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It is now at The Met in New York.","The Adoration of the Shepherds, by Andrea Mantegna, shortly after 1450",{"_293":424,"_295":425,"_297":426},"https://img.ochreeditions.com/m/1127.jpg?dl=1","/art/the-adoration-of-the-shepherds-met-436966","/galleries/style/italian-renaissance/the-adoration-of-the-shepherds-met-436966",{"_289":290,"_291":292},{"_224":419,"_125":420,"_283":421},{"_274":416,"_276":417,"_278":401,"_279":418},70.6,55.928765021733575,40.928765021733575,{"_285":224,"_123":422,"_154":423,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-andrea-mantegna","Andrea Mantegna's contemporaries","https://img.ochreeditions.com/a/1127/480.jpg","https://img.ochreeditions.com/a/1127/960.jpg","https://img.ochreeditions.com/a/1127/1920.jpg",{"_309":440,"_311":441},{"_309":438,"_311":439},{"_309":436,"_311":437},{"_309":434,"_311":435},{"_309":432,"_311":433},"#c3892d",0.0293,"#738c9b",0.0749,"#815a36",0.2135,"#57402a",0.3018,"#322a20",0.3805,"Andrea Mantegna","andrea-mantegna","Italian, 1430–1506",1430,1506,"Isola di Carturo","Mantua","lucretia-met-337075","Lucretia",{"_42":504,"_221":505,"_323":506,"_325":326,"_327":507,"_329":508,"_331":509,"_333":334,"_335":510,"_140":99},"1508–10","drawing","Drawings","Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)","15-5/8 x 11-1/2 in. (39.7 x 29.2 cm)",29.2,39.7,0.7302187415608966,[489,490,491,492,493],{"_220":299,"_221":300,"_42":301,"_302":303},"1997.153","Raphael drew this in 1508–10, aged about 25. It is now at The Met in New York.","Lucretia, the Roman noblewoman who took her own life after being raped by the king’s son, an act that led to the founding of the Roman Republic, raises a dagger to her breast. Raphael drew her in pen and ink over black chalk around 1508–10, soon after arriving in Rome, basing the figure on ancient sculpture.","Lucretia, by Raphael, 1508–10",{"_293":486,"_295":487,"_297":488},"https://img.ochreeditions.com/m/1012.jpg?dl=1","/art/lucretia-met-337075","/galleries/style/italian-renaissance/lucretia-met-337075",{"_289":484,"_291":485},{"_224":476,"_125":477,"_283":478},{"_274":473,"_276":474,"_278":475,"_279":458},52.9896840399676,63.7,28.989684039967596,{"_285":224,"_123":482,"_154":483,"_140":99},{"_285":125,"_123":479,"_154":480,"_140":481},{"_285":283,"_123":167,"_154":166,"_140":169},"style/drawing-16","More drawings of the 16th century",35,"artist/raphael","More by Raphael","black","snow","https://img.ochreeditions.com/a/1012/480.jpg","https://img.ochreeditions.com/a/1012/960.jpg","https://img.ochreeditions.com/a/1012/1920.jpg",{"_309":502,"_311":503},{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},{"_309":494,"_311":495},"#edded4",0.0326,"#dcccbf",0.0399,"#aa937c",0.1034,"#c0b09f",0.4112,"#b8a691",0.4129,"Raphael","raphael","Italian, 1483–1520",1483,1520,"Urbino","Raphael trained in Urbino and in Perugino’s orbit, absorbed the lessons of Leonardo and Michelangelo in Florence from 1504, and in 1508 was called to Rome by Pope Julius II.","study-for-the-equestrian-monument-to-francesco-sforza-met-459186","Study for the Equestrian Monument to Francesco Sforza",{"_42":559,"_221":560,"_323":561,"_325":326,"_327":562,"_329":563,"_331":394,"_333":334,"_335":-5,"_140":101},"early to mid 1480s","Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.","11 1/16 x 10 in. (28.1 x 25.4 cm)",28.1,0.9000336587007741,[544,545,546,547,548],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.410","Antonio Pollaiuolo drew this