[{"_1":2,"_3":4},"root",{"_5":1149},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",15,"https://www.ochreeditions.com/art/saint-john-the-evangelist-nga-54044",14,"https://www.ochreeditions.com/art/portrait-of-mary-anne-jolliffe-cma-122344",13,"https://www.ochreeditions.com/art/athena-and-the-winds-aic-77249",12,"https://www.ochreeditions.com/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",11,"https://www.ochreeditions.com/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",10,"https://www.ochreeditions.com/art/the-hall-levens-westmoreland-aic-39249",9,"https://www.ochreeditions.com/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",8,"https://www.ochreeditions.com/art/may-from-twelve-months-of-flowers-aic-127984",7,"https://www.ochreeditions.com/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",6,"https://www.ochreeditions.com/art/self-portrait-aic-11706",5,"https://www.ochreeditions.com/art/peamore-devon-nga-137152",4,"https://www.ochreeditions.com/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",3,"https://www.ochreeditions.com/art/seashore-with-fishermen-nga-52265",2,"https://www.ochreeditions.com/art/william-pitt-nga-52264",1,"https://www.ochreeditions.com/art/wivenhoe-park-essex-nga-1147","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",7635,"/galleries/style/georgian-britain","total",63,"page","works",[205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6NzYzNSwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=7635&cursor=eyJvIjoxNiwiaCI6NzYzNSwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/1537/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":89},{"_154":166,"_123":167,"_44":168,"_140":169},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=7635&via=continue",42,"John Baptist Jackson's contemporaries","artist/contemporaries-of-john-baptist-jackson","/galleries/artist/contemporaries-of-john-baptist-jackson?hang=7635&via=continue",{"_42":199,"_179":200},{"_42":193,"_179":194},{"_42":188,"_179":189},{"_42":183,"_179":184},{"_42":178,"_179":180},"Section 3, north wall","work_ids",[181,182],1572,1656,"Section 2, north wall",[185,186,187],798,199,552,"Section 2, south wall",[190,191,192],1113,141,191,"Section 1, south wall",[195,196,197,198],1666,22,433,308,"Section 1, north wall",[201,202,203,204],1327,1551,1552,1037,{"_221":201,"_222":1093,"_20":1094,"_225":1095,"_227":-5,"_228":1096,"_230":632,"_232":233,"_234":-5,"_125":235,"_28":392,"_237":393,"_239":394,"_241":1097,"_243":1098,"_245":1099,"_246":1100,"_248":1101,"_250":1102,"_252":253,"_254":1103,"_256":257,"_258":1104,"_154":-5,"_260":1105,"_111":1106,"_262":1107,"_264":1108,"_266":1109,"_268":1110,"_270":1111,"_144":1112,"_273":1113},{"_221":202,"_222":1048,"_20":1049,"_225":1050,"_227":-5,"_228":1051,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":392,"_237":393,"_239":1052,"_241":1053,"_243":1054,"_245":1055,"_246":1056,"_248":1057,"_250":1058,"_252":253,"_254":1059,"_256":257,"_258":1060,"_154":-5,"_260":1061,"_111":1062,"_262":1063,"_264":1064,"_266":1065,"_268":1066,"_270":1067,"_144":1068,"_273":1069},{"_221":203,"_222":994,"_20":995,"_225":996,"_227":-5,"_228":997,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":392,"_237":393,"_239":394,"_241":998,"_243":999,"_245":1000,"_246":1001,"_248":1002,"_250":1003,"_252":253,"_254":1004,"_256":257,"_258":1005,"_154":-5,"_260":1006,"_111":1007,"_262":1008,"_264":1009,"_266":1010,"_268":1011,"_270":1012,"_144":1013,"_273":1014},{"_221":204,"_222":941,"_20":942,"_225":943,"_227":-5,"_228":944,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":888,"_237":945,"_239":946,"_241":947,"_243":948,"_245":949,"_246":950,"_248":951,"_250":952,"_252":697,"_254":953,"_256":257,"_258":954,"_154":-5,"_260":-5,"_111":955,"_262":956,"_264":957,"_266":958,"_268":959,"_270":960,"_144":961,"_273":962},{"_221":195,"_222":884,"_20":885,"_225":886,"_227":-5,"_228":887,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":888,"_237":889,"_239":890,"_241":891,"_243":892,"_245":893,"_246":894,"_248":895,"_250":896,"_252":253,"_254":897,"_256":257,"_258":898,"_154":-5,"_260":-5,"_111":899,"_262":900,"_264":901,"_266":902,"_268":903,"_270":904,"_144":905,"_273":906},{"_221":196,"_222":839,"_20":840,"_225":841,"_227":-5,"_228":842,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":461,"_237":462,"_239":843,"_241":844,"_243":845,"_245":742,"_246":846,"_248":847,"_250":848,"_252":