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Charles Seymour-Conway, 3rd Marquess of Hertford","artist",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":91},"unrecorded","date","c. 1822/1823","century",19,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","oil on canvas","dimensions","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)","width_cm",102.2,"height_cm",128.5,"aspect",0.791259765625,"palette",[307,308,309,310,311],"museum",{"_221":302,"_222":303,"_42":304,"_305":306},"credit","Courtesy National Gallery of Art, Washington","accession","1968.6.2","licence","CC0","story","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","note","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1537.jpg?dl=1","page_url","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","walk_url","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":246},"w",116.6768798828125,"h",143.5,"image_w",101.6768798828125,"image_h",{"_288":225,"_123":169,"_154":168,"_140":91},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":165,"_154":164,"_140":167},"facet","style/painting-19","More paintings of the 19th century",432,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1537/480.jpg","960","https://img.ochreeditions.com/a/1537/960.jpg","1920","https://img.ochreeditions.com/a/1537/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_312":321,"_314":322},{"_312":319,"_314":320},{"_312":317,"_314":318},{"_312":316,"_314":315},{"_312":313,"_314":315},"hex","#765636","weight",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","bio","English, 1769–1830","nationality","British","birth_year",1769,"death_year",1830,"birth_place","Bristol","death_place","London","about_excerpt","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":393,"_222":394,"_325":395,"_327":396,"_329":397,"_331":398,"_333":399,"_335":336,"_337":400,"_140":97},"c. 1781/1782",18,"overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[378,379,380,381,382],{"_221":302,"_222":303,"_42":304,"_305":306},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_296":375,"_298":376,"_300":377},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_292":293,"_294":295},{"_225":364,"_125":365,"_286":366},{"_277":361,"_279":362,"_281":345,"_283":363},142.6,116.65009765625,101.65009765625,{"_288":225,"_123":373,"_154":374,"_140":97},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_312":391,"_314":392},{"_312":389,"_314":390},{"_312":387,"_314":388},{"_312":385,"_314":386},{"_312":383,"_314":384},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788","English",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[436,437,438,439,440],{"_221":433,"_222":434,"_42":435,"_305":306},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_296":430,"_298":431,"_300":432},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_292":293,"_294":295},{"_225":425,"_125":426,"_286":427},{"_277":422,"_279":423,"_281":406,"_283":424},70.2,58.4424,43.4424,{"_288":225,"_123":428,"_154":429,"_140":97},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":449,"_314":450},{"_312":447,"_314":448},{"_312":445,"_314":446},{"_312":443,"_314":444},{"_312":441,"_314":442},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":514,"_222":515,"_325":516,"_327":517,"_329":518,"_331":519,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[499,500,501,502,503],{"_221":495,"_222":496,"_42":497,"_305":498},"Courtesy of the Cleveland Museum of Art","1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":492,"_493":494},"Descent into the Plain of Granada, by David Roberts, 1834",{"_296":489,"_298":490,"_300":491},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_292":487,"_294":488},{"_225":479,"_125":480,"_286":481},{"_277":476,"_279":477,"_281":459,"_283":478},56.5,47.45735294117647,23.45735294117647,{"_288":225,"_123":485,"_154":486,"_140":89},{"_288":125,"_123":482,"_154":483,"_140":484},{"_288":286,"_123":165,"_154":164,"_140":167},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","white","snow","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":572,"_222":573,"_325":574,"_327":396,"_329":575,"_331":576,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1792","Oil on canvas","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[557,558,559,560,561],{"_221":553,"_222":554,"_42":555,"_305":556},"Courtesy of the Art Institute of