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The lines are bold and the shades are muted.",{"_296":432,"_298":433,"_300":434},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_292":375,"_294":376},{"_225":427,"_125":428,"_286":429},{"_277":425,"_279":363,"_281":426,"_283":365},42.560791015625,18.560791015625,{"_288":225,"_123":430,"_154":431,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_312":448,"_314":449},{"_312":446,"_314":447},{"_312":444,"_314":445},{"_312":442,"_314":443},{"_312":440,"_314":441},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812","British",1742,1811,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":508,"_222":509,"_326":510,"_328":453,"_330":511,"_332":512,"_334":337,"_336":337,"_338":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[493,494,495,496,497],{"_221":302,"_222":303,"_42":304,"_305":306},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_296":490,"_298":491,"_300":492},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_292":375,"_294":376},{"_225":482,"_125":483,"_286":484},{"_277":479,"_279":480,"_281":464,"_283":481},76,62.26731078904992,38.26731078904992,{"_288":225,"_123":488,"_154":489,"_140":89},{"_288":125,"_123":485,"_154":486,"_140":487},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},{"_312":500,"_314":501},{"_312":498,"_314":499},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":565,"_222":566,"_326":567,"_328":329,"_330":568,"_332":569,"_334":-5,"_336":-5,"_338":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,40,0.7912519643792562,[550,551,552,553,554],{"_221":546,"_222":547,"_42":548,"_305":549},"Courtesy of the Art Institute of Chicago","1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_296":543,"_298":544,"_300":545},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_292":375,"_294":376},{"_225":538,"_125":539,"_286":540},{"_277":535,"_279":536,"_281":537,"_283":520},55.65007857517025,64,31.650078575170248,{"_288":225,"_123":541,"_154":542,"_140":99},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},{"_312":557,"_314":558},{"_312":555,"_314":556},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":624,"_222":625,"_326":626,"_328":453,"_330":627,"_332":628,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1816",19,"Painting","oil on canvas","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[609,610,611,612,613],{"_221":380,"_222":381,"_42":382,"_305":383},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_296":606,"_298":607,"_300":608},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_292":293,"_294":295},{"_225":596,"_125":597,"_286":598},{"_277":593,"_279":594,"_281":578,"_283":595},246,166.762939453125,151.762939453125,{"_288":225,"_123":604,"_154":605,"_140":89},{"_288":125,"_123":601,"_154":602,"_140":603},{"_288":286,"_123":599,"_154":600,"_140":520},"era/19-britain","19th-century Britain","style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_312":622,"_314":623},{"_312":620,"_314":621},{"_312":618,"_314":619},{"_312":616,"_314":617},{"_312":614,"_314":615},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":676,"_222":677,"_326":678,"_328":453,"_330":679,"_332":680,"_334":-5,"_336":-5,"_338":681,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[661,662,663,664,665],{"_221":380,"_222":381,"_42":382,"_305":383},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_296":658,"_298":659,"_300":660},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_292":293,"_294":295},{"_225":653,"_125":654,"_286":655},{"_277":650,"_279":651,"_281":652,"_283":635},54.4048095703125,74.1,39.4048095703125,{"_288":225,"_123":656,"_154":657,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_312":674,"_314":675},{"_312":672,"_314":673},{"_312":670,"_314":671},{"_312":668,"_314":669},{"_312":666,"_314":667},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":727,"_222":728,"_326":729,"_328":329,"_330":730,"_332":731,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[713,714,715,716,717],{"_221":546,"_222":547,"_42":548,"_305":549},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":710,"_298":711,"_300":712},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_292":293,"_294":295},{"_225":705,"_125":706,"_286":707},{"_277":702,"_279":703,"_281":704,"_283":688},42.32984293193717,51,27.329842931937172,{"_288":225,"_123":708,"_154":709,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_312":725,"_314":726},{"_312":723,"_314":724},{"_312":722,"_314":445},{"_312":720,"_314":721},{"_312":718,"_314":719},"#89694e",0.141,"#26261b",0.1523,"#351e16","#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":792,"_222":793,"_326":794,"_328":453,"_330":795,"_332":796,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1807","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[777,778,779,780,781],{"_221":773,"_222":774,"_42":775,"_305":776},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":770,"_771":772},"Bray Church Yard, by John Varley, 1807",{"_296":767,"_298":768,"_300":769},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_292":375,"_294":376},{"_225":759,"_125":760,"_286":761},{"_277":756,"_279":757,"_281":739,"_283":758},60.9,48.95091176470588,24.950911764705882,{"_288":225,"_123":765,"_154":766,"_140":89},{"_288":125,"_123":762,"_154":763,"_140":764},{"_288":286,"_123":599,"_154":600,"_140":520},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":790,"_314":791},{"_312":788,"_314":789},{"_312":786,"_314":787},{"_312":784,"_314":785},{"_312":782,"_314":783},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[832,833,834,835,836],{"_221":829,"_222":830,"_42":831,"_305":383},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_296":826,"_298":827,"_300":828},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_292":293,"_294":295},{"_225":821,"_125":822,"_286":823},{"_277":818,"_279":819,"_281":802,"_283":820},70.2,58.4424,43.4424,{"_288":225,"_123":824,"_154":825,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":845,"_314":846},{"_312":843,"_314":844