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The surface of the water is painted with short, horizontal brushstrokes in azure blue for the buildings, and apricot, rose, and marigold orange for the sky’s reflection. A streak and smudge of olive-green paint on the water represents a person in a boat near the center of the painting. The artist signed and dated the work in the same olive color at the lower right: “Claude Monet 1903.”",{"_298":450,"_300":451,"_302":452},"https://img.ochreeditions.com/m/1516.jpg?dl=1","/art/the-houses-of-parliament-sunset-nga-46523","/galleries/style/impressionism/the-houses-of-parliament-sunset-nga-46523",{"_294":380,"_296":381},{"_227":440,"_125":441,"_288":442},{"_278":437,"_280":438,"_282":420,"_284":439},107.5,96.705322265625,81.705322265625,{"_290":227,"_123":448,"_154":449,"_140":85},{"_290":125,"_123":445,"_154":446,"_140":447},{"_290":288,"_123":443,"_154":444,"_140":81},"era/20-france","20th-century France","style/painting-20","More paintings of the 20th century",75,"artist/claude-monet","More by Claude Monet","https://img.ochreeditions.com/a/1516/480.jpg","https://img.ochreeditions.com/a/1516/960.jpg","https://img.ochreeditions.com/a/1516/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_317":470,"_319":471},{"_317":468,"_319":469},{"_317":466,"_319":467},{"_317":464,"_319":465},{"_317":462,"_319":463},"#bba296",0.1484,"#728d9a",0.1585,"#9d9f9f",0.2093,"#c2b69d",0.2383,"#557b94",0.2455,"Claude Monet","claude-monet","French, 1840–1926",1840,1926,"Monet grew up in Le Havre, where Eugène Boudin encouraged him to paint outdoors. In Paris he met Renoir, Sisley and Bazille, and his Impression, Sunrise gave the Impressionist movement its name in 1874.","arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","Arrival of the Normandy Train, Gare Saint-Lazare",{"_42":472,"_224":473,"_331":474,"_333":334,"_335":475,"_337":476,"_339":-5,"_341":-5,"_342":477,"_140":85},"1877","60.3 × 80.2 cm (23 3/4 × 31 1/2 in.); Framed: 80.7 × 100.4 × 10.2 cm (31 3/4 × 39 1/2 × 4 in.)",80,60,1.3326787117046348,[515,516,517,518,519],{"_223":511,"_224":512,"_42":513,"_310":514},"Courtesy of the Art Institute of Chicago","1933.1158","Claude Monet painted this in 1877, aged 37. It is now at the Art Institute of Chicago.",{"_118":509,"_305":510},"Loosely painted image of an open-air train station. On the right, a parked train gives off an enormous plumb of white smoke, making the scene look as though it were full of clouds. A huddled mass of barely discernible people crowd around the train on both sides of the tracks. Blue, green, and gray tones dominate.",{"_298":506,"_300":507,"_302":508},"https://img.ochreeditions.com/m/62.jpg?dl=1","/art/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571","/galleries/style/impressionism/arrival-of-the-normandy-train-gare-saint-lazare-aic-16571",{"_294":380,"_296":381},{"_227":503,"_125":504,"_288":505},{"_278":500,"_280":501,"_282":483,"_284":502},95,75.02947244326555,60.02947244326554,{"_290":227,"_123":448,"_154":449,"_140":85},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/62/480.jpg","https://img.ochreeditions.com/a/62/960.jpg","https://img.ochreeditions.com/a/62/1920.jpg","The Impressionists frequently paid tribute to the modern aspects of Paris, depicting scenes of grand boulevards and modern constructions. Monet made 12 paintings of the Gare Saint-Lazare.