Chicago","2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":550,"_298":551,"_300":552},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_292":293,"_294":295},{"_225":545,"_125":546,"_286":547},{"_277":542,"_279":543,"_281":544,"_283":527},42.32984293193717,51,27.329842931937172,{"_288":225,"_123":548,"_154":549,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":570,"_314":571},{"_312":568,"_314":569},{"_312":566,"_314":567},{"_312":564,"_314":565},{"_312":562,"_314":563},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":633,"_222":634,"_325":635,"_327":328,"_329":636,"_331":637,"_333":336,"_335":336,"_337":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[618,619,620,621,622],{"_221":614,"_222":615,"_42":616,"_305":617},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_296":611,"_298":612,"_300":613},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_292":487,"_294":488},{"_225":603,"_125":604,"_286":605},{"_277":600,"_279":601,"_281":584,"_283":602},76,62.26731078904992,38.26731078904992,{"_288":225,"_123":609,"_154":610,"_140":89},{"_288":125,"_123":606,"_154":607,"_140":608},{"_288":286,"_123":367,"_154":368,"_140":369},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":631,"_314":632},{"_312":629,"_314":630},{"_312":627,"_314":628},{"_312":625,"_314":626},{"_312":623,"_314":624},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[666,667,668,669,670],{"_221":553,"_222":554,"_42":555,"_305":556},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_296":663,"_298":664,"_300":665},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_292":293,"_294":295},{"_225":660,"_125":661,"_286":662},{"_277":657,"_279":658,"_281":659,"_283":644},79.64294930875576,93,64.64294930875576,{"_288":225,"_123":169,"_154":168,"_140":91},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_312":679,"_314":680},{"_312":677,"_314":678},{"_312":675,"_314":676},{"_312":673,"_314":674},{"_312":671,"_314":672},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":726,"_222":727,"_325":728,"_327":328,"_329":729,"_331":730,"_333":731,"_335":336,"_337":732,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[711,712,713,714,715],{"_221":553,"_222":554,"_42":555,"_305":556},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_296":708,"_298":709,"_300":710},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_292":293,"_294":295},{"_225":703,"_125":704,"_286":705},{"_277":700,"_279":701,"_281":702,"_283":687},76.14076281287247,88,61.14076281287247,{"_288":225,"_123":706,"_154":707,"_140":95},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_312":724,"_314":725},{"_312":722,"_314":723},{"_312":720,"_314":721},{"_312":718,"_314":719},{"_312":716,"_314":717},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":726,"_222":727,"_325":728,"_327":328,"_329":729,"_331":730,"_333":731,"_335":336,"_337":732,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[764,765,766,767,768],{"_221":614,"_222":615,"_42":616,"_305":617},"20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_296":761,"_298":762,"_300":763},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_292":293,"_294":295},{"_225":758,"_125":759,"_286":760},{"_277":755,"_279":756,"_281":757,"_283":740},162.4421624418003,253.1,147.4421624418003,{"_288":225,"_123":706,"_154":707,"_140":95},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg",{"_312":777,"_314":778},{"_312":775,"_314":776},{"_312":773,"_314":774},{"_312":771,"_314":772},{"_312":769,"_314":770},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"the-white-horse-nga-1146","The White Horse",{"_42":826,"_222":827,"_325":828,"_327":396,"_329":829,"_331":830,"_333":-5,"_335":-5,"_337":831,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[811,812,813,814,815],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_296":808,"_298":809,"_300":810},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_292":293,"_294":295},{"_225":803,"_125":804,"_286":805},{"_277":800,"_279":801,"_281":784,"_283":802},198,142.912353515625,127.912353515625,{"_288":225,"_123":806,"_154":807,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":165,"_154":164,"_140":167},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_312":824,"_314":825},{"_312":822,"_314":823},{"_312":820,"_314":821},{"_312":818,"_314":819},{"_312":816,"_314":817},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":91},"1790","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[862,863,864,865,866],{"_221":614,"_222":615,"_42":616,"_305":617},"50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_296":859,"_298":860,"_300":861},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_292":293,"_294":295},{"_225":856,"_125":857,"_286":858},{"_277":853,"_279":854,"_281":855,"_283":838},161.4845419354839,253.8,146.4845419354839,{"_288":225,"_123":169,"_154":168,"_140":91},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg",{"_312":875,"_314":876},{"_312":873,"_314":874},{"_312":871,"_314":872},{"_312":869,"_314":870},{"_312":867,"_314":868},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":826,"_222":827,"_325":828,"_327":396,"_329":829,"_331":830,"_333":-5,"_335":-5,"_337":831,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[909,910,911,912,913],{"_221":553,"_222":554,"_42":555,"_305":556},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":907,"_493":908},"Large