1173,"_20":1174},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]