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_317":528,"_319":529},{"_317":526,"_319":527},{"_317":524,"_319":525},{"_317":522,"_319":523},{"_317":520,"_319":521},"#aab0b2",0.1465,"#51646e",0.1833,"#79888a",0.2025,"#5b695c",0.2311,"#364246",0.2366,"woman-at-her-toilette-aic-11723","Woman at Her Toilette",{"_42":575,"_224":576,"_331":577,"_333":334,"_335":407,"_337":578,"_339":579,"_341":340,"_342":580,"_140":97},"1875–80","60.3 × 80.4 cm (23 3/4 × 31 5/8 in.); Framed: 85.8 × 105.5 × 10.5 cm (33 3/4 × 41 1/2 × 4 1/8 in.)",1.3356737780178234,[560,561,562,563,564],{"_223":511,"_224":512,"_42":513,"_310":514},"1924.127","Berthe Morisot painted this in 1875–80, aged about 29. It is now at the Art Institute of Chicago.",{"_118":559,"_305":510},"Painted portrait dominated by loose, large brushstrokes of a woman, seen from the back, wearing a gauzy white off-the-shoulder dress and black choker, blond hair swept up, examining herself in a mirror at left. The background is a feathered swirl suggesting floral pattern in cool pale tones of gray, purple, pink, and blue.",{"_298":556,"_300":557,"_302":558},"https://img.ochreeditions.com/m/23.jpg?dl=1","/art/woman-at-her-toilette-aic-11723","/galleries/style/impressionism/woman-at-her-toilette-aic-11723",{"_294":380,"_296":381},{"_227":551,"_125":552,"_288":553},{"_278":500,"_280":549,"_282":483,"_284":550},74.89486453699959,59.8948645369996,{"_290":227,"_123":554,"_154":555,"_140":97},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/berthe-morisot","More by Berthe Morisot","https://img.ochreeditions.com/a/23/480.jpg","https://img.ochreeditions.com/a/23/960.jpg","https://img.ochreeditions.com/a/23/1920.jpg","Rendered with feathery brushstrokes in shades of lavender, pink, blue, white, and gray, this Impressionist painting captures a subject often explored by male artists of the day but seldom broached by the period's few women artists. Morisot presents a decidely female perspective, intimate yet not eroticized.",{"_317":573,"_319":574},{"_317":571,"_319":572},{"_317":569,"_319":570},{"_317":567,"_319":568},{"_317":565,"_319":566},"#816c51",0.0911,"#4f4b3b",0.1019,"#746f67",0.179,"#b2aba3",0.2897,"#918e8a",0.3383,"Berthe Morisot","berthe-morisot","French, 1841–1895",1895,"Bourges","Morisot studied with Corot and was a founding member of the Impressionist group, exhibiting in seven of its eight exhibitions.","two-young-girls-at-the-piano-met-459112","Two Young Girls at the Piano",{"_42":404,"_224":405,"_331":406,"_333":334,"_335":407,"_337":408,"_339":409,"_341":410,"_342":411,"_140":81},"1892","44 × 34 in. (111.8 × 86.4 cm) Framed: 57 3/8 × 47 in. (145.7 × 119.4 cm)",86.4,111.8,0.7815,[611,612,613,614,615],{"_223":385,"_224":386,"_42":387,"_310":388},"1975.1.201","Pierre-Auguste Renoir painted this in 1892, aged 51. It is now at The Met in New York.","Two girls lean together at an upright piano, one seated at the keyboard and the other standing at her side, their heads close in concentration over the music.","Two Young Girls at the Piano, by Pierre-Auguste Renoir, 1892",{"_298":608,"_300":609,"_302":610},"https://img.ochreeditions.com/m/1263.jpg?dl=1","/art/two-young-girls-at-the-piano-met-459112","/galleries/style/impressionism/two-young-girls-at-the-piano-met-459112",{"_294":380,"_296":381},{"_227":605,"_125":606,"_288":607},{"_278":602,"_280":603,"_282":604,"_284":587},102.37169999999999,126.8,87.37169999999999,{"_290":227,"_123":378,"_154":379,"_140":81},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1263/480.jpg","https://img.ochreeditions.com/a/1263/960.jpg","https://img.ochreeditions.com/a/1263/1920.jpg",{"_317":624,"_319":625},{"_317":622,"_319":623},{"_317":620,"_319":621},{"_317":618,"_319":619},{"_317":616,"_319":617},"#0e0c09",0.1038,"#948473",0.1894,"#515a50",0.2081,"#45382e",0.2144,"#785842",0.2843,"cliffs-at-pourville-nga-66425","Cliffs