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(14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[381,382,383,384,385],{"_220":377,"_221":378,"_42":379,"_303":380},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. 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It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_294":432,"_296":433,"_298":434},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_290":291,"_292":293},{"_224":429,"_125":430,"_284":431},{"_275":360,"_277":427,"_279":362,"_281":428},44.166015625,20.166015625,{"_286":224,"_123":372,"_154":373,"_140":97},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":367,"_154":368,"_140":245},"https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":509,"_221":510,"_324":511,"_326":327,"_328":512,"_330":513,"_332":-5,"_333":-5,"_334":514,"_140":99},"1816","painting","Painting","oil on canvas","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[494,495,496,497,498],{"_220":435,"_221":436,"_42":437,"_303":438},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_294":491,"_296":492,"_298":493},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_290":489,"_292":490},{"_224":481,"_125":482,"_284":483},{"_275":478,"_277":479,"_279":462,"_281":480},116.2,69.8001953125,54.8001953125,{"_286":224,"_123":487,"_154":488,"_140":99},{"_286":125,"_123":484,"_154":485,"_140":486},{"_286":284,"_123":367,"_154":368,"_140":245},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","natural","ivory","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":566,"_221":567,"_324":568,"_326":399,"_328":569,"_330":570,"_332":571,"_333":403,"_334":572,"_140":91},"1803–15","Oil on canvas","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[551,552,553,554,555],{"_220":300,"_221":301,"_42":302,"_303":304},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":548,"_549":550},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_294":545,"_296":546,"_298":547},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_290":489,"_292":490},{"_224":540,"_125":541,"_284":542},{"_275":537,"_277":538,"_279":539,"_281":522},116.09951287404314,143,101.09951287404314,{"_286":224,"_123":543,"_154":544,"_140":91},{"_286":125,"_123":484,"_154":485,"_140":486},{"_286":284,"_123":367,"_154":368,"_140":245},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.",{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},{"_310":556,"_312":557},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":624,"_221":625,"_324":626,"_326":327,"_328":627,"_330":628,"_332":629,"_333":403,"_334":630,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[609,610,611,612,613],{"_220":377,"_221":378,"_42":379,"_303":380},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_294":606,"_296":607,"_298":608},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_290":489,"_292":490},{"_224":598,"_125":599,"_284":600},{"_275":595,"_277":596,"_279":597,"_281":580},135.62100077780656,162.6,120.62100077780657,{"_286":224,"_123":604,"_154":605,"_140":97},{"_286":125,"_123":601,"_154":602,"_140":603},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_310":622,"_312":623},{"_310":620,"_312":621},{"_310":618,"_312":619},{"_310":616,"_312":617},{"_310":614,"_312":615},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":99},0.7912998446400829,[654,655,656,657,658],{"_220":300,"_221":301,"_42":302,"_303":304},"1946.404","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.",{"_294":651,"_296":652,"_298":653},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":291,"_292":293},{"_224":648,"_125":649,"_284":650},{"_275":646,"_277":278,"_279":647,"_281":245},55.65199378560331,31.651993785603313,{"_286":224,"_123":171,"_154":170,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":666,"_312":667},{"_310":664,"_312":665},{"_310":663,"_312":317},{"_310":661,"_312":662},{"_310":659,"_312":660},"#766942",0.061,"#684c41",0.0717,"#94856f","#bcb09d",0.3294,"#d2c8b7",0.4108,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":566,"_221":567,"_324":568,"_326":399,"_328":569,"_330":570,"_332":571,"_333":403,"_334":572,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[702,703,704,705,706],{"_220":300,"_221":301,"_42":302,"_303":304},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_294":699,"_296":700,"_298":701},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_290":291,"_292":293},{"_224":694,"_125":695,"_284":696},{"_275":691,"_277":692,"_279":693,"_281":677},48.02081362346263,59,24.02081362346263,{"_286":224,"_123":543,"_154":544,"_140":91},{"_286":125,"_123":697,"_154":698,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_310":715,"_312":716},{"_310":713,"_312":714},{"_310":711,"_312":712},{"_310":709,"_312":710},{"_310":707,"_312":708},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":771,"_221":772,"_324":773,"_326":327,"_328":774,"_330":775,"_332":403,"_333":403,"_334":776,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[756,757,758,759,760],{"_220":752,"_221":753,"_42":754,"_303":755},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":750,"_549":751},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_294":747,"_296":748,"_298":749},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_290":489,"_292":490},{"_224":742,"_125":743,"_284":744},{"_275":739,"_277":740,"_279":722,"_281":741},138.2,106.49411764705881,91.49411764705881,{"_286":224,"_123":745,"_154":746,"_140":97},{"_286":125,"_123":484,"_154":485,"_140":486},{"_286":284,"_123":367,"_154":368,"_140":245},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":769,"_312":770},{"_310":767,"_312":768},{"_310":765,"_312":766},{"_310":763,"_312":764},{"_310":761,"_312":762},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":824,"_221":825,"_324":826,"_326":399,"_328":827,"_330":828,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[809,