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In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1651.jpg?dl=1","page_url","/art/a-dell-at-helmingham-park-suffolk-nga-119643","walk_url","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643","frame",{"_290":291,"_292":293},{"_222":282,"_125":283,"_284":285},"size",{"_274":275,"_276":277,"_278":279,"_280":281},"w",49,"h",44.166015625,"image_w",25,"image_h",20.166015625,{"_286":222,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":167,"_154":166,"_140":169},"facet","style/print-19","More prints of the 19th century",159,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1651/480.jpg","960","https://img.ochreeditions.com/a/1651/960.jpg","1920","https://img.ochreeditions.com/a/1651/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#cbb99e","weight",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","bio","British, 1802–1881","nationality","British","birth_year",1802,"death_year",1881,"birth_place","Geddington Chase, Northamptonshire","death_place","London","about_excerpt","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":401,"_219":402,"_324":403,"_326":327,"_328":404,"_330":405,"_332":406,"_334":335,"_336":407,"_140":91},"1801","painting","Painting","oil on canvas","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,129,0.7955882352941176,[386,387,388,389,390],{"_218":382,"_219":383,"_42":384,"_303":385},"Courtesy of the Cleveland Museum of Art","1942.642","Thomas Lawrence painted this in 1801, aged 32. 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He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":459,"_219":460,"_324":461,"_326":462,"_328":463,"_330":464,"_332":-5,"_334":-5,"_336":-5,"_140":101},18,"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[444,445,446,447,448],{"_218":300,"_219":301,"_42":302,"_303":304},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":441,"_296":442,"_298":443},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":291,"_292":293},{"_222":431,"_125":432,"_284":433},{"_274":429,"_276":275,"_278":430,"_280":279},40.387939453125,16.387939453125,{"_286":222,"_123":439,"_154":440,"_140":89},{"_286":125,"_123":437,"_154":438,"_140":347},{"_286":284,"_123":434,"_154":435,"_140":436},"era/18-britain","18th-century Britain",42,"style/print-18","More prints of the 18th century","artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":520,"_219":521,"_324":522,"_326":523,"_328":524,"_330":525,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1792","Oil on canvas","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[505,506,507,508,509],{"_218":501,"_219":502,"_42":503,"_303":504},"Courtesy of the Art Institute of Chicago","2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":498,"_296":499,"_298":500},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_290":374,"_292":375},{"_222":490,"_125":491,"_284":492},{"_274":487,"_276":488,"_278":489,"_280":472},42.32984293193717,51,27.329842931937172,{"_286":222,"_123":496,"_154":497,"_140":89},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":434,"_154":435,"_140":436},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":518,"_312":519},{"_310":516,"_312":517},{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832","English",1748,1832,"weymouth-bay-met-682931","Weymouth Bay",{"_42":322,"_219":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[561,562,563,564,565],{"_218":557,"_219":558,"_42":559,"_303":560},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_294":554,"_296":555,"_298":556},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_290":291,"_292":293},{"_222":551,"_125":552,"_284":553},{"_274":275,"_276":549,"_278":279,"_280":550},43.859539602028875,19.85953960202887,{"_286":222,"_123":171,"_154":170,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":574,"_312":575},{"_310":572,"_312":573},{"_310":570,"_312":571},{"_310":568,"_312":569},{"_310":566,"_312":567},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":623,"_219":624,"_324":625,"_326":327,"_328":626,"_330":627,"_332":-5,"_334":-5,"_336":628,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[608,609,610,611,612],{"_218":300,"_219":301,"_42":302,"_303":304},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_294":605,"_296":606,"_298":607},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_290":374,"_292":375},{"_222":600,"_125":601,"_284":602},{"_274":597,"_276