in the early to mid 1480s, aged about 48. It is now at The Met in New York.","Study for the Equestrian Monument to Francesco Sforza, by Antonio Pollaiuolo, early to mid 1480s",{"_293":541,"_295":542,"_297":543},"https://img.ochreeditions.com/m/1268.jpg?dl=1","/art/study-for-the-equestrian-monument-to-francesco-sforza-met-459186","/galleries/style/italian-renaissance/study-for-the-equestrian-monument-to-francesco-sforza-met-459186",{"_289":484,"_291":485},{"_224":534,"_125":535,"_283":536},{"_274":531,"_276":532,"_278":533,"_279":517},49.29094580949175,52.1,25.290945809491753,{"_285":224,"_123":539,"_154":540,"_140":89},{"_285":125,"_123":537,"_154":538,"_140":91},{"_285":283,"_123":363,"_154":364,"_140":365},"style/drawing-15","More drawings of the 15th century","artist/contemporaries-of-antonio-pollaiuolo","Antonio Pollaiuolo's contemporaries","https://img.ochreeditions.com/a/1268/480.jpg","https://img.ochreeditions.com/a/1268/960.jpg","https://img.ochreeditions.com/a/1268/1920.jpg",{"_309":557,"_311":558},{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},"#e7dacf",0.0323,"#967152",0.2001,"#b7936f",0.2223,"#805e43",0.2272,"#cdae8c",0.3181,"Antonio Pollaiuolo","antonio-pollaiuolo","Italian, 1431/32–1498",1432,1498,"david-with-the-head-of-goliath-nga-1145","David with the Head of Goliath",{"_42":617,"_221":618,"_323":619,"_325":326,"_327":620,"_329":621,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1450/1455","Painting","tempera on leather on wood","overall (width at top): 115.5 x 76.5 cm (45 1/2 x 30 1/8 in.) overall (width at bottom): 115.5 x 40.6 cm (45 1/2 x 16 in.)",76.5,115.5,0.706787109375,[602,603,604,605,606],{"_220":598,"_221":599,"_42":600,"_302":601},"Courtesy National Gallery of Art, Washington","1942.9.8","Andrea del Castagno painted this in about 1450/1455, aged about 31. It is now at the National Gallery of Art in Washington, DC.","This shield-shaped painting shows a young man with pale, peachy skin and curling brown hair standing astride the severed head of a man with dark hair and tanned skin. The painting is wider at the top and tapers like a pint glass to a narrower base. The young man, David, holds the end of long red slingshot with his right hand. The slingshot is weighted by a rock and swings behind his body. His sleeveless rust-red garment is cinched at his waist over a long white shirt. Both garments skim David’s thighs and his legs and feet are bare. Long, curling brown hair frames the ashen and bloodied upturned face of the head at David’s feet. A palm-sized stone is embedded in that forehead. The landscape background is made up of gray boulders, a meandering river, and low palm-like trees. Frothy white clouds sweep across an azure-blue sky.",{"_293":595,"_295":596,"_297":597},"https://img.ochreeditions.com/m/1325.jpg?dl=1","/art/david-with-the-head-of-goliath-nga-1145","/galleries/style/italian-renaissance/david-with-the-head-of-goliath-nga-1145",{"_289":290,"_291":292},{"_224":590,"_125":591,"_283":592},{"_274":587,"_276":588,"_278":589,"_279":572},96.6339111328125,130.5,81.6339111328125,{"_285":224,"_123":593,"_154":594,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-andrea-del-castagno","Andrea del Castagno's contemporaries","https://img.ochreeditions.com/a/1325/480.jpg","https://img.ochreeditions.com/a/1325/960.jpg","https://img.ochreeditions.com/a/1325/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":615,"_311":616},{"_309":613,"_311":614},{"_309":611,"_311":612},{"_309":609,"_311":610},{"_309":607,"_311":608},"#a07d5a",0.1,"#6b4531",0.1323,"#36291e",0.1458,"#3e4f47",0.2122,"#f6f6f4",0.4097,"Andrea