},{"_312":841,"_314":842},{"_312":839,"_314":840},{"_312":837,"_314":838},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":894,"_222":895,"_326":896,"_328":329,"_330":897,"_332":898,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[879,880,881,882,883],{"_221":546,"_222":547,"_42":548,"_305":549},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_296":876,"_298":877,"_300":878},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_292":293,"_294":295},{"_225":871,"_125":872,"_286":873},{"_277":868,"_279":869,"_281":853,"_283":870},53,38.1345982804625,23.134598280462495,{"_288":225,"_123":874,"_154":875,"_140":89},{"_288":125,"_123":601,"_154":602,"_140":603},{"_288":286,"_123":599,"_154":600,"_140":520},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_312":892,"_314":893},{"_312":890,"_314":891},{"_312":888,"_314":889},{"_312":886,"_314":887},{"_312":884,"_314":885},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1792,1882,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":946,"_222":947,"_326":948,"_328":453,"_330":949,"_332":950,"_334":337,"_336":337,"_338":-5,"_140":103},"ca. 1803–5","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[931,932,933,934,935],{"_221":302,"_222":303,"_42":304,"_305":306},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_296":928,"_298":929,"_300":930},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_292":375,"_294":376},{"_225":923,"_125":924,"_286":925},{"_277":920,"_279":921,"_281":922,"_283":906},50.26670344827586,63.2,26.266703448275862,{"_288":225,"_123":926,"_154":927,"_140":89},{"_288":125,"_123":485,"_154":486,"_140":487},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_312":944,"_314":945},{"_312":942,"_314":943},{"_312":940,"_314":941},{"_312":938,"_314":939},{"_312":936,"_314":937},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":998,"_222":999,"_326":1000,"_328":329,"_330":1001,"_332":1002,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[983,984,985,986,987],{"_221":546,"_222":547,"_42":548,"_305":549},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_296":980,"_298":981,"_300":982},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_292":375,"_294":376},{"_225":975,"_125":976,"_286":977},{"_277":972,"_279":973,"_281":974,"_283":958},69.57777777777778,89,45.57777777777778,{"_288":225,"_123":978,"_154":979,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_312":996,"_314":997},{"_312":994,"_314":995},{"_312":992,"_314":993},{"_312":990,"_314":991},{"_312":988,"_314":989},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"peamore-devon-nga-137152","Peamore, Devon",{"_42":1050,"_222":1051,"_326":1052,"_328":453,"_330":1053,"_332":1054,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1799","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[1035,1036,1037,1038,1039],{"_221":380,"_222":381,"_42":382,"_305":383},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_296":1032,"_298":1033,"_300":1034},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_292":375,"_294":376},{"_225":1027,"_125":1028,"_286":1029},{"_277":1024,"_279":1025,"_281":1009,"_283":1026},81.3,70.4443359375,46.44433593749999,{"_288":225,"_123":1030,"_154":1031,"_140":89},{"_288":125,"_123":485,"_154":486,"_140":487},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_312":1048,"_314":1049},{"_312":1046,"_314":1047},{"_312":1044,"_314":1045},{"_312":1042,"_314":1043},{"_312":1040,"_314":1041},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1104,"_222":1105,"_326":1106,"_328":329,"_330":1107,"_332":1108,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,127,0.7940150839347985,[1089,1090,1091,1092,1093],{"_221":546,"_222":547,"_42":548,"_305":549},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1087,"_771":1088},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_296":1084,"_298":1085,"_300":1086},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_292":293,"_294":295},{"_225":1079,"_125":1080,"_286":1081},{"_277":1076,"_279":1077,"_281":1078,"_283":1061},115.83991565971941,142,100.83991565971941,{"_288":225,"_123":1082,"_154":1083,"_140":89},{"_288":125,"_123":601,"_154":602,"_140":603},{"_288":286,"_123":599,"_154":600,"_140":520},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_312":1102,"_314":1103},{"_312":1100,"_314":1101},{"_312":1098,"_314":1099},{"_312":1096,"_314":1097},{"_312":1094,"_314":1095},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":1156,"_222":1157,"_326":1158,"_328":329,"_330":511,"_332":1054,"_334":337,"_336":337,"_338":1159,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,1.3465346534653466,[1141,1142,1143,1144,1145],{"_221":773,"_222":774,"_42":775,"_305":776},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":1140,"_771":772},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_296":1137,"_298":1138,"_300":1139},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_292":293,"_294":295},{"_225":1132,"_125":1133,"_286":1134},{"_277":1129,"_279":1130,"_281":1114,"_283":1131},138.2,106.49411764705881,91.49411764705881,{"_288":225,"_123":1135,"_154":1136,"_140":97},{"_288":125,"_123":601,"_154":602,"_140":603},{"_288":286,"_123":599,"_154":600,"_140":520},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_312":1154,"_314":1155},{"_312":1152,"_314":1153},{"_312":1150,"_314":1151},{"_312":1148,"_314":1149},{"_312":1146,"_314":1147},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.",{"_1161":-5,"_1162":1163,"_1164":1165,"_1166":8,"_1167":1168,"_1169":8},"user","csrf","8404812f35aa6a212848071b442083d7ece788be","cartCount",0,"dropLive","legal",[1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180,1181],"uploadsEnabled",{"_222":1204,"_20":1205},{"_222":1202,"_20":1203},{"_222":1200,"_20":1201},{"_222":1198,"_20":1199},{"_222":1196,"_20":1197},{"_222":1194,"_20":1195},{"_222":1192,"_20":1193},{"_222":1190,"_20":1191},{"_222":1188,"_20":1189},{"_222":1186,"_20":1187},{"_222":1184,"_20":1185},{"_222":1182,"_20":1183},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]