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It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_297":439,"_299":440,"_301":441},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_293":437,"_295":438},{"_225":429,"_125":430,"_287":431},{"_277":426,"_279":427,"_281":411,"_283":428},167.6,105.38271484375,90.38271484375,{"_289":225,"_123":435,"_154":436,"_140":89},{"_289":125,"_123":432,"_154":433,"_140":434},{"_289":287,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","natural","ivory","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},{"_313":447,"_315":448},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":522,"_222":523,"_327":524,"_329":330,"_331":525,"_333":526,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[507,508,509,510,511],{"_221":503,"_222":504,"_42":505,"_306":506},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":500,"_501":502},"Bray Church Yard, by John Varley, 1807",{"_297":497,"_299":498,"_301":499},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_293":294,"_295":296},{"_225":490,"_125":491,"_287":492},{"_277":487,"_279":488,"_281":470,"_283":489},60.9,48.95091176470588,24.950911764705882,{"_289":225,"_123":495,"_154":496,"_140":89},{"_289":125,"_123":493,"_154":494,"_140":412},{"_289":287,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_313":520,"_315":521},{"_313":518,"_315":519},{"_313":516,"_315":517},{"_313":514,"_315":515},{"_313":512,"_315":513},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":583,"_222":584,"_327":585,"_329":330,"_331":586,"_333":587,"_335":588,"_337":338,"_339":589,"_140":91},"1794",18,"Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[568,569,570,571,572],{"_221":503,"_222":504,"_42":505,"_306":506},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":567,"_501":502},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_297":564,"_299":565,"_301":566},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_293":437,"_295":438},{"_225":553,"_125":554,"_287":555},{"_277":549,"_279":550,"_281":551,"_283":552},163.0235294117647,255,148.0235294117647,240,{"_289":225,"_123":562,"_154":563,"_140":91},{"_289":125,"_123":559,"_154":560,"_140":561},{"_289":287,"_123":556,"_154":557,"_140":558},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_313":581,"_315":582},{"_313":579,"_315":580},{"_313":577,"_315":578},{"_313":575,"_315":576},{"_313":573,"_315":574},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","peamore-devon-nga-137152","Peamore, Devon",{"_42":640,"_222":641,"_327":642,"_329":330,"_331":643,"_333":644,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1799","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[625,626,627,628,629],{"_221":303,"_222":304,"_42":305,"_306":307},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_297":622,"_299":623,"_301":624},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_293":294,"_295":296},{"_225":614,"_125":615,"_287":616},{"_277":611,"_279":612,"_281":596,"_283":613},81.3,70.4443359375,46.44433593749999,{"_289":225,"_123":620,"_154":621,"_140":89},{"_289":125,"_123":617,"_154":618,"_140":619},{"_289":287,"_123":556,"_154":557,"_140":558},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_313":638,"_315":639},{"_313":636,"_315":637},{"_313":634,"_315":635},{"_313":632,"_315":633},{"_313":630,"_315":631},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":583,"_222":584,"_327":585,"_329":330,"_331":586,"_333":587,"_335":588,"_337":338,"_339":589,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[675,676,677,678,679],{"_221":303,"_222":304,"_42":305,"_306":307},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_297":672,"_299":673,"_301":674},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_293":437,"_295":438},{"_225":669,"_125":670,"_287":671},{"_277":666,"_279":667,"_281":668,"_283":651},116.6768798828125,143.5,101.6768798828125,{"_289":225,"_123":562,"_154":563,"_140":91},{"_289":125,"_123":432,"_154":433,"_140":434},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_313":687,"_315":688},{"_313":685,"_315":686},{"_313":683,"_315":684},{"_313":682,"_315":681},{"_313":680,"_315":681},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":743,"_222":744,"_327":745,"_329":330,"_331":746,"_333":747,"_335":748,"_337":338,"_339":749,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[728,729,730,731,732],{"_221":503,"_222":504,"_42":505,"_306":506},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":727,"_501":502},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_297":724,"_299":725,"_301":726},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_293":437,"_295":438},{"_225":714,"_125":715,"_287":716},{"_277":711,"_279":712,"_281":713,"_283":696},80.5529411764706,95,65.5529411764706,{"_289":225,"_123":722,"_154":723,"_140":95},{"_289":125,"_123":720,"_154":721,"_140":561},{"_289":287,"_123":717,"_154":718,"_140":719},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_313":741,"_315":742},{"_313":739,"_315":740},{"_313":737,"_315":738},{"_313":735,"_315":736},{"_313":733,"_315":734},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":799,"_222":800,"_327":801,"_329":330,"_331":802,"_333":803,"_335":-5,"_337":-5,"_339":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[784,785,786,787,788],{"_221":303,"_222":304,"_42":305,"_306":307},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_297":781,"_299":782,"_301":783},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_293":294,"_295":296},{"_225":773,"_125":774,"_287":775},{"_277":771,"_279":278,"_281":772,"_283":282},42.560791015625,18.560791015625,{"_289":225,"_123":779,"_154":780,"_140":89},{"_289":125,"_123":776,"_154":777,"_140":778},{"_289":287,"_123":556,"_154":557,"_140":558},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_313":797,"_315":798},{"_313":795,"_315":796},{"_313":793,"_315":794},{"_313":791,"_315":792},{"_313":789,"_315":790},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":858,"_222":859,"_327":860,"_329":400,"_331":861,"_333":862,"_335":863,"_337":338