at Pourville",{"_42":472,"_224":473,"_331":474,"_333":334,"_335":475,"_337":476,"_339":-5,"_341":-5,"_342":477,"_140":85},"1882","overall: 60 × 100 cm (23 5/8 × 39 3/8 in.) framed: 78.58 × 118.27 × 6.99 cm (30 15/16 × 46 9/16 × 2 3/4 in.)",100,1.6766270978305362,[655,656,657,658,659],{"_223":453,"_224":454,"_42":455,"_310":456},"1985.64.27","Claude Monet painted this in 1882, aged 42. It is now at the National Gallery of Art in Washington, DC.","Two women in dusky pink and grey, one seated and one standing with a red veil lifted by the wind, look out from a green clifftop over a sea scattered with sailboats and a steamer. Monet spent much of 1882 at Pourville on the Normandy coast near Dieppe, painting the cliffs, beaches and changing sea.","From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape. Closest to us, the hills create a shallow V that spans the lower third of the composition, with the right-hand hill rising to more than halfway up the right edge. The hills are painted with dashes and long strokes mostly in seafoam, shamrock, and celery green, with some swipes of peach, goldenrod yellow, and royal blue. On the hill to our left, one woman sits and the other stands next to her. They wear hats, long-sleeved, fitted jackets, and long skirts in tones of dusky pink and dove gray. A touch of peach on the seated woman, to our left, gives the impression of a pale face. A red veil or scarf at the back of the other woman’s hat is lifted, as if in the wind. The water is painted with blended strokes of pale blue, light turquoise, smoky mauve pink, and touches of soft peach. The horizon comes two-thirds of the way up the composition, and the sky is painted with the same tones of blue, green, and peach to suggest a screen of clouds. Triangles and dashes of slate blue suggest about three dozen sailboats, rowboats, and one steamship in the rippling water. Squiggles of teal and sage green create reflections for some of the boats. The brushstrokes are visible throughout. In some areas, the paint is so thinly applied that the texture of the canvas shows through, especially in the sky. The artist signed the work in the lower left corner: “Claude Monet 82.”",{"_298":652,"_300":653,"_302":654},"https://img.ochreeditions.com/m/1613.jpg?dl=1","/art/cliffs-at-pourville-nga-66425","/galleries/style/impressionism/cliffs-at-pourville-nga-66425",{"_294":380,"_296":381},{"_227":649,"_125":650,"_288":651},{"_278":646,"_280":647,"_282":631,"_284":648},115,74.6435546875,59.6435546875,{"_290":227,"_123":448,"_154":449,"_140":85},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1613/480.jpg","https://img.ochreeditions.com/a/1613/960.jpg","https://img.ochreeditions.com/a/1613/1920.jpg",{"_317":668,"_319":669},{"_317":666,"_319":667},{"_317":664,"_319":665},{"_317":662,"_319":663},{"_317":660,"_319":661},"#3f6031",0.0621,"#808653",0.0831,"#607853",0.1558,"#97b09f",0.2508,"#b1bca5",0.4482,"the-beach-at-sainte-adresse-aic-14598","The Beach at Sainte-Adresse",{"_42":472,"_224":473,"_331":474,"_333":334,"_335":475,"_337":476,"_339":-5,"_341":-5,"_342":477,"_140":85},"1867","75.8 × 102.5 cm (29 13/16 × 40 5/16 in.); Framed: 104.1 × 130.2 × 11.4 cm (41 × 51 1/2 × 4 1/2 in.)",102,1.35291774546903,[700,701,702,703,704],{"_223":511,"_224":512,"_42":513,"_310":514},"1933.439","Claude Monet painted this in 1867, aged 27. It is now at the Art Institute of Chicago.",{"_118":699,"_305":510},"Painting of a beach on a cloudy day with several sailboats on the water, a few rowboats on the shore, and two groupings of people on the