470,"_254":849,"_256":257,"_258":850,"_154":-5,"_260":851,"_111":852,"_262":853,"_264":854,"_266":855,"_268":856,"_270":857,"_144":858,"_273":859},{"_221":197,"_222":788,"_20":789,"_225":790,"_227":-5,"_228":791,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":461,"_237":462,"_239":792,"_241":793,"_243":794,"_245":795,"_246":796,"_248":797,"_250":798,"_252":470,"_254":799,"_256":257,"_258":800,"_154":-5,"_260":-5,"_111":801,"_262":802,"_264":803,"_266":804,"_268":805,"_270":806,"_144":807,"_273":808},{"_221":198,"_222":737,"_20":738,"_225":739,"_227":-5,"_228":460,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":740,"_241":741,"_243":742,"_245":658,"_246":743,"_248":744,"_250":745,"_252":470,"_254":746,"_256":257,"_258":747,"_154":-5,"_260":748,"_111":749,"_262":750,"_264":751,"_266":752,"_268":753,"_270":754,"_144":755,"_273":756},{"_221":190,"_222":686,"_20":687,"_225":688,"_227":-5,"_228":689,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":392,"_237":690,"_239":578,"_241":691,"_243":692,"_245":693,"_246":694,"_248":695,"_250":696,"_252":697,"_254":698,"_256":257,"_258":699,"_154":-5,"_260":700,"_111":701,"_262":702,"_264":703,"_266":704,"_268":705,"_270":706,"_144":707,"_273":708},{"_221":191,"_222":629,"_20":630,"_225":631,"_227":-5,"_228":460,"_230":632,"_232":233,"_234":-5,"_125":235,"_28":461,"_237":462,"_239":633,"_241":634,"_243":635,"_245":636,"_246":637,"_248":638,"_250":639,"_252":470,"_254":640,"_256":257,"_258":641,"_154":-5,"_260":-5,"_111":642,"_262":643,"_264":644,"_266":645,"_268":646,"_270":647,"_144":648,"_273":649},{"_221":192,"_222":574,"_20":575,"_225":576,"_227":-5,"_228":577,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":392,"_237":393,"_239":578,"_241":579,"_243":580,"_245":581,"_246":582,"_248":583,"_250":584,"_252":470,"_254":585,"_256":257,"_258":586,"_154":-5,"_260":-5,"_111":587,"_262":588,"_264":589,"_266":590,"_268":591,"_270":592,"_144":593,"_273":594},{"_221":185,"_222":520,"_20":521,"_225":522,"_227":-5,"_228":523,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":392,"_237":393,"_239":394,"_241":524,"_243":525,"_245":526,"_246":527,"_248":528,"_250":529,"_252":401,"_254":530,"_256":257,"_258":531,"_154":532,"_260":-5,"_111":533,"_262":534,"_264":535,"_266":536,"_268":537,"_270":538,"_144":539,"_273":540},{"_221":186,"_222":457,"_20":458,"_225":459,"_227":-5,"_228":460,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":461,"_237":462,"_239":463,"_241":464,"_243":465,"_245":466,"_246":467,"_248":468,"_250":469,"_252":470,"_254":471,"_256":257,"_258":472,"_154":-5,"_260":-5,"_111":473,"_262":474,"_264":475,"_266":476,"_268":477,"_270":478,"_144":479,"_273":480},{"_221":187,"_222":388,"_20":389,"_225":390,"_227":-5,"_228":391,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":392,"_237":393,"_239":394,"_241":395,"_243":396,"_245":397,"_246":398,"_248":399,"_250":400,"_252":401,"_254":402,"_256":257,"_258":403,"_154":404,"_260":-5,"_111":405,"_262":406,"_264":407,"_266":408,"_268":409,"_270":410,"_144":411,"_273":412},{"_221":181,"_222":335,"_20":336,"_225":337,"_227":-5,"_228":338,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":339,"_241":340,"_243":341,"_245":342,"_246":343,"_248":344,"_250":345,"_252":253,"_254":346,"_256":257,"_258":347,"_154":-5,"_260":-5,"_111":348,"_262":349,"_264":350,"_266":351,"_268":352,"_270":353,"_144":354,"_273":355},{"_221":182,"_222":223,"_20":224,"_225":226,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":169,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_154":-5,"_260":-5,"_111":261,"_262":263,"_264":265,"_266":267,"_268":269,"_270":271,"_144":272,"_273":274},"id","slug","heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen","artist",{"_42":322,"_222":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":101},"unrecorded","date","1744","century",18,"place","britain","movement","georgian-britain","print","classification","Print","medium","chiaroscuro woodcut printed in color on laid paper","dimensions","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)","width_cm",58.5,"height_cm","aspect",1.3880040664181634,"palette",[305,306,307,308,309],"museum",{"_221":300,"_222":301,"_42":302,"_303":304},"credit","Courtesy National Gallery of