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(27 x 20.6 cm)","width_cm",20.6,"height_cm",27,"aspect",0.758357462490129,"palette",[305,306,307,308,309],"museum",{"_221":300,"_222":301,"_42":302,"_303":304},"credit","Courtesy of The Metropolitan Museum of Art","accession","14.40.645","licence","CC0","story","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this in about 1470, aged about 35. 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(92.7 cm); recto, painted surface, diameter 24 5/8 in. (62.5 cm); verso, painted surface, diameter 29 5/8 in. (75.2 cm)",92.7,1.0215619247962135,[367,368,369,370,371],{"_221":300,"_222":301,"_42":302,"_303":304},"1995.7","Giovanni di ser Giovanni Guidi (called Scheggia) painted this in about 1449, aged about 38. It is now at The Met in New York.","The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, by Giovanni di ser Giovanni Guidi (called Scheggia), ca. 1449",{"_294":364,"_296":365,"_298":366},"https://img.ochreeditions.com/m/1092.jpg?dl=1","/art/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516","/galleries/style/italian-renaissance/the-triumph-of-fame-reverse-impresa-of-the-medici-family-and-met-436516",{"_290":291,"_292":293},{"_225":359,"_125":360,"_284":361},{"_275":356,"_277":357,"_279":342,"_281":358},107.7,105.74339768339769,90.74339768339769,{"_286":225,"_123":362,"_154":363,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-giovanni-di-ser-giovanni-guidi-called-scheggia","Giovanni di ser Giovanni Guidi (called Scheggia)'s contemporaries","https://img.ochreeditions.com/a/1092/480.jpg","https://img.ochreeditions.com/a/1092/960.jpg","https://img.ochreeditions.com/a/1092/1920.jpg",{"_310":380,"_312":381},{"_310":378,"_312":379},{"_310":376,"_312":377},{"_310":374,"_312":375},{"_310":372,"_312":373},"#a69f8f",0.0741,"#503e2f",0.1724,"#080605",0.2205,"#7a5736",0.2664,"#9d7d53",0.2666,"Giovanni di ser Giovanni Guidi (called Scheggia)","giovanni-di-ser-giovanni-guidi-called-scheggia","Italian, 1406–1486",1406,1486,"San Giovanni Valdarno","Florence","the-wife-of-hasdrubal-and-her-children-nga-50292","The Wife of Hasdrubal and Her Children",{"_42":442,"_222":443,"_324":444,"_326":327,"_328":445,"_330":446,"_332":-5,"_334":-5,"_335":-5,"_140":103},"c. 1490/1493","Painting","tempera on poplar panel","overall: 47.3 x 30.6 cm (18 5/8 x 12 1/16 in.) framed: 67 x 50.2 x 4.4 cm (26 3/8 x 19 3/4 x 1 3/4 in.)",30.6,47.3,0.6376953125,[427,428,429,430,431],{"_221":423,"_222":424,"_42":425,"_303":426},"Courtesy National Gallery of Art, Washington","1965.7.1","Ercole de' Roberti painted this in about 1490/1493, aged about 35. It is now at the National Gallery of Art in Washington, DC.","A woman holds the hands of two nude children in front of a crimson-red cloth in this vertical painting. All three have pale skin and brown hair. The woman wears a forest-green dress with voluminous sleeves and a gauzy white headdress that wraps around her hair and is fastened with a band across her forehead. She stands crouching with one foot extended slightly forward in a sandal, surrounded by broken chunks of masonry and bits of burning logs. Her body faces us but she turns her head to the right. Her mouth is wide open, and her eyes cut back to our left. The woman clutches the children’s hands in both of her own. The child to our left turns away from us and reaches one hand up to touch the back of the woman’s hand. The child on the right twists away from the woman, eyes squinted up and to the right and mouth open. Behind them, fold lines create a grid across the red cloth. Slivers of grass and blue sky line each side of the