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However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_306":449,"_308":450},{"_306":447,"_308":448},{"_306":446,"_308":313},{"_306":444,"_308":445},{"_306":442,"_308":443},"#dbae62",0.0772,"#543416",0.0793,"#a17433","#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792","British",1723,1792,"Plympton","London","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":517,"_218":518,"_320":519,"_322":454,"_324":520,"_326":521,"_328":-5,"_330":-5,"_331":-5,"_140":103},"1785","print","Print","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[502,503,504,505,506],{"_217":498,"_218":499,"_42":500,"_299":501},"Courtesy National Gallery of Art, Washington","1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_290":495,"_292":496,"_294":497},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_286":287,"_288":289},{"_221":487,"_125":488,"_281":489},{"_272":484,"_274":485,"_276":468,"_278":486},60.9,49.927294921875,25.927294921875,{"_283":221,"_123":493,"_154":494,"_140":89},{"_283":125,"_123":490,"_154":491,"_140":492},{"_283":281,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_306":515,"_308":516},{"_306":513,"_308":514},{"_306":511,"_308":512},{"_306":509,"_308":510},{"_306":507,"_308":508},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":318,"_218":319,"_320":321,"_322":323,"_324":325,"_326":327,"_328":329,"_330":329,"_331":332,"_140":99},"1779","Paintings","Oil on canvas","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[561,562,563,564,565],{"_217":557,"_218":558,"_42":559,"_299":560},"Courtesy of The Metropolitan Museum of Art","2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_290":554,"_292":555,"_294":556},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_286":425,"_288":426},{"_221":549,"_125":550,"_281":551},{"_272":546,"_274":547,"_276":529,"_278":548},142,117.37854406130268,102.37854406130268,{"_283":221,"_123":171,"_154":170,"_140":99},{"_283":125,"_123":552,"_154":553,"_140":422},{"_283":281,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_306":574,"_308":575},{"_306":572,"_308":573},{"_306":570,"_308":571},{"_306":568,"_308":569},{"_306":566,"_308":567},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":623,"_218":624,"_320":625,"_322":323,"_324":626,"_326":627,"_328":-5,"_330":-5,"_331":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,40,0.7912998446400829,[608,609,610,611,612],{"_217":296,"_218":297,"_42":298,"_299":300},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_290":605,"_292":606,"_294":607},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_286":287,"_288":289},{"_221":600,"_125":601,"_281":602},{"_272":597,"_274":598,"_276":599,"_278":582},55.65199378560331,64,31.651993785603313,{"_283":221,"_123":603,"_154":604,"_140":99},{"_283":125,"_123":490,"_154":491,"_140":492},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_306":621,"_308":622},{"_306":619,"_308":620},{"_306":617,"_308":618},{"_306":615,"_308":616},{"_306":613,"_308":614},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":674,"_218":675,"_320":676,"_322":677,"_324":678,"_326":679,"_328":-5,"_330":-5,"_331":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,0.655517578125,[659,660,661,662,663],{"_217":498,"_218":499,"_42":500,"_299":501},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_290":656,"_292":657,"_294":658},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_286":287,"_288":289},{"_221":651,"_125":652,"_281":653},{"_272":647,"_274":648,"_276":649,"_278":650},40.387939453125,49,16.387939453125,25,{"_283":221,"_123":654,"_154":655,"_140":89},{"_283":125,"_123":490,"_154":491,"_140":492},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_306":672,"_308":673},{"_306":670,"_308":671},{"_306":668,"_308":669},{"_306":666,"_308":667},{"_306":664,"_308":665},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":379,"_218":380,"_320":381,"_322":323,"_324":382,"_326":383,"_328":-5,"_330":-5,"_331":384,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[710,