Art, Washington","accession","2012.92.61","licence","CC0","story","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","note","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1656.jpg?dl=1","page_url","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","walk_url","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","frame",{"_290":291,"_292":293},{"_225":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":244,"_280":281},"w",82.5,"h",66.1468505859375,"image_w","image_h",42.1468505859375,{"_286":225,"_123":171,"_154":170,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":167,"_154":166,"_140":169},"facet","style/print-18","More prints of the 18th century",129,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1656/480.jpg","960","https://img.ochreeditions.com/a/1656/960.jpg","1920","https://img.ochreeditions.com/a/1656/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#878e7d","weight",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","bio","British, 1701–1780","nationality","British","birth_year",1701,"death_year",1780,"birth_place","death_place","about_excerpt","saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":383,"_222":384,"_324":385,"_326":327,"_328":386,"_330":387,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[368,369,370,371,372],{"_221":300,"_222":301,"_42":302,"_303":304},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_294":365,"_296":366,"_298":367},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_290":291,"_292":293},{"_225":360,"_125":361,"_284":362},{"_275":356,"_277":357,"_279":358,"_280":359},41.572021484375,49,17.572021484375,25,{"_286":225,"_123":363,"_154":364,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_310":381,"_312":382},{"_310":379,"_312":380},{"_310":377,"_312":378},{"_310":375,"_312":376},{"_310":373,"_312":374},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":451,"_222":452,"_324":453,"_326":327,"_328":454,"_330":455,"_332":-5,"_333":-5,"_334":456,"_140":99},"after 1788","painting","Painting","oil on canvas","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[436,437,438,439,440],{"_221":432,"_222":433,"_42":434,"_303":435},"Courtesy of the Cleveland Museum of Art","1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":429,"_430":431},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_294":426,"_296":427,"_298":428},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_290":424,"_292":425},{"_225":416,"_125":417,"_284":418},{"_275":413,"_277":414,"_279":415,"_280":397},83.17205882352941,90.5,68.17205882352941,{"_286":225,"_123":422,"_154":423,"_140":99},{"_286":125,"_123":419,"_154":420,"_140":421},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","natural","ivory","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":449,"_312":450},{"_310":447,"_312":448},{"_310":445,"_312":446},{"_310":443,"_312":444},{"_310":441,"_312":442},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":513,"_222":514,"_324":515,"_326":516,"_328":517,"_330":518,"_332":-5,"_333":-5,"_334":519,"_140":99},"n.d.","watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[498,499,500,501,502],{"_221":494,"_222":495,"_42":496,"_303":497},"Courtesy of the Art Institute of Chicago","1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":491,"_296":492,"_298":493},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":291,"_292":293},{"_225":484,"_125":485,"_284":486},{"_275":481,"_277":482,"_279":465,"_280":483},53,44.521086780210865,20.52108678021087,{"_286":225,"_123":489,"_154":490,"_140":99},{"_286":125,"_123":487,"_154":488,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":511,"_312":512},{"_310":509,"_312":510},{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826","English",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":568,"_222":569,"_324":570,"_326":571,"_328":572,"_330":573,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[553,554,555,556,557],{"_221":432,"_222":433,"_42":434,"_303":435},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":552,"_430":431},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_294":549,"_296":550,"_298":551},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_290":424,"_292":425},{"_225":544,"_125":545,"_284":546},{"_275":541,"_277":542,"_279":525,"_280":543},142,116.11441176470589,101.11441176470589,{"_286":225,"_123":547,"_154":548,"_140":89},{"_286":125,"_123":419,"_154":420,"_140":421},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_310":566,"_312":567},{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":621,"_222":622,"_324":623,"_326":327,"_328":624,"_330":625,"_332":626,"_333":627,"_334":628,"_140":91},"c. 