composition.",{"_294":420,"_296":421,"_298":422},"https://img.ochreeditions.com/m/1533.jpg?dl=1","/art/the-wife-of-hasdrubal-and-her-children-nga-50292","/galleries/style/italian-renaissance/the-wife-of-hasdrubal-and-her-children-nga-50292",{"_290":291,"_292":293},{"_225":415,"_125":416,"_284":417},{"_275":412,"_277":413,"_279":414,"_281":397},45.162988281249994,62.3,30.162988281249998,{"_286":225,"_123":418,"_154":419,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-ercole-de-roberti","Ercole de' Roberti's contemporaries","https://img.ochreeditions.com/a/1533/480.jpg","https://img.ochreeditions.com/a/1533/960.jpg","https://img.ochreeditions.com/a/1533/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":440,"_312":441},{"_310":438,"_312":439},{"_310":436,"_312":437},{"_310":434,"_312":435},{"_310":432,"_312":433},"#615326",0.118,"#c39b78",0.1379,"#8a694c",0.1633,"#483c27",0.2594,"#9d322d",0.3214,"Ercole de' Roberti","ercole-de-roberti","Ferrarese, c. 1455/1456–1496",1455,1496,"david-with-the-head-of-goliath-nga-1145","David with the Head of Goliath",{"_42":494,"_222":495,"_324":496,"_326":327,"_328":497,"_330":498,"_332":-5,"_334":-5,"_335":-5,"_140":103},"c. 1450/1455","tempera on leather on wood","overall (width at top): 115.5 x 76.5 cm (45 1/2 x 30 1/8 in.) overall (width at bottom): 115.5 x 40.6 cm (45 1/2 x 16 in.)",76.5,115.5,0.706787109375,[479,480,481,482,483],{"_221":423,"_222":424,"_42":425,"_303":426},"1942.9.8","Andrea del Castagno painted this in about 1450/1455, aged about 31. It is now at the National Gallery of Art in Washington, DC.","This shield-shaped painting shows a young man with pale, peachy skin and curling brown hair standing astride the severed head of a man with dark hair and tanned skin. The painting is wider at the top and tapers like a pint glass to a narrower base. The young man, David, holds the end of long red slingshot with his right hand. The slingshot is weighted by a rock and swings behind his body. His sleeveless rust-red garment is cinched at his waist over a long white shirt. Both garments skim David’s thighs and his legs and feet are bare. Long, curling brown hair frames the ashen and bloodied upturned face of the head at David’s feet. A palm-sized stone is embedded in that forehead. The landscape background is made up of gray boulders, a meandering river, and low palm-like trees. Frothy white clouds sweep across an azure-blue sky.",{"_294":476,"_296":477,"_298":478},"https://img.ochreeditions.com/m/1325.jpg?dl=1","/art/david-with-the-head-of-goliath-nga-1145","/galleries/style/italian-renaissance/david-with-the-head-of-goliath-nga-1145",{"_290":291,"_292":293},{"_225":471,"_125":472,"_284":473},{"_275":468,"_277":469,"_279":470,"_281":454},96.6339111328125,130.5,81.6339111328125,{"_286":225,"_123":474,"_154":475,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-andrea-del-castagno","Andrea del Castagno's contemporaries","https://img.ochreeditions.com/a/1325/480.jpg","https://img.ochreeditions.com/a/1325/960.jpg","https://img.ochreeditions.com/a/1325/1920.jpg",{"_310":492,"_312":493},{"_310":490,"_312":491},{"_310":488,"_312":489},{"_310":486,"_312":487},{"_310":484,"_312":485},"#a07d5a",0.1,"#6b4531",0.1323,"#36291e",0.1458,"#3e4f47",0.2122,"#f6f6f4",0.4097,"Andrea del Castagno","andrea-del-castagno","Florentine, before 1419–1457",1419,1457,"hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","Hercules chasing Avarice from the Temple of the Muses",{"_42":556,"_222":557,"_324":558,"_326":327,"_328":559,"_330":560,"_332":561,"_334":562,"_335":-5,"_140":103},"ca. 1520–27","print","Prints","Chiaroscuro woodcut from two blocks in green","11 15/16 × 9 1/4 in. (30.3 × 23.5 cm)",23.5,30.3,0.7796043466146559,[541,542,543,544,545],{"_221":300,"_222":301,"_42":302,"_303":304},"20.24.76","Ugo