del Castagno","andrea-del-castagno","Florentine, before 1419–1457",1419,1457,"man-seated-holding-a-forked-staff-nga-6082","Man Seated Holding a Forked Staff",{"_42":674,"_221":675,"_323":676,"_325":326,"_327":677,"_329":678,"_331":-5,"_333":-5,"_335":-5,"_140":101},"c. 1514/1515","print","Print","engraving","sheet (trimmed close to plate mark): 16.4 x 14.8 cm (6 7/16 x 5 13/16 in.)",14.8,16.4,0.8909454727363681,[660,661,662,663,664],{"_220":598,"_221":599,"_42":600,"_302":601},"1943.3.2906","Giovanni Antonio da Brescia made this in about 1514/1515, aged about 44. It is now at the National Gallery of Art in Washington, DC.","The image shows a man seated with a slight forward tilt. He is muscular, with one leg bent and the other extended. His head is turned to the left in profile, revealing his facial features, which include a large nose, full beard, and curly hair. He appears naked except for a fabric drape over his shoulders. In his left hand, he holds a staff, and there is a plant with twisting vines near him. The background is a shaded rocky surface with no other details.",{"_293":657,"_295":658,"_297":659},"https://img.ochreeditions.com/m/1345.jpg?dl=1","/art/man-seated-holding-a-forked-staff-nga-6082","/galleries/style/italian-renaissance/man-seated-holding-a-forked-staff-nga-6082",{"_289":484,"_291":485},{"_224":649,"_125":650,"_283":651},{"_274":645,"_276":646,"_278":647,"_279":648},46.2736368184092,49,22.273636818409205,25,{"_285":224,"_123":655,"_154":656,"_140":89},{"_285":125,"_123":652,"_154":653,"_140":654},{"_285":283,"_123":167,"_154":166,"_140":169},"style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-giovanni-antonio-da-brescia","Giovanni Antonio da Brescia's contemporaries","https://img.ochreeditions.com/a/1345/480.jpg","https://img.ochreeditions.com/a/1345/960.jpg","https://img.ochreeditions.com/a/1345/1920.jpg",{"_309":672,"_311":673},{"_309":670,"_311":671},{"_309":669,"_311":382},{"_309":667,"_311":668},{"_309":665,"_311":666},"#d4ccb9",0.0652,"#78726c",0.0699,"#938b81","#aba194",0.2514,"#b9af9f",0.4921,"Giovanni Antonio da Brescia","giovanni-antonio-da-brescia","Italian, active c. 1490–1525 or after",1470,1525,"a-flying-angel-nga-56625","A Flying Angel",{"_42":727,"_221":728,"_323":729,"_325":326,"_327":730,"_329":731,"_331":-5,"_333":-5,"_335":-5,"_140":101},"1580/1590","Drawing","pen and brown ink, heightened with white, over black chalk on laid paper","overall (approximate): 27.4 x 17.4 cm (10 13/16 x 6 7/8 in.)",17.4,27.4,0.65966796875,[712,713,714,715,716],{"_220":598,"_221":599,"_42":600,"_302":601},"1978.26.1","Jacopo Palma il Giovane drew this in 1580/1590, aged about 32. It is now at the National Gallery of Art in Washington, DC.","The image shows a human figure with wings positioned as though in flight. The figure is captured from a slightly frontal perspective, with the head turned downwards and the right arm outstretched. The facial features are undefined, focusing more on the body's muscular structure. The figure wears a cloth or drapery around the waist and has well-defined muscles on the chest, arms, and legs. Large wings extend out behind the figure, adding to the sense of flight. The background is plain with a light