810,811,812,813],{"_220":435,"_221":436,"_42":437,"_303":438},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":806,"_296":807,"_298":808},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":291,"_292":293},{"_224":801,"_125":802,"_284":803},{"_275":798,"_277":799,"_279":800,"_281":784},59.630419921874996,77.4,35.630419921874996,{"_286":224,"_123":804,"_154":805,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_310":822,"_312":823},{"_310":820,"_312":821},{"_310":818,"_312":819},{"_310":816,"_312":817},{"_310":814,"_312":815},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":624,"_221":625,"_324":626,"_326":327,"_328":627,"_330":628,"_332":629,"_333":403,"_334":630,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[859,860,861,862,863],{"_220":435,"_221":436,"_42":437,"_303":438},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_294":856,"_296":857,"_298":858},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_290":489,"_292":490},{"_224":853,"_125":854,"_284":855},{"_275":850,"_277":851,"_279":834,"_281":852},142.6,116.65009765625,101.65009765625,{"_286":224,"_123":604,"_154":605,"_140":97},{"_286":125,"_123":601,"_154":602,"_140":603},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_310":872,"_312":873},{"_310":870,"_312":871},{"_310":868,"_312":869},{"_310":866,"_312":867},{"_310":864,"_312":865},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":920,"_221":921,"_324":922,"_326":399,"_328":923,"_330":924,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[905,906,907,908,909],{"_220":435,"_221":436,"_42":437,"_303":438},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_294":902,"_296":903,"_298":904},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_290":291,"_292":293},{"_224":897,"_125":898,"_284":899},{"_275":895,"_277":360,"_279":896,"_281":362},42.560791015625,18.560791015625,{"_286":224,"_123":900,"_154":901,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_310":918,"_312":919},{"_310":916,"_312":917},{"_310":914,"_312":915},{"_310":912,"_312":913},{"_310":910,"_312":911},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":566,"_221":567,"_324":568,"_326":399,"_328":569,"_330":570,"_332":571,"_333":403,"_334":572,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[957,958,959,960,961],{"_220":752,"_221":753,"_42":754,"_303":755},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":956,"_549":751},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_294":953,"_296":954,"_298":955},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_290":489,"_292":490},{"_224":950,"_125":951,"_284":952},{"_275":946,"_277":947,"_279":948,"_281":949},163.0235294117647,255,148.0235294117647,240,{"_286":224,"_123":543,"_154":544,"_140":91},{"_286":125,"_123":601,"_154":602,"_140":603},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_310":970,"_312":971},{"_310":968,"_312":969},{"_310":966,"_312":967},{"_310":964,"_312":965},{"_310":962,"_312":963},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"william-pitt-nga-52264","William Pitt",{"_42":1019,"_221":1020,"_324":1021,"_326":399,"_328":1022,"_330":1023,"_332":-5,"_333":-5,"_334":1024,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[1004,1005,1006,1007,1008],{"_220":435,"_221":436,"_42":437,"_303":438},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":1001,"_296":1002,"_298":1003},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":489,"_292":490},{"_224":996,"_125":997,"_284":998},{"_275":994,"_277":245,"_279":995,"_281":362},34.62890625,19.62890625,{"_286":224,"_123":999,"_154":1000,"_140":99},{"_286":125,"_123":601,"_154":602,"_140":603},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":1017,"_312":1018},{"_310":1015,"_312":1016},{"_310":1013,"_312":1014},{"_310":1011,"_312":1012},{"_310":1009,"_312":1010},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","noon-nga-119642","Noon",{"_42":396,"_221":397,"_324":398,"_326":399,"_328":400,"_330":401,"_332":402,"_333":403,"_334":404,"_140":97},"plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[1053,1054,1055,1056,1057],{"_220":435,"_221":436,"_42":437,"_303":438},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":1050,"_296":1051,"_298":1052},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":291,"_292":293},{"_224":1047,"_125":1048,"_284":1049},{"_275":1044,"_277":1045,"_279":1029,"_281":1046},49.5,42.3094482421875,18.3094482421875,{"_286":224,"_123":372,"_154":373,"_140":97},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":367,"_154":368,"_140":245},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_310":1066,"_312":1067},{"_310":1064,"_312":1065},{"_310":1062,"_312":1063},{"_310":1060,"_312":1061},{"_310":1058,"_312":1059},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":1115,"_221":1116,"_324":1117,"_326":399,"_328":1118,"_330":1119,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[1100,1101,1102,1103,1104],{"_220":300,"_221":301,"_42":302,"_303":304},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":1097,"_296":1098,"_298":1099},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":291,"_292":293},{"_224":1092,"_125":1093,"_284":1094},{"_275":1089,"_277":1090,"_279":1074,"_281":1091},80,62.20221481948321,38.20221481948321,{"_286":224,"_123":1095,"_154":1096,"_140":89},{"_286":125,"_123":697,"_154":698,"_140":53},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":1113,"_312":1114},{"_310":1111,"_312":1112},{"_310":1109,"_312":1110},{"_310":1107,"_312":1108},{"_310":1105,"_312":1106},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,{"_1121":-5,"_1122":1123,"_1124":1125,"_1126":8,"_1127":1128,"_1129":8},"user","csrf","0b29bd0c4657e267a18363fd94b146d2ef066b89","cartCount",0,"dropLive","legal",[1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141],"uploadsEnabled",{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]