da Carpi made this in about 1520–27, aged about 35. It is now at The Met in New York.","Hercules chasing Avarice from the Temple of the Muses, by Ugo da Carpi, ca. 1520–27",{"_294":538,"_296":539,"_298":540},"https://img.ochreeditions.com/m/1028.jpg?dl=1","/art/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700","/galleries/style/italian-renaissance/hercules-chasing-avarice-from-the-temple-of-the-muses-met-337700",{"_290":536,"_292":537},{"_225":525,"_125":526,"_284":527},{"_275":522,"_277":523,"_279":524,"_281":508},47.622011702424075,54.3,23.622011702424075,{"_286":225,"_123":534,"_154":535,"_140":89},{"_286":125,"_123":531,"_154":532,"_140":533},{"_286":284,"_123":528,"_154":529,"_140":530},"era/16-italy","16th-century Italy",66,"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-ugo-da-carpi","Ugo da Carpi's contemporaries","black","snow","https://img.ochreeditions.com/a/1028/480.jpg","https://img.ochreeditions.com/a/1028/960.jpg","https://img.ochreeditions.com/a/1028/1920.jpg",{"_310":554,"_312":555},{"_310":552,"_312":553},{"_310":550,"_312":551},{"_310":548,"_312":549},{"_310":546,"_312":547},"#e3d7cc",0.0635,"#b8a798",0.1438,"#988a7c",0.2191,"#686059",0.2264,"#7f736a",0.3472,"Ugo da Carpi","ugo-da-carpi","Italian, 1480–1532",1480,1532,"Carpi","Bologna","portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":610,"_222":611,"_324":612,"_326":327,"_328":385,"_330":613,"_332":388,"_334":614,"_335":-5,"_140":103},"ca. 1440","Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[595,596,597,598,599],{"_221":300,"_222":301,"_42":302,"_303":304},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_294":592,"_296":593,"_298":594},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_290":291,"_292":293},{"_225":587,"_125":588,"_284":589},{"_275":584,"_277":585,"_279":586,"_281":570},57.47969032258064,79.1,42.47969032258064,{"_286":225,"_123":590,"_154":591,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_310":608,"_312":609},{"_310":606,"_312":607},{"_310":604,"_312":605},{"_310":602,"_312":603},{"_310":600,"_312":601},"#a8835c",0.0778,"#694d2e",0.1868,"#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1469,"Spoleto","portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","Portrait of a Young Woman as a Wise Virgin",{"_42":665,"_222":666,"_324":667,"_326":327,"_328":668,"_330":669,"_332":-5,"_334":-5,"_335":-5,"_140":101},"c. 1510","oil on hardboard transferred from panel","overall: 54.7 x 47.5 cm (21 9/16 x 18 11/16 in.) framed: 77.5 x 69.4 x 7.3 cm (30 1/2 x 27 5/16 x 2 7/8 in.)",47.5,54.7,0.86474609375,[650,651,652,653,654],{"_221":423,"_222":424,"_42":425,"_303":426},"1952.2.9","Sebastiano del Piombo painted this in about 1510, aged 25. It is now at the National Gallery of Art in Washington, DC.","A young woman with a pale, peachy skin is shown from waist up, wearing a shimmering, royal-blue dress in this vertical painting. Her body is angled to our right as she holds a metal object, perhaps a vessel or incense burner, in her hands by her chest. She turns and tilts her head to our left, but then looks back across her body, off to our right with flint-gray eyes. She has a full, oval-shaped face with a straight nose, smooth cheeks, and her pale pink lips are closed. A gray pearl earring hangs from the ear we can see. Her auburn-brown hair is parted down the middle, and loosely pulled back into a braid that brushes her left shoulder, to our right. The blue dress has a square neckline and a fitted bodice. Light glints off the fabric, shading it from royal to sapphire blue. A voluminous white sleeve is rolled back to her right elbow, to our left. That