texture.",{"_293":709,"_295":710,"_297":711},"https://img.ochreeditions.com/m/1587.jpg?dl=1","/art/a-flying-angel-nga-56625","/galleries/style/italian-renaissance/a-flying-angel-nga-56625",{"_289":484,"_291":485},{"_224":704,"_125":705,"_283":706},{"_274":701,"_276":702,"_278":703,"_279":687},42.07490234375,51.4,18.07490234375,{"_285":224,"_123":707,"_154":708,"_140":89},{"_285":125,"_123":479,"_154":480,"_140":481},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacopo-palma-il-giovane","Jacopo Palma il Giovane's contemporaries","https://img.ochreeditions.com/a/1587/480.jpg","https://img.ochreeditions.com/a/1587/960.jpg","https://img.ochreeditions.com/a/1587/1920.jpg",{"_309":725,"_311":726},{"_309":723,"_311":724},{"_309":721,"_311":722},{"_309":719,"_311":720},{"_309":717,"_311":718},"#b89b76",0.0577,"#e4cdab",0.0785,"#caac85",0.1633,"#d3b895",0.2805,"#dac2a0",0.42,"Jacopo Palma il Giovane","jacopo-palma-il-giovane","Italian, c. 1548–1628",1548,1628,"the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","The Head of the Virgin in Three-Quarter View Facing Right",{"_42":779,"_221":780,"_323":781,"_325":326,"_327":782,"_329":783,"_331":784,"_333":785,"_335":786,"_140":99},"1510–13","Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing lines in pen and brown ink at upper right (not by Leonardo)","Sheet: 8 x 6 1/8 in. (20.3 x 15.6 cm)",15.6,20.3,0.7776033490319204,[764,765,766,767,768],{"_220":299,"_221":300,"_42":301,"_302":303},"51.90","Leonardo da Vinci drew this in 1510–13, aged about 58. It is now at The Met in New York.","The Virgin’s head is turned in three-quarter view and tilted downward, her eyes lowered and a faint smile on her lips, modelled in black and red chalk and charcoal with a softness that seems to dissolve the contours into shadow.","The Head of the Virgin in Three-Quarter View Facing Right, by Leonardo da Vinci, 1510–13",{"_293":761,"_295":762,"_297":763},"https://img.ochreeditions.com/m/1022.jpg?dl=1","/art/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496","/galleries/style/italian-renaissance/the-head-of-the-virgin-in-three-quarter-view-facing-right-met-337496",{"_289":484,"_291":485},{"_224":756,"_125":757,"_283":758},{"_274":754,"_276":646,"_278":755,"_279":648},43.44008372579801,19.44008372579801,{"_285":224,"_123":759,"_154":760,"_140":99},{"_285":125,"_123":479,"_154":480,"_140":481},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/leonardo-da-vinci","More by Leonardo da Vinci","https://img.ochreeditions.com/a/1022/480.jpg","https://img.ochreeditions.com/a/1022/960.jpg","https://img.ochreeditions.com/a/1022/1920.jpg",{"_309":777,"_311":778},{"_309":775,"_311":776},{"_309":773,"_311":774},{"_309":771,"_311":772},{"_309":769,"_311":770},"#f7f4ee",0.1036,"#d2c2b8",0.1795,"#b0a198",0.2165,"#766a65",0.2258,"#918279",0.2746,"Leonardo da Vinci","leonardo-da-vinci","Italian, 1452–1519",1452,1519,"Vinci","Amboise","Leonardo trained in Florence in the studio of Andrea del Verrocchio and spent much of his career in Milan in the service of Ludovico Sforza, where he painted The Last Supper.","christ-crowned-with-thorns-met-435580","Christ Crowned with Thorns",{"_42":833,"_221":834,"_323":835,"_325":326,"_327":445,"_329":836,"_331":837,"_333":837,"_335":-5,"_140":101},"Oil, possibly over tempera, on wood","16 3/4 x 12 in. (42.5 x 30.5 cm)",30.5,42.5,0.720580611715915,[818,819,820,821,822],{"_220":299,"_221":300,"_42":301,"_302":303},"32.100.82","Antonello da Messina (Antonello di Giovanni d'Antonio) painted this, aged about 20. It is now at The Met in New York.","Christ Crowned with Thorns, by Antonello da Messina (Antonello di Giovanni