":598,"_278":599,"_280":582},54.4048095703125,74.1,39.4048095703125,{"_286":222,"_123":603,"_154":604,"_140":99},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_310":621,"_312":622},{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":676,"_219":677,"_324":678,"_326":327,"_328":679,"_330":680,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[661,662,663,664,665],{"_218":300,"_219":301,"_42":302,"_303":304},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_294":658,"_296":659,"_298":660},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_290":291,"_292":293},{"_222":653,"_125":654,"_284":655},{"_274":650,"_276":651,"_278":635,"_280":652},60.9,49.927294921875,25.927294921875,{"_286":222,"_123":656,"_154":657,"_140":89},{"_286":125,"_123":437,"_154":438,"_140":347},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_310":674,"_312":675},{"_310":672,"_312":673},{"_310":670,"_312":671},{"_310":668,"_312":669},{"_310":666,"_312":667},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":728,"_219":729,"_324":730,"_326":523,"_328":731,"_330":732,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[713,714,715,716,717],{"_218":501,"_219":502,"_42":503,"_303":504},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_294":710,"_296":711,"_298":712},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_290":291,"_292":293},{"_222":705,"_125":706,"_284":707},{"_274":702,"_276":703,"_278":704,"_280":688},69.57777777777778,89,45.57777777777778,{"_286":222,"_123":708,"_154":709,"_140":89},{"_286":125,"_123":437,"_154":438,"_140":347},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_310":726,"_312":727},{"_310":724,"_312":725},{"_310":722,"_312":723},{"_310":720,"_312":721},{"_310":718,"_312":719},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":779,"_219":780,"_324":781,"_326":327,"_328":782,"_330":783,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[764,765,766,767,768],{"_218":300,"_219":301,"_42":302,"_303":304},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_294":761,"_296":762,"_298":763},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_290":291,"_292":293},{"_222":756,"_125":757,"_284":758},{"_274":754,"_276":275,"_278":755,"_280":279},41.572021484375,17.572021484375,{"_286":222,"_123":759,"_154":760,"_140":89},{"_286":125,"_123":437,"_154":438,"_140":347},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},{"_310":771,"_312":772},{"_310":769,"_312":770},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":830,"_219":831,"_324":832,"_326":523,"_328":833,"_330":834,"_332":-5,"_334":-5,"_336":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[815,816,817,818,819],{"_218":501,"_219":502,"_42":503,"_303":504},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":812,"_296":813,"_298":814},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":291,"_292":293},{"_222":807,"_125":808,"_284":809},{"_274":804,"_276":805,"_278":806,"_280":169},55.65007857517025,64,31.650078575170248,{"_286":222,"_123":810,"_154":811,"_140":99},{"_286":125,"_123":437,"_154":438,"_140":347},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_310":828,"_312":829},{"_310":826,"_312":827},{"_310":824,"_312":825},{"_310":822,"_312":823},{"_310":820,"_312":821},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":830,"_219":831,"_324":832,"_326":523,"_328":833,"_330":834,"_332":-5,"_334":-5,"_336":-5,"_140":99},0.7948175568482284,[858,859,860,861,862],{"_218":501,"_219":502,"_42":503,"_303":504},"1946.402","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.",{"_294":855,"_296":856,"_298":857},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_290":291,"_292":293},{"_222":852,"_125":853,"_284":854},{"_274":850,"_276":805,"_278":851,"_280":169},55.79270227392914,31.792702273929137,{"_286":222,"_123":810,"_154":811,"_140":99},{"_286":125,"_123":437,"_154":438,"_140":347},{"_286":284,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_310":871,"_312":872},{"_310":869,"_312":870},{"_310":867,"_312":868},{"_310":865,"_312":866},{"_310":863,"_312":864},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":623,"_219":624,"_324":625,"_326":327,"_328":626,"_330":627,"_332":-5,"_334":-5,"_336":628,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[904,905,906,907,908],{"_218":382,"_219":383,"_42":384,"_303":385},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":903,"_380":381},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