arm and hand nearly span the width of the painting as she holds the vessel, which has a conical top, near the lower right corner of the composition. The background is solid black.",{"_294":647,"_296":648,"_298":649},"https://img.ochreeditions.com/m/1499.jpg?dl=1","/art/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591","/galleries/style/italian-renaissance/portrait-of-a-young-woman-as-a-wise-virgin-nga-41591",{"_290":291,"_292":293},{"_225":639,"_125":640,"_284":641},{"_275":636,"_277":637,"_279":638,"_281":622},62.301611328125006,69.7,47.301611328125006,{"_286":225,"_123":645,"_154":646,"_140":89},{"_286":125,"_123":642,"_154":643,"_140":644},{"_286":284,"_123":528,"_154":529,"_140":530},"style/painting-16","More paintings of the 16th century",95,"artist/contemporaries-of-sebastiano-del-piombo","Sebastiano del Piombo's contemporaries","https://img.ochreeditions.com/a/1499/480.jpg","https://img.ochreeditions.com/a/1499/960.jpg","https://img.ochreeditions.com/a/1499/1920.jpg",{"_310":663,"_312":664},{"_310":661,"_312":662},{"_310":659,"_312":660},{"_310":657,"_312":658},{"_310":655,"_312":656},"#618aaa",0.067,"#1a466f",0.0889,"#7b5c41",0.0949,"#cdb49a",0.1619,"#161512",0.5873,"Sebastiano del Piombo","sebastiano-del-piombo","Italian, c. 1485–1547",1485,1547,"madonna-and-child-enthroned-with-saints-met-437372","Madonna and Child Enthroned with Saints",{"_42":718,"_222":719,"_324":720,"_326":327,"_328":721,"_330":722,"_332":723,"_334":724,"_335":725,"_140":99},"ca. 1504","Oil and gold on wood","Main panel, overall 67 7/8 x 67 7/8 in. (172.4 x 172.4 cm), painted surface 66 3/4 x 66 1/2 in. (169.5 x 168.9 cm) Lunette, overall 29 1/2 x 70 7/8 in. (74.9 x 180 cm), painted surface 25 1/2 x 67 1/2 in. (64.8 x 171.5 cm)",172.4,0.76675,[703,704,705,706,707],{"_221":300,"_222":301,"_42":302,"_303":304},"16.30ab","Raphael painted this in about 1504, aged about 16. It is now at The Met in New York.","The Virgin sits enthroned with the Christ Child and the infant John the Baptist, flanked by Saints Peter and Paul and two female saints, among them Catherine of Alexandria, while God the Father blesses from the lunette above, surrounded by angels.","Madonna and Child Enthroned with Saints, by Raphael, ca. 1504",{"_294":700,"_296":701,"_298":702},"https://img.ochreeditions.com/m/1140.jpg?dl=1","/art/madonna-and-child-enthroned-with-saints-met-437372","/galleries/style/italian-renaissance/madonna-and-child-enthroned-with-saints-met-437372",{"_290":291,"_292":293},{"_225":695,"_125":696,"_284":697},{"_275":691,"_277":692,"_279":693,"_281":694},165.96078788877597,211.8839750750257,150.96078788877597,196.8839750750257,{"_286":225,"_123":698,"_154":699,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/raphael","More by Raphael","https://img.ochreeditions.com/a/1140/480.jpg","https://img.ochreeditions.com/a/1140/960.jpg","https://img.ochreeditions.com/a/1140/1920.jpg",{"_310":716,"_312":717},{"_310":714,"_312":715},{"_310":712,"_312":713},{"_310":710,"_312":711},{"_310":708,"_312":709},"#97a69a",0.0306,"#922116",0.0368,"#3f3225",0.2441,"#82633a",0.332,"#5a5b59",0.3565,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Rome","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","a-hunting-scene-met-437283","A Hunting Scene",{"_42":773,"_222":774,"_324":775,"_326":327,"_328":776,"_330":777,"_332":388,"_334":388,"_335":-5,"_140":103},"ca. 1494–1500","Tempera and oil transferred to Masonite","27 3/4 x 66 3/4 in. (70.5 x 169.5 cm)",169.5,70.5,2.2246941045606228,[758,759,760,761,762],{"_221":300,"_222":301,"_42":302,"_303":304},"75.7.2","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio) painted this in about 1494–1500, aged about 