sand.",{"_298":696,"_300":697,"_302":698},"https://img.ochreeditions.com/m/35.jpg?dl=1","/art/the-beach-at-sainte-adresse-aic-14598","/galleries/style/impressionism/the-beach-at-sainte-adresse-aic-14598",{"_294":380,"_296":381},{"_227":693,"_125":694,"_288":695},{"_278":690,"_280":691,"_282":675,"_284":692},117,90.3926100397468,75.3926100397468,{"_290":227,"_123":448,"_154":449,"_140":85},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/35/480.jpg","https://img.ochreeditions.com/a/35/960.jpg","https://img.ochreeditions.com/a/35/1920.jpg","In 1867 Monet stayed with his aunt in Sainte-Adresse, a suburb of the port city of Le Havre in Normandy, where the artist grew up. Monet began the painting outdoors but likely revised it in his studio.",{"_317":713,"_319":714},{"_317":711,"_319":712},{"_317":709,"_319":710},{"_317":707,"_319":708},{"_317":705,"_319":706},"#2b466a",0.0116,"#77736a",0.0545,"#4f4c48",0.0711,"#aaaba8",0.3816,"#879194",0.4812,"yellow-dancers-in-the-wings-aic-18951","Yellow Dancers (In the Wings)",{"_42":329,"_224":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":340,"_342":343,"_140":75},"1874–76","73.5 × 59.5 cm (28 15/16 × 23 7/16 in.); Framed: 91.5 × 78.2 × 7 cm (36 × 30 3/4 × 2 3/4 in.)",59,73,0.8066455167807647,[746,747,748,749,750],{"_223":511,"_224":512,"_42":513,"_310":514},"1963.923","Edgar Degas painted this in 1874–76, aged about 40. It is now at the Art Institute of Chicago.",{"_118":745,"_305":510},"Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head. At left is a painted screen with four pairs of feet visible underneath.",{"_298":742,"_300":743,"_302":744},"https://img.ochreeditions.com/m/71.jpg?dl=1","/art/yellow-dancers-in-the-wings-aic-18951","/galleries/style/impressionism/yellow-dancers-in-the-wings-aic-18951",{"_294":380,"_296":381},{"_227":739,"_125":740,"_288":741},{"_278":736,"_280":737,"_282":738,"_284":721},73.88512272499582,88,58.885122724995824,{"_290":227,"_123":170,"_154":169,"_140":75},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/71/480.jpg","https://img.ochreeditions.com/a/71/960.jpg","https://img.ochreeditions.com/a/71/1920.jpg","Edgar Degas first painted dancers as an independent subject in 1871. He would go on to devote almost half his output as an artist to this subject, observing countless performances and rehearsals at the Paris Opéra.",{"_317":758,"_319":759},{"_317":756,"_319":757},{"_317":754,"_319":755},{"_317":753,"_319":397},{"_317":751,"_319":752},"#3a3d2c",0.1253,"#7f6a3b","#2e251f",0.1905,"#564633",0.2425,"#635939",0.2812,"romaine-lacaux-cma-121188","Romaine Lacaux",{"_42":404,"_224":405,"_331":406,"_333":334,"_335":407,"_337":408,"_339":409,"_341":410,"_342":411,"_140":81},"1864","oil on fabric","Framed: 106.7 x 89.2 x 8.9 cm (42 x 35 1/8 x 3 1/2 in.); Unframed: 81.3 x 65 cm (32 x 25 9/16 in.)",65,0.7958823529411765,[791,792,793,794,795],{"_223":307,"_224":308,"_42":309,"_310":311},"1942.1065","Pierre-Auguste Renoir painted this in 1864, aged 23. It is now at the Cleveland Museum of Art.",{"_118":790,"_305":306},"Romaine Lacaux, by Pierre-Auguste Renoir, 1864",{"_298":787,"_300":788,"_302":789},"https://img.ochreeditions.com/m/549.jpg?dl=1","/art/romaine-lacaux-cma-121188","/galleries/style/impressionism/romaine-lacaux-cma-121188",{"_294":380,"_296":381},{"_227":784,"_125":785,"_288":786},{"_278":781,"_280":782,"_282":783,"_284":421},79.70523529411764,96.3,64.70523529411764,{"_290":227,"_123":378,"_154":379,"_140":81},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/549/480.jpg","https://img.ochreeditions.com/a/549/960.jpg","https://img.ochreeditions.com/a/549/1920.jpg","This painting may be Renoir's earliest signed canvas. Its