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The background is a textured, earth-toned surface.","images",{"_300":301,"_302":303,"_304":305},"download_url","https://img.ochreeditions.com/m/1551.jpg?dl=1","page_url","/art/william-pitt-nga-52264","walk_url","/galleries/style/georgian-britain/william-pitt-nga-52264","frame",{"_296":297,"_298":299},{"_228":288,"_125":289,"_290":291},"size",{"_280":281,"_282":283,"_284":285,"_286":287},"w",34.62890625,"h",40,"image_w",19.62890625,"image_h",25,{"_292":228,"_123":171,"_154":170,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},"era",{"_292":290,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1551/480.jpg","960","https://img.ochreeditions.com/a/1551/960.jpg","1920","https://img.ochreeditions.com/a/1551/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_316":326,"_318":327},{"_316":324,"_318":325},{"_316":322,"_318":323},{"_316":320,"_318":321},{"_316":317,"_318":319},"hex","#85341a","weight",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","bio","British, 1754–1797","nationality","British","birth_year",1754,"death_year",1797,"birth_place","death_place","about_excerpt","Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":389,"_225":390,"_330":391,"_332":392,"_334":393,"_336":394,"_338":-5,"_339":-5,"_340":-5,"_140":103},"c. 1790/1795","oil on canvas","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[374,375,376,377,378],{"_224":306,"_225":307,"_42":308,"_309":310},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. 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It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_300":429,"_302":430,"_304":431},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_296":297,"_298":299},{"_228":419,"_125":420,"_290":421},{"_280":416,"_282":417,"_284":401,"_286":418},246,166.762939453125,151.762939453125,{"_292":228,"_123":427,"_154":428,"_140":89},{"_292":125,"_123":424,"_154":425,"_140":426},{"_292":290,"_123":422,"_154":423,"_140":283},"era/19-britain","19th-century Britain","style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_316":445,"_318":446},{"_316":443,"_318":444},{"_316":441,"_318":442},{"_316":439,"_318":440},{"_316":437,"_318":438},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[487,488,489,490,491],{"_224":484,"_225":485,"_42":486,"_309":310},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_300":481,"_302":482,"_304":483},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_296":297,"_298":299},{"_228":476,"_125":477,"_290":478},{"_280":473,"_282":474,"_284":457,"_286":475},70.2,58.4424,43.4424,{"_292":228,"_123":479,"_154":480,"_140":97},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_316":500,"_318":501},{"_316":498,"_318":499},{"_316":496,"_318":497},{"_316":494,"_318":495},{"_316":492,"_318":493},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":556,"_225":557,"_330":558,"_332":333,"_334":559,"_336":560,"_338":-5,"_339":-5,"_340":-5,"_140":101},"1739","print","Print","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[541,542,543,544,545],{"_224":306,"_225":307,"_42":308,"_309":310},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_300":538,"_302":539,"_304":540},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_296":536,"_298":537},{"_228":528,"_125":529,"_290":530},{"_280":525,"_282":526,"_284":527,"_286":511},59.630419921874996,77.4,35.630419921874996,{"_292":228,"_123":534,"_154":535,"_140":89},{"_292":125,"_123":531,"_154":532,"_140":533},{"_292":290,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","white","snow","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_316":554,"_318":555},{"_316":552,"_318":553},{"_316":550,"_318":551},{"_316":548,"_318":549},{"_316":546,"_318":547},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":608,"_225":609,"_330":610,"_332":611,"_334":612,"_336":613,"_338":614,"_339":615,"_340":616,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[593,594,595,596,597],{"_224":306,"_225":307,"_42":308,"_309":310},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_300":590,"_302":591,"_304":592},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_296":297,"_298":299},{"_228":585,"_125":586,"_290":587},{"_280":582,"_282":583,"_284":566,"_286":584},142.6,116.65009765625,101.65009765625,{"_292":228,"_123":588,"_154":589,"_140":97},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_316":606,"_318":607},{"_316":604,"_318":605},{"_316":602,"_318":603},{"_316":600,"_318":601},{"_316":598,"_318":599},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