32. It is now at The Met in New York.","A Hunting Scene, by Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio), ca. 1494–1500",{"_294":755,"_296":756,"_298":757},"https://img.ochreeditions.com/m/1135.jpg?dl=1","/art/a-hunting-scene-met-437283","/galleries/style/italian-renaissance/a-hunting-scene-met-437283",{"_290":291,"_292":293},{"_225":750,"_125":751,"_284":752},{"_275":747,"_277":748,"_279":732,"_281":749},184.5,91.19025,76.19025,{"_286":225,"_123":753,"_154":754,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1135/480.jpg","https://img.ochreeditions.com/a/1135/960.jpg","https://img.ochreeditions.com/a/1135/1920.jpg",{"_310":771,"_312":772},{"_310":769,"_312":770},{"_310":767,"_312":768},{"_310":765,"_312":766},{"_310":763,"_312":764},"#727a63",0.0302,"#583d17",0.0932,"#37260d",0.229,"#100b03",0.2861,"#251b0c",0.3615,"Piero di Cosimo (Piero di Lorenzo di Piero d'Antonio)","piero-di-cosimo-piero-di-lorenzo-di-piero-d-antonio","Italian, 1462–1522",1462,1522,"saint-anthony-the-abbot-in-the-wilderness-met-458967","Saint Anthony the Abbot in the Wilderness",{"_42":823,"_222":824,"_324":825,"_326":327,"_328":826,"_330":827,"_332":828,"_334":828,"_335":-5,"_140":103},"Tempera and gold on wood","Overall: 18 3/4 × 13 5/8 in. (47.6 × 34.6 cm)",34.6,47.6,0.730252968508002,[809,810,811,812,813],{"_221":300,"_222":301,"_42":302,"_303":304},"1975.1.27","Sano di Pietro (Ansano di Pietro di Mencio) painted this in about 1440, aged about 30. It is now at The Met in New York.","Saint Anthony the Abbot in the Wilderness, by Sano di Pietro (Ansano di Pietro di Mencio), ca. 1440",{"_294":806,"_296":807,"_298":808},"https://img.ochreeditions.com/m/1244.jpg?dl=1","/art/saint-anthony-the-abbot-in-the-wilderness-met-458967","/galleries/style/italian-renaissance/saint-anthony-the-abbot-in-the-wilderness-met-458967",{"_290":291,"_292":293},{"_225":801,"_125":802,"_284":803},{"_275":798,"_277":799,"_279":800,"_281":784},49.760041300980895,62.6,34.760041300980895,{"_286":225,"_123":804,"_154":805,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sano-di-pietro-ansano-di-pietro-di-mencio","Sano di Pietro (Ansano di Pietro di Mencio)'s contemporaries","https://img.ochreeditions.com/a/1244/480.jpg","https://img.ochreeditions.com/a/1244/960.jpg","https://img.ochreeditions.com/a/1244/1920.jpg",{"_310":821,"_312":822},{"_310":819,"_312":820},{"_310":818,"_312":487},{"_310":816,"_312":817},{"_310":814,"_312":815},"#ae7d5b",0.0695,"#867f77",0.0728,"#43382d","#7d6a51",0.3511,"#62503c",0.3743,"Sano di Pietro (Ansano di Pietro di Mencio)","sano-di-pietro-ansano-di-pietro-di-mencio","Italian, 1405–1481",1405,1481,"Siena","the-feast-of-the-gods-nga-1138","The Feast of the Gods",{"_42":877,"_222":878,"_324":879,"_326":327,"_328":880,"_330":881,"_332":882,"_334":882,"_335":883,"_140":101},"1514/1529","oil on canvas","overall: 170.2 x 188 cm (67 x 74 in.) framed: 203.8 x 218.4 x 7.6 cm (80 1/4 x 86 x 3 in.)",188,170.2,1.091684434968017,[862,863,864,865,866],{"_221":423,"_222":424,"_42":425,"_303":426},"1942.9.1","Giovanni Bellini painted this in 1514/1529, aged about 90. It is now at the National Gallery of Art in Washington, DC.","The gods picnic in a woodland clearing, served by satyrs and nymphs, with wine, fruit heaped in a blue and white porcelain bowl, and a general air of drowsy excess. The story comes from Ovid: at the right, Priapus reaches for the sleeping nymph Lotis, an advance about to be spoiled by the braying of Silenus’s donkey.","Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees. Most of the people face us, and the men, women, and child have pale skin. The two satyrs have men’s torsos and furry goat’s legs, and they have darker, olive