_294":900,"_296":901,"_298":902},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_290":374,"_292":375},{"_222":897,"_125":898,"_284":899},{"_274":894,"_276":895,"_278":896,"_280":879},83.17205882352941,90.5,68.17205882352941,{"_286":222,"_123":603,"_154":604,"_140":99},{"_286":125,"_123":493,"_154":494,"_140":495},{"_286":284,"_123":434,"_154":435,"_140":436},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_310":917,"_312":918},{"_310":915,"_312":916},{"_310":913,"_312":914},{"_310":911,"_312":912},{"_310":909,"_312":910},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":972,"_219":973,"_324":974,"_326":327,"_328":975,"_330":976,"_332":977,"_334":335,"_336":978,"_140":95},"18th century","Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[957,958,959,960,961],{"_218":382,"_219":383,"_42":384,"_303":385},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":956,"_380":381},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_294":953,"_296":954,"_298":955},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_290":374,"_292":375},{"_222":943,"_125":944,"_284":945},{"_274":940,"_276":941,"_278":942,"_280":925},80.5529411764706,95,65.5529411764706,{"_286":222,"_123":951,"_154":952,"_140":95},{"_286":125,"_123":949,"_154":950,"_140":495},{"_286":284,"_123":946,"_154":947,"_140":948},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_310":970,"_312":971},{"_310":968,"_312":969},{"_310":966,"_312":967},{"_310":964,"_312":965},{"_310":962,"_312":963},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":1029,"_219":1030,"_324":1031,"_326":523,"_328":1032,"_330":1033,"_332":-5,"_334":-5,"_336":-5,"_140":101},"watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[1014,1015,1016,1017,1018],{"_218":501,"_219":502,"_42":503,"_303":504},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_294":1011,"_296":1012,"_298":1013},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_290":291,"_292":293},{"_222":1004,"_125":1005,"_284":1006},{"_274":1001,"_276":1002,"_278":986,"_280":1003},70,56.1976386036961,32.1976386036961,{"_286":222,"_123":1009,"_154":1010,"_140":89},{"_286":125,"_123":1007,"_154":1008,"_140":169},{"_286":284,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_310":1027,"_312":1028},{"_310":1025,"_312":1026},{"_310":1023,"_312":1024},{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":1082,"_219":1083,"_324":1084,"_326":523,"_328":1085,"_330":1086,"_332":335,"_334":335,"_336":1087,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[1067,1068,1069,1070,1071],{"_218":382,"_219":383,"_42":384,"_303":385},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":1066,"_380":381},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_294":1063,"_296":1064,"_298":1065},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_290":374,"_292":375},{"_222":1058,"_125":1059,"_284":1060},{"_274":1055,"_276":1056,"_278":1039,"_280":1057},138.2,106.49411764705881,91.49411764705881,{"_286":222,"_123":1061,"_154":1062,"_140":97},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",1.0208962154631995,[1117,1118,1119,1120,1121],{"_218":501,"_219":502,"_42":503,"_303":504},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_294":1114,"_296":1115,"_298":1116},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_290":291,"_292":293},{"_222":1109,"_125":1110,"_284":1111},{"_274":275,"_276":1107,"_278":279,"_280":1108},48.48828746872867,24.488287468728675,{"_286":222,"_123":1112,"_154":1113,"_140":97},{"_286":125,"_123":437,"_154":438,"_140":347},{"_286":284,"_123":434,"_154":435,"_140":436},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_310":1130,"_312":1131},{"_310":1128,"_312":1129},{"_310":1126,"_312":1127},{"_310":1124,"_312":1125},{"_310":1122,"_312":1123},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,{"_1133":-5,"_1134":1135,"_1136":1137,"_1138":8,"_1139":1140,"_1141":8},"user","csrf","4f48f548cf95585b6341dfc7fd28564e967920e5","cartCount",0,"dropLive","legal",[1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153],"uploadsEnabled",{"_219":1176,"_20":1177},{"_219":1174,"_20":1175},{"_219":1172,"_20":1173},{"_219":1170,"_20":1171},{"_219":1168,"_20":1169},{"_219":1166,"_20":1167},{"_219":1164,"_20":1165},{"_219":1162,"_20":1163},{"_219":1160,"_20":1161},{"_219":1158,"_20":1159},{"_219":1156,"_20":1157},{"_219":1154,"_20":1155},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]