","London","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":608,"_225":609,"_330":610,"_332":611,"_334":612,"_336":613,"_338":614,"_339":615,"_340":616,"_140":97},"1787","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[654,655,656,657,658],{"_224":650,"_225":651,"_42":652,"_309":653},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_300":647,"_302":648,"_304":649},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_296":297,"_298":299},{"_228":644,"_125":645,"_290":646},{"_280":641,"_282":642,"_284":643,"_286":625},135.62100077780656,162.6,120.62100077780657,{"_292":228,"_123":588,"_154":589,"_140":97},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":667,"_318":668},{"_316":665,"_318":666},{"_316":663,"_318":664},{"_316":661,"_318":662},{"_316":659,"_318":660},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":328,"_225":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":-5,"_339":-5,"_340":341,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[707,708,709,710,711],{"_224":703,"_225":704,"_42":705,"_309":706},"Courtesy of the Cleveland Museum of Art","1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":700,"_701":702},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_300":697,"_302":698,"_304":699},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_296":297,"_298":299},{"_228":694,"_125":695,"_290":696},{"_280":691,"_282":692,"_284":693,"_286":675},83.17205882352941,90.5,68.17205882352941,{"_292":228,"_123":171,"_154":170,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_316":720,"_318":721},{"_316":718,"_318":719},{"_316":716,"_318":717},{"_316":714,"_318":715},{"_316":712,"_318":713},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":771,"_225":772,"_330":773,"_332":333,"_334":774,"_336":775,"_338":776,"_339":615,"_340":777,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[756,757,758,759,760],{"_224":703,"_225":704,"_42":705,"_309":706},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":755,"_701":702},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_300":752,"_302":753,"_304":754},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_296":297,"_298":299},{"_228":747,"_125":748,"_290":749},{"_280":743,"_282":744,"_284":745,"_286":746},163.0235294117647,255,148.0235294117647,240,{"_292":228,"_123":750,"_154":751,"_140":91},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_316":769,"_318":770},{"_316":767,"_318":768},{"_316":765,"_318":766},{"_316":763,"_318":764},{"_316":761,"_318":762},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":829,"_225":830,"_330":831,"_332":333,"_334":832,"_336":833,"_338":834,"_339":615,"_340":835,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[814,815,816,817,818],{"_224":810,"_225":811,"_42":812,"_309":813},"Courtesy of the Art Institute of Chicago","1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_300":807,"_302":808,"_304":809},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_296":297,"_298":299},{"_228":802,"_125":803,"_290":804},{"_280":799,"_282":800,"_284":801,"_286":784},115.51366857914276,141,100.51366857914276,{"_292":228,"_123":805,"_154":806,"_140":95},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_316":827,"_318":828},{"_316":825,"_318":826},{"_316":823,"_318":824},{"_316":821,"_318":822},{"_316":819,"_318":820},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":883,"_225":884,"_330":885,"_332":886,"_334":887,"_336":888,"_338":-5,"_339":-5,"_340":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,1.2560029553010712,[868,869,870,871,872],{"_224":703,"_225":704,"_42":705,"_309":706},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":867,"_701":702},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_300":864,"_302":865,"_304":866},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_296":297,"_298":299},{"_228":859,"_125":860,"_290":861},{"_280":856,"_282":857,"_284":841,"_286":858},142,116.11441176470589,101.11441176470589,{"_292":228,"_123":862,"_154":863,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_316":881,"_318":882},{"_316":879,"_318":880},{"_316":877,"_318":878},{"_316":875,"_318":876},{"_316":873,"_318":874},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":771,"_225":772,"_330":773,"_332":333,"_334":774,"_336":775,"_338":776,"_339":615,"_340":777,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[917,918,919,920,921],{"_224":810,"_225":811,"_42":812,"_309":813},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_300":914,"_302":915,"_