complexions. Most of the men wear voluminous, knee-length togas wrapped in short robes in shades of white, topaz blue, grass green, coral orange, or rose pink. Most of the women wear long, dress-like garments in tones of shell pink, apricot orange, or lapis blue over white sleeves. For all but one woman, their garments have fallen off one shoulder to reveal a round, firm breast. Several objects are strewn on the rocky, dirt ground in front of the group, including a wide, wooden bucket with a piece of paper affixed to its front to our right, a glass goblet, a pitchfork, a large blue and white ceramic dish filled with grapes and small yellow fruits, and an overturned cup near the center. Cliff-like, craggy rocks rise steeply behind the group to our left, filling much of the sky opposite a tall grove of leafy, dark green trees to our right. A few puffy white clouds float across the vivid blue sky. The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p MDXIIII.”",{"_294":859,"_296":860,"_298":861},"https://img.ochreeditions.com/m/1318.jpg?dl=1","/art/the-feast-of-the-gods-nga-1138","/galleries/style/italian-renaissance/the-feast-of-the-gods-nga-1138",{"_290":291,"_292":293},{"_225":854,"_125":855,"_284":856},{"_275":851,"_277":852,"_279":835,"_281":853},203,187.2109375,172.2109375,{"_286":225,"_123":857,"_154":858,"_140":89},{"_286":125,"_123":642,"_154":643,"_140":644},{"_286":284,"_123":528,"_154":529,"_140":530},"artist/contemporaries-of-giovanni-bellini","Giovanni Bellini's contemporaries","https://img.ochreeditions.com/a/1318/480.jpg","https://img.ochreeditions.com/a/1318/960.jpg","https://img.ochreeditions.com/a/1318/1920.jpg",{"_310":875,"_312":876},{"_310":873,"_312":874},{"_310":871,"_312":872},{"_310":869,"_312":870},{"_310":867,"_312":868},"#3e5f7a",0.0711,"#92927e",0.1212,"#856c41",0.1509,"#624937",0.2217,"#372e27",0.4351,"Giovanni Bellini","giovanni-bellini","Italian, 1424–1516",1424,1516,"Venice","Giovanni Bellini, son of the painter Jacopo and brother-in-law of Andrea Mantegna, led Venetian painting for half a century.","jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries",{"_42":936,"_222":937,"_324":938,"_326":327,"_328":939,"_330":669,"_332":388,"_334":724,"_335":-5,"_140":103},"ca. 1532–35","drawing","Drawings","Pen and dark brown ink, brush and brown and gray wash, highlighted with white gouache","Sheet: 17 x 15 3/4 in. (43.2 x 40 cm)",40,43.2,0.8836846213895394,[921,922,923,924,925],{"_221":300,"_222":301,"_42":302,"_303":304},"2011.36","Perino del Vaga (Pietro Buonaccorsi) painted this in about 1532–35, aged about 25. It is now at The Met in New York.","Jupiter and Juno: Study for the \"Furti di Giove\" Tapestries, by Perino del Vaga (Pietro Buonaccorsi), ca. 1532–35",{"_294":918,"_296":919,"_298":920},"https://img.ochreeditions.com/m/1055.jpg?dl=1","/art/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485","/galleries/style/italian-renaissance/jupiter-and-juno-study-for-the-furti-di-giove-tapestries-met-395485",{"_290":536,"_292":537},{"_225":910,"_125":911,"_284":912},{"_275":907,"_277":908,"_279":909,"_281":893},62.1751756440281,67.2,38.1751756440281,{"_286":225,"_123":916,"_154":917,"_140":89},{"_286":125,"_123":913,"_154":914,"_140":915},{"_286":284,"_123":528,"_154":529,"_140":530},"style/drawing-16","More drawings of the 16th century",35,"artist/contemporaries-of-perino-del-vaga-pietro-buonaccorsi","Perino del Vaga (Pietro Buonaccorsi)'s contemporaries","https://img.ochreeditions.com/a/1055/480.jpg","https://img.ochreeditions.com/a/1055/960.jpg","https://img.ochreeditions.com/a/1055/1920.jpg",{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},{"_310":928,"_312":929},{"_310":926,"_312":927},"#cbb59c",0.0965,"#988167",0.1757,"#544a3e",0.2135,"#7d6b55",0.2421,"#685a49",0.2722,"Perino