sensitive display of color and light communicates an ideal of delicate, youthful beauty.",{"_317":804,"_319":805},{"_317":802,"_319":803},{"_317":800,"_319":801},{"_317":798,"_319":799},{"_317":796,"_319":797},"#5f3a29",0.0478,"#2e2720",0.1308,"#bbbbb6",0.1388,"#5d5a51",0.2907,"#878682",0.3919,"water-lilies-aic-16568","Water Lilies",{"_42":472,"_224":473,"_331":474,"_333":334,"_335":475,"_337":476,"_339":-5,"_341":-5,"_342":477,"_140":85},"1906","89.9 × 94.1 cm (35 3/8 × 37 1/16 in.); Framed: 103.2 × 107 × 5.8 cm (40 5/8 × 42 1/8 × 2 1/4 in.)",94,89,1.0411347517730496,[836,837,838,839,840],{"_223":511,"_224":512,"_42":513,"_310":514},"1933.1157","Claude Monet painted this in 1906, aged 66. It is now at the Art Institute of Chicago.","There is no shoreline and no sky here, only the surface of Monet’s lily pond at Giverny seen up close, with thickly painted pink and white blossoms floating on water that holds reflections of the light above, while a band of shadow falls across the top.","Painting of a pond seen up close spotted with thickly painted pink and white water lilies and a shadow across the top third of the picture.",{"_298":833,"_300":834,"_302":835},"https://img.ochreeditions.com/m/61.jpg?dl=1","/art/water-lilies-aic-16568","/galleries/style/impressionism/water-lilies-aic-16568",{"_294":380,"_296":381},{"_227":830,"_125":831,"_288":832},{"_278":827,"_280":828,"_282":811,"_284":829},109,105.28610354223434,90.28610354223434,{"_290":227,"_123":448,"_154":449,"_140":85},{"_290":125,"_123":445,"_154":446,"_140":447},{"_290":288,"_123":443,"_154":444,"_140":81},"https://img.ochreeditions.com/a/61/480.jpg","https://img.ochreeditions.com/a/61/960.jpg","https://img.ochreeditions.com/a/61/1920.jpg",{"_317":849,"_319":850},{"_317":847,"_319":848},{"_317":845,"_319":846},{"_317":843,"_319":844},{"_317":841,"_319":842},"#5f816d",0.1089,"#687d84",0.1834,"#547d9a",0.228,"#426567",0.2346,"#47627c",0.2451,"paris-street-rainy-day-aic-20684","Paris Street; Rainy Day",{"_42":899,"_224":900,"_331":901,"_333":334,"_335":902,"_337":903,"_339":-5,"_341":-5,"_342":-5,"_140":103},"212.2 × 276.2 cm (83 1/2 × 108 3/4 in.); Framed: 241.3 × 306.1 × 10.2 cm (95 × 120 1/2 × 4 in.)",276,212,1.2878143133462283,[884,885,886,887,888],{"_223":511,"_224":512,"_42":513,"_310":514},"1964.336","Gustave Caillebotte painted this in 1877, aged 29. It is now at the Art Institute of Chicago.",{"_118":883,"_305":510},"Life-size painting of an urban scene in Paris. A man in a top hat holding an umbrella and a woman in a long fashionable dark dress walk arm in arm toward the viewer as other city dwellers with umbrellas walk in various directions across cobblestone roads and sidewalks.",{"_298":880,"_300":881,"_302":882},"https://img.ochreeditions.com/m/77.jpg?dl=1","/art/paris-street-rainy-day-aic-20684","/galleries/style/impressionism/paris-street-rainy-day-aic-20684",{"_294":380,"_296":381},{"_227":875,"_125":876,"_288":877},{"_278":871,"_280":872,"_282":873,"_284":874},255,201.3622709522379,240,186.3622709522379,{"_290":227,"_123":878,"_154":879,"_140":89},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-gustave-caillebotte","Gustave Caillebotte's contemporaries","https://img.ochreeditions.com/a/77/480.jpg","https://img.ochreeditions.com/a/77/960.jpg","https://img.ochreeditions.com/a/77/1920.jpg","Considered Caillebotte’s masterpiece, this view of a busy intersection captures both an everyday moment and all that was new in a rapidly changing Paris. The clothes are the latest fashion. The retractable umbrella was just