304":916},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_296":297,"_298":299},{"_228":911,"_125":912,"_290":913},{"_280":908,"_282":909,"_284":910,"_286":895},79.64294930875576,93,64.64294930875576,{"_292":228,"_123":750,"_154":751,"_140":91},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_316":930,"_318":931},{"_316":928,"_318":929},{"_316":926,"_318":927},{"_316":924,"_318":925},{"_316":922,"_318":923},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":829,"_225":830,"_330":831,"_332":333,"_334":832,"_336":833,"_338":834,"_339":615,"_340":835,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[960,961,962,963,964],{"_224":810,"_225":811,"_42":812,"_309":813},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_300":957,"_302":958,"_304":959},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_296":297,"_298":299},{"_228":954,"_125":955,"_290":956},{"_280":951,"_282":952,"_284":953,"_286":938},76.14076281287247,88,61.14076281287247,{"_292":228,"_123":805,"_154":806,"_140":95},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_316":973,"_318":974},{"_316":971,"_318":972},{"_316":969,"_318":970},{"_316":967,"_318":968},{"_316":965,"_318":966},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":829,"_225":830,"_330":831,"_332":333,"_334":832,"_336":833,"_338":834,"_339":615,"_340":835,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[1012,1013,1014,1015,1016],{"_224":703,"_225":704,"_42":705,"_309":706},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":1011,"_701":702},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_300":1008,"_302":1009,"_304":1010},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_296":297,"_298":299},{"_228":1000,"_125":1001,"_290":1002},{"_280":997,"_282":998,"_284":999,"_286":982},80.5529411764706,95,65.5529411764706,{"_292":228,"_123":805,"_154":806,"_140":95},{"_292":125,"_123":1006,"_154":1007,"_140":295},{"_292":290,"_123":1003,"_154":1004,"_140":1005},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_316":1025,"_318":1026},{"_316":1023,"_318":1024},{"_316":1021,"_318":1022},{"_316":1019,"_318":1020},{"_316":1017,"_318":1018},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":1073,"_225":1074,"_330":1075,"_332":611,"_334":1076,"_336":337,"_338":1077,"_339":1077,"_340":1078,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[1058,1059,1060,1061,1062],{"_224":703,"_225":704,"_42":705,"_309":706},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1057,"_701":702},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_300":1054,"_302":1055,"_304":1056},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_296":297,"_298":299},{"_228":1049,"_125":1050,"_290":1051},{"_280":1047,"_282":856,"_284":1048,"_286":841},116.48794117647058,101.48794117647058,{"_292":228,"_123":1052,"_154":1053,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_316":1071,"_318":1072},{"_316":1069,"_318":1070},{"_316":1067,"_318":1068},{"_316":1065,"_318":1066},{"_316":1063,"_318":1064},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":771,"_225":772,"_330":773,"_332":333,"_334":774,"_336":775,"_338":776,"_339":615,"_340":777,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[1109,1110,1111,1112,1113],{"_224":306,"_225":307,"_42":308,"_309":310},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_300":1106,"_302":1107,"_304":1108},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_296":297,"_298":299},{"_228":1103,"_125":1104,"_290":1105},{"_280":1100,"_282":1101,"_284":1102,"_286":1085},116.6768798828125,143.5,101.6768798828125,{"_292":228,"_123":750,"_154":751,"_140":91},{"_292":125,"_123":424,"_154":425,"_140":426},{"_292":290,"_123":422,"_154":423,"_140":283},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_316":1121,"_318":1122},{"_316":1119,"_318":1120},{"_316":1117,"_318":1118},{"_316":1116,"_318":1115},{"_316":1114,"_318":1115},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,{"_1124":-5,"_1125":1126,"_1127":1128,"_1129":8,"_1130":1131,"_1132":8},"user","csrf","5ac5a7b22d409085a9a311254313cc771f0bb77c","cartCount",0,"dropLive","legal",[1133,1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144],"uploadsEnabled",{"_225":1167,"_20":1168},{"_225":1165,"_20":1166},{"_225":1163,"_20":1164},{"_225":1161,"_20":1162},{"_225":1159,"_20":1160},{"_225":1157,"_20":1158},{"_225":1155,"_20":1156},{"_225":1153,"_20":1154},{"_225":1151,"_20":1152},{"_225":1149,"_20":1150},{"_225":1147,"_20":1148},{"_225":1145,"_20":1146},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]