del Vaga (Pietro Buonaccorsi)","perino-del-vaga-pietro-buonaccorsi","Italian, 1501–1547",1501,"saint-margaret-nga-12102","Saint Margaret",{"_42":986,"_222":987,"_324":988,"_326":327,"_328":989,"_330":990,"_332":991,"_334":828,"_335":-5,"_140":99},"c. 1435","overall: 28.5 x 10.6 cm (11 1/4 x 4 3/16 in.) framed: 31.4 x 13.3 x 7.8 cm (12 3/8 x 5 1/4 x 3 1/16 in.)",10.6,28.5,0.4228515625,[971,972,973,974,975],{"_221":423,"_222":424,"_42":425,"_303":426},"1943.4.4","Sassetta painted this in about 1435, aged 45. It is now at the National Gallery of Art in Washington, DC.","This painting shows a person standing, their body turned to us, with their head looking downward to the left. The person has pale skin, round, rosy cheeks, and wavy yellow hair surrounded by a golden halo with intricate patterns. They are wearing a dark robe over a dark red dress or tunic and holding a long, thin red cross in one hand, while the other hand holds a closed red book. At their feet lies a black dog-like animal with wide yellow eyes. The scene is set against a golden textured background within a gilded border.",{"_294":968,"_296":969,"_298":970},"https://img.ochreeditions.com/m/1360.jpg?dl=1","/art/saint-margaret-nga-12102","/galleries/style/italian-renaissance/saint-margaret-nga-12102",{"_290":291,"_292":293},{"_225":963,"_125":964,"_284":965},{"_275":960,"_277":961,"_279":962,"_281":946},27.05126953125,43.5,12.05126953125,{"_286":225,"_123":966,"_154":967,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/sassetta","More by Sassetta","https://img.ochreeditions.com/a/1360/480.jpg","https://img.ochreeditions.com/a/1360/960.jpg","https://img.ochreeditions.com/a/1360/1920.jpg",{"_310":984,"_312":985},{"_310":982,"_312":983},{"_310":980,"_312":981},{"_310":978,"_312":979},{"_310":976,"_312":977},"#5e3e31",0.114,"#c7a16d",0.1331,"#362c27",0.2118,"#856447",0.2523,"#a5815a",0.2888,"Sassetta","sassetta","Sienese, probably 1392–1450",1390,1450,"Siena or Cortona","the-nativity-met-459007","The Nativity",{"_42":1038,"_222":1039,"_324":1040,"_326":327,"_328":1041,"_330":1042,"_332":-5,"_334":-5,"_335":1043,"_140":99},"ca. 1406–10","8 3/4 x 12 1/4 in. (22.2 x 31.1 cm)",31.1,22.2,1.4980345911949686,[1023,1024,1025,1026,1027],{"_221":300,"_222":301,"_42":302,"_303":304},"1975.1.66","Lorenzo Monaco painted this in about 1406–10, aged about 33. It is now at The Met in New York.","The Nativity, by Lorenzo Monaco, ca. 1406–10",{"_294":1020,"_296":1021,"_298":1022},"https://img.ochreeditions.com/m/1248.jpg?dl=1","/art/the-nativity-met-459007","/galleries/style/italian-renaissance/the-nativity-met-459007",{"_290":291,"_292":293},{"_225":1015,"_125":1016,"_284":1017},{"_275":1012,"_277":1013,"_279":997,"_281":1014},46.1,35.760535292574126,20.760535292574126,{"_286":225,"_123":1018,"_154":1019,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/lorenzo-monaco","More by Lorenzo Monaco","https://img.ochreeditions.com/a/1248/480.jpg","https://img.ochreeditions.com/a/1248/960.jpg","https://img.ochreeditions.com/a/1248/1920.jpg",{"_310":1036,"_312":1037},{"_310":1034,"_312":1035},{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},"#ac5239",0.0556,"#aa9069",0.1326,"#bf8c3d",0.1588,"#79562e",0.3092,"#483322",0.3438,"Lorenzo Monaco","lorenzo-monaco","Italian, Florence (?) ca. 1370–1425 Florence (?)",1370,1425,"Lorenzo Monaco, “Lorenzo the Monk”, took vows at the Camaldolese monastery of Santa Maria degli Angeli in Florence, a centre of manuscript