d'Antonio)",{"_293":815,"_295":816,"_297":817},"https://img.ochreeditions.com/m/1057.jpg?dl=1","/art/christ-crowned-with-thorns-met-435580","/galleries/style/italian-renaissance/christ-crowned-with-thorns-met-435580",{"_289":290,"_291":292},{"_224":810,"_125":811,"_283":812},{"_274":807,"_276":808,"_278":809,"_279":793},45.62467599792639,57.5,30.62467599792639,{"_285":224,"_123":813,"_154":814,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-antonello-da-messina-antonello-di-giovanni-d-antonio","Antonello da Messina (Antonello di Giovanni d'Antonio)'s contemporaries","https://img.ochreeditions.com/a/1057/480.jpg","https://img.ochreeditions.com/a/1057/960.jpg","https://img.ochreeditions.com/a/1057/1920.jpg",{"_309":831,"_311":832},{"_309":829,"_311":830},{"_309":827,"_311":828},{"_309":825,"_311":826},{"_309":823,"_311":824},"#8c5c16",0.0628,"#4f3316",0.0679,"#ab8c4d",0.1654,"#dfc999",0.2028,"#1c1513",0.5011,"Antonello da Messina (Antonello di Giovanni d'Antonio)","antonello-da-messina-antonello-di-giovanni-d-antonio","Italian, 1430–1479",1479,"Messina","mars-and-venus-united-by-love-met-437891","Mars and Venus United by Love",{"_42":884,"_221":885,"_323":886,"_325":326,"_327":887,"_329":888,"_331":889,"_333":890,"_335":-5,"_140":103},"1570s","81 x 63 3/8 in. (205.7 x 161 cm)",161,205.7,0.7785,[869,870,871,872,873],{"_220":299,"_221":300,"_42":301,"_302":303},"10.189","Paolo Veronese (Paolo Caliari) painted this in the 1570s, aged about 42. It is now at The Met in New York.","Mars and Venus United by Love, by Paolo Veronese (Paolo Caliari), 1570s",{"_293":866,"_295":867,"_297":868},"https://img.ochreeditions.com/m/1174.jpg?dl=1","/art/mars-and-venus-united-by-love-met-437891","/galleries/style/italian-renaissance/mars-and-venus-united-by-love-met-437891",{"_289":290,"_291":292},{"_224":861,"_125":862,"_283":863},{"_274":858,"_276":859,"_278":860,"_279":844},175.13744999999997,220.7,160.13744999999997,{"_285":224,"_123":864,"_154":865,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-paolo-veronese-paolo-caliari","Paolo Veronese (Paolo Caliari)'s contemporaries","https://img.ochreeditions.com/a/1174/480.jpg","https://img.ochreeditions.com/a/1174/960.jpg","https://img.ochreeditions.com/a/1174/1920.jpg",{"_309":882,"_311":883},{"_309":880,"_311":881},{"_309":878,"_311":879},{"_309":876,"_311":877},{"_309":874,"_311":875},"#3d4c48",0.0829,"#8c7b60",0.1043,"#5f4d30",0.1767,"#3a2e1c",0.2902,"#1c1610",0.3459,"Paolo Veronese (Paolo Caliari)","paolo-veronese-paolo-caliari","Italian, 1528–1588",1528,1588,"Verona","Venice","the-baptism-of-christ-met-440393","The Baptism of Christ",{"_42":937,"_221":938,"_323":939,"_325":326,"_327":393,"_329":940,"_331":941,"_333":941,"_335":-5,"_140":101},"ca. 1590","75 1/2 x 63 1/8 in. (191.8 x 160.3 cm)",160.3,191.8,0.8148820326678766,[922,923,924,925,926],{"_220":299,"_221":300,"_42":301,"_302":303},"2012.99","Jacopo Bassano painted this in about 1590, aged about 75. It is now at The Met in New York.","The Baptism of Christ, by Jacopo Bassano, ca. 1590",{"_293":919,"_295":920,"_297":921},"https://img.ochreeditions.com/m/1200.jpg?dl=1","/art/the-baptism-of-christ-met-440393","/galleries/style/italian-renaissance/the-baptism-of-christ-met-440393",{"_289":290,"_291":292},{"_224":914,"_125":915,"_283":916},{"_274":911,"_276":912,"_278":913,"_279":897},171.29437386569876,206.8,156.29437386569876,{"_285":224,"_123":917,"_154":918,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacopo-bassano","Jacopo Bassano's