English country landscape painting, farmers with horses, green trees.",{"_296":904,"_298":905,"_300":906},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_292":293,"_294":295},{"_225":901,"_125":902,"_286":903},{"_277":898,"_279":899,"_281":882,"_283":900},184,139.40655926352127,124.40655926352129,{"_288":225,"_123":806,"_154":807,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_312":922,"_314":923},{"_312":920,"_314":921},{"_312":918,"_314":919},{"_312":916,"_314":917},{"_312":914,"_314":915},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":971,"_222":972,"_325":973,"_327":974,"_329":975,"_331":976,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",101.5,1.2560029553010712,[956,957,958,959,960],{"_221":495,"_222":496,"_42":497,"_305":498},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":955,"_493":494},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_296":952,"_298":953,"_300":954},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_292":293,"_294":295},{"_225":947,"_125":948,"_286":949},{"_277":944,"_279":945,"_281":785,"_283":946},142,116.11441176470589,101.11441176470589,{"_288":225,"_123":950,"_154":951,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_312":969,"_314":970},{"_312":967,"_314":968},{"_312":965,"_314":966},{"_312":963,"_314":964},{"_312":961,"_314":962},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":1029,"_222":1030,"_325":1031,"_327":328,"_329":1032,"_331":1033,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1739","print","Print","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[1014,1015,1016,1017,1018],{"_221":302,"_222":303,"_42":304,"_305":306},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_296":1011,"_298":1012,"_300":1013},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_292":487,"_294":488},{"_225":1003,"_125":1004,"_286":1005},{"_277":1000,"_279":1001,"_281":1002,"_283":986},59.630419921874996,77.4,35.630419921874996,{"_288":225,"_123":1009,"_154":1010,"_140":89},{"_288":125,"_123":1006,"_154":1007,"_140":1008},{"_288":286,"_123":367,"_154":368,"_140":369},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_312":1027,"_314":1028},{"_312":1025,"_314":1026},{"_312":1023,"_314":1024},{"_312":1021,"_314":1022},{"_312":1019,"_314":1020},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":393,"_222":394,"_325":395,"_327":396,"_329":397,"_331":398,"_333":399,"_335":336,"_337":400,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[1064,1065,1066,1067,1068],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_296":1061,"_298":1062,"_300":1063},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_292":293,"_294":295},{"_225":1058,"_125":1059,"_286":1060},{"_277":1055,"_279":1056,"_281":1057,"_283":1040},85.3828125,99,70.3828125,{"_288":225,"_123":373,"_154":374,"_140":97},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":367,"_154":368,"_140":369},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_312":1077,"_314":1078},{"_312":1075,"_314":1076},{"_312":1073,"_314":1074},{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":826,"_222":827,"_325":828,"_327":396,"_329":829,"_331":830,"_333":-5,"_335":-5,"_337":831,"_140":99},"1816","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[1109,1110,1111,1112,1113],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_296":1106,"_298":1107,"_300":1108},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_292":293,"_294":295},{"_225":1103,"_125":1104,"_286":1105},{"_277":1100,"_279":1101,"_281":1084,"_283":1102},116.2,69.8001953125,54.8001953125,{"_288":225,"_123":806,"_154":807,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg",{"_312":1122,"_314":1123},{"_312":1120,"_314":1121},{"_312":1118,"_314":1119},{"_312":1116,"_314":1117},{"_312":1114,"_314":1115},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,{"_1125":-5,"_1126":1127,"_1128":1129,"_1130":8,"_1131":1132,"_1133":8},"user","csrf","f165dc51ef7f53a4e64d84dba4581d311932608a","cartCount",0,"dropLive","legal",[1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145],"uploadsEnabled",{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},{"_222":1152,"_20":1153},{"_222":1150,"_20":1151},{"_222":1148,"_20":1149},{"_222":1146,"_20":1147},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]