711,712,713,714],{"_217":296,"_218":297,"_42":298,"_299":300},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_290":707,"_292":708,"_294":709},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_286":287,"_288":289},{"_221":704,"_125":705,"_281":706},{"_272":701,"_274":702,"_276":686,"_278":703},71,60.23588863463005,36.23588863463005,{"_283":221,"_123":359,"_154":360,"_140":99},{"_283":125,"_123":284,"_154":285,"_140":53},{"_283":281,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_306":722,"_308":723},{"_306":720,"_308":721},{"_306":718,"_308":719},{"_306":716,"_308":717},{"_306":715,"_308":567},"#a49483","#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":776,"_218":777,"_320":778,"_322":323,"_324":456,"_326":779,"_328":-5,"_330":-5,"_331":-5,"_140":101},"1834",19,"Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",38,24,1.6425614803993183,[761,762,763,764,765],{"_217":296,"_218":297,"_42":298,"_299":300},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_290":758,"_292":759,"_294":760},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_286":425,"_288":426},{"_221":748,"_125":749,"_281":750},{"_272":353,"_274":746,"_276":731,"_278":747},38.1345982804625,23.134598280462495,{"_283":221,"_123":756,"_154":757,"_140":89},{"_283":125,"_123":753,"_154":754,"_140":755},{"_283":281,"_123":751,"_154":752,"_140":582},"era/19-britain","19th-century Britain","style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_306":774,"_308":775},{"_306":772,"_308":773},{"_306":770,"_308":771},{"_306":768,"_308":769},{"_306":766,"_308":767},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":831,"_218":832,"_320":833,"_322":454,"_324":834,"_326":835,"_328":836,"_330":458,"_331":837,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[816,817,818,819,820],{"_217":498,"_218":499,"_42":500,"_299":501},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_290":813,"_292":814,"_294":815},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_286":287,"_288":289},{"_221":805,"_125":806,"_281":807},{"_272":802,"_274":803,"_276":786,"_278":804},49.2,41.94638671875,17.94638671875,{"_283":221,"_123":811,"_154":812,"_140":97},{"_283":125,"_123":808,"_154":809,"_140":810},{"_283":281,"_123":751,"_154":752,"_140":582},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_306":829,"_308":830},{"_306":827,"_308":828},{"_306":825,"_308":826},{"_306":823,"_308":824},{"_306":821,"_308":822},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":887,"_218":888,"_320":889,"_322":454,"_324":890,"_326":891,"_328":892,"_330":458,"_331":893,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[872,873,874,875,876],{"_217":296,"_218":297,"_42":298,"_299":300},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":870,"_431":871},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_290":867,"_292":868,"_294":869},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_286":425,"_288":426},{"_221":862,"_125":863,"_281":864},{"_272":859,"_274":860,"_276":861,"_278":844},116.09951287404314,143,101.09951287404314,{"_283":221,"_123":865,"_154":866,"_140":91},{"_283":125,"_123":753,"_154":754,"_140":755},{"_283":281,"_123":751,"_154":752,"_140":582},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_306":885,"_308":886},{"_306":883,"_308":884},{"_306":881,"_308":882},{"_306":879,"_308":880},{"_306":877,"_308":878},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[924,925,926,927,928],{"_217":296,"_218":297,"_42":298,"_299":300},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_290":921,"_292":922,"_294":923},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_286":287,"_288":289},{"_221":916,"_125":917,"_281":918},{"_272":648,"_274":914,"_276":650,"_278":915},48.48828746872867,24.488287468728675,{"_283":221,"_123":919,"_154":920,"_140":97},{"_283":125,"_123":490,"_154":491,"_140":492},{"_283":281,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_306":937,"_308":938},{"_306":935,"_308":936},{"_306":933,"_308":934},{"_306":931,"_308":932},{"_306":929,"_308":930},