contemporaries","https://img.ochreeditions.com/a/1200/480.jpg","https://img.ochreeditions.com/a/1200/960.jpg","https://img.ochreeditions.com/a/1200/1920.jpg",{"_309":935,"_311":936},{"_309":933,"_311":934},{"_309":931,"_311":932},{"_309":929,"_311":930},{"_309":927,"_311":928},"#501c1a",0.0331,"#80614d",0.0373,"#483528",0.0862,"#291f19",0.1566,"#140f0e",0.6868,"Jacopo Bassano","jacopo-bassano","Italian, c. 1510–1592",1592,"Bassano del Grappa","the-musicians-met-435844","The Musicians",{"_42":988,"_221":989,"_323":990,"_325":326,"_327":991,"_329":992,"_331":993,"_333":994,"_335":-5,"_140":101},"1597","36 1/4 x 46 5/8 in. (92.1 x 118.4 cm)",118.4,92.1,1.288244766505636,[973,974,975,976,977],{"_220":299,"_221":300,"_42":301,"_302":303},"52.81","Caravaggio painted this in 1597, aged 26. It is now at The Met in New York.","The Musicians, by Caravaggio, 1597",{"_293":970,"_295":971,"_297":972},"https://img.ochreeditions.com/m/1069.jpg?dl=1","/art/the-musicians-met-435844","/galleries/style/italian-renaissance/the-musicians-met-435844",{"_289":290,"_291":292},{"_224":965,"_125":966,"_283":967},{"_274":962,"_276":963,"_278":947,"_279":964},133.4,106.908,91.908,{"_285":224,"_123":968,"_154":969,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-caravaggio","Caravaggio's contemporaries","https://img.ochreeditions.com/a/1069/480.jpg","https://img.ochreeditions.com/a/1069/960.jpg","https://img.ochreeditions.com/a/1069/1920.jpg",{"_309":986,"_311":987},{"_309":984,"_311":985},{"_309":982,"_311":983},{"_309":980,"_311":981},{"_309":978,"_311":979},"#3d1310",0.0947,"#8b7a64",0.2034,"#604832",0.2072,"#1e1308",0.2306,"#3a2c1a",0.2641,"Caravaggio","caravaggio","Italian, 1571–1610",1571,1610,"Milan or Caravaggio","Porto Ercole","a-bear-walking-met-459184","A Bear Walking",{"_42":779,"_221":780,"_323":781,"_325":326,"_327":782,"_329":783,"_331":784,"_333":785,"_335":786,"_140":99},"ca. 1482–85","silverpoint on light buff prepared paper","4 1/16 x 5 1/4 in. (10.3 x 13.3 cm)",13.3,10.3,1.2957198443579767,[1025,1026,1027,1028,1029],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.369","Leonardo da Vinci drew this in about 1482–85, aged about 25. It is now at The Met in New York.","A bear lumbers forward on all fours, drawn in silverpoint on prepared paper with fine, patient strokes that describe its fur, its heavy paws and the shifting weight of its body. Leonardo made the study in the early 1480s as part of his lifelong curiosity about the anatomy and movement of living things.","A Bear Walking, by Leonardo da Vinci, ca. 1482–85",{"_293":1022,"_295":1023,"_297":1024},"https://img.ochreeditions.com/m/1267.jpg?dl=1","/art/a-bear-walking-met-459184","/galleries/style/italian-renaissance/a-bear-walking-met-459184",{"_289":484,"_291":485},{"_224":1019,"_125":1020,"_283":1021},{"_274":646,"_276":1017,"_278":648,"_279":1018},43.29429429429429,19.294294294294293,{"_285":224,"_123":759,"_154":760,"_140":99},{"_285":125,"_123":537,"_154":538,"_140":91},{"_285":283,"_123":363,"_154":364,"_140":365},"https://img.ochreeditions.com/a/1267/480.jpg","https://img.ochreeditions.com/a/1267/960.jpg","https://img.ochreeditions.com/a/1267/1920.jpg",{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},{"_309":1032,"_311":1033},{"_309":1030,"_311":1031},"#faf2db",0.051,"#b39b82",0.0826,"#c9b094",0.191,"#bfa68c",0.2529,"#c4ac94",0.4225,"portrait-of-a-woman-with-a-man-at-a-casement-met-436896","Portrait of a Woman with a Man at a Casement",{"_42":1087,"_221":1088,"_323":1089,"_325":326,"_327":1090,"_329":1091,"_331":394,"_333":1092,"_335":-5,"_140":103},"ca. 