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His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_295":435,"_297":436,"_299":437},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_291":375,"_293":376},{"_224":430,"_125":431,"_285":432},{"_275":427,"_277":428,"_279":429,"_281":412},115.83991565971941,142,100.83991565971941,{"_287":224,"_123":433,"_154":434,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","source","Text from the Art Institute of Chicago.",{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},{"_311":448,"_313":449},{"_311":446,"_313":447},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":508,"_221":509,"_325":510,"_327":328,"_329":511,"_331":512,"_333":513,"_334":514,"_335":515,"_140":91},"c. 1822/1823","oil on canvas","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[494,495,496,497,498],{"_220":301,"_221":302,"_42":303,"_304":305},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":491,"_297":492,"_299":493},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":375,"_293":376},{"_224":486,"_125":487,"_285":488},{"_275":483,"_277":484,"_279":485,"_281":468},116.6768798828125,143.5,101.6768798828125,{"_287":224,"_123":489,"_154":490,"_140":91},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_311":506,"_313":507},{"_311":504,"_313":505},{"_311":502,"_313":503},{"_311":501,"_313":500},{"_311":499,"_313":500},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":573,"_221":574,"_325":575,"_327":328,"_329":576,"_331":403,"_333":577,"_334":514,"_335":578,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[558,559,560,561,562],{"_220":554,"_221":555,"_42":556,"_304":557},"Courtesy of the Cleveland Museum of Art","1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":552,"_439":553},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_295":549,"_297":550,"_299":551},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_291":375,"_293":376},{"_224":541,"_125":542,"_285":543},{"_275":538,"_277":539,"_279":540,"_281":522},185.63529411764705,211,170.63529411764705,{"_287":224,"_123":547,"_154":548,"_140":95},{"_287":125,"_123":544,"_154":545,"_140":546},{"_287":285,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":571,"_313":572},{"_311":569,"_313":570},{"_311":567,"_313":568},{"_311":565,"_313":566},{"_311":563,"_313":564},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","weymouth-bay-met-682931","Weymouth Bay",{"_42":635,"_221":636,"_325":637,"_327":328,"_329":638,"_331":639,"_333":640,"_334":514,"_335":641,"_140":97},"1830","Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[620,621,622,623,624],{"_220":616,"_221":617,"_42":618,"_304":619},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_295":613,"_297":614,"_299":615},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_291":292,"_293":294},{"_224":605,"_125":606,"_285":607},{"_275":278,"_277":603,"_279":282,"_281":604},43.859539602028875,19.85953960202887,{"_287":224,"_123":611,"_154":612,"_140":97},{"_287":125,"_123":608,"_154":609,"_140":610},{"_287":285,"_123":367,"_154":368,"_140":369},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":633,"_313":634},{"_311":631,"_313":632},{"_311":629,"_313":630},{"_311":627,"_313":628},{"_311":625,"_313":626},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":689,"_221":690,"_325":691,"_327":402,"_329":692,"_331":693,"_333":694,"_334":514,"_335":695,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[674,675,676,677,678],{"_220":301,"_221":302,"_42":303,"_304":305},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_295":671,"_297":672,"_299":673},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_291":375,"_293":376},{"_224":666,"_125":667,"_285":668},{"_275":663,"_277":664,"_279":665,"_281":648},85.3828125,99,70.3828125,{"_287":224,"_123":669,"_154":670,"_140":97},{"_287":125,"_123":544,"_154":545,"_140":546},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_311":687,"_313":688},{"_311":685,"_313":686},{"_311":683,"_313":684},{"_311":681,"_313":682},{"_311":679,"_313":680},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":741,"_221":742,"_325":743,"_327":744,"_329":693,"_331":745,"_333":-5,"_334":-5,"_335":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[726,727,728,729,730],{"_220":301,"_221":302,"_42":303,"_304":305},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_295":723,"_297":724,"_299":725},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_291":292,"_293":294},{"_224":718,"_125":719,"_285":720},{"_275":716,"_277":278,"_279":717,"_281":282},40.387939453125,16.387939453125,{"_287":224,"_123":721,"_154":722,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_311":739,"_313":740},{"_311":737,"_313":738},{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":573,"_221":574,"_325":575,"_327":328,"_329":576,"_331":403,"_333":577,"_334":514,"_335":578,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",126,0.7977275284058949,[774,775,776,777,778],{"_220":380,"_221":381,"_42":382,"_304":383},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":771,"_297":772,"_299":773},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_291":375,"_293":376},{"_224":768,"_125":769,"_285":770},{"_275":765,"_277":766,"_279":767,"_281":751},115.51366857914276,141,100.51366857914276,{"_287":224,"_123":547,"_154":548,"_140":95},{"_287":125,"_123":544,"_154":545,"_140":546},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_311":787,"_313":788},{"_311":785,"_313":786},{"_311":783,"_313":784},{"_311":781,"_313":782},{"_311":779,"_313":780},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"lord-rothes-si-saam-1956-11-60","Lord Rothes","Unrecorded British