,"_339":864,"_140":97},"1787","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[843,844,845,846,847],{"_221":839,"_222":840,"_42":841,"_306":842},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_297":836,"_299":837,"_301":838},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_293":437,"_295":438},{"_225":831,"_125":832,"_287":833},{"_277":828,"_279":829,"_281":830,"_283":812},135.62100077780656,162.6,120.62100077780657,{"_289":225,"_123":834,"_154":835,"_140":97},{"_289":125,"_123":559,"_154":560,"_140":561},{"_289":287,"_123":556,"_154":557,"_140":558},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_313":856,"_315":857},{"_313":854,"_315":855},{"_313":852,"_315":853},{"_313":850,"_315":851},{"_313":848,"_315":849},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":909,"_222":910,"_327":911,"_329":912,"_331":862,"_333":913,"_335":-5,"_337":-5,"_339":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,0.655517578125,[894,895,896,897,898],{"_221":303,"_222":304,"_42":305,"_306":307},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_297":891,"_299":892,"_301":893},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_293":294,"_295":296},{"_225":886,"_125":887,"_287":888},{"_277":884,"_279":278,"_281":885,"_283":282},40.387939453125,16.387939453125,{"_289":225,"_123":889,"_154":890,"_140":89},{"_289":125,"_123":776,"_154":777,"_140":778},{"_289":287,"_123":556,"_154":557,"_140":558},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_313":907,"_315":908},{"_313":905,"_315":906},{"_313":903,"_315":904},{"_313":901,"_315":902},{"_313":899,"_315":900},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":743,"_222":744,"_327":745,"_329":330,"_331":746,"_333":747,"_335":748,"_337":338,"_339":749,"_140":95},"1782","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[944,945,946,947,948],{"_221":839,"_222":840,"_42":841,"_306":842},"20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_297":941,"_299":942,"_301":943},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_293":437,"_295":438},{"_225":938,"_125":939,"_287":940},{"_277":935,"_279":936,"_281":937,"_283":920},162.4421624418003,253.1,147.4421624418003,{"_289":225,"_123":722,"_154":723,"_140":95},{"_289":125,"_123":559,"_154":560,"_140":561},{"_289":287,"_123":556,"_154":557,"_140":558},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg",{"_313":957,"_315":958},{"_313":955,"_315":956},{"_313":953,"_315":954},{"_313":951,"_315":952},{"_313":949,"_315":950},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":325,"_222":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[988,989,990,991,992],{"_221":303,"_222":304,"_42":305,"_306":307},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_297":985,"_299":986,"_301":987},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_293":294,"_295":296},{"_225":982,"_125":983,"_287":984},{"_277":979,"_279":980,"_281":964,"_283":981},49.2,41.94638671875,17.94638671875,{"_289":225,"_123":171,"_154":170,"_140":97},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_313":1001,"_315":1002},{"_313":999,"_315":1000},{"_313":997,"_315":998},{"_313":995,"_315":996},{"_313":993,"_315":994},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1033,1034,1035,1036,1037],{"_221":378,"_222":379,"_42":380,"_306":381},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_297":1030,"_299":1031,"_301":1032},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_293":294,"_295":296},{"_225":1025,"_125":1026,"_287":1027},{"_277":278,"_279":1023,"_281":282,"_283":1024},48.48828746872867,24.488287468728675,{"_289":225,"_123":1028,"_154":1029,"_140":97},{"_289":125,"_123":776,"_154":777,"_140":778},{"_289":287,"_123":556,"_154":557,"_140":558},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_313":1046,"_315":1047},{"_313":1044,"_315":1045},{"_313":1042,"_315":1043},{"_313":1040,"_315":1041},{"_313":1038,"_315":1039},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1097,"_222":1098,"_327":1099,"_329":400,"_331":460,"_333":1100,"_335":-5,"_337":-5,"_339":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[1082,1083,1084,1085,1086],{"_221":378,"_222":379,"_42":380,"_306":381},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1080,"_501":1081},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_297":1077,"_299":1078,"_301":1079},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_293":437,"_295":438},{"_225":1072,"_125":1073,"_287":1074},{"_277":1069,"_279":1070,"_281":1071,"_283":1054},115.83991565971941,142,100.83991565971941,{"_289":225,"_123":1075,"_154":1076,"_140":89},{"_289":125,"_123":432,"_154":433,"_140":434},{"_289":287,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_313":1095,"_315":1096},{"_313":1093,"_315":1094},{"_313":1091,"_315":1092},{"_313":1089,"_315":1090},{"_313":1087,"_315":1088},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1847,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":1149,"_222":1150,"_327":1151,"_329":330,"_331":1152,"_333":332,"_335":338,"_337":338,"_339":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[1134,1135,1136,1137,1138],{"_221":839,"_222":840,"_42":841,"_306":842},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_297":1131,"_299":1132,"_301":1133},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_293":294,"_295":296},{"_225":1126,"_125":1127,"_287":1128},{"_277":1123,"_279":1124,"_281":1108,"_283":1125},76,62.26731078904992,38.26731078904992,{"_289":225,"_123":1129,"_154":1130,"_140":89},{"_289":125,"_123":617,"_154":618,"_140":619},{"_289":287,"_123":556,"_154":557,"_140":558},"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_313":1147,"_315":1148},{"_313":1145,"_315":1146},{"_313":1143,"_315":1144},{"_313":1141,"_315":1142},{"_313":1139,"_315":1140},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","257b7293dc72a2d0503b3b5c1175567a29fc6bcd","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_222":1197,"_20":1198},{"_222":1195,"_20":1196},{"_222":1193,"_20":1194},{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]