illumination.","compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso)",{"_42":1094,"_222":1095,"_324":1096,"_326":327,"_328":1097,"_330":1098,"_332":1099,"_334":1100,"_335":1101,"_140":99},"1480–85","Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)","7 5/8 x 6 3/8 in. (19.3 x 16.2 cm)",16.2,19.3,0.8451536643026005,[1080,1081,1082,1083,1084],{"_221":300,"_222":301,"_42":302,"_303":304},"17.142.1","Leonardo da Vinci drew this in 1480–85, aged about 28. It is now at The Met in New York.","In quick silverpoint lines on pink prepared paper, Leonardo tries out several versions of the Virgin kneeling in adoration of the Christ Child, some with the infant John the Baptist and some without, reinforcing parts in pen and ink. On the same side of the sheet is a ruled diagram exploring perspective.","Compositional Sketches for the Virgin Adoring the Christ Child, with and without the Infant St. John the Baptist; Diagram of a Perspectival Projection (recto); Slight Doodles (verso), by Leonardo da Vinci, 1480–85",{"_294":1077,"_296":1078,"_298":1079},"https://img.ochreeditions.com/m/1021.jpg?dl=1","/art/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494","/galleries/style/italian-renaissance/compositional-sketches-for-the-virgin-adoring-the-christ-chi-met-337494",{"_290":536,"_292":537},{"_225":1070,"_125":1071,"_284":1072},{"_275":1066,"_277":1067,"_279":1068,"_281":1069},45.128841607565015,49,21.128841607565015,25,{"_286":225,"_123":1075,"_154":1076,"_140":99},{"_286":125,"_123":1073,"_154":1074,"_140":91},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-15","More drawings of the 15th century","artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1021/480.jpg","https://img.ochreeditions.com/a/1021/960.jpg","https://img.ochreeditions.com/a/1021/1920.jpg",{"_310":1092,"_312":1093},{"_310":1090,"_312":1091},{"_310":1088,"_312":1089},{"_310":1087,"_312":373},{"_310":1085,"_312":1086},"#958066",0.0535,"#f3e5cf","#b69c80",0.0992,"#ccb298",0.2005,"#d9c1ab",0.5727,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","a-flying-angel-nga-56625","A Flying Angel",{"_42":1148,"_222":1149,"_324":1150,"_326":327,"_328":1151,"_330":1152,"_332":-5,"_334":-5,"_335":-5,"_140":101},"1580/1590","Drawing","pen and brown ink, heightened with white, over black chalk on laid paper","overall (approximate): 27.4 x 17.4 cm (10 13/16 x 6 7/8 in.)",17.4,27.4,0.65966796875,[1135,1136,1137,1138,1139],{"_221":423,"_222":424,"_42":425,"_303":426},"1978.26.1","Jacopo Palma il Giovane drew this in 1580/1590, aged about 32. It is now at the National Gallery of Art in Washington, DC.","The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.",{"_294":1132,"_296":1133,"_298":1134},"https://img.ochreeditions.com/m/1587.jpg?dl=1","/art/a-flying-angel-nga-56625","/galleries/style/italian-renaissance/a-flying-angel-nga-56625",{"_290":536,"_292":537},{"_225":1127,"_125":1128,"_284":1129},{"_275":1124,"_277":1125,"_279":1126,"_281":1110},42.07490234375,51.4,18.07490234375,{"_286":225,"_123":1130,"_154":1131,"_140":89},{"_286":125,"_123":913,"_154":914,"_140":915},{"_286":284,"_123":528,"_154":529,"_140":530},"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","https://img.ochreeditions.com/a/1587/480.jpg","https://img.ochreeditions.com/a/1587/960.jpg","https://img.ochreeditions.com/a/1587/1920.jpg",{"_310":1146,"_312":1147},{"_310":1144,"_312":1145},{"_310":1143,"_312":437},{"_310":1142,"_312":313},{"_310":1140,"_312":1141},"#b89b76",0.0577,"#e4cdab","#caac85","#d3b895",0.2805,"#dac2a0",0.42,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","3e0b63d4ff13ed345b51ac9d9a6a41f2a6c60ea6","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_222":1197,"_20":1198},{"_222":1195,"_20":1196},{"_222":1193,"_20":1194},{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]