invented.",{"_317":897,"_319":898},{"_317":895,"_319":896},{"_317":893,"_319":894},{"_317":891,"_319":892},{"_317":889,"_319":890},"#816460",0.0593,"#545c62",0.1859,"#232930",0.1996,"#c2bdb3",0.2382,"#90928f",0.317,"Gustave Caillebotte","gustave-caillebotte","French, 1848–1894",1848,1894,"edouard-manet-seated-holding-his-hat-met-333813","Édouard Manet, Seated, Holding His Hat",{"_42":329,"_224":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":340,"_342":343,"_140":75},"ca. 1868","drawing","Drawings","Graphite and black chalk","Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm)",33.1,0.6935817805383023,[939,940,941,942,943],{"_223":385,"_224":386,"_42":387,"_310":388},"19.51.7","Edgar Degas drew this in about 1868, aged about 29. It is now at The Met in New York.","Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade.","Édouard Manet, Seated, Holding His Hat, by Edgar Degas, ca. 1868",{"_298":936,"_300":937,"_302":938},"https://img.ochreeditions.com/m/988.jpg?dl=1","/art/edouard-manet-seated-holding-his-hat-met-333813","/galleries/style/impressionism/edouard-manet-seated-holding-his-hat-met-333813",{"_294":295,"_296":297},{"_227":930,"_125":931,"_288":932},{"_278":927,"_280":928,"_282":929,"_284":912},46.957556935817806,57.1,22.95755693581781,{"_290":227,"_123":170,"_154":169,"_140":75},{"_290":125,"_123":933,"_154":934,"_140":935},{"_290":288,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"https://img.ochreeditions.com/a/988/480.jpg","https://img.ochreeditions.com/a/988/960.jpg","https://img.ochreeditions.com/a/988/1920.jpg",{"_317":952,"_319":953},{"_317":950,"_319":951},{"_317":948,"_319":949},{"_317":946,"_319":947},{"_317":944,"_319":945},"#a0978b",0.0334,"#b8ae9f",0.0763,"#cabeae",0.1261,"#d8ccbc",0.3168,"#e2d5c5",0.4474,"the-dance-class-met-438817","The Dance Class",{"_42":329,"_224":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":340,"_342":343,"_140":75},"1874","32 7/8 x 30 3/8 in. (83.5 x 77.2 cm)",77.2,83.5,0.9275,[984,985,986,987,988],{"_223":385,"_224":386,"_42":387,"_310":388},"1987.47.1","Edgar Degas painted this in 1874, aged 40. It is now at The Met in New York.","Dancers stretch, wait and fidget while the veteran ballet master Jules Perrot, leaning on a tall staff, takes a class in a rehearsal room of the Paris Opéra. Degas pushes him off-centre and lets the eye drift through the room instead, to dancers stretching, resting or simply waiting their turn.","The Dance Class, by Edgar Degas, 1874",{"_298":981,"_300":982,"_302":983},"https://img.ochreeditions.com/m/1193.jpg?dl=1","/art/the-dance-class-met-438817","/galleries/style/impressionism/the-dance-class-met-438817",{"_294":380,"_296":381},{"_227":978,"_125":979,"_288":980},{"_278":975,"_280":976,"_282":977,"_284":960},92.44625,98.5,77.44625,{"_290":227,"_123":170,"_154":169,"_140":75},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1193/480.jpg","https://img.ochreeditions.com/a/1193/960.jpg","https://img.ochreeditions.com/a/1193/1920.jpg",{"_317":996,"_319":997},{"_317":994,"_319":995},{"_317":992,"_319":993},{"_317":991,"_319":752},{"_317":989,"_319":990},"#1c150f",0.1165,"#88826b","#43392a",0.1626,"#5b654e",0.2595,"#64573f",0.3361,"the-place-du-havre-paris-aic-81551","The Place du Havre, Paris",{"_42":1042,"_224":1043,"_331":1044,"_333":334,"_335":1045,"_337":1046,"_339":1047,"_341":340,"_342":1048,"_140":95},"1893","60.1 × 73.5 cm (23 5/8 × 28 13/16 in.); Framed: 83.2 × 97.8 × 12.1 cm (32 3/4 × 38 1/2 × 4 3/4 in.)",1.2263553899163209,[1027,1028,1029,1030,1031],{"_223":511,"_224":512,"_42":513,"_310":514},"1922.434","Camille Pissarro painted this in 1893, aged 63. It is now at the Art Institute of Chicago.","Pissarro looks down from