1805","Oil on canvas","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[606,607,608,609,610],{"_221":494,"_222":495,"_42":496,"_303":497},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":603,"_296":604,"_298":605},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_290":424,"_292":425},{"_225":598,"_125":599,"_284":600},{"_275":595,"_277":596,"_279":597,"_280":581},79.64294930875576,93,64.64294930875576,{"_286":225,"_123":601,"_154":602,"_140":91},{"_286":125,"_123":419,"_154":420,"_140":421},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},{"_310":611,"_312":612},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":681,"_222":682,"_324":683,"_326":516,"_328":684,"_330":685,"_332":-5,"_333":-5,"_334":-5,"_140":101},19,"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[666,667,668,669,670],{"_221":494,"_222":495,"_42":496,"_303":497},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_294":663,"_296":664,"_298":665},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_290":291,"_292":293},{"_225":653,"_125":654,"_284":655},{"_275":650,"_277":651,"_279":635,"_280":652},70,56.1976386036961,32.1976386036961,{"_286":225,"_123":661,"_154":662,"_140":89},{"_286":125,"_123":659,"_154":660,"_140":658},{"_286":284,"_123":656,"_154":657,"_140":658},"era/19-britain","19th-century Britain",40,"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":621,"_222":622,"_324":623,"_326":327,"_328":624,"_330":625,"_332":626,"_333":627,"_334":628,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[722,723,724,725,726],{"_221":718,"_222":719,"_42":720,"_303":721},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_294":715,"_296":716,"_298":717},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_290":424,"_292":425},{"_225":712,"_125":713,"_284":714},{"_275":709,"_277":710,"_279":711,"_280":693},161.4845419354839,253.8,146.4845419354839,{"_286":225,"_123":601,"_154":602,"_140":91},{"_286":125,"_123":419,"_154":420,"_140":421},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":735,"_312":736},{"_310":733,"_312":734},{"_310":731,"_312":732},{"_310":729,"_312":730},{"_310":727,"_312":728},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":783,"_222":784,"_324":785,"_326":516,"_328":786,"_330":787,"_332":-5,"_333":-5,"_334":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[768,769,770,771,772],{"_221":494,"_222":495,"_42":496,"_303":497},"1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":765,"_296":766,"_298":767},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_290":291,"_292":293},{"_225":760,"_125":761,"_284":762},{"_275":757,"_277":758,"_279":759,"_280":658},55.79270227392914,64,31.792702273929137,{"_286":225,"_123":763,"_154":764,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":835,"_222":836,"_324":837,"_326":327,"_328":517,"_330":838,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[820,821,822,823,824],{"_221":494,"_222":495,"_42":496,"_303":497},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":817,"_296":818,"_298":819},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":291,"_292":293},{"_225":812,"_125":813,"_284":814},{"_275":809,"_277":810,"_279":794,"_280":811},80,62.20221481948321,38.20221481948321,{"_286":225,"_123":815,"_154":816,"_140":89},{"_286":125,"_123":487,"_154":488,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":833,"_312":834},{"_310":831,"_312":832},{"_310":829,"_312":830},{"_310":827,"_312":828},{"_310":825,"_312":826},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1834,"self-portrait-aic-11706","Self-Portrait",{"_42":513,"_222":514,"_324":515,"_326":516,"_328":517,"_330":518,"_332":-5,"_333":-5,"_334":519,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,0.5697549441100602,[869,870,871,872,873],{"_221":494,"_222":495,"_42":496,"_303":497},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":866,"_296":867,"_298":868},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":291,"_292":293},{"_225":863,"_125":864,"_284":865},{"_275":860,"_277":861,"_279":862,"_280":742},41.0926483233018,54,17.092648323301805,{"_286":225,"_123":489,"_154":490,"_140":99},{"_286":125,"_123":487,"_154":488,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":882,"_312":883},{"_310":880,"_312":881},{"_310":878,"_312":879},{"_310":876,"_312":877},{"_310":874,"_312":875},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