1440","Tempera on wood","25 1/4 x 16 1/2 in. (64.1 x 41.9 cm)",41.9,64.1,0.6627096774193548,[1072,1073,1074,1075,1076],{"_220":299,"_221":300,"_42":301,"_302":303},"89.15.19","Fra Filippo Lippi painted this in about 1440, aged about 29. It is now at The Met in New York.","Portrait of a Woman with a Man at a Casement, by Fra Filippo Lippi, ca. 1440",{"_293":1069,"_295":1070,"_297":1071},"https://img.ochreeditions.com/m/1115.jpg?dl=1","/art/portrait-of-a-woman-with-a-man-at-a-casement-met-436896","/galleries/style/italian-renaissance/portrait-of-a-woman-with-a-man-at-a-casement-met-436896",{"_289":290,"_291":292},{"_224":1064,"_125":1065,"_283":1066},{"_274":1061,"_276":1062,"_278":1063,"_279":1047},57.47969032258064,79.1,42.47969032258064,{"_285":224,"_123":1067,"_154":1068,"_140":89},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/contemporaries-of-fra-filippo-lippi","Fra Filippo Lippi's contemporaries","https://img.ochreeditions.com/a/1115/480.jpg","https://img.ochreeditions.com/a/1115/960.jpg","https://img.ochreeditions.com/a/1115/1920.jpg",{"_309":1085,"_311":1086},{"_309":1083,"_311":1084},{"_309":1081,"_311":1082},{"_309":1079,"_311":1080},{"_309":1077,"_311":1078},"#a8835c",0.0778,"#694d2e",0.1868,"#281e17",0.1879,"#4d241c",0.25,"#4a341f",0.2975,"Fra Filippo Lippi","fra-filippo-lippi","Italian, 1406–1469",1406,1469,"Spoleto","the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971","The Creation of the World and the Expulsion from Paradise",{"_42":1139,"_221":1140,"_323":1141,"_325":326,"_327":1142,"_329":1143,"_331":1144,"_333":1144,"_335":1145,"_140":97},"1445","Overall: 18 1/4 × 20 1/2 in. (46.4 × 52.1 cm)",46.4,1.1235955056179776,[1124,1125,1126,1127,1128],{"_220":299,"_221":300,"_42":301,"_302":303},"1975.1.31","Giovanni di Paolo painted this in 1445, aged 47. It is now at The Met in New York.","Two moments share one small panel. At the left, God the Father, borne by a ring of blue cherubim, sets the universe in motion: a great disc of concentric circles for the elements, the planets and the signs of the zodiac, with a map of the earth at its centre.","The Creation of the World and the Expulsion from Paradise, by Giovanni di Paolo, 1445",{"_293":1121,"_295":1122,"_297":1123},"https://img.ochreeditions.com/m/1245.jpg?dl=1","/art/the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971","/galleries/style/italian-renaissance/the-creation-of-the-world-and-the-expulsion-from-paradise-met-458971",{"_289":290,"_291":292},{"_224":1116,"_125":1117,"_283":1118},{"_274":1113,"_276":1114,"_278":532,"_279":1115},67.1,61.369,46.369,{"_285":224,"_123":1119,"_154":1120,"_140":97},{"_285":125,"_123":366,"_154":367,"_140":368},{"_285":283,"_123":363,"_154":364,"_140":365},"artist/giovanni-di-paolo","More by Giovanni di Paolo","https://img.ochreeditions.com/a/1245/480.jpg","https://img.ochreeditions.com/a/1245/960.jpg","https://img.ochreeditions.com/a/1245/1920.jpg",{"_309":1137,"_311":1138},{"_309":1135,"_311":1136},{"_309":1133,"_311":1134},{"_309":1131,"_311":1132},{"_309":1129,"_311":1130},"#0e0c0a",0.1085,"#777e75",0.1783,"#385163",0.2003,"#88704d",0.2215,"#473d2b",0.2914,"Giovanni di Paolo","giovanni-di-paolo","Italian, 1398–1482",1398,1482,"Siena","Giovanni di Paolo spent his long career in Siena, where he was one of the city’s leading painters through the fifteenth century.",{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","d8b65886fe126441009b86946394cfc185738096","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]