maker","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[824,825,826,827,828],{"_220":821,"_221":822,"_42":823,"_304":305},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_295":818,"_297":819,"_299":820},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_291":375,"_293":376},{"_224":813,"_125":814,"_285":815},{"_275":810,"_277":811,"_279":812,"_281":795},117.51170000000002,143.3,102.51170000000002,{"_287":224,"_123":816,"_154":817,"_140":97},{"_287":125,"_123":544,"_154":545,"_140":546},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":837,"_313":838},{"_311":835,"_313":836},{"_311":833,"_313":834},{"_311":831,"_313":832},{"_311":829,"_313":830},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":886,"_221":887,"_325":888,"_327":402,"_329":889,"_331":890,"_333":-5,"_334":-5,"_335":891,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,1.358449273096764,[871,872,873,874,875],{"_220":380,"_221":381,"_42":382,"_304":383},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":870,"_439":440},"Large English country landscape painting, farmers with horses, green trees.",{"_295":867,"_297":868,"_299":869},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_291":375,"_293":376},{"_224":862,"_125":863,"_285":864},{"_275":859,"_277":860,"_279":844,"_281":861},184,139.40655926352127,124.40655926352129,{"_287":224,"_123":865,"_154":866,"_140":99},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.",{"_311":884,"_313":885},{"_311":882,"_313":883},{"_311":880,"_313":881},{"_311":878,"_313":879},{"_311":876,"_313":877},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":508,"_221":509,"_325":510,"_327":328,"_329":511,"_331":512,"_333":513,"_334":514,"_335":515,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[922,923,924,925,926],{"_220":554,"_221":555,"_42":556,"_304":557},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":921,"_439":553},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_295":918,"_297":919,"_299":920},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_291":375,"_293":376},{"_224":915,"_125":916,"_285":917},{"_275":912,"_277":913,"_279":914,"_281":290},117.63088235294117,144,102.63088235294117,{"_287":224,"_123":489,"_154":490,"_140":91},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_311":934,"_313":935},{"_311":932,"_313":933},{"_311":930,"_313":931},{"_311":928,"_313":929},{"_311":927,"_313":566},"#bc9f72","#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":689,"_221":690,"_325":691,"_327":402,"_329":692,"_331":693,"_333":694,"_334":514,"_335":695,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[966,967,968,969,970],{"_220":301,"_221":302,"_42":303,"_304":305},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_295":963,"_297":964,"_299":965},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_291":375,"_293":376},{"_224":960,"_125":961,"_285":962},{"_275":957,"_277":958,"_279":941,"_281":959},142.6,116.65009765625,101.65009765625,{"_287":224,"_123":669,"_154":670,"_140":97},{"_287":125,"_123":544,"_154":545,"_140":546},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_311":979,"_313":980},{"_311":977,"_313":978},{"_311":975,"_313":976},{"_311":973,"_313":974},{"_311":971,"_313":972},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":1027,"_221":1028,"_325":1029,"_327":402,"_329":1030,"_331":1031,"_333":1032,"_334":1032,"_335":1033,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[1012,1013,1014,1015,1016],{"_220":554,"_221":555,"_42":556,"_304":557},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1011,"_439":553},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_295":1008,"_297":1009,"_299":1010},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_291":375,"_293":376},{"_224":1003,"_125":1004,"_285":1005},{"_275":1001,"_277":428,"_279":1002,"_281":412},116.48794117647058,101.48794117647058,{"_287":224,"_123":1006,"_154":1007,"_140":99},{"_287":125,"_123":544,"_154":545,"_140":546},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_311":1025,"_313":1026},{"_311":1023,"_313":1024},{"_311":1021,"_313":1022},{"_311":1019,"_313":1020},{"_311":1017,"_313":1018},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":1081,"_221":1082,"_325":1083,"_327":402,"_329":1084,"_331":1085,"_333":-5,"_334":-5,"_335":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[1066,1067,1068,1069,1070],{"_220":380,"_221":381,"_42":382,"_304":383},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":1063,"_297":1064,"_299":1065},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_291":292,"_293":294},{"_224":1058,"_125":1059,"_285":1060},{"_275":1055,"_277":1056,"_279":1057,"_281":369},55.65199378560331,64,31.651993785603313,{"_287":224,"_123":1061,"_154":1062,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_311":1079,"_313":1080},{"_311":1077,"_313":1078},{"_311":1075,"_313":1076},{"_311":1073,"_313":1074},{"_311":1071,"_313":1072},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":1131,"_221":1132,"_325":1133,"_327":328,"_329":459,"_331":1134,"_333":-5,"_334":-5,"_335":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[1117,1118,1119,1120,1121],{"_220":301,"_221":302,"_42":303,"_304":305},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_295":1114,"_297":1115,"_299":1116},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_291":375,"_293":376},{"_224":1109,"_125":1110,"_285":1111},{"_275":1106,"_277":1107,"_279":1091,"_281":1108},167.6,105.38271484375,90.38271484375,{"_287":224,"_123":1112,"_154":1113,"_140":89},{"_287":125,"_123":370,"_154":371,"_140":372},{"_287":285,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_311":1129,"_313":1130},{"_311":1127,"_313":1128},{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},{"_311":1122,"_313":1076},"#9f8033","#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1860,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","5107aaf16e2378e572e74b07f66f404ad3006b38","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]