"peamore-devon-nga-137152","Peamore, Devon",{"_42":936,"_222":937,"_324":938,"_326":327,"_328":939,"_330":940,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[921,922,923,924,925],{"_221":300,"_222":301,"_42":302,"_303":304},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_294":918,"_296":919,"_298":920},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_290":291,"_292":293},{"_225":910,"_125":911,"_284":912},{"_275":907,"_277":908,"_279":892,"_280":909},81.3,70.4443359375,46.44433593749999,{"_286":225,"_123":916,"_154":917,"_140":89},{"_286":125,"_123":913,"_154":914,"_140":915},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},{"_310":928,"_312":929},{"_310":926,"_312":927},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":989,"_222":990,"_324":991,"_326":327,"_328":992,"_330":993,"_332":627,"_333":627,"_334":-5,"_140":103},"ca. 1803–5","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[974,975,976,977,978],{"_221":718,"_222":719,"_42":720,"_303":721},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_294":971,"_296":972,"_298":973},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_290":291,"_292":293},{"_225":966,"_125":967,"_284":968},{"_275":963,"_277":964,"_279":965,"_280":949},50.26670344827586,63.2,26.266703448275862,{"_286":225,"_123":969,"_154":970,"_140":89},{"_286":125,"_123":913,"_154":914,"_140":915},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_310":987,"_312":988},{"_310":985,"_312":986},{"_310":983,"_312":984},{"_310":981,"_312":982},{"_310":979,"_312":980},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":1041,"_222":1042,"_324":1043,"_326":516,"_328":1044,"_330":1045,"_332":1046,"_333":627,"_334":1047,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[1026,1027,1028,1029,1030],{"_221":300,"_222":301,"_42":302,"_303":304},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_294":1023,"_296":1024,"_298":1025},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_290":424,"_292":425},{"_225":1018,"_125":1019,"_284":1020},{"_275":1015,"_277":1016,"_279":999,"_280":1017},142.6,116.65009765625,101.65009765625,{"_286":225,"_123":1021,"_154":1022,"_140":97},{"_286":125,"_123":419,"_154":420,"_140":421},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_310":1039,"_312":1040},{"_310":1037,"_312":1038},{"_310":1035,"_312":1036},{"_310":1033,"_312":1034},{"_310":1031,"_312":1032},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","william-pitt-nga-52264","William Pitt",{"_42":451,"_222":452,"_324":453,"_326":327,"_328":454,"_330":455,"_332":-5,"_333":-5,"_334":456,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[1078,1079,1080,1081,1082],{"_221":300,"_222":301,"_42":302,"_303":304},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":1075,"_296":1076,"_298":1077},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":424,"_292":425},{"_225":1072,"_125":1073,"_284":1074},{"_275":1070,"_277":658,"_279":1071,"_280":359},34.62890625,19.62890625,{"_286":225,"_123":422,"_154":423,"_140":99},{"_286":125,"_123":419,"_154":420,"_140":421},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":1091,"_312":1092},{"_310":1089,"_312":1090},{"_310":1087,"_312":1088},{"_310":1085,"_312":1086},{"_310":1083,"_312":1084},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":1143,"_222":1144,"_324":1145,"_326":516,"_328":1146,"_330":1147,"_332":-5,"_333":-5,"_334":1148,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[1128,1129,1130,1131,1132],{"_221":300,"_222":301,"_42":302,"_303":304},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_294":1125,"_296":1126,"_298":1127},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_290":424,"_292":425},{"_225":1117,"_125":1118,"_284":1119},{"_275":1114,"_277":1115,"_279":1098,"_280":1116},116.2,69.8001953125,54.8001953125,{"_286":225,"_123":1123,"_154":1124,"_140":99},{"_286":125,"_123":1120,"_154":1121,"_140":1122},{"_286":284,"_123":656,"_154":657,"_140":658},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_310":1141,"_312":1142},{"_310":1139,"_312":1140},{"_310":1137,"_312":1138},{"_310":1135,"_312":1136},{"_310":1133,"_312":1134},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.",{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","2799407de7b55555872c12df10e2203882c90736","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_222":1193,"_20":1194},{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]