an upper window onto the Place du Havre beside the Gare Saint-Lazare in Paris, where pedestrians and carriages cross in every direction.","A work made of oil on canvas.",{"_298":1024,"_300":1025,"_302":1026},"https://img.ochreeditions.com/m/220.jpg?dl=1","/art/the-place-du-havre-paris-aic-81551","/galleries/style/impressionism/the-place-du-havre-paris-aic-81551",{"_294":380,"_296":381},{"_227":1019,"_125":1020,"_288":1021},{"_278":737,"_280":1017,"_282":721,"_284":1018},74.52597477064221,59.52597477064221,{"_290":227,"_123":1022,"_154":1023,"_140":95},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/camille-pissarro","More by Camille Pissarro","https://img.ochreeditions.com/a/220/480.jpg","https://img.ochreeditions.com/a/220/960.jpg","https://img.ochreeditions.com/a/220/1920.jpg",{"_317":1040,"_319":1041},{"_317":1038,"_319":1039},{"_317":1036,"_319":1037},{"_317":1034,"_319":1035},{"_317":1032,"_319":1033},"#5c6068",0.1442,"#8c8076",0.1514,"#b4a692",0.1881,"#aaadaa",0.2404,"#848a90",0.2759,"Camille Pissarro","camille-pissarro","French, 1830–1903",1830,1903,"Charlotte Amalie, Saint Thomas","Pissarro was born on the Caribbean island of Saint Thomas and moved to France in 1855. Encouraged by Corot, he became the elder statesman of Impressionism, the only painter to show at all eight of the group’s exhibitions, and a generous mentor to Cézanne and Gauguin.","madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895)",{"_42":404,"_224":405,"_331":406,"_333":334,"_335":407,"_337":408,"_339":409,"_341":410,"_342":411,"_140":81},"1878","60 1/2 x 74 7/8 in. (153.7 x 190.2 cm)",190.2,153.7,1.2292562999385372,[1079,1080,1081,1082,1083],{"_223":385,"_224":386,"_42":387,"_310":388},"07.122","Pierre-Auguste Renoir painted this in 1878, aged 37. It is now at The Met in New York.","Marguerite Charpentier, wife of the publisher Georges Charpentier, sits in black silk in her fashionable Japanese-style salon, while her children, Georgette and Paul, dressed alike in blue and white, play beside her; Georgette perches on the family’s large Newfoundland dog.","Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), by Pierre-Auguste Renoir, 1878",{"_298":1076,"_300":1077,"_302":1078},"https://img.ochreeditions.com/m/1191.jpg?dl=1","/art/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815","/galleries/style/impressionism/madame-georges-charpentier-marguerite-louise-lemonnier-1848-met-438815",{"_294":380,"_296":381},{"_227":1073,"_125":1074,"_288":1075},{"_278":1070,"_280":1071,"_282":1054,"_284":1072},205.2,169.72769999999997,154.72769999999997,{"_290":227,"_123":378,"_154":379,"_140":81},{"_290":125,"_123":375,"_154":376,"_140":377},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1191/480.jpg","https://img.ochreeditions.com/a/1191/960.jpg","https://img.ochreeditions.com/a/1191/1920.jpg",{"_317":1090,"_319":1091},{"_317":1088,"_319":1089},{"_317":1086,"_319":1087},{"_317":1085,"_319":523},{"_317":1084,"_319":801},"#020201","#979681","#282827",0.2004,"#4f4942",0.2046,"#6f614a",0.2729,{"_1093":-5,"_1094":1095,"_1096":1097,"_1098":8,"_1099":1100,"_1101":8},"user","csrf","7a7562a2995333da067789a00d365a6872ce63ad","cartCount",0,"dropLive","legal",[1102,1103,1104,1105,1106,1107,1108,1109,1110,1111,1112,1113],"uploadsEnabled",{"_224":1136,"_20":1137},{"_224":1134,"_20":1135},{"_224":1132,"_20":1133},{"_224":1130,"_20":1131},{"_224":1128,"_20":1129},{"_224":1126,"_20":1127},{"_224":1124,"_20":1125},{"_224":1122,"_20":1123},{"_224":1120,"_20":1121},{"_224":1118,"_20":1119},{"_224":1116,"_20":1117},{"_224":1114,"_20":1115},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]