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":674,"_218":675,"_320":676,"_322":677,"_324":678,"_326":679,"_328":-5,"_330":-5,"_331":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[965,966,967,968,969],{"_217":498,"_218":499,"_42":500,"_299":501},"1973.26.28","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_290":962,"_292":963,"_294":964},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_286":287,"_288":289},{"_221":959,"_125":960,"_281":961},{"_272":648,"_274":957,"_276":650,"_278":958},39.68603515625,15.686035156249998,{"_283":221,"_123":654,"_154":655,"_140":89},{"_283":125,"_123":490,"_154":491,"_140":492},{"_283":281,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_306":978,"_308":979},{"_306":976,"_308":977},{"_306":974,"_308":975},{"_306":972,"_308":973},{"_306":970,"_308":971},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":623,"_218":624,"_320":625,"_322":323,"_324":626,"_326":627,"_328":-5,"_330":-5,"_331":-5,"_140":99},0.7912519643792562,[1002,1003,1004,1005,1006],{"_217":296,"_218":297,"_42":298,"_299":300},"1946.405",{"_290":999,"_292":1000,"_294":1001},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_286":287,"_288":289},{"_221":996,"_125":997,"_281":998},{"_272":994,"_274":598,"_276":995,"_278":582},55.65007857517025,31.650078575170248,{"_283":221,"_123":603,"_154":604,"_140":99},{"_283":125,"_123":490,"_154":491,"_140":492},{"_283":281,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_306":1014,"_308":1015},{"_306":1012,"_308":1013},{"_306":1011,"_308":618},{"_306":1009,"_308":1010},{"_306":1007,"_308":1008},"#796237",0.064,"#5c493a",0.0907,"#8a7b65","#baae9b",0.3131,"#d1c7b6",0.4051,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":1068,"_218":1069,"_320":1070,"_322":454,"_324":1071,"_326":834,"_328":458,"_330":458,"_331":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[1053,1054,1055,1056,1057],{"_217":557,"_218":558,"_42":559,"_299":560},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_290":1050,"_292":1051,"_294":1052},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_286":287,"_288":289},{"_221":1042,"_125":1043,"_281":1044},{"_272":1039,"_274":1040,"_276":1024,"_278":1041},76,62.26731078904992,38.26731078904992,{"_283":221,"_123":1048,"_154":1049,"_140":89},{"_283":125,"_123":1045,"_154":1046,"_140":1047},{"_283":281,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_306":1066,"_308":1067},{"_306":1064,"_308":1065},{"_306":1062,"_308":1063},{"_306":1060,"_308":1061},{"_306":1058,"_308":1059},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":1117,"_218":1118,"_320":1119,"_322":454,"_324":1120,"_326":1121,"_328":-5,"_330":-5,"_331":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[1103,1104,1105,1106,1107],{"_217":498,"_218":499,"_42":500,"_299":501},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_290":1100,"_292":1101,"_294":1102},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_286":425,"_288":426},{"_221":1095,"_125":1096,"_281":1097},{"_272":1092,"_274":1093,"_276":1077,"_278":1094},167.6,105.38271484375,90.38271484375,{"_283":221,"_123":1098,"_154":1099,"_140":89},{"_283":125,"_123":753,"_154":754,"_140":755},{"_283":281,"_123":751,"_154":752,"_140":582},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_306":1115,"_308":1116},{"_306":1113,"_308":1114},{"_306":1111,"_308":1112},{"_306":1109,"_308":1110},{"_306":1108,"_308":618},"#9f8033","#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,{"_1123":-5,"_1124":1125,"_1126":1127,"_1128":8,"_1129":1130,"_1131":8},"user","csrf","256d1a6ab043a74ca7c312963823bb15e867a750","cartCount",0,"dropLive","legal",[1132,1133,1134,1135,1136,1137,1138,1139,1140,1141,1142,1143],"uploadsEnabled",{"_218":1166,"_20":1167},{"_218":1164,"_20":1165},{"_218":1162,"_20":1163},{"_218":1160,"_20":1161},{"_218":1158,"_20":1159},{"_218":1156,"_20":1157},{"_218":1154,"_20":1155},{"_218":1152,"_20":1153},{"_218":1150,"_20":1151},{"_218":1148,"_20":1149},{"_218":1146,"_20":1147},{"_218":1144,"_20":1145},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]