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It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_295":437,"_297":438,"_299":439},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_291":292,"_293":294},{"_225":426,"_125":427,"_285":428},{"_276":423,"_278":424,"_280":408,"_281":425},167.6,105.38271484375,90.38271484375,{"_287":225,"_123":435,"_154":436,"_140":89},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":429,"_154":430,"_140":431},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},{"_311":445,"_313":446},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":519,"_222":520,"_325":521,"_327":398,"_329":522,"_331":523,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1807","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[504,505,506,507,508],{"_221":500,"_222":501,"_42":502,"_304":503},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":497,"_498":499},"Bray Church Yard, by John Varley, 1807",{"_295":494,"_297":495,"_299":496},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_291":371,"_293":372},{"_225":487,"_125":488,"_285":489},{"_276":484,"_278":485,"_280":467,"_281":486},60.9,48.95091176470588,24.950911764705882,{"_287":225,"_123":492,"_154":493,"_140":89},{"_287":125,"_123":490,"_154":491,"_140":409},{"_287":285,"_123":429,"_154":430,"_140":431},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},{"_311":509,"_313":510},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":572,"_222":573,"_325":574,"_327":398,"_329":575,"_331":576,"_333":-5,"_334":-5,"_335":577,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[557,558,559,560,561],{"_221":500,"_222":501,"_42":502,"_304":503},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":556,"_498":499},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_295":553,"_297":554,"_299":555},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_291":292,"_293":294},{"_225":548,"_125":549,"_285":550},{"_276":545,"_278":546,"_280":547,"_281":530},83.17205882352941,90.5,68.17205882352941,{"_287":225,"_123":551,"_154":552,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_311":570,"_313":571},{"_311":568,"_313":569},{"_311":566,"_313":567},{"_311":564,"_313":565},{"_311":562,"_313":563},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":627,"_222":628,"_325":629,"_327":398,"_329":630,"_331":631,"_333":632,"_334":401,"_335":633,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[612,613,614,615,616],{"_221":500,"_222":501,"_42":502,"_304":503},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":611,"_498":499},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":608,"_297":609,"_299":610},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":292,"_293":294},{"_225":603,"_125":604,"_285":605},{"_276":599,"_278":600,"_280":601,"_281":602},163.0235294117647,255,148.0235294117647,240,{"_287":225,"_123":606,"_154":607,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_311":625,"_313":626},{"_311":623,"_313":624},{"_311":621,"_313":622},{"_311":619,"_313":620},{"_311":617,"_313":618},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":627,"_222":628,"_325":629,"_327":398,"_329":630,"_331":631,"_333":632,"_334":401,"_335":633,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[673,674,675,676,677],{"_221":669,"_222":670,"_42":671,"_304":672},"Courtesy of the Art Institute of Chicago","2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_295":666,"_297":667,"_299":668},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_291":371,"_293":372},{"_225":661,"_125":662,"_285":663},{"_276":658,"_278":659,"_280":660,"_281":643},48.02081362346263,59,24.02081362346263,{"_287":225,"_123":606,"_154":607,"_140":91},{"_287":125,"_123":664,"_154":665,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":686,"_313":687},{"_311":684,"_313":685},{"_311":682,"_313":683},{"_311":680,"_313":681},{"_311":678,"_313":679},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":737,"_222":738,"_325":739,"_327":740,"_329":741,"_331":742,"_333":743,"_334":401,"_335":744,"_140":97},"1787","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[722,723,724,725,726],{"_221":376,"_222":377,"_42":378,"_304":379},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_295":719,"_297":720,"_299":721},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_291":292,"_293":294},{"_225":714,"_125":715,"_285":716},{"_276":711,"_278":712,"_280":713,"_281":696},135.62100077780656,162.6,120.62100077780657,{"_287":225,"_123":717,"_154":718,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},{"_311":727,"_313":728},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":792,"_222":793,"_325":794,"_327":740,"_329":795,"_331":796,"_333":-5,"_334":-5,"_335":797,"_140":99},"n.d.","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[777,778,779,780,781],{"_221":669,"_222":670,"_42":671,"_304":672},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_295":774,"_297":775,"_299":776},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_291":371,"_293":372},{"_225":769,"_125":770,"_285":771},{"_276":766,"_278":767,"_280":751,"_281":768},53,44.521086780210865,20.52108678021087,{"_287":225,"_123":772,"_154":773,"_140":99},{"_287":125,"_123":664,"_154":665,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_311":790,"_313":791},{"_311":788,"_313":789},{"_311":786,"_313":787},{"_311":784,"_313":785},{"_311":782,"_313":783},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":844,"_222":845,"_325":846,"_327":398,"_329":847,"_331":848,"_333":849,"_334":401,"_335":850,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[829,830,831,832,833],{"_221":669,"_222":670,"_42":671,"_304":672},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":826,"_297":827,"_299":828},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_291":292,"_293":294},{"_225":821,"_125":822,"_285":823},{"_276":818,"_278":819,"_280":820,"_281":804},76.14076281287247,88,61.14076281287247,{"_287":225,"_123":824,"_154":825,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_311":842,"_313":843},{"_311":840,"_313":841},{"_311":838,"_313":839},{"_311":836,"_313":837},{"_311":834,"_313":835},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":904,"_222":905,"_325":906,"_327":398,"_329":907,"_331":908,"_333":909,"_334":401,"_335":910,"_140":97},"1830","print","Print","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[889,890,891,892,893],{"_221":301,"_222":302,"_42":303,"_304":305},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_295":886,"_297":887,"_299":888},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_291":371,"_293":372},{"_225":878,"_125":879,"_285":880},{"_276":875,"_278":876,"_280":859,"_281":877},49.2,41.94638671875,17.94638671875,{"_287":225,"_123":884,"_154":885,"_140":97},{"_287":125,"_123":881,"_154":882,"_140":883},{"_287":285,"_123":429,"_154":430,"_140":431},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_311":902,"_313":903},{"_311":900,"_313":901},{"_311":898,"_313":899},{"_311":896,"_313":897},{"_311":894,"_313":895},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":627,"_222":628,"_325":629,"_327":398,"_329":630,"_331":631,"_333":632,"_334":401,"_335":633,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[941,942,943,944,945],{"_221":301,"_222":302,"_42":303,"_304":305},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":938,"_297":939,"_299":940},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":292,"_293":294},{"_225":935,"_125":936,"_285":937},{"_276":932,"_278":933,"_280":934,"_281":917},116.6768798828125,143.5,101.6768798828125,{"_287":225,"_123":606,"_154":607,"_140":91},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":429,"_154":430,"_140":431},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_311":953,"_313":954},{"_311":951,"_313":952},{"_311":949,"_313":950},{"_311":948,"_313":947},{"_311":946,"_313":947},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":844,"_222":845,"_325":846,"_327":398,"_329":847,"_331":848,"_333":849,"_334":401,"_335":850,"_140":95},"1782","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[985,986,987,988,989],{"_221":376,"_222":377,"_42":378,"_304":379},"20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_295":982,"_297":983,"_299":984},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_291":292,"_293":294},{"_225":979,"_125":980,"_285":981},{"_276":976,"_278":977,"_280":978,"_281":961},162.4421624418003,253.1,147.4421624418003,{"_287":225,"_123":824,"_154":825,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg",{"_311":998,"_313":999},{"_311":996,"_313":997},{"_311":994,"_313":995},{"_311":992,"_313":993},{"_311":990,"_313":991},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":1051,"_222":1052,"_325":1053,"_327":398,"_329":1054,"_331":1055,"_333":-5,"_334":-5,"_335":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[1036,1037,1038,1039,1040],{"_221":301,"_222":302,"_42":303,"_304":305},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_295":1033,"_297":1034,"_299":1035},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_291":371,"_293":372},{"_225":1025,"_125":1026,"_285":1027},{"_276":1021,"_278":1022,"_280":1023,"_281":1024},41.572021484375,49,17.572021484375,25,{"_287":225,"_123":1031,"_154":1032,"_140":89},{"_287":125,"_123":1028,"_154":1029,"_140":1030},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_311":1049,"_313":1050},{"_311":1047,"_313":1048},{"_311":1045,"_313":1046},{"_311":1043,"_313":1044},{"_311":1041,"_313":1042},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":1103,"_222":1104,"_325":1105,"_327":1106,"_329":1107,"_331":1108,"_333":-5,"_334":-5,"_335":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,1.2560029553010712,[1088,1089,1090,1091,1092],{"_221":500,"_222":501,"_42":502,"_304":503},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":1087,"_498":499},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_295":1084,"_297":1085,"_299":1086},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_291":292,"_293":294},{"_225":1079,"_125":1080,"_285":1081},{"_276":1076,"_278":1077,"_280":1061,"_281":1078},142,116.11441176470589,101.11441176470589,{"_287":225,"_123":1082,"_154":1083,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_311":1101,"_313":1102},{"_311":1099,"_313":1100},{"_311":1097,"_313":1098},{"_311":1095,"_313":1096},{"_311":1093,"_313":1094},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":1157,"_222":1158,"_325":1159,"_327":740,"_329":1160,"_331":1161,"_333":-5,"_334":-5,"_335":-5,"_140":101},"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[1142,1143,1144,1145,1146],{"_221":669,"_222":670,"_42":671,"_304":672},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":1139,"_297":1140,"_299":1141},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":371,"_293":372},{"_225":1132,"_125":1133,"_285":1134},{"_276":1129,"_278":1130,"_280":1114,"_281":1131},70,56.1976386036961,32.1976386036961,{"_287":225,"_123":1137,"_154":1138,"_140":89},{"_287":125,"_123":1135,"_154":1136,"_140":431},{"_287":285,"_123":429,"_154":430,"_140":431},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_311":1155,"_313":1156},{"_311":1153,"_313":1154},{"_311":1151,"_313":1152},{"_311":1149,"_313":1150},{"_311":1147,"_313":1148},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,{"_1163":-5,"_1164":1165,"_1166":1167,"_1168":8,"_1169":1170,"_1171":8},"user","csrf","36d68e08774e506d211c74287c72438f4f946079","cartCount",0,"dropLive","legal",[1172,1173,1174,1175,1176,1177,1178,1179,1180,1181,1182,1183],"uploadsEnabled",{"_222":1206,"_20":1207},{"_222":1204,"_20":1205},{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]